Experience Hendrix LLC, Legacy Recordings Partner For Another New Hendrix Collection

Photo Credit: Mike Berkofsky

Mark your calendars, Jimi Hendrix fans. A new Hendrix album is coming in the new year.

Experience Hendrix, LLC and Legacy Recordings — the catalog division of Sony Music — will release a brand new collection of previously unreleased Jimi Hendrix songs in the new year titled Both Sides of the Sky. Currently set for release on Friday, March 9, the album completes a trilogy that started with Valleys of Neptune (2010) and continued with People, Hell and Angels (2013).

The new, forthcoming 13-song album includes 10 previously unreleasd Hendrix compilation. The songs overall were crafted between 1968 and 1970. The record will be available on CD, digital and limited, numbered 2 LP platform. It includes a preciously unreleased take on Muddy Waters’ classic hit ‘Mannish Boy’ as well as ‘$20 Fine,’ a piece that also featured work from Stephen Stills (Crosby, Stills, Nash & Young) and ‘Georgia Blues,’ which features Lonnie Youngblood — with whom Hendrix worked during his days with Curtis Knight & The Squires –along with 10 other equally interesting songs. The record’s full track listing is noted below.

Both Sides of the Sky tracklist:

1)    Mannish Boy*

2)    Lover Man*

3)    Hear My Train A Comin’*

4)    Stepping Stone*

5)    $20 Fine*+

6)    Power Of Soul^

7)    Jungle*

8)    Things I Used to Do#

9)    Georgia Blues++

10)  Sweet Angel*

11)  Woodstock*+

12)  Send My Love To Linda*

13)  Cherokee Mist*

*Previously unreleased

^ Previously unavailable extended version

+Featuring Stephen Stills

#Featuring Johnny Winter

++Featuring Lonnie Youngblood

Pre-orders are open now here.

Both Sides of the Sky is a significant release because it presents Hendrix’s abilities and talents with studio production and his increased use of that resource. Jimi’s sister Janie Hendrix — who is also Presdent and CEO of Experience Hendrix, LLC — produced this new album alongside John McDermott and Eddie Kramer. Kramer engineered every one of Hendrix’s albums during his life. The trio also has also teamed for every Hendrix audio and visual recording 1996 in order to maintain the high quality come to be expected in each release.

Janie Hendrix said in a recent interview that presenting only the best product possible has been the company’s goal from day one.

“We have a growing commitment to preserve the legacy of Jimi and also to cotninue to give the worldwide family of Jimi fans quality releases,” Hendrix said. “That’s what Both Sides of the Sky reflects…our growing commitment. In a deeper sense, it’s the keeping of a promise. Jimi and I once made a promise to each other. He said he would take care of me and I told him I would take care of him. Through his music and our preservation of his work, my brother and I honor one another. We are now in our third decade of watching over Jimi’s creative works and our resolve to maintain the integrity of what he left us has only grown stronger with time.”

Kramer echoed that sentiment.

“Jimi’s true home was the studio,” Kramer said. “That’s where the music and the magic happened. He loved everything about recording and it’s been my distinct pleasure and an honor to play a part in that process both then and now.”

More information on Both Sides of the Sky is available online now along with all of the latest Hendrix news at:

Website: http://www.jimihendrix.com

Facebook: http://www.facebook.com/JimiHendrix

Twitter: http://twitter.com/JimiHendrix

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

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Jimi Hendrix Park To Officially Open Saturday In Seattle

Courtesy: Experience Hendrix, LLC/Merlis For Hire

The city of Seattle, Washington will hold a very special event this weekend to pay tribute to a music legend.

Seattle Parks and Recreation is partnering with the Jimi Hendrix Park Foundation and Friends of Jimi Hendrix Park for the official opening of the Jimi Hendrix Park Saturday.  The event is free to the public and will be held from noon to 5 p.m. Construction of the 2.5-acre park, which sits just adjacent to the Northwest African-American Museum in Seattle’s central district, cost $2.2 million.

