Deep Purple’s First Ever Covers Collection Shows In Its Case, ‘Crime’ Does Pay

Courtesy: earMusic

Deep Purple has, over the course of its life, released 21 albums, 45 (yes, 45) live recordings, and earned countless awards while seeing its albums go gold and platinum (some multiple times platinum for that matter).  For all that the band has done over its life, there is one thing that it has not done.  That one thing that the band has not done is release a covers collection.  That is until this week.  The band released its first ever covers collection, Turning to Crime Friday through earMusic.  The 12-song (technically about 16 because of the medley that makes up the record’s finale track) record is an interesting new presentation from the band.  Its interest is due in large part to its featured covers, which will be discussed shortly.  The band’s performances thereof are of their own interest and will be discussed a little later.  The songs’ sequencing rounds out its most important elements and will also be examined later.  Each item noted is important in its own way to the whole of the collection’s presentation.  All things considered, they make the compilation another interesting addition to this year’s field of new covers sets and an equally interesting first ever covers set from Deep Purple.

Deep Purple’s first ever covers collection, Turning to Crime, is a unique new offering from the band, especially considering that it is the first time in the band’s more than 50-year life that it has released a covers set.  The record stands out in part because of its featured songs.  The songs are of note because of their diversity.  The band takes audiences all the way back to 1946 in this collection with a cover of Louis Jordan and His Tympani Five’s hit single, ‘Let The Good Times Roll’ and all the way up to 1973 with a take on Little Feat’s fan favorite song, ‘Dixie Chicken.’  Along the way, there are also covers of songs from the likes of Fleetwood Mac (‘Oh Well’), Jimmy Driftwood (‘The Battle of New Orleans’), and Mitch Ryder and the Detroit Wheels (‘Jenny Take A Ride’).  Also featured in this collection are covers of Bob Seger’s ‘Lucifer,’ Cream’s ‘White Room,’ and Bob Dylan’s ‘Watching The River Flow.’  The song styles are so different from one to the next.  Case in point is ‘The Battle of New Orleans.’  This song was originally considered a country music song.  ‘Rockin’ Pneumonia and the Boogie Woogie Flu’ by Huey ‘Piano’ Smith is…well…a boogie woogie type composition.  Little Feat’s ‘Dixie Chicken’ meanwhile is more of a roots rock type work while yet another song, ‘Lucifer’ is more rock oriented.  Simply put, the songs that are featured throughout this record show a wide range of styles and sounds from one to the next.  It makes for its own appeal. 

What’s more some of the songs are more well-known than others and vice versa.  They are not all major hits/standards that so many other acts might cover and have covered.  Case in point is Fleetwood Mac’s ‘Oh Well.’  According to research, the song was not a major hit for the band here in the U.S. but fared much better in the U.K. and around the world.  It peaked at #55 in the U.S. and #2 in the U.K.   ‘Dixie Chicken’ is another example of the record’s lesser-known songs.  It was never actually used as a single for the band’s album by the same name, but has been considered a fan favorite among the band’s most devoted audiences.  ‘Jenny Take A Ride,’ on another note, peaked at #10 in the U.S. following its debut in 1965, and #44 in the U.K.  So again what audiences get here in terms of the songs is a collection of compositions that is diverse not only in its sounds and styles, but also in its overall familiarity and popularity among audiences.  That the band clearly put some thought into this aspect of the record is to be highly commended.  The band’s performances thereof are of just as much applause as the songs themselves.

One of the most notable of the performances featured in this record is of ‘Shapes of Things.’  Originally crafted by The Yardbirds in 1966, the song peaked in the U.S. at #11 on the Billboard Hot 100 Chart.  Meanwhile in the U.K, it peaked even higher at #3 on the country’s Singles Chart.  Deep Purple’s take on the song stays pretty much true to its source material.  The only real notable difference is that instead of the production that was so familiar of bands of that era, Deep Purple instead put its own more familiar stamp on the sound here.  Now, Deep Purple’s cover is longer than the original by more than a minute, clocking in at three minutes, 40 seconds versus the original’s run time of two minutes, 26 seconds.  That is because Deep Purple adds in a guitar solo after the song’s initial break.  By comparison the original song’s break is only momentary and does not feature the solo used here.  Regardless, the solo – which is almost prog in its approach – is a nice touch to the whole.  The keyboard solo added to the mix here also plays into the extended run time, but is also enjoyable in its own right.  Overall, the whole of the cover is just as enjoyable as the original, just with a slightly new identity.

