Fifth Harmony Gets Spooky With Hotel Transylvania 2 Soundtrack’s Lead Single

Courtesy:  Sony Pictures Animation

Courtesy: Sony Pictures Animation

Adam Sandler and company are back. Next month, Sony Pictures Animation will release Hotel Translyvania 2. And ahead of the highly anticipated movie’s release, the hit pop group Fifth Harmony has debuted the lead single from the movie’ s sound track ‘I’m In Love With A Monster’ and audiences can check it out online now via Vevo.

Courtesy:  Epic Records

Courtesy: Epic Records

Audiences can check out the video for ‘I’m In Love With A Monster’ online now via Vevo at http://www.vevo.com/watch/fifth-harmony/Im-In-Love-With-a-Monster-(from-Hotel-Transylvania-2)/USSM21501512. The video mixes together footage of the group performing its song in various settings along with footage from the movie as well as appearances from some rather spooky guests. While many of the group’s songs are generally aimed at specific audiences, the infectious grooves and family friendly lyrical content are sure to make the song just one more part of the movie that families will enjoy.

Fifth Harmony is currently winding down its “Reflection Summer Tour.” It is currently scheduled to perform live at Maryland State Fairgrounds in Timonium, Maryland on Saturday, September 5th and at the Washington State Fair on Wednesday, September 16th. After those two dates, the group will take some down time, it will be back on Stage on Wednesday, December 2nd at the SAP Center in San Jose, California. All of the latest updates on Fifth Harmony’s tour is available online now along with all of the group’s latest news at:

Website: http://www.fifthharmonyofficial.com

Facebook: http://www.facebook.com/fifthharmony

Twitter: http://twitter.com/fifthharmony

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Shockwave Supernova Packs A Powerful Musical Punch

Courtesy:  Legacy Recordings

Courtesy: Legacy Recordings

Late last month, veteran virtuoso guitarist Joe Satriani released his latest album Shockwave Supernova. The album, Satriani’s fifteenth full-length studio recording, is perhaps Satch’s best record to date, harking back to the days of Crystal Planet and Is There Love In Space? That is not to say that it just re-hashes the songs presented in those albums. Rather it just means that it possesses the same energy and similar vibe of said albums throughout all fifteen of its tracks. At the same time, the professor doesn’t stick to just one style of song throughout the album. The blues style arrangements for which Satch has become so well known are represented here yet again most notably by the laid back groove of ‘San Francisco Blue.’ The album’s opener and title track clearly show the influence of Satriani’s previously noted albums with its complex arrangement and sound. The album’s closer ‘Goodbye Supernova’ is another good example of the growth exhibited in this album. It shows yet again with its string arrangements and almost Pink Floyd-inspired sound just how in depth Satriani can get with his compositions. Whether through this song, either of the previously noted works, or for any of the album’s other songs not more directly noted here, it can be said that Shockwave Supernova is one of Joe Satriani’s best albums to date, one of the year’s best new rock records, and potentially one of the year’s best new albums overall.

Shockwave Supernova is a triple-threat of a record. It is one of the best of this year’s new rock records, one of Satriani’s best albums to date, and potentially one of the year’s best new albums overall. That is because the picture painted by the album’s fifteen tracks is one that is entirely new while showing a clear influence from at least a couple of Satch’s classic albums–Crystal Planet and Is There Love in Space? Long-time fans will note that while Satriani doesn’t just re-hash the songs composed for those records in this presentation, the songs do at least show their influence through their collective vibe. One of the album’s arrangements that proves this (and does so quite well at that) is the blues-based jam ‘San Francisco Blue.’ The song’s familiar laid-back groove is established not just by Satriani in this case but also by his band mates–Mike Keneally (keyboards, guitar), Marco Minnemann (drums), and Bryan Beller (bass). It could even be argued that Minnemann’s work behind the kit lies at the heart of that groove. That easy-going groove set against Satriani’s equally smooth riffs and the Beller’s harmonies and low end instantly conjures thoughts of someone overlooking the Golden Gate Bridge on a sunny day, and cruising back and forth along the famous zig-zagging Lombard Street. Listeners could even close their eyes and see people strolling along the bay’s equally famed Fisherman’s Wharf or going for a ride on one of the city’s many legendary cable cars. Such images alongside such a calming and original sound clearly show why this song is an exemplar of this new record’s positives. It is just one of those positives, too. the album’s opener and title track serves as just as much of an example of what makes this record so enjoyable.

