The Rolling Stones’ Latest Live Recording Is As Solid As Steel

Courtesy: Eagle Rock Entertainment

The true greatest rock band in the world returned this week with another new archived live recording.  The band in question is The Rolling Stones and the recording in question is one of its three December 1989 concerts in Atlantic City, NJ in support of its then new album Steel Wheels.  The performance was part of the band’s “Steel Wheels/Urban Jungle” tour, which was the band’s first American tour since 1981.  The recording is another presentation that will appeal to The Rolling Stones’ fans just as much as rock fans in general just as much as the multitude of previous live recordings.  That count is almost at 20 counting (not counting this recording) if not right at said figure.  The main reason that audiences will appreciate the recording so much is its extensive set list. The list, which runs approximately two-and-a-half hours in length, will be discussed shortly.  The band’s performance thereof adds to the enjoyment in its own way.  This will be addressed a little later.  The recording’s production values round put the finishing touch to its presentation.  When it is considered along with the set list and the band’s performance, the elements collectively make the recording another welcome way to beat the live music blues this and any year.

The Rolling Stones’ latest live recording is another fully immersive, enjoyable presentation for the band’s most devoted fans and rock fans in general.  In an age when live music has been relegated to watching concerts online, this offering from the greatest rock band in the world is its own welcome offering and alternative to being glued to a computer or phone screen.  That is proven in part through the recording’s extensive set list.  The 28-song set list spans a run time of approximately two-and-a-half hours.  It takes audiences all the way back to 1965 and the band’s fourth album Out Of Our Heads and all the way up to its then most recent album, 1989’s Steel Wheels.  Given, not every album in-between is represented in the set list, but in comparison to the set lists featured in the band’s past live recordings, audiences do get some songs not featured in those presentations.  The band’s five nods to Steel Wheels are themselves works that have rarely if ever been featured in the noted previous live presentations.  The band’s cover of Bob & Earl’s ‘Harlem Shuffle’ and its performance of its own single ‘Undercover of the Night’ (from 1983) are in themselves live rarities.  So audiences have all of that to enjoy.  Along with the noted songs, audiences also get more familiar songs, such as ‘Honky Tonk Women,’ ‘Jumpin’ Jack Flash,’ and ‘Tumblin’ Dice’ among others.  As if all of that is not enough, the band also pulls ‘2,000 Light Years From Home,’ ‘Happy,’ and ‘Salt of the Earth’ as some semi-rare works from its catalog.  Also making this set list so enjoyable are guest appearances from blues legend John Lee Hooker, who joins the band for a performance of his own hit song ‘Boogie Chillen’ and a guest appearance by fellow blues legend Eric Clapton on that song and ‘Little Red Rooster.’

The set list in itself does a lot to make Steel Wheels Live appealing to audiences.  The set list proves itself even more critical to the recording’s presentation in that it is the exact same in the recording’s DVD, CD, digital and vinyl platforms.  In other words, audiences get the same presentation from one platform to the next.  This is important to note because even today, there are some acts out there whose live recordings vary across platforms.  So to have the same thing from one platform to the next makes the set list that much more important to the recording.

Additionally, the set list’s sequencing plays its own part to the recording’s presentation.  From the show’s opening up until the band takes on ‘Terrifying,’ the show’s energy remains relatively high.  It is not until the noted point that the band pulls things back.  The noted relaxation lasts only momentarily.  After that song and ‘Salt of the Earth,’ which features a guest appearance by Guns N’ Roses members Axl Rose and Izzy Stradlin, the show’s energy picks back up.  Their performance alongside Mick Jagger and company will be addressed a little later.  ‘Honky Tonk Women’ slows things down again, but still manages to keep the concert’s energy flowing solidly thanks to its swagger.  The same can be said of ‘Midnight Rambler,’ too.  That song comes immediately after ‘Honky Tonk Women.’  From that point on, the show’s energy rises and falls in all of the right points and ways, showing without question the amount of time and thought that went into assembling the set list.  That effort paid off, too.  When this aspect is considered along with the set list’s presentation across the recording’s platforms and its breadth and depth, those elements collectively make the set list the most important aspect of this recording.  It builds a solid foundation for the recording’s presentation on which the band’s performance rests easily.

The Rolling Stones’ performance of Steel Wheels Live’s set list is important to note because it does its own part to keep audiences engaged and entertained.  Those audiences who are familiar with the band’s live show style already has an expected standard from the band.  Those audiences will be glad to know that the band lives up to that expectation here just as much as in the band’s past performances.  Front man Mick Jagger is just as confident as ever as he struts his way across the stage and sings.  That swagger is on full display just as much.  Guitarists Keith Richards and Ronnie Wood keep the energy moving along with drummer Charlie Watts, the trio’s work just as engaging as ever in its own right.  Wood and Richards’ prowess on their instruments makes one forget the woes of the world, especially as they make their way through the blues classic ‘Little Red Rooster’ alongside Eric Clapton.  The group’s performance is just as solid as it supports Rose and Stradlin in the collective’s performance of ‘Salt of the Earth.’  On a similar note, viewers will be pleased to see that Rose shares the stage with Jagger and company in that performance rather than trying to steal the spotlight.  It shows that he knows he and Stradlin are the guests here, not the stars.  Even when he gets the spotlight in ‘Cant’ Be Seen,’ Richards shows once again, his talent as a performer and not just a guitarist.  He and the band’s longtime backing vocalists make for so much enjoyment and engagement in their own way.  Between that aspect and the rest of the presentation in the concert, the band’s performance in whole makes for a wonderful experience.  It builds on the foundation formed by the show’s set list to make the recording even more enjoyable.  When the two elements are considered together, they give audiences even more reason to take in this concert.  They are still only a portion of what makes the recording so impressive.  Its production puts the finishing touch to its presentation.

Just as with all of The Rolling Stones’ past live recordings released through Eagle Rock Entertainment, the production here gives home viewers the best seat in the house.  When the cameras go out beyond the sea of people, audiences get a full picture of just how many people attended the concert, and the sheer immensity of the band’s stage setup.  The on-stage footage immerses audiences into the performance even more as it takes viewers along for the ride up close with the band.  The transitions from shot to shot throughout and the sound enrich the experience even more.  From a more relaxed moment, such as in ‘Sympathy for the Devil to the more fiery cover of ‘Harlem Shuffle’ and everywhere else, the guitars and vocals are so well-balanced with Watts’ time keeping and the work of the band’s fellow musicians.  Each performer gets an equal share of time in the limelight.  Considering that and the smooth camera transitions, no doubt is left about the impact of the concert’s production.  When this is considered along with the band’s performance and the concert’s set list, the whole of these elements makes Steel Wheels Live a presentation that is another welcome addition to The Rolling Stones and Eagle Rock Entertainment’s ongoing series of live recordings from the band.