On another note, the band’s performance of Bob Dylan’s ‘Watching The River Flow’ is another example of the importance of the band’s performances here.  Dylan’s original composition is a very distinct 12-bar blues style composition that is driven by its guitar and piano line.  It conjures thoughts of so many vintage Mississippi blues songs through its three minute, 35 second run time.  Deep Purple’s take on the song is slightly shorter, coming in at three minutes, five seconds.  It is much different in its overall presentation, too.  Instead of the 12 bar blues approach that Dylan took on his original work, the band took more of a blues based rock approach, if that makes any sense.  The blues influence is there, in other words, but is more of a supporting role than the main star here.  Instead, the band opted for more of a rock approach here.  The band’s take is different from its source material, needless to say, but is still interesting considering that the band decided not to just copy and paste so to speak.  It is yet another important example of the importance of the band’s performances throughout the collection.

‘Caught in The Act,’ which closes out the record, is yet another example of the noted importance of the band’s performances.  This song is a medley of covers of ‘Going Down,’ ‘Green Onions,’ ‘Hot ‘Lanta,’ ‘Dazed and Confused,’ and ‘Gimme Some Lovin’.’  Again, the band puts its own unique touch to each song here.  Case in point is the cover of ‘Green Onions.’  Rather than taking the subdued, cool approach used in the original, the band’s take on this song is more akin to something that one might expect from ZZ Top, what with the rich bass and guitar lines.  The covers of ‘Dazed and Confused’ and ‘Gimme Some Lovin’’ are just as unique in their approach as they clearly show Deep Purple’s trademark hard rock stamp. Yes, the original compositions are obvious in the mix, but Deep Purple’s trademark keyboards, guitars, etc. really amp up the songs and make them interesting in their own right.  When these covers are all considered along with the other covers examined here and with the rest of the record’s featured performances, the importance of the band’s takes on the featured songs shows its importance just as much as the diversity in the songs themselves.  This is still not the last of the record’s most important elements.  The collection’s sequencing rounds out its most important elements.

As noted already, the songs that are featured in this collection are diverse throughout the record.  While they re diverse, their sequencing keeps the record’s energy stable from beginning to end.  This is the case even as the songs’ sounds and stylistic approaches change from one to the next.  The up-tempo works move so fluidly and solidly, ensuring listeners’ maintained engagement, again, because of that smart sequencing.  It basically doubly keeps things interesting for audiences and brings everything full circle to complete the record’s presentation.  When the appeal that is ensured through the record’s sequencing is considered along with the featured songs and the band’s performances thereof, the whole makes Turning to Crime rare proof that in this case, crime does pay.  Yes, that awful pun was intended.

Deep Purple’s first ever covers collection, Turning to Crime, is an interesting offering from the band.  It proves itself worth hearing at least once in part because of its featured songs.  The songs are important to the presentation because they are diverse in their styles, sounds and notoriety.  The band’s performances of the songs are just as important to the record because they give the songs unique new presentations while staying mostly true to the original compositions.  That gives audiences even more reason to remain engaged and entertained.  The songs’ sequencing rounds out the record’s most important elements.  That is because it ensures the songs’ diversity is fully audible while also keeping the record moving fluidly from one song to the next, thus keeping the energy stable throughout.  Each item examined here is important in its own way to the whole of the record.  All things considered, they make the collection an enjoyable new offering from Deep Purple even being its first ever covers set.

Turning To Crime is available now.

More information on Turning To Crime is available online along with all of Deep Purple’s latest news and more at:




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Deep Purple Debuts Second Single From New Covers Record

Courtesy: earMusic

Deep Purple is kicking off the weekend by giving audiences another preview of its new covers collection, Turning to Crime.

The band debuted its new single, a cover of Fleetwood Mac’s ‘Oh Well‘ and its companion video Friday. The song is the record’s second single behind the band’s cover of ‘7 and 7 Is,’ which the band premiered Oct. 13. Deep Purple’s take on ‘Oh Well’ stays mostly true to its source material, which will please fans of both bands.

The band’s video for ‘Oh Well’ tells an interesting story with the band members playing the part of a group of criminals so to speak. The group meets with an unidentified figure known just as “Scribble Face” before convening to perform the single in a warehouse before being apprehended by authorities in the video’s finale.

Bassist Roger Glover talked about the band’s cover of ‘Oh Well’ in a prepared statement.