The park features a variety of items paying tribute to Hendrix and his legacy including a grand entrance and stairway highlighted by Hendrix’s signature at the corner of Massachusetts and 25th Avenue South as well as a walkway taking visitors toward the central plaza that presents a time line of Hendrix’s life and career.  Lyrics from Hendrix’s songs ‘Little Wing’ and ‘Angel’ are etched into a purple ribbon along the timeline.

This is just a glimpse of what the new park will offer.  Four rain gardens and a butterfly garden laden with flowering shrubs also fill the park along with numerous trees, an informational kiosk and bicycle racks.

Jimi’s sister Janie L. Hendrix will join city officials for a brief program and ribbon cutting Saturday at noon to officially open the park.  A number of performers will help celebrate the opening including School of Rock, Henry Cooper, Peace & Red Velvet and many others.  Food trucks, an instrument “petting zoo,” chalk art contest and various youth activities will give families plenty to eat, see and do throughout the afternoon.

Funding for the park’s construction was provided in part by the following donors:

  • Hard Rock International
  • KISW Radio
  • Janie L. Hendrix
  • King Conservation District
  • Northwest African American Museum
  • Seattle Parks Foundation
  • Fender Musical Instruments Company
  • Experience Hendrix L.L.C.
  • Authentic Hendrix LLC
  • Monterey International Pop Festival
  • Nisqually Indian Tribe Charitable Fund
  • Sony Music Entertainment
  • Neighborhood Park & Street Fund

 

More information on the Jimi Hendrix Park is available online now along with all of the latest news from Experience Hendrix at http://www.jimihendrix.com/experience-hendrix-llc.

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Court Hands Experience Hendrix, LLC Another Victory In Latest Trademark Case

Courtesy: Experience Hendrix, LLC

Courtesy: Experience Hendrix, LLC

There is a new development in the court battle between Experience Hendrix, LLC and Tiger Paw Distributors.

A court order handed down late last month an injunction that prevents Tiger Paw Distributors from:

 

  1. Using the word “Jimi” in the names of its websites, social media profiles, and other online profiles.
  2. Making, selling, distributing, or promoting any bottle of its Purple Haze Liqueur that uses the web address http://www.jimipurplehaze.com printed clearly on the label
  3. Displaying the trademark Jimi Hendrix signature on any of its labeling or marketing materials.

 

The newly ordered injunction is just the latest development in the case.  The case was first opened earlier this year when Experience Hendrix, LLC filed suit in a Georgia Federal Court, charging that Tiger Paw Distributors, its president Joe Wallace, its partner Leon Hendrix, and others had used trademarks owned by Experience Hendrix, LLC without the company’s permission in order to promote its Purple Haze Liqueur.  It is a drink made up of vodka, cognac, and other elements.  The trademarks in question included the use of the name “jimi,” the Jimi Hendrix trademark signature, and the jimipurple haze.com web address.

Experience Hendrix, LLC’s case against Tiger Paw Distributors is not the first time that the company has faced a court battle over the use of its trademarks.  In 2007 it took Electric Hendrix, LLC—formed by Leon Hendrix and others—to court over for trademark infringement and other “unlawful acts” in its efforts to sell its Jimi Hendrix Electric Vodka.  The Washington Federal Court overseeing the case found in favor of Experience Hendrix, LLC in that case, ordering that all bottles of Jimi Hendrix Electric Vodka be removed from store shelves across the country.  The order was a permanent injunction against Electric Hendrix, LLC, ensuring that it would never be able to sell its alcoholic beverage again.