Eagle Rock Entertainment and The Rolling Stones’ latest live recording Steel Wheels Live is yet another welcome addition to the two sides’ ongoing series of live recordings.  That is proven in part through the recording’s expansive set list.  The set list runs 26 songs deep and spans a run time of two-and-a-half hours.  Given, it is not a career-spanning set even for its time, but does still present a relatively clear cross section of the band’s catalog up to that point.  The band’s performance of the featured set list is everything that audiences have come to expect from The Rolling Stones.  The swagger and the energy is there from beginning to end.  The concert’s production values play their own part to the recording’s presentation.  Each noted item is important in its own way to the whole of this presentation.  All things considered, they make the recording as solid as steel.  Steel Wheels Live is available now.

More information on Steel Wheels Live is available along with all of its latest news at:

 

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Eagle Rock To Release New Clapton Retrospective This Summer

Courtesy: Eagle Rock Entertainment/Eagle Vision/Universal Music Group

Universal Music Group and Eagle Vision, the video branch of Eagle Rock Entertainment, have partnered to release a new retrospective on the career of legendary guitarist Eric Clapton.

Eric ClaptonLife in 12 Bars is scheduled to be released June 8, 2018.  The documentary tells the story of Clapton’s hugely successful career through the use of archived footage and interviews.  Clapton is brutally honest as he talks about the highs and lows of his career and personal life throughout.

The profile will come with a complimentary soundtrack on 2-CD, 4-LP and digital platform.  The 4-LP soundtrack is scheduled for release on July 20.  The 32-track compilation will feature recordings by The Yardbirds, Derek and the Dominos, John Mayall’s Bluesbreakers, George Harrison, The Beatles, Aretha Franklin, Muddy Waters and Clapton himself.  Five of those 32 tracks are previously unreleased, including a full-length recording of ‘I Shot The Sheriff’, which was recorded during the 461 Ocean Boulevard sessions.

More information on Eric ClaptonLife in 12 Bars and other titles from Eagle Rock Entertainment is available online now at:

 

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Hazmat Modine’s New LP Is One Of 2016’s Top New Blues Albums

Courtesy:  Barbes Records

Courtesy: Barbes Records

Ten years ago Hazmat Modine fist introduced itself to the world.  That introduction came in the form of the band’s 2006 debut record Bahamut.  Almost as much time passed between that record and the release of the band’s second album 2011’s Cicada.  Now five years after its release and lots of frequent flyer miles later—the band did quite a bit of touring over the course of its first decade—the wait has finally ended for the release of the group’s third album Extra-Deluxe-Supreme.  The ten-song record is a solid new record from the New York-based collective and an equally solid introduction for those that might be less familiar with the band’s body of work.  It is a record that mixes elements of blues and jazz for a nearly hour-long musical experience (51 minutes to be exact) that fans of both genres will enjoy.  This applies to audiences both familiar and not so familiar with the band’s body of work.

Hazmat Modine’s new album Extra-Deluxe-Supreme has been a long time coming.  That goes without saying.  It was released early this past June roughly five years after the release of the bands sophomore studio offering Cicada.  Five years is a very long time between albums in the music industry.  So to finally have the album released had to have been a load off of the band and its fans alike.  Listening through the record’s ten total songs, it can be said that the work and the wait were both well worth it.  One of the songs that supports that statement comes late in the album’s run in the form of ‘All of My Days.’  That is due both to the song’s musical arrangement and its lyrical content.  In regards to its musical content, the song boasts a sound that can most easily be compared to that of blues legend B.B. King.  Speaking even more specifically, it sounds like something that he would have composed alongside fellow blues great Eric Clapton for the duo’s 2000 record Riding With The King.  Interestingly enough the musical component sounds like King’s work while vocalist Wade Schuman sounds more like Clapton than King.  It makes for an interesting musical arrangement to say the very least.  That is meant in a positive manner, too.  Its musical arrangement is just part of what makes this song stand out among its counterparts.  Its lyrical content is just as important to note.  Schuman sings in this song about life in general.  He notes about doing one’s best even throughout life and being the best that one can be.  It would explain the upbeat, celebratory nature of the song’s musical arrangement.  Taking that into consideration the combination of both elements makes the song al the more enjoyable.  It serves just as much to point out what makes Hazmat Modine’s new record a standout offering from the band.  It is not the record’s only standout song, though.  ‘Arcadia (Coffee, Salt and Laces)’ is another song exhibiting what makes Extra-Deluxe-Supreme stand out.

‘All of My Days’ is by itself a clear example of what makes Hazmat Modine’s new album a standout recording.  The songs musical arrangement conjures thoughts of songs composed by Eric Clapton and B.B. King for the pair’s 2000 record ‘Riding With The King.’  The song’s positive lyrical content strengthens the song even more.  The two halves come together to make the song one whole that stands out clearly from its counterparts.  It is not the only song included in this record that stands out. ‘Arcadia (Coffee, Salt and Laces)’ is another of the record’s most standout songs.  This song was recorded in studio.  But there is a certain element about it that conjures thoughts of the dimly lit blues clubs and juke joints of the genre’s early days; those little joints that were so populous along the so-called “Chitlin Circuit.”  That is evident throughout the song’s musical arrangement and production.  Schuman’s gravelly vocal delivery adds even more to that image.  Listening through the song’s lyrical content, that slow, pure 12-bar blues style arrangement becomes even more understandable.  That is because Schuman comes across here a man singing about just wanting to be back home.  As he sings in the song’s chorus, “Well I got my ticket/Ready to go/Well I got my passport out/When this storm is over/When this time is out/I’ll see my sweet Arcadia/I’ll be back home with you.”  Through each verse, Schuman’s subject keeps singing about being back home.  So there’s no room for doubt about the song’s lyrical topic.  It works expertly with the song’s musical arrangement and vice versa.  The two elements together make ‘All of My Days’ stand out even more and show why this the album in whole stands out.  It is not the last of the songs featured in this record that serves to exemplify the record’s positives.  ‘Plans’ serves to make this record stand out just as much as ‘All of My Days’ and ‘Arcadia (Coffee, Salt and Laces).’