“Everyone knows ‘Oh Well’ is a great song,” said Glover. “[Guitarist] Steve [Morse] did the demo for that one. You never quite know where it‘s gonna go with Steve because he is very inventive. Right up until the point, with a couple of verses in, it was pretty much the same as the original. And then, all of a sudden, it took off like a rocket… in some other space.”

Turning to Crime is Deep Purple’s first ever covers collection.

The record’s track listing is noted below.


1) 7 And 7 Is

2) Rockin’ Pneumonia And The Boogie Woogie Flu

3) Oh Well

4) Jenny Take A Ride!

5) Watching The River Flow

6) Let The Good Times Roll

7) Dixie Chicken

8) Shapes Of Things

9) The Battle Of New Orleans

10) Lucifer

11) White Room

12) Caught In The Act [Medley: Going Down /Green Onions / Hot ‘Lanta /Dazed and Confused / Gimme Some Lovin’ ]

More information on Turning To Crime is available online along with all of Deep Purple’s latest news and more at:




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Release Date, Specs Announced For Fleetwood Mac Re-Issue

Courtesy: BMG

Fleetwood Mac and BMG have partnered to pay tribute to former member Peter Green.

The band has joined with BMG to er-issue its 1969 album Then Play On.  The band’s third album, it was the last to feature Green, who died July 25.  The re-issue is scheduled for release Sept. 18 on vinyl and CD.

The album’s forthcoming re-issue will have four bonus songs, new liner notes penned by Anthony Bozza and a new forward by Mick Fleetwood.  The CD release will feature the new notes in a media book while the vinyl release will feature the new additions in a 16-page booklet.

The album’s track listing is noted below.



  1. Coming Your Way
  2. Closing My Eyes
  3. Fighting For Madge
  4. When You Say
  5. Show-Biz Blues
  6. Under Way
  7. One Sunny Day
  8. Although The Sun Is Shining
  9. Rattlesnake Shake
  10. Without You
  11. Searching For Madge
  12. My Dream
  13. Like Crying
  14. Before The Beginning
  15. Oh Well – Pt. 1
  16. Oh Well – Pt. 2
  17. The Green Manalishi ( With The Two Prong Crown)
  18. World In Harmony


Green left Fleetwood Mac following the release of Then Play On — that title is taken from the opening line of Shakespeare’s famed play “The 12th Night” — after he was diagnosed with schizophrenia.  He spent a portion of the mid-1970s in hospitals to receive treatment for the mental disorder.

The cause of Green’s death is unknown.  Mick Fleetwood, who formed Fleetwood Mac alongside Green has praised Green, saying he deserved the majority of the credit for the band’s early success.

More information on Fleetwood Mac’s forthcoming re-issue is available along with all of the band’s latest news at:






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Blacktop Mojo Debuts ‘Dreams’ Cover, Video

Blacktop Mojo released another new video this week.

The Palestine, TX-based hard rock band unveiled the video for its cover of Fleetwood Mac’s hit single ‘Dreams’ on Tuesday.  The song features guest vocals from the band’s friend Alex Smith while BTM handles the rest of the song’s arrangement.

Courtesy: TAG Publicity

The band said in a collective statement, posted to its Facebook page, that the cover came about after the band recently experienced Smith performing the song.

“Our good friend from right here in our hometown, Alex Smith, did an acoustic cover of this song at a local show, and we loved it, so we asked him if he’d like to come to the studio and record it with us backing him up,” the band’s statement read.  “Hope you guys enjoy it.”

Blacktop Mojo just wrapped its latest tour schedule this week.  It is taking some time off right now before heading back out on the road next month for another string of live dates beginning with a performance at McKinney, TX’s Independence Day celebration, “Red White and Boom.”  The tour also includes a performance at Hooligan’s in Jacksonville, NC with Shaman’s Harvest on July 18.

The current schedule for the band’s upcoming tour is available online now along with all of the band’s latest news and more at:






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Delta Rae Work With Fleetwood Mac’s Lindsey Buckingham On Song; Premiere Video For New Single

Courtesy:  Warner Brothers Records

Courtesy: Warner Brothers Records

Durham, NC’s own Delta Rae has kept busy ever since releasing its debut record, Carry the Fire last year on Warner Brothers Records.  The band recently teamed up with Fleetwood Mac’s very own Lindsey Buckingham on the band’s re-recorded version of its new single, ‘If I Loved You.’

