Burn The Priest/LOG’s New Covers Record Will Appeal To Rock, Metal Fans Everywhere

Courtesy: Epic Records

Lamb of God has, over the course of some two decades, made quite the name for itself within the metal community.  It has, in fact, made such an impact that it has come to be considered in some circles as one of the metal world’s elite acts.  Before rising to such fame, the Richmond, Virginia-based band went by another name and was working just as hard to make a name for itself.  It went by the name Burn the Priest, which obviously makes it a good thing that the band decided to change names.  Of course while the band changed its names, it never has forgotten its roots, as is evidenced in its new tribute/covers collection LegionXX.  Released just this past Friday, the 10-song compilation pays tribute to the bands that inspired Lamb of God, Nee Burn The Priest while also using the band’s former name to put emphasis on that former name to show where Lamb of God is and has been.  It is definitely a record that is aimed at Lamb of God’s most devout fans that ironically serves as its own music history lesson at the same time for audiences in general.  That shows a dual purpose here that adds even more to the record’s value.  The arrangements presented in each song play their own collective role in the album’s presentation that deserves attention, so it will be discussed later.  The record’s sequencing puts the final touch to its presentation and will also be discussed later.  Each element is important in its own right to the album’s whole.  All things considered, LegionXX proves to be a record that will appeal both to Lamb of God’s most devout fans and to the rock and metal “legions” around the world.

Burn The Priest/Lamb of God’s new tribute to its roots LegionXX is an interesting new offering from the band.  On the surface, it does come across as one of those obligatory contract satisfying space fillers.  On another level though, it is a little bit more than that.  First, it is a tribute in itself to the bands that inspirited Lamb of God’s members.  Second, it is a music history lesson for the rock and metal masses who otherwise might not have been overly familiar with those same bands.  Case in point, the cover of Cro-Mags’ ‘We Gotta Know.’  The band itself started way back in the 1980s, so while some of LOG’s fans might be familiar with that band, odds are the majority are not so familiar with the band, let alone the song.  That is even with ‘We Gotta Know’ getting attention on MTV.  The song was included in Cro-Mags’ 1986 debut album The Age of Quarrel, so again, likely only a certain cross-section of LOG’s fans today are that familiar with this record.  Bad Brains is another relatively well-known band in its own right because of its punk and hard rock leanings.  Yet today it is, again, likely not as well-known as the bands that it influenced.  So having this forebear included in the mix – with one of its biggest hits no less – is important to note.  Considering Bad Brains’ overall sound and that of Burn The Priest/Lamb of God, one can definitely hear the influence on the latter by the prior.  Sliang Laos is probably the absolute least known of the bands included in this compilation.  Fellow Richmond, Virginians, this band was known to a very limited audience, and has until now remained so incognito – for lack of better wording.  So, having that band included here with its more well-known counterparts can only serve a positive purpose for the band’s legacy.  What’s more, the other bands featured in this compilation are just as positively served because of the rejuvenated attention on their histories and music.  Keeping that in mind, the bands and songs featured in this collection may make it a contractually obligated space filler, but it’s one that still at least serves some purpose.  Keeping this in mind, while the songs and bands featured form a strong foundation for this record, they are not, collectively, its only important element.  The arrangements of said songs are just as important to discuss as the songs themselves.