The laid-back, easygoing groove of ‘San Francisco Blue’ and the images generated by said groove make this song a clear example of what makes Shockwave Supernova one of Joe Satriani’s best records to date. The vibe generated by that groove will take listeners back to Satriani’s older recordings without leaving them feeling that he has just re-hashed the bluesy pieces included in said records. The title track/opener to this record will have much the same effect. The multiple time signatures that Satriani and company have to negotiate in the song’s opening bars instantly take listeners back to the days of Crystal Planet as do the rest of the song’s driving tempos. While Satriani’s talents are on full display here once again, listeners will be happy to know that he doesn’t hog the limelight here. That is saying quite a bit especially with the song being the album’s opener. Minnemann shines as he maintains the song’s driving tempo all while navigating some rather impressive poly-rhythmic patterns throughout the song. It can be assumed that Mike Keneally handles the keyboard line in this arrangement. And while that line doesn’t necessarily steal the spotlight, it is just as impressive in its subtle addition to the song. The combination of those three lines and Beller’s low-end shows clearly why this song was chosen to open the album and why once again the album in whole proves to be another impressive recording from Joe Satriani.

Both ‘San Francisco Blue’ and ‘Shockwave Supernova’ show in their own way just what makes Joe Satriani’s latest effort such an impressive new collection of songs. Of course they are only part of what makes this record one of the year’s best new rock records and potentially one of the year’s best new records overall. The album’s closer ‘Goodbye Supernova’ is just as solid of an example of what makes Shockwave Supernova so impressive as the previously noted songs. That is because it proves to be just as much of a departure from those previously noted songs as they are from one another. It is a much more reserved work complete with string arrangement and what is either a piano ine or a rather solid bass line. Regardless of bass or piano, that low end, when coupled with the string arrangements and Satriani’s own guitar line, rounds out a work that is just as perfect of a closing number as the album’s title track is an opener. All of the lines combined create a full, rich sound that is both soothing yet mysterious at the same time. It is a sound that is the perfect final statement from Satriani on this record. As with certain other works included in the record, it is another piece that long-time fans will appreciate because of its similarity to works included in the likes of Crystal Planet and Is There Love in Space? At the same time, it serves as a fitting accent that even in its reserved sound is just as strong as any of the more energetic pieces presented throughout the record’s sixty-four minute run time. When combined with those other songs (including the pieces noted here), it becomes the final touch on an album that in whole proves exactly why it is one of this year’s best new rock records and potentially one of the best new albums of the year overall.

Joe Satriani’s fifteenth full-length studio recording is one of this year’s best new rock records and potentially one of the year’s best new albums overall. That is proven time and again over the course of the album’s fifteen total tracks. From the familiar blues-tinged sound of ‘San Francisco Blue’ to the equally familiar sound of the album’s opener, which will take long-time fans back to previous great Satriani records such as Crystal Planet and Is There Love in Space? to the reserved yet mysterious sound of the album’s closer this record proves in the end to be one that every listener will appreciate regardless of their familiarity with Joe Satriani’s body of work. The same can be said of the roughly dozen tracks not noted here. Those tracks each add their own element of enjoyment to this album. Collectively, they prove Shockwave Supernova to be a record that while obviously not as powerful as the shockwave from a supernova (to say the least) is a record that will still have quite the impact on audiences. That impact will lead audiences new and old alike to agree that this record is one of the year’s best new rock records and potentially one of the year’s best new albums overall. Shockwave Supernova is available now in stores and online. More information on Shockwave Supernova is available online now along with all of the latest updates to Satriani’s current tour schedule and all of his latest news at:

Website: http://www.satriani.com

Facebook: http://www.facebook.com/joesatriani

Twitter: http://twitter.com/chickenfootjoe

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Lamb Of God Takes No Prisoners As It Storms This Year’s Hard Rock And Metal Field

Courtesy:  Epic Records

Courtesy: Epic Records

It’s official. Lamb of God is back. The veteran metal band, which was once tapped as part of the so-called New Wave of American Heavy Metal, released its latest full-length studio effort on July 24th. The album, the band’s seventh, is one that almost didn’t happen. That is because of front man Randy Blythe’s 2012 court case stemming from the death of one of the band’s fans in 2010 at one of the band’s live shows in Prague. Blythe faced the possibility of spending quite a bit of time behind bars as a result of the fan’s death as he was implicated in sad fan’s death. Thankfully that didn’t happen. And because it didn’t fans now have an album in VII: Sturm Und Drang that is both one of the band’s best albums to date and that is one of the best of this year’s hard rock and metal albums. The record is anchored by the trademark musical and lyrical intensity that the band’s fans have come to know so well over the years as is evident in ‘#512’ and ‘Engage The Fear Machine.’ Though, for its familiar sound and feel, the band does throw a proverbial wrench in the works, branching out slightly in regards to its musical content in ‘Overlord.’ All three songs show in their own way that Lamb of God is indeed back. They are hardly the only songs that could be cited in making that argument. The standard edition features seven other songs that could just as easily be used for that argument. The deluxe extended edition no fewer than nine other tracks as fodder for that argument as it includes a pair of bonus recordings. All things considered, VII: Sturm Und Drang (storm and penetrated, roughly translated) proves both in its standard and deluxe editions to be an album that is, again, one of Lamb of God’s best recordings yet and one of this year’s best new hard rock and metal recordings.

Lamb of God’s latest full-length album VII: Sturm Und Drang is one of the band’s best recordings to date and one of the best of this year’s crop of new hard rock and metal albums. It is an especially welcome recording from one of the members of the so-called New Wave of American Heavy Metal considering that it almost didn’t happen. From beginning to end, fans will note the band’s trademark musical and lyrical intensity in every song including one of its highest moments, ‘#512.’ Considering the song’s lyrical content, one can’t help but think that it must be one of the two songs included in this record that were centered on the case in question. He writes in the song, “Six bars laid across the sky/Four empty walls to fill the time/One careless word, you lose your life/A grave new world awaits inside.” He goes on to write in the song’s chorus, “My hands are painted red/My future’s painted black/I can’t recognize myself/I’ve become someone else/My hands are painted red” The content contained in the song’s second and third verse strengthens the argument even more that this song is referencing the events of Blythe’s case. Both verses, when coupled with the intensity of the song’s musical content, illustrates the emotion that Blythe must have felt when he originally wrote this song. That is, again, if the song is indeed making reference to the case.

Regardless of whether or not #512 is indeed making reference to Randy Blythe’s case stemming from the death of one of LOG’s fans some five years ago, it is still one of the best moments of this already outstanding return for one of metal’s top acts. It is hardly the only positive that can be taken from the band’s new album. ‘Engage The Fear Machine’ is yet another positive from this outstanding work. Coming from a musical vantage point, ‘Engage The Fear Machine’ shows another familiar sound. The band’s technical expertise in this death metal style song. Drummer Chris Adler’s time keeping is without flaw. Mark Morton and Will Adler are just as tight together in the song’s dual-part approach to the songs. And the fire in Blythe’s voice as he screams will remind long-time fans just as much of the band’s previous works. Speaking in terms of the song’s lyrical content, the song hits just as hard as Blythe comments on the steady stream of fear, death, and destruction being fed to Americans from the media and other sources. He screams, “Here we go again/The world is coming to an end/Engage the fear machine and collect the dividends/That’s it, you filthy monkeys/Keep your eyes on the bright and shiny/Just for you/A brand new-and-improved catastrophe/Pure-bred Pavlov/Prime time apocalypse/Hit the panic button and reap the bloody benefits.” This is made even clearer as he screams in the song’s closing verse, “Stream the latest threat from the limelight economists/Fabricated peri from contagion to communists/Fear delivered to your door by racketeers and strategists/Another advertisement war sold by the media terrorists.” If there was any doubt before, then that doubt is completely eliminated here. The fear machine is the media. It is politicians. It is everybody in any sense of power that willingly drives people into submission through the use of fear. That reminder to not give in to the fear machine set alongside the song’s familiar powerhouse musical content makes even clearer why this song is one of the best of the band’s new album. While it is another of the album’s best moments, it is not the last of said moments. ‘Overlord’ is one of the album’s representative singles and justifiably so. It is yet another of the album’s most notable works.