‘All of My Days’ an ‘Arcadia (Coffee, Salt and Laces)’ are both key examples of what makes Hazmat Modine’s new record a collection of songs that was well worth the wait.  That is due to the combination of their musical arrangements and their companion lyrical content.  The two elements compliment each other expertly in each song resulting in two songs that make this record stand on its own merits and stand out among other blues records released so far this year.  As important as they are in exhibiting this they are not the album’s only key compositions.  ‘Plans’ is one more composition showing just what makes this record so well worth the wait.  In regards to its musical arrangement, it stands out because of the comparison that can be made to songs composed by the likes of Doctor John.  That is clear especially in the use of the song’s brass elements.  What is really interesting is that Schuman somehow managed to even deliver a vocal performance very much in the vein of Doctor John.  The sound of his delivery is clearly differentiated from that of Doctor John.  By the stylistic approach is so similar that it is uncanny.  That coupled with the song’s instrumental arrangement makes the song’s overall musical arrangement a solid foundation for the song.  It is not the only important aspect to the song.  The song’s lyrical content is just as important to its presentation as its musical arrangement.  It sounds kind of funny, but the song’s lyrical content is actually rather bland yet somehow so catchy.  Schuman sings here about a man who…well…has plans.  He has certain things on his “to-do” list.  And it is not a shot list either.  He wants to organize his drawers at home, paint his mom’s house, settle some scores downtown, and lots more.  In other words, this is a busy man.  That urgent list of items matches up relatively well with the song’s equally upbeat tempo.  There is no sense of being overly urgent or busy.  But the music helps to illustrate just how much there is to do and the feeling of energy that the song’s subject has in examining his list of plans.  It’s just a fun, lighthearted song that will put a smile on any listener’s face and leave listeners tapping their feet in time.  It is a direct contrast to the likes of the previously noted compositions, too.  That makes it stand out even more.  In turn, it makes the record stand out even more against its counterparts in the blues counterparts.  That is even truer when it is set against the other, previously noted songs and the rest of the songs not noted here.  All things considered, Extra-Deluxe-Supreme proves in the end to be, in this critic’s view, one of 2016’s top new jazz and blues records.

Hazmat Modinee’s new album Extra-Deluxe-Supreme is one of 2016’s top new jazz and blues records.  The ten-song, fifty-one minute record shows from beginning to end that it deserves its spot on that list, too both through its musical arrangements and its lyrical content.  The musical arrangements are largely original but still show influences of the group’s more well-known counterparts at points through its counterparts.  The end result is a musical experience that any blues aficionado will enjoy.  The songs’ lyrical themes add even more to that enjoyment.  From the mundane (‘Plans’) to the more thoughtful ‘Arcadia (Coffee, Salt and Lace)’ to the truly deep (‘All of My Days’) and all points in between, this record offers just as much entertainment and insight in its lyrical content as it does in its musical arrangements.  All things considered, the album proves in the end to be a joy for any lover of the blues.  It is, again, one of 2016’s top new blues offerings.  And it is available now and can be ordered direct online via the band’s website at http://hazmatmodine.com/sound.  More information on Extra-Deluxe-Supreme is available online now along with all of the band’s latest news, tour updates and more at http://hazmatmodine.com.

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Veteran Acts Dominate 2015’s Top New Live DVD/BD Recordings List

This week marks the last full week of 2015. It’s a little tough to grasp that there are only eleven days left in the year. But it’s almost time to bid a fond farewell to this year. And even as the year’s final days tick away, there is still plenty of work left to do in turns of examining the top titles from the entertainment world. Phil’s Picks has already done quite a bit of that, delving into the top titles of the music world’s top titles. There’s still some ground to cover in that realm while beginning to transfer over into the year’s top new DVDs and Blu-rays in each of their different own areas. Keeping that in mind, what better way to start making that transfer than to look today at the year’s best new live DVDs and Blu-rays. The year’s best new live CDs have already been tackled. And as previously explained, in many cases, some DVDs and Blu-rays are actually released separate from their audio-only counterparts even today, and vice versa. That justifies a separate category for the year’s top new live DVDs and Blu-rays. That being the case, here, for your reading pleasure dear readers, is the Phil’s Picks 2015 Top 10 New Live DVDs and Blu-rays. As always, the Top 10 titles make up the main body of the list while the bottom five are no less important. They each receive honorable mention for a total of fifteen titles. Enough rambling. Here, again, is the Phil’s Picks 2015 Top 10 New Live DVDs and Blu-rays.

 

PHIL’S PICKS 2015 TOP 10 NEW LIVE DVDS AND BLU-RAYS

  1. SLASH FT. MYLES KENNEDY AND THE CONSPIRATORS – LIVE AT THE ROXY 09.25.14

 

  1. TESSERACT – SCALA

 

  1. AEROSMITH – AEROSMITH ROCKS DONINGTON

 

  1. GEORGE STRAIT – THE COWBOY RIDES AWAY

 

  1. THE WHO – LIVE AT HYDE PARK

 

  1. SHANIA TWAIN – STILL THE ONE: LIVE IN VEGAS

 

  1. ERIC CLAPTON – SLOWHAND AT 70: LIVE AT THE ROYAL ALBERT HALL

 

  1. THE ROLLING STONES – LIVE IN LEEDS 1982

 

  1. THE ROLLING STONES – LIVE AT THE TOKYO DOME 1990

 

  1. LYNYRD SKYNYRD – PRONOUNCED L LEH-NERD SKIN-NERD & SECOND HELPING

 

  1. PAT METHENY – UNITY SESSIONS

 

  1. WHITECHAPEL – BROTHERHOOD OF THE BLADE

 

  1. TASTE – WHAT’S GOING ON: LIVE AT THE ISLE OF WIGHT

 

  1. RAGE AGAINST THE MACHINE – LIVE AT FINSBURY PARK

 

  1. DARYL HALL & JOHN OATES – LIVE IN DUBLIN

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Clapton’s Musical Birthday Bash Is A Great Gift For Every One Of His Fans

