The Bayonets Debuts ‘Argentina’ Lyric Video

Courtesy: Wicked Cool Records

Rock band The Bayonets premiered its debut lyric video this week.

The band — Brain Ray (Paul McCartney, Etta James), Oliver Leiber (son of famed song writer Jerry Leiber), and Lucrecia Lopez Sanz (Nube 9) — unveiled the lyric video for its new single, ‘Argentina‘ Friday.

The video features imagery, such as dancing skeletons, a woman covered in reflective plates meant to look like a human mirrorball, and a woman whose face is covered in glitter. The song’s lyrics are shown over the imagery as the song’s catchy, infectious musical arrangement plays over the presentation.

Speaking of the musical arrangement, it makes for a great introduction for those not yet familiar with the band and its existing body of work. That is because of the pop rock sensibility exhibited throughout the song. One could almost argue that there is the slightest stylistic comparison to works from the likes of The B-52s here in the most positive fashion. At the same time, listeners could also makes a comparison to works from the likes of The Knack, again, in a positive fashion. The whole is a musical exhibition that audiences are certain to enjoy.

The lyrical theme featured in The Bayonets’ new single is just as accessible as the song’s musical arrangement. That is because it is so familiar. In this case, the theme is clearly a story of a man who is overwhelmed for how he feels about a woman.

While Ray, Leiber and Sanz are the primary makeup of The Bayonets, they were not the only musicians who contributed to the group’s new single. Davey Faragher (Elvis Costello) provided the song’s bass line while Adam MacDougall (The Black Crowes) added keyboards to the mix. Scott Shriner (Weezer) also had a hand in the track, according to Ray.

More information on The Bayonets’ new lyric video and single is available along with all of the band’s latest news at:

Website: https://TheBayonets.com

Facebook: https://www.facebook.com/thebayonets

Twitter: https://twitter.com/brianrayguitar

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Santana-McLaughlin Montreux Re-Issue Is Another Shining Beacon From Eagle Rock

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Forty-eight years ago a man named Claude Knobs founded the Montreux Jazz Festival. In the decades since its founding, the once jazz-only festival has grown to become one of the world’s most renowned festivals featuring acts from every one of the music industry’s genres. Sadly, Knobs passed away two years ago. But even in his absence, the festival has continued on and remained one of the world’s elite music festivals. And thanks to the efforts of the people at Eagle Rock Entertainment that reputation has been held strong due to the label’s partnership with Montreux Sounds. The companies’ partnership has resulted in a number of performances from the festival’s history being released in recent years. That list includes performances from the likes of: Stan Getz, Phil Collins, Etta James, ZZ Top, and The Raconteurs among so many others. Last week, that list grew just a little more when the companies revisited Carlos Santana and John McLaughlin’s 2011 Invitation to Illumination performance and re-issued the concert in a double-disc CD presentation. Originally released on DVD and Blu-ray in 2013, this latest release is just as enjoyable for those that might not already own the concert’s original DVD and/or BD presentation. Of course it is just as enjoyable for anyone that already owns said presentations, too. The main reason that it is so enjoyable is its set list. Just as with Eagle Rock’s 2012 Santana live release, Greatest Hits Live at Montreux 2011, this show’s set list feels more like one giant jam session than a specifically structured set list. By direct connection, the stage presence of the musicians on stage is just as noteworthy in the recording’s enjoyment and success. Last of note in this recording is the concert’s audio mix. Those with surround sound home theater systems will especially appreciate that clarity of the recording’s audio mix. Together with the set list and the band’s stage presence, that expert audio mix is one more factor that reminds audiences why Eagle Rock Entertainment is the leader of the pack in live recordings. Collectively, all three elements show why this recording is one of the best of this year’s crop of re-issues.

Eagle Rock Entertainment’s new double-disc presentation of Carlos Santana & John Mclaughlin’s performance at the 2011 Montreux Jazz Festival is not the first time that the recording has been released. Despite that, this audio-only presentation is just as enjoyable as the concert’s 2013 DVD and Blu-ray presentation of the concert. This applies both for those that already own the concert’s DVD and/or Blu-ray presentation and for those that have neither. The main reason that it is so enjoyable for all involved is its set list. The nearly two and a half hour performance (two hours and fourteen minutes to be exact) is composed of sixteen tracks that touch on quite a few different genres. There is a tribute to Led Zeppelin early on as Santana and company cover the legendary rock band’s hit single ‘Stairway to Heaven.’ There are also tributes to Miles Davis and John Coletrane later in the performance in the form of ‘Black Satin’ and ‘A Love Supreme’ respectively. There is also another tribute to Coletrane earlier in the show in the form of ‘Naima,’ which is another of the legendary sax player’s greatest hits. As if these numbers aren’t enough, there are also of plenty of other original pieces performed by Santana and his fellow musicians pulled from Santana and McLaughlin’s 1973 album Love Devotion Surrender. The combination of the artists’ covers and original compositions results in a set list that is rich and completely engaging. Being so rich and engaging, audiences won’t even realize that so much time has passed by the time they reach the concert’s finale performance. That in itself is the mark of a truly talented group of musicians. Speaking of the musicians’ collective talents, their talents are another reason that audiences will enjoy this latest release of Invitation to Illumination.