‘#512’ and ‘Engage The Fear Machine’ are both key additions to Lamb of God’s new album. Both songs harken back to the band’s previous albums with their musical content. The songs’ lyrical content will impress just as much with their hard-hitting and thought-provoking lyrical content. While both songs show in their own way to be key additions to VII: Sturm Und Drang they are just a small collective glimpse into what makes this record such a welcome return for Lamb of God. The album’s latest single ‘Overlord’ is one more example of what makes this record a welcome return. It is perhaps the single most notable of the album’s songs because it is such a drastic departure for the band. The band’s signature speed and ferocity are both there. However, listeners are treated to more than just that familiar sound. The song starts out with a much slower hybrid Crowbar/Alice in Chains sort of sound that runs nearly three and a half minutes into the song’s six and a half-minute run time. Throughout that initial run, audiences actually get to hear for themselves that the band’s members can in fact do more than just play really fast and really loud. All five men show that they can play in a slow, controlled fashion just as much as they can fast and loud. Even Blythe’s vocals have a different sound in that run. It’s an interesting change of pace overall. It is just part of what makes this song such an interesting addition to the record, too. The song’s lyrical content, written by Blythe add even more interest. Blythe noted in an interview that lyrically speaking, the song is a commentary about how the world’s people have become completely self-obsessed and that the end result of that obsession can only be bad. He notes of the song that, “I wrote the song about the dangers of self-obsession in our distressingly myopic and increasingly entitled “me-now/now-me” culture; just like the couple in the video, many people can’t seem to look past their own relatively small problems to see the bigger picture: the world is in serious trouble. Having a bad day at work, or a fight with your significant other, or getting a crappy haircut or table service does not in any way shape or form constitute an emergency. Sometimes things just don’t work out the way we want them to deal with it. People who only see their own problems eventually wind up alone because no one wants to hear their crap anymore- we all know someone like that, always whining and complaining about some inconsequential setback as if it were the apocalypse. This song is for those people.” That statement is made clear as he screams, “A new time of declaration of distress/Strife, misery, and the pursuit of unhappiness/Endless complaining/No accountability/No reek of privilege and weightless tragedy.” It is made even clearer as he screams later in the song, “All the world’s a stage/But you are the only player/A black hole in the center of the universe/A dark cloud of despair/Caught in an endless rut/A Crisis without solution/Someone should stitch your mouth shut/And solve your f***ing problem.” This is a rather sharp indictment of those people. But again, everybody knows someone like the individual(s) noted here. That being the case, the fire in these words along with Blythe’s delivery style and the musical approach of his band mates combine to make ‘Overlord’ one of the album’s strongest songs if not the single strongest songs. Audiences can check out the song for themselves now along with its companion video via YouTube at https://www.youtube.com/watch?v=RNRsvFsY9qk. Together with the likes of ‘#512’ and ‘Engage The Fear Machine’ all three songs show together clearly why VII: Sturm Und Drang is a welcome return for Lamb of God. Those songs combined with the remaining tracks not noted here result in an album that is justifiably one of the best of this year’s hard rock and metal crop.