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Eric Clapton celebrated a big milestone earlier this year. The legendary guitarist celebrated his 70th birthday. And he didn’t just celebrate it with a quiet night at home. Instead he celebrated it in front of hundreds of fans at the famed Royal Albert Hall. Now fans around the world will get to take in that celebration in the comfort of their own homes this fall courtesy of the people at Eagle Rock Entertainment in the form of the new recording Slow Hand at 70: Live at the Royal Albert Hall. Slow Hand at 70: Live at the Royal Albert Hall was released earlier this month in a variety of platforms including DVD + 2CD, Blu-ray + 2CD, and an exclusive Deluxe DVD + 2CD edition. For the sake of this review, the attention will rest on the recording’s DVD + 2CD platform. There is plenty to like about this recording beginning with the show’s set list. While not necessarily a career-spanning show or even a career-defining set list it still touches on some of Clapton’s biggest hits. It is just one part of what makes this presentation another impressive addition to Eagle Rock Entertainment’s expansive catalogue and to any Clapton fan’s music library. Clapton’s stage presence and that of his fellow performers is just as important to the whole of this recording as the show’s set list. The concert’s production values round out its presentation. Between the work of the concert’s audio engineers, those behind the cameras, and those that handled the concert’s post-production the production values stand out here just as much as any of the other live recordings in Eagle Rock Entertainment’s vast library of archived concerts. Of course the package’s double gate-fold packaging can’t be ignored either. Together with all of the previously noted elements the DVD + 2CD presentation of Eric Clapton’s Slow Hand at 70: Live at the Royal Albert Hall proves to be yet more proof of why Eagle Rock Entertainment remains today the leading name in live recordings and why this recording in itself is one more of the best of this year’s new live recordings.

Eric Clapton’s new live recording Slow Hand at 70: Live at the Royal Albert Hall is one more of the best of this year’s new live recordings. Being such an impressive recording it is also more proof (as if the company needed it) as to why Eagle Rock Entertainment remains today the leading name in live recordings. The main way in which it shows itself to be such an impressive recording is its set list. The seventeen-song set list comes in at just under two hours. Specifically it comes in at an hour and forty-five minutes. Though the bonus performance of ‘Little Queen of Spades’ pushes that time to just over two hours. While not necessarily a career-spanning or even career-defining set list it is still a set that every fan will enjoy. It includes some of Clapton’s biggest hits of all time including: ‘Key to the Highway,’ ‘Wonderful Tonight,’ ‘Cocaine,’ and ‘I Shot The Sheriff’ among others. There is also a great performance of Willie Dixon’s blues classic ‘Hocchie Coochie Man’ and ‘You Are So Beautiful,’ which was co-written by Billy Preston, Bruce Fisher, and Beach Boys legend Dennis Wilson. As if all of that is not enough, the classic ‘Tears in Heaven’ is here, too as are ‘Layla,’ ‘Somebody’s Knockin’ On My Door’ and ‘Driftin’ Blues,’ which was originally composed by Johnny Moore’s Three Blazers in 1945. Between these songs and those not noted here, it can be said that the set in whole plays its own important role in the whole of this concert recording’s overall presentation. It is not the only part of the presentation’s whole that makes it enjoyable. Clapton’s stage presence and that of his fellow performers is just as important to the recording’s presentation as the show’s set list.

The set list that is featured in Eric Clapton’s new live recording is an important part of the recording’s whole in its own right. That is because it presents just a handful of the veteran musician’s songs from his extensive catalogue of songs. It might not necessarily be a career-defining set list or even career-spanning in the traditional sense of the terms. But it is still an impressive collection of songs nonetheless. As impressive as the show’s set list proves to be it is just one part of the presentation that makes it such an enjoyable program. Clapton’s stage presence and that of his fellow performers is just as important to note as the concert’s set list. There are no fireworks or big, bombastic guitar solos here. It is just a straight forward performance in which Clapton and company really let the music do the talking for them. One of the most notable moments to note in regards to the group’s stage presence is Clapton’s performance of ‘Tears in Heaven.’ Typically a slow, emotional piece Clapton opts for a different take in his performance here. He actually speeds up the song here. And while that might not seem like much on the surface, it is quite important to note. That is because it gives the song a wholly different identity from its original recording. ‘I Shot The Sheriff’ gets the audience just as into the show thanks to the group’s grooving energy as it performs the song. And the group’s take on ‘Hoochie Coochie Man’ conjures thoughts of a smoky old jazz club even with it being performed in what is one of the biggest and most respected concert halls in England if not the UK. The energy exuded through this performance and that of each of the concert’s other songs shows in whole just why Clapton’s stage presence and that of his fellow performers is so important to the whole of the performance. All involved handle each song with such expertise that it makes the music just as much the star of the show as its performers; So much so that there is really no need for interaction between Clapton and the audience in attendance. All things considered here Clapton’s stage presence and that of his fellow performers throughout each of the show’s songs shows just why it is just as important to the whole of the recording as the show’s set list.

The set list featured in Slow Hand at 70: Live at the Royal Albert Hall and the band’s stage presence throughout the featured songs are both key ways in which the recording shows itself to be yet another solid release from Eagle Rock Entertainment and a recording that any of the legendary guitarist’s fans should have in their own music libraries. While both elements are of equal importance to the concert’s overall presentation they are not the only elements that should be considered. The concert’s production values are just as important to the concert as its set list and the performers’ stage presence. The Royal Albert Hall is a massive venue to say the very least. For those that might not be familiar with the hall’s makeup it is a very large, open structure. That means that the sound absolutely envelopes the hall. It also means plenty of options for camera shots. And the camera crew utilizes every option, too. There are multiple angles captured on-stage as well as from the audience. The on-stage angles include head-on shots of Clapton working his way through each song, his backup singers, Michelle John and Sharon White, singing like two wonderful angels, and even bassist Nathan East when he gets his time in the spotlight. There is also a number of equally wonderful other angles from every possible post on stage that heighten the viewing experience even more for audiences at home. The audience shots are just as incredible. There are incredible shots from atop the hall in its highest balconies and other trucking shots from the hall floor. Both shots capture in their own way the very immensity of the hall’s structure. Together they not only capture its incredible size but also the equally immense size of the audience in attendance. It shows Clapton’s continued popularity and relevance among audiences even decades after his debut. Considering the hall’s size, the audio is just as impressive. Audiences get to hear just how full the sound is as it rings through the hall. Yet thanks to those behind the audio boards (and those that handled the audio in post production) it never feels overpowering either to audiences or itself at any point. One can only imagine how it must have sounded in person. And even considering that it sounded just as incredible in this recording if not better. Coupled with the equally standout work of the show’s camera crew (and those that edited the concert in post) the concert’s production values show in the end exactly why they are just as important to this recording as the show’s set list and the performers’ stage presence. The combination of all three elements in the concert’s DVD + 2CD combo pack makes it just as enjoyable as it is in any of its other presentations. Given there is quite a bit more in the extended deluxe edition for true fans of Eric Clapton. But it doesn’t detract from the enjoyment offered by this presentation one bit. It is just as enjoyable in its own right. The double gate-fold packaging can even be cited in the package’s presentation. It may be more bulky than packages that use those plastic inserts in order to save space. But it also ensures the safety of the package’s discs. Set against the other noted elements, they collectively show exactly why Slowhand at 70: Live at the Royal Albert Hall is one more of this year’s best new live recordings and why Eagle Rock Entertainment remains today the leading name in live recordings.