The extensive set list compiled for Invitation to Illumination is in itself plenty of reason for fans of Carlos Santana and John McLaughlin to pick up this newly re-issued concert recording. It runs nearly two and a half hours and spans some sixteen songs. At no point in that time will audiences ever find themselves checking the time as the concert progresses. Rather, they will find themselves becoming lost in the concert in the best way possible. That says quite a bit within itself. Of course the concert’s chosen set list is only part of what makes it so enjoyable. The stage presence of Santana and his fellow musicians is another reason that audiences will enjoy the show. Taking in a performance by Carlos Santana and his band mates is more than simply taking in a performance from the highly talented musicians. Taking in a performance of these individuals is taking in a full musical experience. This is just as true in Santana & McLaughlin: Invitation to Illumination as it was on Carlos Santana: Greatest Hits Live at Montreux 2011. It is incredible to hear Santana and his band mates sharing the stage throughout the two-hour plus performance. Unlike so many other acts out there today, Santana steps back on multiple occasions, allowing his band mates to get their fair share of time in the limelight. Simply put, he not only talks the talk, but walks the walk, too. Such humility, willingness to share the spotlight, and talent shows why Santana is still one of the greatest guitarists in modern music history. Audiences will be in awe at the talent of both Dennis Chambers and Santana’s own wife, Cyndi Blackman Santana as they work behind their kits. Blackman Santana’s skill with the sticks is unparalleled. Watching her perform whether with the rest of the band or by herself on her drum solo is like watching controlled chaos. By contrast, Chambers’ own performance behind his kit is the picture of talent and composure. Chambers’ body language is one of someone that is entirely relaxed. Yet his playing would seem otherwise. It’s an amazing juxtaposition. The band overall presents such talent throughout its performance. It’s yet another way in which the band’s stage presence shows itself to be an important part of the recording’s whole. Together with the show’s extensive set list, both elements show once again why Invitation to Illumination is a brightly shining live recording from Eagle Rock Entertainment.

The set list assembled for Invitation to Illumination and the stage presence of the assembled musicians are both key reasons that the recording is so entertaining for audiences. They are just part of the whole of the recording’s enjoyment in its new double-disc CD presentation. The concert’s final audio mix rounds out the reasons that the concert shines so brightly. Those with surround sound home theater systems will especially appreciate that clarity of the recording’s audio mix. That is not to say that those without a home theater system will be left out in the cold per se. Rather it is just to say that the audio mix really lends itself to a home theater system even having been recorded at an indoor venue. There is something about the combined talents of the musicians on stage that just gives the performance that much power. This includes both the concert’s more raucous moments and even its more reserved moments. Audiences will agree with this sentiment when they pick up this recording for themselves. Together with the concert’s set list and the performers’ stage presence, it becomes the finishing touch on a recording that is one more brightly shining recording from Eagle Rock Entertainment even having been previously released.

While it is not the first time that Eagle Rock Entertainment has released the concert, the company’s new double-disc CD presentation of Invitation to Illumination still shines just as brightly as the concert’s previous DVD and Blu-ray presentation. This is the case both for those that already own one or both of the previously released presentations and for those that don’t already own either. The show’s set list coupled with the stage presence and talents of the performers makes for plenty of enjoyment in its new re-issue. The concert’s expert audio mix makes it even more of a joy for audiences. All three elements taken together make Invitation to Illumination a concert that is just as enjoyable the second time around as the first. Santana & McLaughlin: Invitation to Illumination Live at Montreux 2011 is available now in stores and online. More information on this and other titles from Eagle Rock Entertainment is available online now at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Blues Hall Of Fame Grand Opening Scheduled For Today

There’s big news for blues fans today.

The Blues Hall of Fame will officially open for the first time ever this morning at 10amET. Today’s grand opening of the band new building was preceded last night by the annual Blues Music Awards, which is now in its 36th year. The awards ceremony was held in front of a sold out crowd of 1500 people in downtown Memphis, TN at the Cook Convention Center.