VII: Sturm Und Drang shows from beginning to end to be a welcome return for Lamb of God. Audiences will agree that regardless of whether they pick up the deluxe twelve-track edition or the standard ten-track record, it proves to be one of the best of this year’s crop of new hard rock and metal albums. This is thanks both to the musical talent displayed time and again throughout the body of the record and the commentary contained within each of the album’s songs. Whether for one of the tracks noted here or for any of the many others that could just as easily be noted, fans will agree that this applies in every one of the album’s songs. VII: Sturm Und Drang is available now in stores and online. The band is currently touring in support of the new record. It will be in Boston, MA tomorrow, August 4th and then in Holmdel, New Jersey on Wednesday. The band’s current tour schedule is listed below.

NORTH AMERICAN TOUR:

LAMB OF GOD W/ Slipknot, Bullet For My Valentine & Motionless In White

8/4 – Boston, MA @ XFINITY Center

8/5 – Holmdel, NJ @ PNC Bank Arts Center

8/6 – Pittsburgh, PA @ First Niagara Pavilion

8/8 – Toronto, ON @ Molson Canadian Amphitheatre

8/9 – Montreal, QC @ Parc Jean-Drapeau – Heavy Montreal

8/11 – Washington, DC @ Jiffy Lube Live

8/12 – Virginia Beach, VA @ Farm Bureau Live at Virginia Beach

8/14 – Indianapolis, IN @ Klipsch Music Center

8/15 – Chicago, IL @ First Midwest Bank Amphitheatre

8/16 – St. Louis, MO @ Hollywood Casino Amphitheatre

8/19 – Denver, CO @ Red Rocks Amphitheatre

8/21 – Salt Lake City, UT @ USANA Amphitheatre

8/22 – Garden City, ID @ Revolution Center – NO SLIPKNOT *New Show*

8/23 – Auburn, WA @ White River Amphitheater

8/24 – Vancouver, BC @ Rogers Arena

8/26 – Concord, CA @ Concord Pavilion

8/28 – Las Vegas, NV @ MGM Resort Festival Grounds

8/29 – Phoenix, AZ @ AK-Chin Pavilion

8/30 – Albuquerque, NM @ Isleta Amphitheater

9/2 – Austin, TX @ Austin360 Amphitheater

9/4 – Houston, TX @ The Cynthia Woods Mitchell Pavilion

9/5 – Dallas, TX @ Gexa Energy Pavilion

More information on Lamb of God’s tour is available online along with all of the latest updates on its new album and all of the latest news from the band at:

Website: http://www.lamb-of-god.com

Facebook: http://www.facebook.com/lambofgod

Twitter: http://twitter.com/lambofgod

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Lamb of God Debuts Video For Upcoming Album’s New Single

Courtesy:  Epic Records

Courtesy: Epic Records

Lamb of God has officially premiered the video for its latest single ‘Overlord.’

The second single from the band’s upcoming album Sturm Und Drang (roughly translated means storm and penetrate),’Overlord’ is considered one of the biggest departures for the band on its upcoming album. It can be viewed online now at https://www.youtube.com/watch?v=RNRsvFsY9qk. Front man Randy Blythe explains of the song, “I wrote the song about the dangers of self-obsession in our distressingly myopic and increasingly entitled “me-now/now-me” culture; just like the couple in the video, many people can’t seem to look past their own relatively small problems to see the bigger picture: the world is in serious trouble. Having a bad day at work, or a fight with your significant other, or getting a crappy haircut or table service does not in any way shape or form constitute an emergency. Sometimes things just don’t work out the way we want them to- deal with it. People who only see their own problems eventually wind up alone because no one wants to hear their crap anymore- we all know someone like that, always whining and complaining about some inconsequential setback as if it were the apocalypse. This song is for those people.” The new video is the second for the band helmed by director Jorge Torres-Torres. His last time working with the band behind the lens was on the video for the song ‘512.’