The arrangements presented here are so important to discuss because they stay so close to their source material and because of the variety in their sounds.  BTP/LOG cover of The Melvins’ ‘Honey Bucket’ supports that statement.  The cover included in LegionXX sticks almost exactly to the original, with the only difference being between Randy Blythe’s scathing vocal delivery and that of Roger Osborne.  Osborne sounds on the Melvins’ original more akin to Metallica front man James Hetfield in his youth while Blythe’s vocal delivery is far more brutal.  That is not a comparison of who’s better.  Rather it is merely an objective notice.  Keeping that in mind, BTP/LOG’s take on this thrash classic will definitely appease those who are familiar with the original.  The same can be said of the cover of Ministry’s ‘Jesus Built My Hot Rod.’  Though in the case of this one, the major difference comes in the song’s spoken word intro.  Whereas Al Jourgensen made a rather blasphemous statement about Jesus in the original song’s introduction, Blythe was smart enough not to go that route.  Instead, he jokingly said Jerry Lee Lewis was the devil and that “Jesus was an architect previous to his career as a prophet.”  That goes in line with the story that Burn The Priest became Lamb of God in order to keep itself from being mislabeled as a Satanic band.  It shows a certain thought on the part of Lamb of God’s members (especially Randy Blythe) to go that route instead of Al Jourgensen’s more blasphemous route.  Other than that, the two takes are virtually identical.  The same can be said of the cover of Sliang Laos’ ‘Axis Riot.’  The cover featured here sticks almost entirely to its source material, right down to Blythe’s vocal delivery.  Yes, Blythe actually opts for a clean delivery here just as was done with the original instead of his trademark cookie monster growl.  It’s a nice change of pace, and also serves to show Blythe’s true range.  It’s something hopefully he will consider utilizing more in Lamb of God’s future albums.  Keeping this in mind, this is just one more way in which the arrangements in this record prove to be so important to its overall presentation.  The band doesn’t try to go over the top, nor does the band try to go in any different route, opting instead to stick to their source material.  When that is considered along with the value of the musical history lesson provided by the songs themselves, those two elements together make this record all the more worthwhile for the most devout BTP/LOG fans.  Even as important as they are to the record’s whole, they are not its only important elements.  The record’s sequencing is the last touch to note in examining its whole.

Audiences who have yet to pick up LegionXX will be pleased to know that the sequencing of this record is just as applause-worthy as its songs and their arrangements.  The record starts off full-throttle with the cover of The Accused’s ‘Inherit The Earth.’  From there, the energy doesn’t let up for even a moment.  That is even as the varied styles change from one song to the next.  The change of that song to the full on hard rock assault of ‘Honey Bucket’ to the more brooding ‘Kerosene’ in the record’s first trio of works clearly exemplifies this statement.  The band keeps things moving solidly with the equally solid hard rock arrangement of ‘I Against I’ before moving into the semi-punk vibe of ‘Axis Riot.’  The variance in the songs’ energies is just as slight from here on right to the record’s end.  The end result is a record whose energies from start to finish are just as certain to keep listeners engaged and entertained as its songs and their arrangements.  All three elements play together to make the album overall a record that is certain to appeal to a wide range of rock “legions.”  Yes, that pun was intended.

Lamb of God’s tribute/covers album, which pays tribute to its own past and the bands that influenced its members, is a record that even being another covers record, is certain to appeal to a wide range of rock and metal fans.  This is proven in part through the record’s featured songs.  The songs’ arrangements are just as important as the songs themselves in keeping listeners’ ears.  That is because while staying true to their source material, these arrangements keep still add their own touch to make the originals just as hard-hitting as ever.  The energies in the arrangements put the final touch to the album, ensuring once and for all, listeners’ engagement throughout.  At this point, it should be clear why all three noted elements are so critical to LegionXX both alone and collectively.  All things considered, they make LegionXX a record that will appeal just as much to LOG/BTP’s most devout fans as it will to rock and metal audiences in general.  It is available now in stores and online.  More information on LegionXX is available online now along with all of Lamb of God’s latest news and more at:

 

Websitehttp://www.lamb-of-god.com

Facebookhttp://www.facebook.com/lambofgod

Twitterhttp://twitter.com/lambofgod

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

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Judas Priest Releases ‘Firepower’; Debuts Album’s Latest Single, Video

Courtesy: Columbia Records

Judas Priest has officially returned again!

The veteran hard rock band has officially released its latest album Firepower in stores and online.  In celebration of the album’s release today, the band has also debuted the video for the album’s latest single, ‘Spectre.’  The song is just the latest, coming on the heels of the videos for ‘Lightning Strike‘ and ‘Never The Heroes.’

The full Firepower track listing is noted below.