Photo Credit: Charles Ragsdale II

Blues Hall of Fame Inductees. Some of those featured include: Tommy Brown, Bobby Rush, Charlie Musselwhite, Eddie Shaw, Dick Waterman, Billy Boy Arnold, John Hammond, Big Jay McNeely, Otis Clay, Bruce Iglauer and Mike Kappus. Photo Credit: Charles Ragsdale II

Twenty-four awards were handed out at last night’s ceremony. Elvin Bishop was the night’s big winner with three awards. His latest full-length release Can’t Even Do Right won for Best New Album. His Band took top honors in the Band category. And the album’s title track won for Best Song. Other winners on the night included: Joe Bonamassa (Best Instrumentalist—Guitar), Selwyn Birchwood (Best New Artist Album—Don’t Call No Ambulance) and Johnny Winter (Best Rock Blues Album—Step Back). The complete list of this year’s Blues Music Awards is noted below.

Blues Music Award winners (final)

  1. Acoustic Album:  Timeless– John Hammond
  2. Acoustic Artist: John Hammond
  3. Album: Can’t Even Do Wrong Right– Elvin Bishop
  4. B.B. King Entertainer: Bobby Rush
  5. Band: Elvin Bishop Band 
  6. Best New Artist Album: Don’t Call No Ambulance– Selwyn Birchwood                 
  7. Contemporary Blues Album: BluesAmericana – Keb’ Mo’
  8. Contemporary Blues Female Artist: Janiva Magness   
  9. Contemporary Blues Male Artist: Gary Clark Jr.
  10. Historical: Soul & Swagger: The Complete “5” Royales 1951-1967 – The “5” Royales (Rock Beat)
  11. Instrumentalist-Bass: Lisa Mann
  12. Instrumentalist-Drums: Jimi Bott
  13. Instrumentalist-Guitar: Joe Bonamassa
  14. Instrumentalist-Harmonica: Charlie Musselwhite
  15. Instrumentalist-Horn: Deanna Bogart
  16. Koko Taylor Award: Ruthie Foster
  17. Pinetop Perkins Piano Player: Marcia Ball    
  18. Rock Blues Album: Step Back – Johnny Winter
  19. Song: “Can’t Even Do Wrong Right” written and performed by Elvin Bishop
  20. Soul Blues Album: Memphis Grease– John Németh
  21. Soul Blues Female Artist: Sista Monica
  22. Soul Blues Male Artist: Bobby Rush
  23. Traditional Blues Album:  For Pops (A Tribute to Muddy Waters)– Mud Morganfield & Kim Wilson
  24. Traditional Blues Male Artist: Lurrie Bell

Blues Hall of Fame inductees at BHOF ribbon cutting ceremony: Otis Clay, Eddie Shaw, Big Jay McNeely, Bobby Rush, John Hammond, Tommy Brown, Billy Boy Arnold. Photo by Mariah Selitsch

Blues Hall of Fame inductees at BHOF ribbon cutting ceremony: Otis Clay, Eddie Shaw, Big Jay McNeely, Bobby Rush, John Hammond, Tommy Brown, Billy Boy Arnold. Photo by Mariah Selitsch

On the eve of the Blues Hall of Fame’s official opening, Little Richard, Tommy Brown, and Eric Clapton became the institution’s latest inductees. They join the likes of B.B. King, Etta James, T-Bone Walker and one hundred forty-three others that have been inducted over the past three decades plus. Fifty-one non-performers have also been added to the hall along with eighty-three of the greatest blues singles ever crafted, and forty books and magazines centered on the blues.

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Thorogood & Company Put On A Real Rock Party In Their First Ever Montreux Show

