Flor Bromley’s Latest LP Succeeds Through Its Musical, Lyrical Diversity, And Its Presentation

Courtesy: 8 Pound Gorilla Records

Family music entertainer Flor Bromley is clearly the type of person who is not comfortable resting on her own laurels.  That is proven through the release of her latest album, Pachamama.  Scheduled for release Friday, the 11-song record will come barely more than a year after the release of her then most recent album, Fiesta Global.  The album’s success comes in part through its featured musical arrangements, which will be discussed shortly.  The lyrical themes that accompany the album’s musical arrangements add their own appeal to the record and will be discussed a little later.  The general presentation rounds out the album’s most important elements and will be discussed later, too.  Each item noted is important in its own way to the whole of the album.  All things considered, they make the album another positive offering from Flor Bromley that will prove another laurel for the family music entertainer.

Flor Bromley’s forthcoming album, Pachamama, is another positive offering from the hugely respected international family music entertainer.  That is due in part to its featured musical arrangement.  Bromely’s Peruvian influences are present throughout much of the record.  However, she does add other influences.  Case in point is the hip-hop-infused song, ‘Peas and Carrots.’  The song’s lyrical theme will be discussed later.  The pan flutes and other Peruvian influences are there again, but the rapping and beats that accompany those elements make the song its own interesting composition, musically speaking.  ‘Totora Horse ft. Jason Lansing of Okee Dokee Brothers immediately changes things up again after ‘Peas and Carrots.’  Instead of more hip-hop, Bromley and Lansing bring some bluegrass to audiences this time.  In this case, Bromley’s Peruvian leanings are less prominent.  ‘Mother Nature’ changes things up again, offering more of a flamenco style composition, which has roots in Spain and Mexico.  On another note, ‘Drop of Water’ fuses Bromley’s Latin roots with a light, beachy sound to make another unique musical composition that fits the song’s subject well.   Between these songs and the other compositions featured throughout the album, the whole gives audiences plenty to appreciate in the way of the album’s musical content.  It is just one part of what makes the album stand out.  The lyrical themes that accompany the album’s musical arrangements add their own appeal to the record.

The lyrical themes that are featured throughout Pachamama are even more diverse than the record’s musical arrangement.  Going back to ‘Peas and Carrots,’ that song’s lyrical theme is Bromley’s way of encouraging young listeners to try and balance what they eat.  Rather than just sticking to one kind of food or another (which is what so many children do), it is important for kids to try other things.  This is a universal constant.  So to have this theme here is welcome.  On another note, a song, such as ‘Let’s Move It’ is a nice upbeat song whose lyrical theme does exactly what the title infers.  It encourages young listeners to get active, whether it just be through dance (which is highlighted in the song) or just in general, staying active and moving is just as important as eating a variety of foods.  That is especially the case considering the ongoing epidemic of childhood obesity in America.  To that end, it makes this theme another key addition to the album.  ‘Luz’ which is sung entirely in Spanish, is clearly a lullaby.  Even someone who might not speak Spanish can understand that focus on getting a child to sleep, comforting the child.  It is yet another example of the diversity in the album’s lyrical content.  Between these themes, those of caring for the planet, and others, the lyrical content featured in this record offers audiences much to enjoy, too.  Considering that with the album’s musical arrangements, the whole makes the album’s overall content reason enough for audiences to take in this record.  It is all just part of the album’s success.  The record’s general presentation rounds out its most important elements.

The general presentation of this record is important because it shows Bromley’s clear intent to reach out to a diverse range of audiences. That intent is evidenced through the presentation of the album first in English and then in Spanish.  It shows that she wanted to include her Spanish-speaking audiences just as much as those who speak English.  It is a very smart course of action on her part.  That is because it ensures a wide reach for the album.  Keeping that in mind along with the impact of the album’s content, the whole of these elements makes Pachamama another definite success for Flor Bromley.

Flor Bromley’s forthcoming album, Pachamama, is a record that her established audiences will enjoy just as much as more casual family music audiences.  That is due in part to the album’s musical arrangements.  The arrangements show a certain level of diversity, which itself is sure to engage and entertain audiences.  The lyrical themes featured alongside the album’s musical content is even more diverse than that musical content.  It adds even more appeal to the whole.  The assumed presentation of the album in English and Spanish in one platform makes the presentation complete, ensuring once more the album’s appeal.  Each item noted is important in its own way to the whole of the album.  All things considered, they make the album another successful offering from Flor Bromley.