In anticipation of Sturm Und Drang’s release on July 24th, Lamb of God has announced a series of live dates with Slipknot, Bullet For My Valentine, and Motionless in White. The tour kicks off in West Palm Beach, Florida on the same day as the album’s release and currently runs through Saturday, September 5th in Dallas, Texas. The current schedule for LOG’s upcoming tour is listed below.

NORTH AMERICAN TOUR:

LAMB OF GOD W/ Slipknot, Bullet For My Valentine & Motionless In White

7/24 – West Palm Beach, FL @ Cruzan Amphitheatre

7/25 – Tampa, FL @ MidFlorida Credit Union Amphitheatre

7/26 – Atlanta, GA @ Aaron’s Amphitheatre at Lakewood

7/28 – Detroit, MI @ DTE Energy MusicTheatre

7/29 – Darien Center, NY @ Darien Lake Performing Arts Center

7/31 – Saratoga Springs, NY @ Saratoga Performing Arts Center

8/1 – Wantagh, NY @ Nikon at Jones Beach Theater

8/2 – Hartford, CT @ XFINITY Theatre

8/4 – Boston, MA @ XFINITY Center

8/5 – Holmdel, NJ @ PNC Bank Arts Center

8/6 – Pittsburgh, PA @ First Niagara Pavilion

8/8 – Toronto, ON @ Molson Canadian Amphitheatre

8/9 – Montreal, QC @ Parc Jean-Drapeau – Heavy Montreal

8/11 – Washington, DC @ Jiffy Lube Live

8/12 – Virginia Beach, VA @ Farm Bureau Live at Virginia Beach

8/14 – Indianapolis, IN @ Klipsch Music Center

8/15 – Chicago, IL @ First Midwest Bank Amphitheatre

8/16 – St. Louis, MO @ Hollywood Casino Amphitheatre

8/19 – Denver, CO @ Red Rocks Amphitheatre

8/21 – Salt Lake City, UT @ USANA Amphitheatre

8/22 – Garden City, ID @ Revolution Center – NO SLIPKNOT *New Show*

8/23 – Auburn, WA @ White River Amphitheater

8/24 – Vancouver, BC @ Rogers Arena

8/26 – Concord, CA @ Concord Pavilion

8/28 – Las Vegas, NV @ MGM Resort Festival Grounds

8/29 – Phoenix, AZ @ AK-Chin Pavilion

8/30 – Albuquerque, NM @ Isleta Amphitheater

9/2 – Austin, TX @ Austin360 Amphitheater

9/4 – Houston, TX @ The Cynthia Woods Mitchell Pavilion

9/5 – Dallas, TX @ Gexa Energy Pavilion

Sturm Und Drang can be pre-ordered online now via iTunes at https://itunes.apple.com/us/album/vii-sturm-und-drang-deluxe/id1000708954 and via Amazon at http://www.amazon.com/VII-Sturm-Drang-LAMB-GOD/dp/B00YH4Y7U4/ref=sr_1_1?ie=UTF8&qid=1433367861&sr=8-1&keywords=lamb+of+god&tag=smarturl-20. Fans can also pre-order the album now direct from Lamb of God’s online store in a variety of bundle packs at http://lambofgod.shop.musictoday.com/page/preorder.

More information on Lamb of God’s tour is available online along with all of the latest updates on its new album and all of the latest news from the band at:

Website: http://www.lamb-of-god.com

Facebook: http://www.facebook.com/lambofgod

Twitter: http://twitter.com/lambofgod

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Judas Priest Back In A Big Way On Redeemer Of Souls