Eric Clapton’s new live recording Slowhand at 70: LIve at the Royal Albert Hall is one more of this year’s best new live recordings. It also shows yet again why Eagle Rock Entertainment remains today the leading name in live recordings. It proves both of these arguments mainly through the show’s set list. While not necessarily career-spanning or defining, it is still a set list that Clapton fans of all ages will enjoy. His stage presence (and that of his fellow performers) adds even more enjoyment to the concert. The production values presented throughout the concert and the packaging of the triple-disc set together round out the package. Each element plays its own important part in the whole of this concert. Collectively, they make it a concert recording that every Eric Clapton fan will enjoy and one that is one of this year’s best new live recordings. It is yet more proof of why Eagle Rock Entertainment remains today the leading name in live recordings. It is available now in stores and online. More information on this and other titles from Eagle Rock Entertainment is available online now at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Chad Smith Lends His Talents To SAD’s Upcoming Debut LP

Photo Credit: Thierry Brouard

Photo Credit: Thierry Brouard

Independent rock band Screaming at Demons recently introduced itself to the world in a big way when it partnered with the nationally known charity group Homeless Rock Stars. The band combined the video for its new song ‘Rock Star’ with footage from a Homeless Rock Stars event to make an emotionally moving and powerful to help raise money for the organization and introduce itself to the music community at large at the same time. Now the band has taken another huge step in getting its name out there. The band has enlisted the help of one of the most talented and respected drummers in the music community today to help record a pair of songs for its upcoming debut record.

Screaming at Demons announced this week that it has enlisted famed drummer Chad Smith (Red Hot Chili Peppers, Chickenfoot) to record the drums for two of the songs to be included in the band’s upcoming album. Those songs are ‘Our Time’ and ‘All Of Me.’ Smith’s inclusion on the album, which currently has no set release date, is rooted in his friendship with AD bassist Chris Clemmence. Having previously performed live with Smith, Clemmence had a first hand understanding of and appreciation for Smith’s work behind the kit, leading to Clemmence asking Smith to lend his talents to the band’s new record. When asked about those talents, Clemmence responded telling reporters, “Chad is a legend and phenomenal powerhouse of a drummer. We are beyond honored to have him play on our two new upcoming singles. His feel and groove have brought our songs to a new level. We are so lucky to have him as well as an all-star team working on our music.”

Photo Credit: Thierry Brouard

Photo Credit: Thierry Brouard

Currently, Screaming at Demons is hard at work on its upcoming album. The album is being mixed by five-time Grammy Award-winning producer Chris Lord-Alge. Alge is no stranger to the music community and obviously to success within that community having those awards to his name. The roster of bands with which he has worked over the course of his career says plenty of his expertise behind the boards. That list includes the likes of: Eric Clapton, Tina Turner, Cher, Bon Jovi, Seal, Meatloaf, Three Days Grace, Aerosmith, Shinedown, Deftones, and countless others.  Alge was asked by reporters his thoughts on working with SAD.  his response showed just how excited he is to work with front man Shimon Moore and fellow SAD band mates Russell Ali and Chris Clemmence.  He had only positive things to say of working with the band, noting of the group, “A new level of excitement is coming from these boys and they are giving back to people in need and making music that instantly makes you wanna be a part of it!”  While fans wait for Alge, and the members of SAD to finish the band’s new album, they can check out the band’s video for its inspirational and infectious song ‘Rock Star.’ It can be viewed online now via YouTube at https://www.youtube.com/watch?v=N0g7QiwkAe4&feature=youtu.be. Audiences can also keep up with all of the latest updates from the studio and all of the band’s latest news online at:

Website: http://screamingatdemons.com

Facebook: http://www.facebook.com/screamingatdemons

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Bringing Clapton’s Birthday Bash Home This Fall

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Eric Clapton celebrated a big milestone earlier this year. The legendary guitarist celebrated his 70th birthday. And he didn’t just celebrate it with a quiet night at home. Instead he celebrated it in front of hundreds of fans at the famed Royal Albert Hall. Now fans around the world will get to take in that celebration in the comfort of their own homes this fall courtesy of the people at Eagle Rock Entertainment.

Eagle Rock Entertainment announced today that it will release Eric Clapton’s new live recording Slow Hand at 70: Live at the Royal Albert Hall on Friday, November 13th. The concert will be released on a variety of platforms including: DVD + 2CD, Blu-ray + 2CD, and an exclusive Deluxe DVD + 2CD edition. The Deluxe DVD + 2CD edition will feature Clapton’s performance from the Royal Albert Hall as well as a bonus DVD that will feature Clapton’s performances at the legendary venue throughout the years, footage from the Cream Farewell Tour 1968, the Journeyman tour from 1990, a UN Benefit performance with Zucchero from 2004, the Cream Reunion shows from 2005, and a performance at the Prince’s Trust Benefit from 2010. The extended packaging is rounded out by a 12”X12” sixty-page hardback photobook.