To keep up with the latest sports and entertainment news and reviews go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Jimi Hendrix: Live At The Atlanta Pop Festival Is One Of 2015’s Top New Live CDs

Courtesy:  Experience Hendrix, LLC/Legacy Recordings

Courtesy: Experience Hendrix, LLC/Legacy Recordings

On July 4th, 1970 legendary guitarist Jimi Hendrix stood on a stage in Byron, Georgia before an audience estimated to be anywhere from 300,000 to 400,000 people at the city’s Second Atlanta International Pop Festival. He was joined on stage by then band mates Billy Cox (bass) and Mitch Mitchell (drums) for what would go on to be the biggest audience for which the trio would ever perform before Hendrix’s untimely death a little more than two months later. While it is the biggest performance that Hendrix and company had ever held, it has never seen the light of day. That is until now. Thanks to the efforts of the people at Experience Hendrix, LLC and Legacy Recordings, this classic concert will finally be available to audiences this Friday, August 28th. Needless to say this new, upcoming live recording is one more welcome addition to any Hendrix fan’s music library. The main reason that it is such an enjoyable recording is its set list. The show’s set list totals sixteen songs and tops off at roughly an hour and twenty-two minutes. It features both a number of Hendrix’s biggest hits up to that point and even a number of lesser-known pieces. The combination of both those bigger hits and lesser-known pieces makes for a set list that both the most hardcore Hendrix fans will enjoy and those that might not be so familiar with the music that made Hendrix rock royalty. As important as the concert’s set list is to its presentation in whole, it is just one part of what makes the show so enjoyable. Hendrix’s stage presence and that of his band mates plays its own role in the concert’s enjoyment. Last but hardly least important in the concert’s enjoyment is its audio mix. Considering the changes in recording technology over the course of the past forty-five years the quality of this concert’s audio mix is surprisingly impressive. Sure, it’s tough to hear Hendrix talking and joking with the audience between songs without pumping the volume almost to max. But that’s a minor issue when looking at the audio mix in general. That being the case, the audio mix passes the test and rounds out what is yet another archived show that any Hendrix fan will want to have in his or her own music library.

Jimi Hendrix: Live at the Atlanta Pop Festival is hardly the Jimi Hendrix Experience’s first archived live show to be released by Experience Hendrix, LLC and Legacy Recordings. That aside, it is still another great addition to the home music library of any Hendrix fan out there regardless of his or her familiarity with Hendrix’s body of work and his live shows. The main way in which it proves so enjoyable is its set list. The set list is not entirely different from previous Jimi Hendrix Experience concert recordings. However, it does show at least some differences from those recordings. It shows differences by including a number of lesser-known songs including the likes of: ‘Lover Man,’ ‘Spanish Castle Magic,’ ‘Room Full of Mirrors,’ ‘Message To Love,’ and ‘Freedom’ just to name a handful. While the inclusion of those lesser-known songs is in itself important to the enjoyment of this recording the performance of the band’s more well-known songs should not be played down. Audiences will love the band’s laid back take of ‘Red House.’ And fittingly the band’s performance of the show-opening ‘Fire’ will have listeners even today feeling the energy exuded by the band and by the audience in attendance all those decades ago. Feeling that energy, listeners will feel it running through themselves, too. Just as interesting is the band’s performance of ‘Hey Joe,’ one of its biggest hits of all. Unlike with so many other performances of this song–and even the song’s original recording–it shows to be more up-tempo than in those recordings. That’s not to say that it is a really fast paced rendition of the song. It is just not as slow as audiences are accustomed to in regards to this song. It’s yet another interesting way in which the set list shows to be just one important element in the whole of Live at the Atlanta Pop Festival. The rest of the songs featured in the show’s set list could each be used as examples, too. These examples within themselves are just a few of the clearest examples of why the show’s set list is so important to its success and enjoyment.