‘FIREPOWER’ TRACKLISTING:
1. Firepower
2. Lightning Strike
3. Evil Never Dies
4. Never the Heroes
5. Necromancer
6. Children of the Sun
7. Guardians
8. Rising from Ruins
9. Flame Thrower
10. Spectre
11. Traitors Gate
12. No Surrender
13. Lone Wolf
14. Sea of Red

In celebration of the album’s release today, the band will take to the road beginning next week for an extensive tour.  The tour’s full schedule is available online now along with all of the band’s latest news and more at:

 

Website: http://judaspriest.com

Facebook: http://www.facebook.com/OfficialJudasPriest

Twitter: http://twitter.com/judaspriest

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Judas Priest Premieres ‘Never The Heroes’ Lyric Video; Announces Signing Event

Courtesy: Columbia Records

There’s more good news from Judas Priest as fans await the release of the band’s new album Firepower.

The band, today, premiered the lyric video for its latest single ‘Never The Heroes.’  The song is just the latest to come from Firepower, the band’s 18th full-length studio recording.  The song is available now for purchase here via multiple outlets.  The band explained in a collective statement that the song centers on the men and women who go to war, but also can apply in daily struggles in everyday people’s lives.

“‘Never The Heroes’ is about the courageous men and women that enter war – never trained to be heroes, but becoming heroic due to their actions and sacrifices doing their duty for their people and country,” the band said.  “It resonates as there is a hero in all of us, and in times of struggle, we can be strong and united – conquering our own challenges and helping others – It’s a traditional Priest mid-tempo powerhouse with a powerful message!”

Firepower will be released next Friday, March 9 via Epic Records.  In celebration of its release, the band has also announced that it will hold a signing session March 19 at 6 p.m. at the Sony Square NYC on 25 Madison Avenue in New York City.

The band will also head out on the road in support of Firepower beginning March 13 in in Wilkes-Barre, PA.  the tour is currently scheduled to run through April 5 in Green Bay, WI.  The band’s full tour schedule is available online now along with its latest news and more at:

 

Website: http://www.judaspriest.com

Facebook: http://www.facebook.com/OfficialJudasPriest

Twitter: http://twitter.com/judaspriest

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

‘The Duke’ Is A Solid Second Wave From LOG’s ‘VII: Sturm Und Drang’

Courtesy: Epic Records

Courtesy: Epic Records

This past Friday, Lamb of God released its latest recording its new EP The Duke.  The 5-song recording comes only a year after the release of its most recent album VII: Sturm und Drang (2015).  What’s interesting about this recording is that while it is being marketed as an EP, it comes across more in the style of a single than an EP.  That is due to its overall content.  This is one of its most important elements.  Looking more closely at the record, the studio material featured in its presentation is important to note in its own right.  That will be discussed later.  The live material that is included in the record rounds out its most important elements.  Each element is important in its own right to the EP’s overall presentation. All things considered, The Duke proves to be an enjoyable new effort from Lamb of God.

Lamb of God’s new EP The Duke is an enjoyable new effort from the veteran metal outfit.  Considering the fact that it comes just a little more than a year after the band’s most recent album, 2015’s VII: Sturm Und Drang, it is a little bit of a surprise.  Usually when established bands release such a recording it comes a little bit longer after the acts’ most recent recordings.  That is to tide audiences over until their next record.  Even with this in mind, the record still boasts its own share of positives, beginning with its overall makeup.  The five-song recording is composed of two studio tracks and three live recordings.  The studio tracks sound like leftovers, interestingly enough, from the band’s sessions for its last record.  The live recordings were taken from the band’s most recent tour.  In essence what that mix of material offers the band’s fans is the proverbial best of both worlds.  To that end, it shows why it is such an important part of the recording’s overall presentation.  It is not the only key element to note in examining the record’s overall presentation.  The material itself presents its own importance to the recording’s presentation.