Those that pick the standard DVD and Blu-ray sets weren’t left out in terms of bonsues. Both the DVD + 2CD and Blu-ray + 2CD packages feature the bonus live track ‘Little Queen of Spades.’ Included in the main concert’s set list are many of his biggest hits including: ‘Cocaine,’ ‘I Shot The Sheriff,’ ‘Layla,’ ‘Wonderful Tonight,’ ‘Tears in Heaven’ and even a cover of the classic blues tune ‘Hoochie Coochie Man’ among many others. The complete set list for the show will be announced soon. The DVD + 2CD package will retail for MSRP of $29.98, the Blu-ray + 2CD package for $34.98, and the Deluxe DVD + 2CD package for $69.98. Audiences can check out a trailer for the upcoming concert recording online now via YouTube at https://www.youtube.com/watch?v=Sm8mD_vUfcg&feature=youtu.be. More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

From The Vault: The Marquee Club Live in 1971 Is One Of 2015’s Marquee Live Recordings

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

This past June, Eagle Rock Entertainment continued its “From The Vault” series with the first of two more archived Rolling Stones concerts with it released From The Vault: The Marquee Club Live in 1971. The classic recording is yet another impressive release in the ongoing series of concert recordings. And there are a number of reasons that this recent release proves itself such an impressive new archived recording not the least of which being its multiple formats. It is available on a number of platforms including: DVD, SD Blu-ray, DVD + CD combo pack, SD Blu-ray + CD combo pack, and even DVD + LP combo pack. Having so many options in terms of its platforms, audiences will all be on the same level regardless of which option they choose. The set list chosen for this recording is just as important to its success as its availability on multiple platforms. And last but hardly least worth mentioning is the recording’s companion booklet. Richard Havers’ liner notes and the additional notes included in the booklet add an additional insight into the recording that makes for even more enjoyment for audiences. All three elements taken together make From The Vault: The Marquee Club Live in 1971 yet another impressive addition to Eagle Rock’s Rolling Stones “From The Vault” series. They also make it one more of this year’s top new live Blu-rays, DVDs, and CDs.

Eagle Rock Entertainment’s new addition to its Rolling Stones “From The Vault” series is yet another impressive addition to that series. It is also one of the year’s best new live Blu-rays, DVDs, and CDs. That it fits into not one or two but three categories is the central reason that it is such an impressive release. Eagle Rock has paid tribute both to the band and its legions of fans around the world in having made it available in so many platforms. Those platforms include: DVD, SD Blu-ray, DVD + CD combo pack, SD Blu-ray + CD combo pack, and even DVD + LP combo pack. What this means is that fans will all be largely on the same level regardless of which platform they choose to take in the concert. That is because each platform presents the concert in exactly the same order with all of the same songs. Nothing has been added or removed from any of the concert’s varied presentations. It is hardly the first time that Eagle Rock has done this for fans. And it more than likely won’t be the last. The DVD and SD Blu-ray platforms both feature video that when played back in any standard Blu-ray player will look the same. That is because the SD Blu-ray footage has already been upscaled. Any DVD played back on a Blu-ray player will be upscaled when played back on said device. The audio is the same on both presentations, too as is the set list, which is the next reason that that this recording proves to be yet another impressive addition to Eagle Rock’s “From The Vault” series of releases.

The various platforms in which The Rolling Stones’ latest “From The Vault” recording are collectively one very important aspect of its success and enjoyment. They put the band’s legions of fans around the world largely on the same level regardless of which platform they choose to purchase. It is just one aspect of the set that fans and audiences alike will appreciate. The show’s set list is another reason the audiences will appreciate and enjoy this recording. The primary set list only totals eight songs. That totals a little more than thirty-six minutes. However, thanks to the people at Eagle Rock Entertainment, they are complemented with two extra pairs of bonus tracks, one being a pair of alternate takes of ‘I Got The Blues’ and the other a pair of alternate takes of ‘B****.’ That is a total of four additional songs, which push the show’s total run time to fifty-four minutes. It is fifty-four minutes that audiences won’t even realize has passed by the time the whole thing ends. It includes songs that were at the time the band’s older material–including the Stones standard (I Can’t Get No) Satisfaction’–and more recent material such as ‘Let It Rock’ from the then most recent Stones’ 1969 record Let It Bleed. It also includes four songs from what was then the band’s next album Sticky Fingers in the form of ‘Brown Sugar,’ ‘Dead Flowers, ‘I Got The Blues,’ and ‘B****.’ Of those four songs, only three were originally planned for the set presented here. The fourth, ‘I Got The Blues’ was a last-minute addition. As audiences will learn in reading through the show’s booklet, it was added to the show’s set list that night. In hearing it in all three of its takes, fans will agree that it was a good thing that it was added to the show. That is because it stands out so starkly from the rest of the set’s songs stylistically speaking. As Havers notes in the recording’s liner notes, it is reminiscent of Otis Redding. As audiences will note, it really forces Jagger to push himself in regards to his vocal range. It is definitely an interesting change of pace for the band both in terms of this concert and in terms of the band’s overall body of work at the time. It is just one more way in which this recording’s set list shows itself to be so important to the whole of the recording. It is not the last way in which the recording shows itself to be so impressive either. As previously noted, the companion booklet that comes with the recording in each of its platforms includes in-depth liner notes by Richard Havers as well as other intriguing notes. That combination of notes plays directly into the set list and the recording in whole, proving once and for all why From The Vault: The Marquee Club Live in 1971 is one more must have for any Rolling Stones fan and fanatic and why it is one of the best of this year’s new live recordings overall.

The availability of The Rolling Stones’ new recording on a variety of platforms does plenty to make it another impressive addition to Eagle Rock Entertainment’s ongoing series of archived Rolling Stones concert recordings. The set list that makes up the body of the concert is just as important to its success and enjoyment. That is because it features a group of songs that at the time exhibited a rather large swath of the band’s catalogue including one song that almost didn’t make it into the concert. While both elements prove to be equally important to the overall success and enjoyment of this new Rolling Stones recording, there is still one more element to examine in its presentation. That final element is the concert’s companion booklet. Writer Richard Havers includes some in-depth liner notes in the booklet, which are themselves complemented by some equally in-depth additional smaller notes. Havers’ notes include a mention of ‘I Got The Blues’ almost not making the concert’s set list and of the band’s decision to include a cover of Chuck Berry’s ‘Let It Rock.’ The latter was added because, again as Havers notes, the band had quite the affinity for the famed guitarist’s body of work. It is well-documented that much of The Rolling Stones’ music was influenced by the blues. But this additional note regarding the band’s respect for Berry’s style of rock and roll is an interesting tidbit for fans who perhaps might not have known about it. In the same breath, Havers also makes mention of the band’s first performance of ‘Midnight Rambler’ at Hyde Park in 1969. Ironically enough, Eagle Rock just released that recording last month. Or rather, it released the presentation that ended up being recorded and presented for broadcast. The mention is made because the band also included ‘Midnight Rambler’ in its performance at The Marquee Club, too. It’s just one more example of how Havers’ liner notes add more interest and enjoyment to From The Vault: The Marquee Club Live in 1971.