Courtesy:  Epic Records

Courtesy: Epic Records

Judas Priest’s new album Redeemer of Souls is one of the top new hard rock and metal albums of 2014. As a matter of fact, it is, in this critic’s eyes (and ears) a contender for the top spot on said list. The only other album that can even come close right now to vying for that spot is Black Label Society’s Catacombs of the Black Vatican. What makes Redeemer of Souls such a top notch album despite its slightly touchy production is its mix of music and lyrics. Musically, this album has been likened to previous hit Priest albums including: British Steel, Nostradamus, and Painkiller just to name a few. That it could be compared in such positive light to so many other of the band’s releases is a statement in and of itself. Lyrically, it covers some interesting themes throughout the course of its thirteen tracks and sixty-two minutes. One of those themes is of standing up for what one believes. That topic comes in the album’s fourth track ‘Sword of Damocles.’ Another interesting topic is that of the tribute paid to the fans of sorts in the album’s lead single ‘March of the Damned.’ Late in the album, front man Rob Halford and his band mates cover an interesting topic in ‘’Hell & Back.’ The topic in question is one of the band’s survival through the years. Or it would seem so at least. Regardless, its lyrics and music together make for one more prime example of why Redeemer of Souls is one of this year’s top two new hard rock and metal albums. That argument is made even stronger through the two songs noted before it and through those pieces not noted. Altogether, this album is proof that Judas Priest is still one of the most dominant forces in the world of hard rock today.

Judas Priest has proven without a shadow of a doubt on its new album that it is still one of the most dominant forces in the world of hard rock today. It has done so through an album that is easily one of the year’s top new hard rock and metal albums in Redeemer of Souls. One example of why this album deserves such recognition comes early on in the album in the form of ‘Sword of Damocles.’ Musically, it is a full on, rocker that comes across as being about false leaders and standing up for one’s own beliefs. As audiences will hear, front man Rob Halford sings here, “When men lead by words that are false as they preach/Fatality waits in the wings/Surrounded by fools behind walls that are breached/Beware of the jester that sings.” Right there, audiences are led to infer that Halford and company are singing about said false leaders. And those leaders don’t necessarily have to include religious leaders, either. They can include political leaders, too. Halford and company go on to sing, “Stand tall/Rise up/Stay strong/Fighting your enemies/Truth will find its reward/If you live and die by the sword/The whispers can’t hide when the tongues are let loose.” Listeners might get from this verse a message of not giving up against certain insurmountable odds. They come across as telling audiences don’t just give in like sheep to the words of those false leaders and to stand up to said leaders and those that would harass an individual for having views other than their own. This could very well be the wrong interpretation. It is merely the interpretation of one single critic. If it is at least somewhere in the ballpark though, it once again serves as solid proof of why this record is one of the year’s top two new hard rock and metal albums.

‘Sword of Damocles’ is just one many examples of what makes Redeemer of Souls one of the top new hard rock and metal albums of 2014. With its mix of adrenaline-fueled music and thought provoking lyrics, this song is an instant hit. The album’s lead single, ‘March of the Damned,’ is just as solid a choice for a single. As guitarist Glenn Tipton explains, this song is simply about the fans that come to the band’s shows. There’s no deep, hidden message for the religious right wingers to hunt for. It is for all intents and purposes a tribute to those fans. Halford sings against the song’s driving guitars and drums, “Can’t stop us/They don’t know why/They try/Can’t hurt us/We’ll never die/We are on the march of the damned…We know what’s at stake/Won’t take your mistakes/Won’t break us/We’ll never fall/That’s all/It’s over/Just watch us crawl.” Referencing Tipton’s statement about the song again, these lyrics illustrate quite well exactly what he was saying. They come across as a collective statement from the band’s fans saying that they don’t care what anyone says. They are fans for life. It is easy to see why this anthem was chosen as the album’s lead single. It’s a powerful statement from an album that could be the last from one of metal’s most legendary bands.