The overall mix of material that is presented in The Duke is in itself key to the recording’s presentation.  That is because it offers the band’s fans the best of both worlds in one setting.  It is just one of the key elements to note in examining the record.  The studio tracks included in the record are important to note, too.  Listeners who are familiar with the band’s body of work will note that the songs – ‘The Duke’ and ‘Culling’ – are both very familiar in terms of their arrangements.  They exhibit the same growth exhibited in VII: Sturm Und Drang.  The latter presents an arrangement that echoes the arrangements composed for the band’s previous records while the prior presents the more melodic hard rock leanings included only in VII: Sturm Und Drang.  Considering that, one can only think that these two songs were likely little more than b-sides that ended up on the proverbial cutting room floor during the sessions for that record.  To that end, it serves as a good continuation of what the band started with VII: Sturm Und Drang and an equally welcome introduction to the band for those listeners who might not be so familiar with the band and its body of work.  Even with its importance it is not the last of the recording’s most important elements.  The live material that is included in the recording is just as important in its own right as the studio material.

The studio material that is featured in The Duke is important in its own right to the record’s presentation.  That is because it serves as a solid reintroduction to the band and an equally solid introduction to the band for those who might be less familiar with the band.  Even as important as it is to the record’s presentation, it is not the last element to note.  The live material that is included alongside the studio material is just as important to the record’s presentation as the record’s studio material.  That is because it gives listeners a glimpse into what makes the band just as popular in a live setting as in the studio.  What’s more all three of the songs featured in this recording – ‘Still Echoes,’ ‘512’ and ‘Engage The Fear Machine’ – all come from VII: Sturm Und Drang.  To that end, not only are audiences able to experience the band live through these songs but they are also getting a dose of the band’s most recent album.  When they are set against the record’s two “new” songs, they make a five song record that is essentially a continuation of VII: Sturm Und Drang, or VII: Sturm Und Drang Part 2.  Considering this, The Duke, while a bit of a surprise release from Lamb of God, is still an enjoyable new offering from Lamb of God.

Lamb of God’s  new EP The Duke is a bit of a surprise from the veteran metal outfit, considering how soon it comes after the release of the band’s latest album.  Even with that in mind, it is still an enjoyable new offering in its own right.  That is because its mix of studio and live material essentially makes it a continuation of VII: Sturm Und Drang.  That is evidenced in the studio material, which sounds like it came right from the sessions for that record, and the live material, which presents a small handful of songs from that album in a live setting.  When they are joined together, the studio tracks and live tracks make the record a record that despite its somewhat surprising release, an enjoyable new offering from the band nonetheless.  It is available now in stores and online.  More information on The Duke is available online now along with all of Lamb of God’s news at:

 

 

 

Website: http://www.lamb-of-god.com

Facebook: http://www.facebook.com/lambofgod

Twitter: http://twitter.com/lambofgod

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Battle Cry Is A Loud, Proud Live Statement From Judas Priest

Courtesy:  Epic Records

Courtesy: Epic Records

According to Merriam-Webster Dictionary a battle cry is a word, phrase, or sound that is shouted by soldiers in a battle.  It is also called a phrase or saying that is used to make people support an idea, a cause, etc.  Keeping this in mind it makes sense that Judas Priest would call its new live recording Battle Cry.  That is because this new recording–due out this Friday, March 25th on CD, DVD, and Blu-ray–will have home viewers chanting the band’s name as if it was a battle cry just as much as audiences that were in attendance at the taping of the concert featured in the new recording.  There is a lot to say to the positive about this new recording, especially on DVD and Blu-ray beginning with the show’s set list.  The main concert’s set list runs seventeen songs deep and roughly ninety minutes in time.  There are also three bonus songs included in the recording bringing the set list to a total of twenty songs and the feature’s total run time (trt in TV terms) to nearly two hours.  It is just one part of what makes this recording a success.  The band’s stage presence is another part of the experience that makes it so memorable.  In comparison to the band’s previous live recording Epitaph (2013) the band’s stage presence in this recording is noticeably more lively to say the very least.  It is a welcome change of pace.  Last but hardly least of note in this recording is its production values.  Between the sound, the camera work and the final product produced in post, the concert proves to be an experience that translates quite well on screen in those aspects.  Each element is important in its own way to the whole of the recording.  Collectively, they make this latest live recording from Judas Priest one of 2016’s top new live recordings.