The video for the re-recorded song was released exclusively via yesterday.  Audiences should note that while Buckingham had a hand in the new take on the song, he wasn’t in the video.  Regardless, fans can check it out now at  Singer Elizabeth Hopkins takes vocal duties on the song.  She discussed the song in the band’s interview with Rolling Stone.  “This video captures what I love most about the song,” she said.  “It’s simple and raw.  Telling someone point blank that you don’t love them is difficult and painful.  I’ve done it.  It feels horrible, but there is also a release that comes along with it, a lifting of weight.  I think this video lets you focus on the rawness of that message.”

Fellow band member Ian Holljes commented on the excitement of playing with Buckingham, whose band is the favorite band of the members of Delta Rae.  “I can’t really accurately express how wild it was for us to learn that Lindsey Buckingham had played on ‘If I Loved You,” he said.  “I grew up on stories of how my parents (along with every other kid on campus) would blast the entirety of Rumours out of their college dorm room windows.  Fleetwood Mac and Lindsey Buckingham’s writing have been so influential to us so to have his talents and incredibly distinctive guitar playing laid over one of our tracks felt like the world sort of folding over on itself.  Ultimately it was rewarding on two huge levels – the thrill of having one of your heroes play on your song and the actual impact of his beautiful guitar work enhancing the song so meaningfully.”

Courtesy:  Warner Brothers Records/Sire Records

Courtesy: Warner Brothers Records/Sire Records

The band’s album is available in stores and online now.  It can be ordered direct online from iTunes at  The band is currently touring in support of its debut release.  It will be in New Orleans on April 11th at Howlin’ Wolf.  It’s just one of many dates currently scheduled that will take the band through this summer.  Among the band’s current dates is a handful of dates in North Carolina between April 26th and May 4th.  For a full list of tour dates and to get all the latest news from the band fans can “Like” the band on Facebook at  Fans can also get the latest news from the band and a free 11-track live album on the band’s official website,

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Peter Green & Co. Bring Back The Best Of The Blues On New Compilation

Courtesy: eagle Rock Entertainment/Eagle Records

The blues is one of the purest forms of American music that exists, next to jazz.  The blues is the root of so much of the most popular music throughout the ages.  Elvis, Led Zeppelin, Lynyrd Skynyrd, and AC/DC all have their music steeped in this classic music, just to name a handful of acts.  Along with those acts, fans might recognize the name of former Fleetwood Mac front man Peter Green among the masses of blues fans out there, too.  Green and his band, Peter Green Splinter Group, have a brand new record out now titled, “Blues Don’t Change.” 

“Blues Don’t Change” is a wonderful record that longtime fans will love more and more with every listen.  The record opens with a cover of Robert Johnson’s timeless classic, ‘I Believe My Time Ain’t’ Long.’  The song brings up memories of a dusty, darkly lit blues club.  It’s almost a musical time capsule.  Green’s musicianship takes listeners back in time with this opener, paying homage to one of the greatest names in the blues.  There is also a rendition of Muddy waters’ famed twelve bar blues hit, ‘Honey Bee.’  Again, it has that quiet intensity for which old school blues is known.  It has that same feeling as ‘I Believe My Time Ain’t Long.’

‘Little Red Rooster’ is another great addition to this new compilation of blues hits.  The gritty feel of the vocals and subtlety of the classic Willie Dixon piece will keep listeners in that musical time warp, back to the days of the old juke joints that dotted the country’s landscape. 

For all the slower pieces on this record, “Blues Don’t Change” does change up here and there.  ‘Don’t Start Me Talking’ is just as impressive as every other piece on the record.  It’s noticeably more up-tempo than other pieces.  But it doesn’t lose any of the flare of the original in Green’s interpretation. 

“Blues Don’t Change” is loaded with so many incredible blues standards that it would take far too long to go into all eleven songs in the playlist.  Needless to say, this record is more than just a compilation of songs.  It’s a musical history lesson of one of America’s greatest musical genres.  “Blues Don’t Change” is available both in stores and online now.  It can be ordered online at

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Horisont’s sophomore album a shoe in for one of 2012’s best rock records

Courtesy: Rise Above Records/Metal Blade Records

The members of Swedish based rock band Horisont could not have chosen a better name for their band.  For those who don’t know, Horisont is Swedish for horizon.  So what does that have to do with anything?  Everything.  For every band and act that wants to hit it big, fame is just over the horizon.  It’s in the distance.  But for Horisont, the band has reached the horizon (horisont) line and crossed over to major fame in the rock community. 