The set list featured at the heart of Live at the Atlanta Pop Festival is a key element of the recording’s success. It is of course just one element in a much larger picture. The band’s stage presence–especially that of Hendrix himself–is just as important to its success and enjoyment. Audiences that are familiar with Hendrix’s history both on and off the stage will find his stage presence just as enjoyable as ever. This includes both his performance of each song and his rapport with his audience. During the course of each of the band’s songs, Hendrix feels just as at ease as ever. His performance feels completely natural and organic. Listeners will especially notice this in some of the concert’s more spur of the moment jam session moments. The same can be said of [Billy] Cox and [Mitch] Mitchell. They feel just as natural in their performances. Mitchell sounds as if his drumsticks are natural extensions of his arms as he flows through each song while Cox is just as smooth, offering up just enough low-end to perfectly compliment both Mitchell’s rhythms and Hendrix’s main line. It makes for a great harmony opposite Hendrix’s work. All three musicians’ talents together make for a nearly ninety minute set that is still just as enjoyable today as it was forty-five years ago. Hendrix’s rapport with the audience plays into that, too. Although listeners will have to pump the volume on their stereos or MP3 players in order to hear him between songs, they will hear for themselves in doing so just how natural he was even when not performing. It’s really interesting to note especially considering his nature off-stage. He was just as nice off-stage as he was in front of a crowd. But he was also somewhat shy around people when he wasn’t performing. So keeping that in mind, it makes his interactions with the audience here just as enjoyable and incredible as in any of the band’s other performances. It really goes to show why his ability to overcome that shyness is so important both to the enjoyment of this and other performances from the band, and why he is himself one of the most important front men in modern rock history.

The stage presence of both Hendrix and his band mates throughout the course of Live at the Atlanta Pop Festival shows in the long run to be a hugely important element in its overall success and enjoyment. That is because all three musicians’ performances feel just as natural and organic as in any of the band’s previous performances. That natural, organic approach to each song make the set list in whole that much more important to the recording’s success, too. For all of the importance of both noted elements, neither would be of any worth noting without noting the concert’s audio mix. Thankfully, those charged with restoring the concert’s audio mix stepped up and accomplished their task with the utmost expertise. Sure, it would have been nice if listeners didn’t have to jack up the recording’s volume in between songs. But that is a minor price to pay for a recording that sounds as good as it does in this case. It speaks volumes of not only the abilities of those that re-mastered the concert’s sounds but of those that originally recorded the concert and of the recording tech from the era. It is thanks to both that tech and the abilities of all involved that both the show’s set is so easy on the ears and why the band’s stage presence throughout the whole show comes across just as well even with the issue of the moments between the songs. It is the foundation for the concert in whole and in turn makes the concert complete. It is the final touch in the concert’s examination, proving exactly why it is yet another welcome addition to any Hendrix fan’s music library.

Jimi Hendrix: Live at the Atlanta Pop Festival is not the first live Hendrix concert recording to be released to audiences. That aside, it still proves in the end to be another fully welcome addition to any Hendrix fan’s music library. That is thanks to the show’s near ninety-minute set list, made up of songs that all of Hendrix’s fans will recognize. The band’s stage presence and the work of those responsible for re-mastering its sound are just as much to note. All three elements combined make Live at the Atlanta Pop Festival one more welcome addition to the music library of any Jimi Hendrix fan and one more of this year’s best new live CD recordings. It will be available in stores and online this Friday, August 28th. More information on this and other Jimi Hendrix recordings is available online now at:

Website: http://www.jimihendrix.com

Facebook: http://www.facebook.com/JimiHendrix

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Jimi Hendrix Park Finally Becoming A Reality

Courtesy:  Merlis For Hire

Courtesy: Merlis For Hire

It has taken four years of planning and fundraising. But it looks like the long-awaited Jimi Hendrix Park will finally become a reality at least in part very soon.

Officials with the Jimi Hendrix Park Foundation announced this week that after much negotiation, The City Of Seattle is now pursuing a contract with construction company ERGG, Inc. to start work on the park, honoring one of the city’s favorite sons. ERGG, Inc. was chosen from a pool of five bidding companies to build the 2.5 acre park in the city’s Central District. The park will be located adjacent to the city’s Northwest African-American Museum. Construction on Phase I is expected to begin in April with opening of the park’s new features expected for this fall. Phase I of the park’s growth, designated “Little Wing,” will include a new stairway and grand entrance at the southeast corner of the park at the intersection of 25th and Massachusetts. It will also feature a chronological timeline of Jimi’s life and career, paved pathways, new landscaping that will feature new trees and native plantings, seat wall benches, improved fencing, ADA accessible walkways, rain infiltration gardens, a butterfly garden, and central plaza for community gatherings and performances.