Judas Priest’s new live recording Battle Cry is one of 2016’s top new live recordings.  That is because the band’s roughly ninety-minute performance will leave audiences chanting the band’s name like warriors chanting a battle cry.  One reason that it will impress audiences so much is its set list.  The set list runs seventeen songs deep and roughly an hour and a half.  It pulls songs from the band’s nearly five-decades-long career.  It includes the likes of ‘Breaking The Law,’ ‘Hell Bent For Leather,’ ‘Painkiller,’ ‘Redeemer of Souls,’ and a number of others from across the band’s expansive catalogue.  The concert’s DVD and Blu-ray platform features three extra performances as bonus features in the form of ‘Screaming For Vengeance,’ ‘The Rage,’ and ‘Desert Plains,’  That brings the set list to a total of twenty songs and the recording’s total run time to nearly two hours.  To be more exact, it comes to a total of roughly an hour and forty minutes.  In other words, audiences get a complete concert in this recording’s set list.  They get that concert without having to leave the comfort of their homes and without having to spend the exorbitant prices of admission, gas, concessions, and any other costs that go into attending a live show in person.  To that extent, the concert’s expansive set list is plenty of reason in itself for audiences and fans alike to add Battle Cry to their home music collections and DVD/BD libraries.  OF course it is hardly the recording’s only positive.  There is also the matter of the band’s stage presence here.

The set list that is featured in Judas Priest’s new live recording is in itself an important part of the recording’s whole.  That is because it doesn’t just focus on the band’s most recent album Redeemer of Souls.  Instead the band attempts to cover as much of its expansive body of work as possible over the course of its ninety minute run time.  The set list is just one important part of the recording that should be noted.  The band’s stage presence throughout this recording is just as important to note as the concert’s set list.  The band’s stage presence throughout this concert, originally recorded August 1st, 2015 at the annual Wacken Open Air Festival, translates quite well to home viewers.  Compared to the band’s stage presence in its last live recording, 2013’s Epitaph it is far more energetic here.  This applies not just to front man Rob Halford but to his band mates, too.  For those that have not yet seen Epitaph, the set list in that recording was impressive.  But the band’s stage presence just didn’t seem entirely there in that performance.  Halford and company didn’t really move around the stage much or even interact with the audience that much.  That left the band’s performance of its set list to shoulder the load so to speak.  The energy was there in the songs.  It just wasn’t entirely there in terms of the band members’ overall performance.  Flash forward to the 2015 Wacken Open Air Festival and audiences see a completely different band.  Halford and company come across as being rejuvenated here.  Halford at one point even pulls a Freddie Mercury impersonation of sorts as he gets the audiences of thousands to respond to his call as part of the setup to one of the show’s songs.  The way that he strutted across the stage and got the audience to respond conjures those thoughts.  Whether or not Halford was in fact trying to emulate the late great front man is anyone’s guess.  Regardless, that interaction between Halford and the audience is a nice touch to the show in its simplicity.  Ian Hill, Richie Faulkner, and Glenn Tipton all do their own part to add to the band’s stage presence as does drummer Scott Travis.  All four men exhibit their own energy in their performances throughout the concert.  Again by comparison the difference is clearly visible.  And together with Halford’s energy, the band members’ collective power throughout the show makes the concert that much more enjoyable for audiences and fans alike.  Of course one cannot deny the role that the work of those in the show’s production crew and those involved in the concert’s post production played in the translation of that stage presence to home viewers.  Their collective work rounds out the recording’s most important elements.