The band’s new album, “Second Assault” is arguably one of the year’s best rock records.  There are lots of acts that try to emulate the old school rock/metal sound.  But what Horisont does is more than just emulate that classic rock sound.  Horisont sounds like it came direct from rock’s golden era. The album itself makes the band’s name fitting, as it starts off very quiet as if the band is off on the horizon before launching into ‘Time Warrior.’  This is one that fans of Deep Purple will love.  The band gives listeners just enough time to catch their breaths at the end of ‘Time Warrior’ before going headfirst right back into things with ‘Road to Cairo.’  The softest that the band gets on “Second Assault” is on the seemingly Pink Floyd-esque, ‘Crusaders of Death.’ 

‘On The Run’ is yet another perfectly fitting piece to this band’s musical puzzle.  It’s a straight forward, hard driving piece that will get any true rocker moving.  The band’s dual guitar attack, mixed with the Rob Halford/Ozzy style vocals of frontman Axel make this one of the album’s highest of points.  And who would ever have imagined Fleetwood Mac being mentioned in the same thought as Ozzy and Rob Halford.  But it’s true.  ‘Watch Them Die’ shows a pretty obvious Fleetwood Mac influence throughout.  And the guitar solos in this piece will even conjure thoughts of Jimi Hendrix, with their styling.

The title track from “Second Assault” kicks off the second half of the album just as strongly as ‘Time Warrior’ kicked off the first half.  There’s no denying the Judas Priest influence on on this one, from the vocals to the music as a whole.  Axel even gets the high notes with an ease that would make Rob Halford proud.  He doesn’t lose his vocal footing even once anywhere in the song.  The band barely lets off from there as it segues into ‘Spirit.’  The bluesy/rock fuzz feel of ‘Spirit’ brings to mind so many different influences.

‘Hard Bargain’ especially is an impressive track. It boasts a touch of Jimi Hendrix on the guitars mixed in with the thundering John Bonham-esque drumming from Magnus.  Add it together, and audiences get yet another great musical experience.  Once the band pounds through ‘Hard Bargain’, there’s jsut one more song on the album.  That song is the hard rocking, guitar driven, ‘Thunderflight.’  It’s just as relentless as the rest of the pieces on “Second Assault.”  Once it’s all said and done, and ‘Thunderflight’ ends, audiences are left breathless.  But it’s a good breathless.  From start to finish, this record leaves real rock fans feeling like they haven’t just listened to another album.  Rather, it leaves them feeling like they actually just experienced something special.  It leaves them wanting more, in a good way, like a really good book.  They don’t want it to end, even though they know it has to.  And thankfully, just like a book, audiences can listen to it again and again and relive that experience each and every time.

Rise Above Records made a great choice signing Horisont.  “Second Assault” is proof of that.  Of the ten total songs on the album, there is not one bad song.  All combined, “Second Assault” makes for an album that stands on its own two feet among the masses of bands whose albums try to emulate perhaps one classic rock band or another.  Horisont has taken the road less traveled, instead, making its own path.  Because of that, the band has put itself in place to be a candidate for the best rock record of 2012.

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Delta Rae added to special Rolling Stone Magazine contest

Courtesy: Warner Brothers Records/Sire Records

Durham, North Carolina’s own Delta Rae released its major label debut, “Carry The Fire” almost a week ago.  And already the band is getting some major coverage.  The band will be performing on The Tonight Show with Jay Leno tonight for starters.  Along with that, the band has also been added to Rolling Stone magazine’s “Women who Rock” campaign.  

The “Women Who Rock” effort will give one lucky up and coming female artist the opportunity to appear on the back cover of Rolling Stone magazine.  It is being held in partnership with Garnier Fructis.  The band has already been comared to rock legends Fleetwood Mac by Rolling Stone.  Fans can vote for Delta Rae to win the contest at  the band will compete against five other artists who were also hand picked by staffers at Rolling Stone. 

In other Delta Rae news, the band will embark on tour this Summer in support of its debut record, “Carry The Fire.”  Its tour will include a trio of stops in North Carolina.  The band will hold a “Hometown Album Release Show” Friday, July 27th at Cat’s Cradle in Carrboro.  It will follow up that show with a performance at the Bele Chere Festival in Asheville, NC the next day.  And then on August 23rd, the band will perform at Kelly’s in Nag’s Head.

To get all the latest tour news and more from Delata Rae, go online to, or the band’s Facebook page at, its Twitter page at, and its official Youtube channel at

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