Jimi Hendrix’s sister Janie Hendrix is Founder and Director of the Jimi Hendrix Park Foundation. She shared her thoughts on this week’s major announcement noting her hopes that the park will be more than just another tourist trap. Rather, she hoped that it would become a site that would pay homage to Jimi’s life and legacy, noting, “It is our hope that for generations, it will exist as more than an attraction or point of interest, but a place of homage to one of Seattle’s own. The landscaping, the artistic design, and the ambience all mimic the vibe of the persona of Jimi, whom this park honors.”

Rosanna Sharpe is Executive Director of the Northwest African-American Museum. She shared Jamie’s high hopes for the park, especially being that the park will be located so close to the museum. “The Northwest African-American Museum looks forward to the opening of the new Jimi Hendrix Park,” she said. “Together we form a premier cultural destination that celebrates African-American art, history and culture, and the living legacy of an iconic musician who helped the world expand its definition of “black music” and continues to influence musicians today.”

Fundraising by the Jimi Hendrix Park Foundation started in 2012. It raised a total of $1.4 million for the first of the park’s two phases. Fundraising for the second phase of the park’s development is ongoing. The second phase of the park’s development includes: additional pathways, pedestrian lighting, improved fencing, construction of a central shelter and centerpiece feature, and a “shadow wave wall” that depicts iconic silhouette images of Jimi Hendrix. Anyone that would like to donate to the Jimi Hendrix Park Foundation’s work on the park’s second phase can do so online via the Foundation’s website at http://www.jimihendrixparkfoundation.org/donate.php. The Jimi Hendrix Park Foundation is a 501(c)3 registered public charity (EIN 27-3599916). A schematic design of the park in its completed state is noted below.

Courtesy:  Merlis For Hire

Courtesy: Merlis For Hire

Major financial assistance for development of Phase I came from: Hard Rock International, Parks and Green Spaces Opportunity Fund, Seattle Department of Neighborhoods, Janie L. Hendrix, King Conservation District, Seattle Parks Foundation, KISW 99.9 FM, Northwest African-American Museum, Nisqually Indian Tribe, and Fender Musical Instruments Co.

More information on The Jimi Hendrix Park Foundation is available online along with information on how to donate to the second phase of the park’s construction, and all of the latest developments on its construction at:

Website: http://www.jimihendrixparkfoundation.org

Facebook: http://www.facebook.com/JimiHendrixParkFoundation

Twitter: http://twitter.com/JimiHendrixPark

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Sony Legacy’s Latest Hendrix Profile Is One Of The Best Overall Albums Of 2015

Courtesy:  Sony Legacy/Experience Hendrix, LLC

Courtesy: Sony Legacy/Experience Hendrix, LLC

Sony Legacy’s new record You Can’t Use My Name is one of this year’s best new records. It is also one of the most important pieces of music history to be released in a long time. The record is a compilation of songs on which legendary guitarist Jimi Hendrix lended his talents during his short stint with Curtis Knight and the Squires from 1965 – 1966. The songs culled for this record have never been released in any form. That is,as is noted in the album’s companion booklet, a result of legal issues that were only hammered out by the people at Experience Hendrix, LLC. Speaking of the booklet, it is just one part of what makes this record so important regardless of one’s level of knowledge in regards to Hendrix and his body of work. Confused? It’ll all be explained shortly. First and foremost though, the songs are central to the overall enjoyment of the record. They, along with the record’s companion booklet, make perfectly clear why any music lover overall will want to hear this record. Last but not least of all worth noting is the production values of the songs presented across the record. Considering that they have apparently sat in limbo for decades, they sound especially impressive in this presentation. Each element by itself makes You Can’t Use My Name enjoyable for any Jimi Hendrix fan. All three elements taken collectively into account they prove this record to be an equally important piece of music history. That collective importance and enjoyment makes You Can’t Use My Name one of this year’s best new album’s overall and a piece that both Hendrix fans and music lovers overall should add to his or her collection.