The set list featured in Judas Priest’s new live recording and the band’s performance of said set list both play their own important part in the recording’s presentation.  Collectively, they make the recording a joy for audiences and fans alike.  The songs cover a respectable swath of the band’s extensive catalogue.  The band’s performance of that set list obviously captured audiences in attendance at the concert’s taping and kept them completely engaged from start to finish.  It will have the same impact on home viewers, too.  Speaking of those home viewers, a big reason that the concert in whole will keep home viewers just as engaged is the work of those that captured the concert and those that handled it in post-production.  The camera crew and those behind the boards did an exceptional job of capturing the band’s energy as it worked its way through its set.  The camera crew captured the whole thing from quite a few angles to say the very least.  There are various shots throughout the show from the vantage point of the audience.  There are just as many shots from the stage, too.  Audiences get to get up close and personal so to speak with Scott Travis more than once.  And needless to say the effect of those shots is in itself powerful as he drives the band through each song.  Audiences also get plenty of different angles of Halford and company as well as shots of the immense crowd in attendance.  The whole of the footage results in an experience that will keep home viewers completely engaged in the show from beginning to end.  Those behind the concert’s audio mix are to be commended just as much as those behind the cameras.  That is because just as indoor concerts pose their own challenges, so do outdoor shows.  And being that this festival is as massive as it is, the challenges had to have been great to say the very least.  Sound has the capability to spread out in all directions both from the stage and from the audience.  Luckily, those behind the boards balanced everything with the utmost expertise throughout the show thus making the experience all the more enjoyable.  The end result of the production crew’s work in whole is a concert experience that audiences and fans alike will want to take in time and again.  For all of their efforts, those that handled the concert’s post-production are to be commended in their own right, too.  That is because their efforts paid off just as much as those of the crew that captured the concert in its original taping.  Those that edited the original concert in preparation for its release assembled the original footage in a way that assured a solid translation from live to screen.  They also balanced the concert’s audio levels with the same expertise, giving the concert a sound that demands it be heard on a surround sound home theater system.  That is not to say that it can’t be enjoyed on a TV by itself.  But it can be said that a home theater system offers the best experience in terms of the concert’s sound.  Again that is thanks to the work of those the handled the concert’s post-production.  Their efforts and those of the concert’s original production crew come together in the end to make the overall experience one that is just as good as being there in person if not better since it’s in the comfort of audiences’ own homes.  And together with the show’s set list and the band’s performance of said set list, the recording in whole proves to be an easy, early candidate for any critic’s list of 2016’s top new live recordings.

Judas Priest’s new live recording Battle Cry is undeniably one of this year’s early picks for the year’s best new live recordings list.  The reasons for this are plenty, too.  The roughly ninety-minute set list features a number of the band’s biggest hits from its nearly five decades-long career.  The band’s stage presence throughout that time is just as important as it shows a band that still has plenty left in its collective, proverbial tank.  That is clear in the band’s performance of each song.  The concert’s production values both in regards to the original taping and the concert’s post-production are just as much to applaud as the band’s stage presence and the show’s set list.  The concert’s production values round out its most important elements.  That is because without the expert work put into bringing the concert home the concert wouldn’t even be worth watching.  Thankfully though, that isn’t the case.  Thanks to its top notch production values, the band’s performance and its set list make this recording a concert that audiences and fans alike will want to experience and should experience.  All things considered, Battle Cry is a recording that will leave audiences and fans alike proudly chanting the band’s name along with those that were in attendance at the show’s original recording.  They will agree as they chant the Judas Priest battle cry that this recording is one of 2016’s best live recordings.  It will be available in stores and online this Friday, March 25th via Epic Records.  More information on Battle Cry is available online now along with all of Judas Priest’s latest news at:

 

Website: http://www.judaspriest.com

Facebook: http://www.facebook.com/OfficialJudasPriest

Twitter: http://twitter.com/judaspriest

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Judas Priest Announces New Live Recording On The Way

Courtesy:  Epic Records

Courtesy: Epic Records

Judas Priest has a new live recording on the way this spring.