Courtesy:  Eagle Rock Entertainment/Eagle Vision

Courtesy: Eagle Rock Entertainment/Eagle Vision

Eagle Rock Entertainment and Montreux Sounds formed a new landmark business partnership a year or so ago.  The partnership in question allowed Eagle Rock distribution rights for a number of new and archived shows that were recorded at what is one of music’s most revered festivals.  And the recordings in question have been nothing short of impressive.  From the likes of Miles Davis, Stan Getz, and Etta James to newer acts such as The Raconteurs, the Montreux Jazz Festival has seen some of the industry’s top names take its storied stages.  Now, one more piece of the legendary festival’s history has been released to the masses in the form of George Thorogood & The Destroyers Live at Montreux 2013.  The concert, which was recorded this past July, marked the first time that Thorogood and his band mates—Jeff Simon (drums), Bill Blough (bass), Jim Suhler (guitar/vocals), and Buddy Leach (saxophone)–had ever performed at the venue.  And Thorogood himself makes note of his excitement at getting to finally perform at Montreux after more than two decades.  That excitement pored over throughout the band’s entire performance, too.  It’s one of the key factors of this recording that makes it so fun to take in.  The band’s set list is another reason that fans will enjoy this recording.  Thorogood and his band mates hit on every one of their major hit songs.  There is even a tribute to Johnny Cash thrown in for good measure.  If that isn’t enough for fans, the combination of the recording’s bonus interview and companion booklet will push the recording over the top.  They, along with the set list and the band’s performance, make this recording one more huge success from Eagle Rock Entertainment and Montreux Sounds.

George Thorogood has been making music and performing for over four decades.  So it comes as quite the surprise that 2013 marked the first time that he and his band mates played the famed Montreux Jazz Festival.  The festival, which started out mainly as a venue for the top names in jazz and blues, has grown each year to incorporate bands and artists from across the musical spectrum.  Thorogood and his band mates obviously held no ill will toward festival organizers when they took the stage at the festival.  Thorogood makes no bones concerning his excitement at finally being invited to perform at Montreux.  His positive energy isn’t confined to just that one moment, either.  From the high energy opener that is ‘Rock Party’ to hits like ‘I Drink Alone’, ‘Bad to the Bone’, and ‘Madison Blues’, the band exudes so much energy and excitement.  The audience in attendance feeds off of every bit of that excitement, too.  The mutual sharing of excitement and energy can be felt even by viewers watching this recording from the comfort of their own living rooms or bedrooms.  Home viewers may even find themselves feeding off of that excitement, dancing around and playing air guitar, etc.  That shows just how much fun Thorogood and company make their performance for all of their audiences.  Home viewers will discover this for themselves when they order or purchase the recording for themselves on DVD and Blu-ray.

The positive energy and excitement exuded by Thorogood and company is key to the overall enjoyment of this recording.  Whether one is seeing the concert for the first time or reliving the concert again, everybody can agree that the band’s stage performance alone is enough reason to take in this concert.  Just as important to the overall enjoyment of this concert recording is the set list chosen for the performance.  Fans won’t be disappointed at the set list chosen for the concert.  The veteran rockers included all of their fan favorites over the course of the near ninety-minute set.  From the likes of ‘I Drink Alone’ to the band’s now famous cover of John Lee Hooker’s ‘One Bourbon, One Scotch, One Beer’ to the Johnny Cash tribute in ‘Cocaine Blues’, the band leaves little if anything on the table.  Audiences will especially appreciate that in the tribute to the late country singer, Thorogood actually seems to channel him.  He actually sounds like Cash, vocally speaking, at points in the song.  The same can be said of his guitar work, too.  It is just one of so many high points offered throughout the course of the concert.  And it’s just one more part of what makes the recording as a whole so enjoyable for audiences of all ages.  It’s not the last, either.  The bonus interview and companion booklet included in with the DVD and Blu-ray put the finishing touch on this recording.

The songs chosen for this concert and the band’s performance collectively make up the most important and impressive part of this latest recording from Eagle Rock Entertainment and Montreux Sounds.  There is still one part of the overall presentation of this recording that puts it over the top.  That last part ifs the collective bonus interview and companion booklet.  The show’s bonus sit-down with Thorogood shows that the persona presented on stage was as real as it comes.  Audiences get even more insight into his excitement over playing Montreux at long last.  And through the show’s companion booklet, audiences get a brief history of Thorogood’s career leading up to his performance at Montreux.  Audiences will be interested to learn that along with George Thorogood and The Destroyers, ZZ Top was at Montreux this year, as were Prince, Sting, Ben Harper, Deep Purple, Leonard Cohen, and so many others.  It’s just a tiny piece of the whole history that audiences will enjoy learning in reading through the included literature.  And together with everything already mentioned, that history and the bonus interview make this presentation complete.  It all collectively makes this latest release one more huge success from Eagle Rock Entertainment and Montreux Sounds.  It is available now in stores and online and can be ordered direct from Amazon at http://www.amazon.com/Live-At-Montreux-2013-Blu-ray/dp/B00FFLBXJQ/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1387537259&sr=1-1&keywords=george+thorogood+%26+the+destroyers+live+at+montreux+2013.  More information on this and other concerts in Eagle Rock’s ongoing Montreux series of concerts is available online at http://www.eaglerockent.com and http://www.facebook.com/EagleRockEnt.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.