There is a lot to be said of Sony Legacy’s new compilation You Can’t Use My Name. The fourteen-track record is a compilation of songs that were recorded by legendary guitarist Jimi Hendrix between 1965 and 1966 when he served as a backup member of Curtis Knight’s group Curtis Knight & The Squires. Its release on Tuesday, March 24th marks the first time ever that these songs have seen the light of day. They have hung in limbo for so long because of legal issues that Experience Hendrix, LLC only recently finally got settled. The issues in question had to do with ownership and distribution rights for the songs. The efforts to get the rights to the songs were well worth it as listeners will agree in hearing these songs. As listeners will note on this record, Hendrix’s guitar playing in each one of the compilation’s songs displays the roots of his talents. His guitar solo on ‘Gotta Have a New Dress’ and his work on the near seven-minute-long ‘Knock Yourself Out (Flying on Instruments) both display those roots. Though, the latter of the two shows more hints of the timeless tunes that he would churn out in the years to come with Mitch Mitchell, Noel Redding, and Billy Cox. For all of the breadth of talent displayed by both Hendrix and the members of The Squires on this record, listeners get to hear a glimpse of the consequences of those talents in the uncut take of ‘Gloomy Monday.’ Listeners hear Hendrix talking to Curtis Squires and to producer Ed Chalpin, head of PPX in regards to his name being used in the song’s credits. His reasoning for keeping his name off of the recording is fully justified, as audiences will read in the album’s companion booklet. Speaking of that story and the booklet in whole, the companion booklet that comes with You Can’t Use My Name both that story and the larger story presented in the booklet proves to be another reason that music lovers and Hendrix fans alike will enjoy and appreciate You Can’t Use My Name.

So many consumers today have turned away from purchasing physical albums and turned more towards directly downloading specific songs from given acts’ albums. Ever since the creation of iTunes so many years ago, people have increasingly turned their backs on the physical object. The main argument given for this turn is that there are so few full albums worth purchasing anymore. To a certain point, that argument does hold water. In the case of You Can’t Use My Name, it is an argument that is one giant hole. In this case, the hole is so large not only because of the amount of impressive songs included for the compilation’s body but for the inclusion of its companion booklet. The booklet included with You Can’t Use My Name gives an in-depth background on Hendrix’s early days and his rise to stardom as the mouthpiece of The Jimi Hendrix Experience. While many audiences know plenty about Hendrix’s time with The Jimi Hendrix Experience and Band of Gypsys, it’s likely that far fewer audiences know about the legal issues that he faced during his rise to stardom. The booklet included with You Can’t Use My Name outlines in detail the legal issues in question courtesy of writer John McDermott. Those legal issues even boil over onto the album itself as can be heard in the rough cut of ‘Gloomy Monday.’ McDermott goes so far as to clearly transcribe the conversation heard between Hendrix, Knight, and PPX head Ed Chalpin before the recording begins. It clearly displays Hendrix as being very untrusting of Chalpin but trying to play off his discomfort at the situation in which he had found himself. That’s just part of the whole story that makes this record a must have for any music lover, historian or Hendrix fan. McDermott goes on to detail how perhaps Hendrix’s own interpretation of his contract with PPX versus Chalpin’s view obviously led to the ongoing dispute and the rift formed between Hendrix and Chalpin. McDermott notes in his history that these disputes followed Hendrix into his career with The Jimi Hendrix Experience. It would explain why in Sony Legacy’s Hendrix documentaries Jimi Plays Berkeley (2012), The Jimi Hendrix Experience: Hear My Train A’ Comin’ (2013), and Blue Wild Angel: Jimi Hendrix Live at the Isle of Wight, Hendrix is seen as being somewhat closed off from others while not on stage. He even shows a little of that side on-stage, too. It is visible and audible in his stage presence. Despite his powerhouse performances, he himself comes across as being a little reserved for lack of better wording. The impact of these legal issues would seem to explain at least to some extent that reserved nature. Regardless of whether or not the legal issues outlined in You Can’t Use My Name’s companion booklet played a role in who Jimi Hendrix became over time, one can’t help but wonder. The very revelation of those issues–which may or may not have played a role in his personal life–thanks to John McDermott and the potential discussions that they could lead to as noted here, prove without a doubt why the booklet included with You Can’t Use My Name is just as important to the whole as the music itself. It still is not all worth noting of what makes the record work, either. The record’s production values are well worth noting, too.