The veteran hard rock outfit announced this week that it will release Battle Cry its latest live recording on Friday, March 25th. Originally recorded on August 1st, 2015 during the band’s performance at the annual Wacken Open Air Festival the recording will be presented on CD/DVD/Blu-ray. The set’s CD platform features fifteen songs that span the band’s nearly five-decades-long career. Those songs include: ‘Dragonaut,’ ‘You’ve Got Another Thing Coming,’ ‘Victim of Changes,’ ‘Hell Bent For Leather’ and many others. The concert’s DVD and Blu-ray presentation each feature their own equally extensive set list. It includes the likes of ‘Turbo Lover,’ ‘Breaking The Law,’ ‘Living After Midnight’ and a number of others also included in the package’s CD platform. There is even a trio of songs recorded at a separate performance included as bonus material. The full track listing for both the CD and DVD and Blu-ray presentation is noted below. Audiences can view a trailer for the upcoming concert recording online now via YouTube at https://www.youtube.com/watch?v=hZH9ptg58ck.

 

Battle Cry CD sequence:
1.     (Intro) Battle Cry
2.     Dragonaut
3.     Metal Gods
4.     Devil’s Child
5.     Victim of Changes
6.     Halls of Valhalla
7.     Redeemer of Souls
8.     Beyond the Realms of Death
9.     Jawbreaker
10.  Breaking the Law
11.  Hell Bent For Leather
12.  The Hellion
13.  Electric Eye
14.  You’ve Got Another Thing Coming
15.   Painkiller

Battle Cry DVD/Blu-ray sequence:

1. (Intro) Battle Cry
2. Dragonaut
3. Metal Gods
4. Devil’s Child
5. Victim of Changes
6. Halls of Valhalla
7. Turbo Lover
8. Redeemer of Souls
9. Beyond the Realms of Death
10. Jawbreaker
11. Breaking the Law
12. Hell Bent For Leather
13. The Hellion
14. Electric Eye
15. You’ve Got Another Thing Coming
16. Painkiller
17. Living After Midnight

Recorded live on August 1st, 2015 at Wacken Festival, Germany.

BONUS TRACKS
18. Screaming for Vengeance
19. The Rage
20. Desert Plains

 

Battle Cry will be released in stores and online on Friday, March 25th via Epic Records. Pricing information for the CD/DVD and CD/BD packages will be announced soon. More information on this recording is available online now along with all of Judas Priest’s latest news and more at:

 

Website: http://www.judaspriest.com

Facebook: http://www.facebook.com/OfficialJudasPriest

Twitter: http://twitter.com/judaspriest

 

To keep up with the latest sports and entertainment news and reviews go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Fifth Harmony Gets Spooky With Hotel Transylvania 2 Soundtrack’s Lead Single

Courtesy:  Sony Pictures Animation

Courtesy: Sony Pictures Animation

Adam Sandler and company are back. Next month, Sony Pictures Animation will release Hotel Translyvania 2. And ahead of the highly anticipated movie’s release, the hit pop group Fifth Harmony has debuted the lead single from the movie’ s sound track ‘I’m In Love With A Monster’ and audiences can check it out online now via Vevo.

Courtesy:  Epic Records

Courtesy: Epic Records

Audiences can check out the video for ‘I’m In Love With A Monster’ online now via Vevo at http://www.vevo.com/watch/fifth-harmony/Im-In-Love-With-a-Monster-(from-Hotel-Transylvania-2)/USSM21501512. The video mixes together footage of the group performing its song in various settings along with footage from the movie as well as appearances from some rather spooky guests. While many of the group’s songs are generally aimed at specific audiences, the infectious grooves and family friendly lyrical content are sure to make the song just one more part of the movie that families will enjoy.

Fifth Harmony is currently winding down its “Reflection Summer Tour.” It is currently scheduled to perform live at Maryland State Fairgrounds in Timonium, Maryland on Saturday, September 5th and at the Washington State Fair on Wednesday, September 16th. After those two dates, the group will take some down time, it will be back on Stage on Wednesday, December 2nd at the SAP Center in San Jose, California. All of the latest updates on Fifth Harmony’s tour is available online now along with all of the group’s latest news at:

Website: http://www.fifthharmonyofficial.com

Facebook: http://www.facebook.com/fifthharmony

Twitter: http://twitter.com/fifthharmony

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