‘March of the Damned’ is a powerful statement from the members of Judas Priest. It puts expertly into words the devotion of the band’s fans regardless of their fans’ ages. It’s especially fitting that there’s no telling whether or not this will be the band’s last album, especially considering that some years ago, Halford and his band mates said they were through touring. Yet once more the band has in fact hit the road in support of another album. Speaking of being on the road, ‘Hell & Back’ will have audiences wondering if perhaps this tour will be the band’s last. Halford ruminates on the band’s past here, singing, “Still in the land of the living/Rocking the home of the brave/Staying alive and still kicking/Ain’t got no need to be saved/Out of the fire and into the black/We’ve been through it all/We’ve been to hell and back.” The song’s musical side is not the high-powered, straight forward piece that the previously noted songs prove to be. But set against the song’s lyrics, one can clearly see the song’s chorus and verses play out clearly in one’s own mind. That clarity will again lead one to wonder about the band’s future after this album and tour. If it proves to be the last for the band on both counts, then this song will have proven to be one more powerful statement from the band. And along with each of the album’s other songs—both noted and not—it is one part of a whole that is easily one of the top two new hard rock and metal albums of the year.

Judas Priest will kick off the U.S. leg of its tour in support of Redeemer of Souls this fall beginning Wednesday, October 1st in Rochester, NY. The band’s current tour schedule is listed online along with all of the latest news from the band at http://www.facebook.com/OfficialJudasPriest, http://twitter.com/judaspriest, and http://www.judaspriest.com. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Chevelle’s “Wonder What’s Next” To Be Re-Issued Next Month

Courtesy:  Epic Records

Courtesy: Epic Records

Officials with SRCVinyl have announced that the company will re-issue Chevelle’s 2002 sophomore album Wonder What’s Next this summer.

Wonder What’s Next will be re-issued on a double vinyl set on Tuesday, July 22nd. The album, which was originally released via Epic Records in 2002, gave way to the hit singles ‘The Red’ and ‘Send The Pain Below.’ Its release also led to the band being invited to tour with a number of bands and to perform on the main stage at the 2003 Ozzfest.

The upcoming vinyl will be presented on two 180-gram discs in a gatefold package complete with 11X22 insert. It will also be available in three colors: Red, Black, and Coke Bottle Clear. A deluxe version of the release will also be available with bonus tracks. The complete track listing for the album’s upcoming vinyl re-issue is noted below.

Track Listing

SIDE A

A1 Family System

A2 Comfortable Liar

A3 Send the Pain Below

A4 Closure

SIDE B

B1 The Red

B2 Wonder What’s Next

B3 Don’t Fake This

B4 Forfeit

SIDE C

C1 Grab Thy Hand

C2 An Evening with el Diablo

C3 One Lonely Visitor

SIDE D

D1 Until You’re Reformed

D2 (High) Visibility

D3 Black Boys on Mopeds

D5 It’s No Good

Chevelle most recently released its latest album La Gargola and is currently touring in support of that album. Fans can check out the band’s current tour schedule and get all of the latest news from the band online now at http://www.facebook.com/chevelle, http://getmorechevelle.com, http://www.chevelleinc.com, http://www.myspace.com/chevelle, and http://twitter.com/ChevelleInc. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Judas Priest Debuts Lead Single From Upcoming Album

Courtesy:  Epic Records

Courtesy: Epic Records

Legendary rock band Judas Priest has officially released the lead single from its upcoming album Redeemer of Souls.

The band has released ‘March of the Damned’ to radio stations across the country. It is also available for download via all digital sales providers. And along with the download of the single, fans can pre-order Redeemer of Souls now online via iTunes at http://smarturl.it/redeemerofsouls-albm. Fans can check out the new song in its entirety now along with introduction from Glenn Tipton online via YouTube at http://www.youtube.com/watch?v=HJhm2vZFj2k&feature=youtu.be.

Redeemer of Souls will be available Tuesday, July 15th via Epic Records. It will be available both in standard format and as a deluxe expanded edition with five bonus tracks. Tipton explains about expectations for the band’s seventeenth (yes, seventeenth) full length studio release stating, “Sometimes in the past we may have come under fire for being too adventurous musically – so we have listened!! From start to finish ‘Redeemer of Souls’ is 13 songs of pure classic Priest metal!!”

More updates on Redeemer of Souls and news from the band is available online now at http://www.judaspriest.com and http://www.facebook.com/OfficialJudasPriest. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.