The music chosen for You Can’t Use My Name and the record’s companion booklet are both of equal importance to the record’s enjoyment and success. That has been noted above. The music presents Hendrix before he was a star. And not only that, but it also presents a clear picture of his musical roots. The in-depth history of the legal issues challenging Hendrix as his star rose is just as key to the record’s enjoyment and success. It is more ammo in the argument in favor of owning the physical object and against the digital. Those that buy the album in its physical form will get the full experience, including that history and music. Those that only download the music won’t get the full background on the music and why the songs on this record are so important in the overall history of popular music and of Jimi Hendrix’s career. Now, having noted all of this, the music and the history lesson behind the music would be useless without quality production values. From the socio-politically charged protest piece that is ‘How Would You Feel’ to the uptempo, blues-infused instrumental that is Knock Yourself Out (Flying on Instruments) to the album’s controversial closer ‘Gloomy Monday,’ each song collected for the album sounds equally impressive. And that is thanks to those charged with resurrecting them and re-mastering them. If not for their painstaking efforts, none of the elements noted above would mean anything and this record would otherwise end up collecting dust on store shelves. But thankfully that is not the case. Because it isn’t the case, every song on the record is equally worth the listen. In hearing the quality sound of each song and taking in the important history behind the songs, listeners that are open-minded enough will agree that You Can’t Use My Name is not only one of this year’s best new albums but one of the most important pieces of 20th Century music history to come along in a very long time.

You Can’t Use My Name proves in the end to be an aptly titled new collection of songs from Experience Hendrix, LLC and Sony Legacy. The history provided behind the songs courtesy of John McDermott illustrates this clearly and concisely. This leads the songs themselves to prove all the more valuable both because of Hendrix’s performance on each one and simply for the fact that they were held in music limbo for so long. And thanks to the hard work of those charged with restoring the songs, the songs are clear and completely enjoyable. The end result of all of these elements is an album that once again proves to be one of the year’s best overall new records and one of the best pieces of 20th Century music history to come along in a very long time. You Can’t Use My Name will be available Tuesday, March 24th in stores and online. Though, the purchase of the physical item in the case is highly recommended. More information on this and other titles from Experience Hendrix, LLC and Sony Legacy is available online now at:

Website: http://www.jimihendrix.com

Facebook: http://www.facebook.com/JimiHendrix

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Blue Wild Angel Is A Fitting Memorial To Hendrix’s Legacy

Courtesy:  Experience Hendrix, LLC/Legacy Recordings

Courtesy: Experience Hendrix, LLC/Legacy Recordings

Sony Legacy and Experience Hendrix, LLC released their latest archived live Jimi Hendrix performance this week.  Jimi Hendrix Live at the Isle of Wight: Blue Wild Angel was released on DVD and Blu-ray earlier this week.  The latest archived concert to be released by Sony Legacy and Experience Hendrix, LLC, this archived concert is one more wonderful addition to the ongoing series of archived concerts that the companies have released in recent years.  The first reason for that is the concert’s set list.  Included in this concert are some familiar pieces.  There are also some not so familiar pieces included in the show’s set list, too.  Those songs are a great addition to the concert in whole.  Just as worth noting in this new concert recording is the show’s collective audio and video mix. The recording’s bonus material—primarily the interview with director Murray Lerner and the bonus live footage of ‘Hey Joe’—completes the presentation, making Jimi Hendrix Live at the Isle of Wight: Blue Wild Angel a definite candidate for a spot on this critic’s list of the year’s best new live recordings.