In regards to the additional material included by the people at Eagle Rock, fans learn that the concert itself was a rather intimate performance with only 150 – 200 guests invited to the show. Among the guests in attendance, according to those additional notes, were none other than Eric Clapton and Jimmy page. What’s more fans also learn via the companion booklet that the band used its own mobile recording equipment to capture the concert as well as its then upcoming album Sticky Fingers and later to record Exile on Main Street. That the band used its own recording equipment to capture the concert’s audio is actually a very telling statement. It might not have captured every little nuance of the band’s show, but it definitely did a relatively impressive job of capturing the energy of the band’s show so long ago. There is even more interest added thanks to the original news article printed at the time included in the booklet. Fans that read the article will catch that the band actually recorded not one but two takes of the show. They were recorded simultaneously. That is because the original twenty-eight minute set would air on British television. The longer, fifty-two minute concert would air across Europe. This echoes the presentation that would become Hyde Park 1969 and would also explain why audiences get two takes of ‘I Got The Blues’ and two of ‘B****.’ Or at least it would safe to assume that that would be the reason why those additional takes are included in the recording. All of this information alongside the notes provided by Richard Havers show in full detail just why the companion booklet that comes with From The Vault: The Marquee Club Live in 1971 is just as important to the package in whole as the show’s set list and the varied platforms in which it is presented for audiences. Those varied presentations alongside the concert’s very set list and the in-depth information provided in its companion booklet show together once and for all why From The Vault: The Marquee Club Live in 1971 is not just another impressive addition to Eagle Rock’s “From The Vault” series of recordings but one of this year’s best new live recordings overall.

The Rolling Stones From The Vault: The Marquee Club Live in 1971 is one of this year’s best new live recordings overall as well as another impressive addition to Eagle Rock’s continued series of live Rolling Stones recordings. That is shown over and over again through the varied platforms in which it is presented, through its set list and even through the concert’s companion booklet. All three elements provide their own element of enjoyment to the whole of the concert. Collectively, they make this recording one that Rolling Stones fans of all ages should have in their own home music library. From The Vault: The Marquee Club Live in 1971 is available now in stores and online. More information on this and other titles from Eagle Rock Entertainment is available online now at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment Going Back To Ronnie Scott’s With Jeff Beck In June

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment will release another new archived performance from legendary guitarist Jeff Beck this summer.

Officials with Eagle Rock Entertainment announced today that the label will release Performing This Week…Live at Ronnnie Scott’s–Special Edition on Tuesday, June 2nd. The concert, originally recorded in 2007, comes on the heels of its 2009 release on DVD and Blu-ray, and the 2014 release of Live in Tokyo. It features some of Beck’s biggest hits including: ‘Beck’s Bolero,’ ‘Led Boots,’ ‘Scatterbrain,’ ‘Where Were You,’ ‘Angels (Footsteps),’ ‘Cause We Ended As Lovers,’ and what has become one of his most famous takes of ‘A Day in the Life’ among a number of others. Along wth the extensive set list, the appearance of guest musicians Imogen Heap, Eric Clapton, Joss Stone, and Big Town Playboys makes the show even greater. The Big Town Playboys make a special appearance for a 7-song set with Beck in the second of the recording’s two discs. The full track listing for the upcoming double-disc recording is noted below:

TRACK LISTING:

Disc One:

1) Beck’s Bolero

2) Eternity’s Breath

3) Stratus

4) Cause We’ve Ended As Lovers

5) Behind The Veil

6) You Never Know

7) Nadia

8) Blast From The East

9) Led Boots

10) Angels (Footsteps)

11) Scatterbrain

12) Medley: Goodbye Pork Pie Hat / Brush With The Blues

13) Space Boogie

14) Big Block

15) Day In The Life

16) Where Were You

Disc Two:

1) People Get Ready (w/ Joss Stone)

2) Blanket (w/ Imogen Heap)

3) Little Brown Bird (w/ Eric Clapton)

4) You Need Love (w/ Eric Clapton)

5) Rollin’ And Tumblin’ (w/ Imogen Heap)

Jeff Beck & The Big Town Playboys Set:

6) Race With The Devil

7) Crazy Legs

8) Train Kept A Rollin’

9) My Baby Left Me

10) Matchbox

11) Baby Blue

12) Honky Tonk

The Jeff Beck Band will hit the road next month ahead of the release of Performing This Week…Live at Ronnnie Scott’s–Special Edition beginning with a performance at The Capitol Theater in Port Chester, NY on Monday, April 13th. From there the band will hit ten other cities on its own tour before joining up with ZZ Top in Cedar Park, Texas on Thursday, April 30th. The bands’ joint tour includes a total of eight dates and winds down on Sunday, May 10th in Alpharetta, Georgia. The Jeff Beck Band’s full upcoming spring tour schedule is listed below:

Tour Dates:

                                                          The Jeff Beck Band:

April 13 – Port Chester, NY – The Capitol Theater

April 15 – Huntington, NY – The Paramount

April 16 – Huntington, NY – The Paramount

April 17 – Huntington, NY – The Paramount

April 18 – Port Chester, NY – The Capitol Theater

April 19 – Boston, MA – Orpheum Theatre

April 21 – Kingston, NY – Ulster Performing Arts Center

April 22 – Englewood, NJ – Bergen Performing Arts Center

April 24 – Red Bank, NJ – Count Basie Theatre

April 25 – York, PA – The Strand – Capital Performing Arts Center

April 26 – Greensburg, PA – The Palace Theatre

with ZZ Top:

April 30 – Cedar Park, TX – Cedar Park Center

May 1 – Thackerville, OK – Winstar Casino

May 2 – The Woodlands, TX – Cynthia Woods Mitchell Pavilion

May 3 – Corpus Christi, TX – Concrete Street

May 7 – Tampa, FL – MidFlorida Credit Union Amphitheater

May 8 – West Palm Beach, FL – Cruzan Amphitheater

May 9 – St. Augustine, FL – St. Augustine Amphitheatre

May 10 – Alpharetta, GA – Verizon Wireless Amphitheatre

Performing This Week…Live at Ronnnie Scott’s–Special Edition will be released on Tuesday, June 2nd via Eagle Rock Entertainment. It will retail for MSRP of $17.98. A special three-LP is expected to follow soon after the concert’s double-disc CD release. More information on this and other titles from Eagle Rock Entertainment is available online at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment Off To A Solid Start In 2015 With Live At Knebworth

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Woodstock. Live Aid. Farm Aid. The Concert For New York City. These concerts are just some of the biggest concert events of the 20th century. As memorable and important as they are to the music industry and the history of modern popular music, they are only a small handful of the most important concerts held throughout the 20th Century. Next Tuesday, Eagle Rock Entertainment will add another concert to that list when it releases Live at Knebworth. The concert was held June 30th, 1990. Tabbed as “The Best British Rock Concert Of All Time,” it was held to raise money for Nordoff-Robbins Music Therapy and for The Brit School For Performing Arts. Even a quarter of a century after it was originally held, it proves to be just as enjoyable a concert experience as any that have been held since, including those previously noted. One of the reasons it proves so enjoyable twenty-five years after it was originally held is its lineup. The show’s lineup consists solely of British acts, many of whom had themselves received the coveted Nordoff-Robbins Silver Clef Award at one point or another. Along with the acts tapped to perform at the benefit, their choice of songs for the concert adds to the concert’s enjoyment. Having noted both the concert’s lineup and the performers’ chosen songs, they would be nothing without equally notable production values. Thankfully, the audio and video both prove to be quality even a quarter of a century after the concert was first held. The audio has even been tweaked, creating a sound that especially those with home theater systems will appreciate. The combination of all three elements in this one presentation makes the package in whole even a great start to 2015 for Eagle Rock Entertainment.

When it was originally held on June 30th, 1990, Live at Knebworth was tabbed as being “The Best British Rock Concert Of All Time.” When compared to other major concert events such as Woodstock, Live Aid, Farm Aid, and others that have been held since, it proves to be more than just “The Best British Rock Concert Of All Time.” It proves to be one of the best concerts of all time, too. One reason for the concert being bestowed both titles is its lineup of performers and acts. The concert’s lineup is composed of some of the greatest British acts of the 20th Century including but not limited to names that today are music royalty. The list includes the likes of: Eric Clapton, Pink Floyd, Elton John, Paul McCartney, Robert Plant, and Genesis. Audiences will be interested to find out that many of the acts tapped for the concert also were recipients of the Nordoff-Robbins Silver Clef Award. That aside, audiences will especially enjoy every act’s performance. From Clapton’s full on performance of ‘Tearin’ Us Apart’ to Paul McCartney’s emotional performance of ‘Hey Jude’ to Pink Floyd’s ethereal ‘Shine on You Crazy Diamond’ to its equally driving show closer ‘Run Like Hell,’ the acts chosen for this concert and their performances keep audiences fully engaged from start to finish, clearly showing the importance of their inclusion in the show.

Speaking of the songs , the songs chosen by the acts on the bill are just as important to the presentation in whole. That is because in large part, the songs chosen by each act are songs that were familiar to fans then and are just as familiar and popular with the current generation of fans. Dire Straits’ set included the hugely popular ‘Money For Nothin.’ Genesis included its beloved hit ‘Pinball Wizard’ in its set along with ‘Mama’ and ‘In The Midnight Hour’ among a number of other fan favorites. The Beatles’ ‘Can’t Buy Me Love’ and ‘Hey Jude’ are even older than this recording. But they are just as popular with Beatles fans of all ages today as they were when Paul McCartney was part of the then Fab Four. So having both of those songs included in his set will create a sense of both joy and nostalgia among fans of both McCartney and the Beatles regardless of age. The sight of McCartney’s late wife Linda singing along, handling keyboard duties serves to enhance those feelings even more, this showing even more the importance of the set lists chosen by each act. Robert Plant’s mix of solo material and Led Zeppelin classics generates just as much enjoyment for anyone that has any knowledge of Plant’s career both on his own and as part of what remains one of the greatest rock bands of all time. The songs noted here are songs that are still played on classic rock radio stations across America and even the U.K. to this day. The fact that they were just as insanely popular back then as they are even today speaks volumes. It’s just a microscopic view of the impact of the acts’ set list on the enjoyment of this recording. There are plenty of other songs that could make that argument just as easily. And audiences will agree with that sentiment, even finding their own songs to make that argument when they pick up this recording for themselves next week. It still isn’t all that makes the concert so enjoyable for audiences. The quality of the footage both in terms of its video and audio lies at the base of everything. If not for the quality of the footage in both avenues, neither the acts nor their set lists and performances overall would be worth the watch.

The acts chosen for Live at Knebworth, their performances and set lists are all equally important to the concert’s overall enjoyment. However as important as each element proves to be, not one of them would be of any importance without the hard work of those charged with restoring the footage for its presentation here. Of course, being a live recording from Eagle Rock Entertainment, only the best is expected. And the best is what audiences get here. The audio has been re-worked and presented in DTS-HD. This will make anyone with a home theater system very happy as it will re-create with ear precision the feeling of actually being there. Even those without such a system will appreciate the work in question as the concert sounds just as good on a standard HDTV; especially one that allows audiences to switch to a “music” setting with their remotes. And while the original concert footage was recorded in standard definition, it doesn’t show thanks to the work of those charged with restoring the footage. Unlike so many older recordings that have been up-converted, the picture is relatively clear instead of grainy. While there is at least a little bit of that grainy look, it is hardly enough to work against the footage. Rather, it actually enhances that feeling of nostalgia created by the acts’ set lists. So to that extent, the work of those charged with restoring the concert’s footage has paid off even more than they might have known. Coupled with the set lists, the performances, and the very list of performers, the restoration work done for this concert becomes part of a whole that any classic rock fan will wholly appreciate, and that proves once more why Eagle Rock Entertainment remains today the leader in live recordings.

Live at Knebworth will be available on SD-Blu-ray next Tuesday, March 17th. Proceeds from the sale of the concert will continue to raise funds for Nordoff-Robbins Therapy and the Brit School for Performing Arts. More information on this and other releases from Eagle Rock Entertainment is available online at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.