Jimi Hendrix Live at the Isle of Wight: Blue Wild Angel is one of the most important live recordings that any Jimi Hendrix fan and music historian alike should add to their own collection. The reason for that is that while it wasn’t his last concert, it was his final full official performance before his untimely passing in late 1970. One of the key reasons that viewers will enjoy this concert recording so much is that it includes more than the typical Hendrix hits. He pays homage to The Beatles with a performance of the title track from the band’s 1967 alum Sgt. Pepper’s Lonely Hearts Club Band early on. Before the concert begins, there is a near fifteen-minute documentary of sorts that sets the stage so to speak, for the concert. During the course of the documentary, Hendrix notes in some of the footage that he was in fact a fan of The Beatles. Taking this into account, that comment makes Hendrix’s performance of the Beatles’ hit all the more special. Audiences will agree that Hendrix does the song justice even with his rendition. Just as intriguing is the juxtaposition of Jimi, Mitch [Mitchell] (drums) and Billy [Cox] (bass) performing ‘God Save The Queen.’ It is intriguing in that also included in the pre-concert mini-documentary” is a clip of Jimi discussing his performance of the National Anthem at Woodstock and the reaction to said performance. He also discusses his military service with Cavett during said clip. It makes the group’s performance of ‘God Save The Queen’ almost a response of sorts to those that came out against him for his rendition of the National Anthem even after the fact. Add in performances of ‘Dolly Dagger,’ ‘Freedom,’ ‘Spanish Castle Music,’ and others that are less commonly seen in previous Hendrix live recordings alongside Hendrix’s standards, and audiences get a set list that by itself, makes plenty of reason to check out this new live recording.

The set list that Jimi and his band mates had assembled for what would be their last full official concert is in itself reason enough for audiences and music historians to want to purchase this recording. The collective audio and video mix of this recording makes it even more of a success. Almost forty-five years (that’s almost three quarters of a century) later, the footage looks and sounds just as good as it did in its original recording. That is a testament to those charged with bringing the concert back to life for audiences of all ages. The footage looks and sounds especially good in its transfer to Blu-ray. The grainy quality of the original recording is still there. So that vintage feel was not lost in the transfer. It just looks more well defined for lack of better wording. And the audio is just as impressive. It sounds impressive on an HDTV. But those with home theater systems will truly appreciate the quality of the audio in the original concert audio’s re-mastering and transfer to Blu-ray. Making the experience even more special is the inclusion of extra camera angles on specific songs as bonus material. It adds even more to the overall experience, especially being that they largely come from the stage.

Speaking of bonus material, the bonus performance of Jimi and company performing ‘Hey Joe’ puts the final piece in place for this recording. The performance had not been included in the original concert recording. So having it included this time gives audiences the full experience in terms of the show’s set list. The bonus interview with director Murray Lerner rounds out the presentation. His insight and behind-the-scenes tidbits regarding the pre-show preps and reaction by the fans shows a troubled show that seemingly came close to not happening. And even when it did happen, it wasn’t without its share of problems. But because it did happen, audiences today get what is a fitting final end to a career that would ultimately be cut far too short.

Jimi Hendrix Live at the Isle of Wight: Blue Wild Angel is available now on DVD and Blu-ray in stores and online. It can be ordered directly from the official Jimi Hendrix website, http://www.jimihendrix.com/us/home. More information on this and other Hendrix releases, as well as the upcoming 2014 Experience Hendrix Tour and more Jimi Hendrix news, is available via the official Jimi Hendrix website and Facebook page, http://www.facebook.com/JimiHendrix. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.