Pachamama is scheduled for release Friday through 8 Pound Gorilla Records. More information on the record is available online along with all of Flor Bromley’s latest news at:

Websitehttps://florbromleymusic.com

Facebookhttps://www.facebook.com/FlorBromleyFanpage

Twitterhttps://twitter.com/florbromley?lang=en

To keep up with the latest entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Flor Bromley Debut’s New LP’s Lead Single, ‘Video’

Courtesy: 8 Pound Gorilla Records

Family Music entertainer Flor Bromley is scheduled to release her new album, Pachamama this month.

Pachamana, her latest album, is scheduled for release Aug. 6 through 8 Pound Gorilla Records. Pre-orders are open. In anticipation of the album’s release, Bromley premiered the album’s lead single and its video Friday. The video is presented separately in English/Quechua and Spanish/Quechua.

The song’s musical arrangement highlights Bromley’s Peruvian roots through the use of instruments, such as pan flute and maraca as well as others. It might be just this critic’s own interpretation, but the song’s opening bars seem to hint lightly at The Kinks’ timeless classic ‘Lola.’ The comparison is subtle, but it is there, even if it was unintended. Again, that is just this critic’s own interpretation.

According to information provided about the premiere of Bromley’s new single and video, the song’s lyrical theme is a commentary about caring for the planet. That message is accented through the song’s video treatment.

The video features imagery, such as rich, green forests, beach scenes, and waterfalls. Bromley and fellow performer Wendy Sulca are superimposed over some of that imagery, performing the new single as the song plays over the whole.

More information on Flor Bromley’s new single, video, and album is available online along with all of her latest news at:

Websitehttps://florbromleymusic.com

Facebookhttps://www.facebook.com/FlorBromleyFanpage

Twitterhttps://twitter.com/florbromley?lang=en

To keep up with the latest entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Okee Dokee Brothers Tops This Year’s Phil’s Picks Best New Family Music Albums List

Courtesy: Okee Dokee Music

Family music entertainers have, like acts in every other genre across the music universe, been adversely impacted this year by the global COVID-19 pandemic.  Their live plans have been put on hold for the foreseeable future.  In the same vein, while the pandemic has put a (hopefully) temporary hold on live music, it has not prevented acts within the realm to release new albums.  That means that a list of the year’s top new Family Music albums is just as qualified as that for any other genre.  This year’s list of top new Family Music albums features new titles from some of the most well-known names within the realm, including but not limited to this year’s list topper The Okee Dokee Brothers, Paul Winter, and Justin Roberts.  It also features some younger acts, such as Roger Day, Greg Lato, and Lindsay Munroe.  Between them and others, this year produced many enjoyable albums within the Family Music world. 

The list of this year’s best new records, offers the Top 10 new albums in the genre and five honorable mention titles, for a total of 15 albums.  Without any further ado, here is Phil’s Picks 2020 Top 10 New Family Music Albums.

PHIL’S PICKS 2020 TOP 10 NEW FAMILY MUSIC ALBUMS

  1. The Okee Dokee Brothers – Songs For Singin’
  2. Alastair Mook & Friends – Be A Pain: An Album For Youn (And Old) Leaders
  3. Justin Roberts – Wild Life
  4. Red Yarn – Backyard Bop
  5. David Gibb & Brady Rymer – Songs Across The Pond
  6. Paul Winter – Light of the Sun
  7. Flor Bromley – Fiesta Global
  8. Lindsay Munroe – I Am Kind
  9. Joanie Leeds – All The Ladies
  10. 123 Andres – Hola Amigo
  11. Rolie Polie Guacamole – Avocado
  12. Roger Day – Invincible
  13. Sara Lovell – Night Life
  14. Greg Lato – Create My Own World
  15. Ants Ants Ants – Colors All Around

Next up from Phil’s Picks is the list of 2020’s Top 10 New Country/Bluegrass/Folk/Americana Albums.  Stay tuned for that.

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.  

Audiences Will Celebrate Flor Bromley’s New Family Music Album

Courtesy: Waldmania PR

Family entertainer Flor Bromley is scheduled to release her new album Fiesta Global Friday, and this 11-song record is a presentation that deserves to be celebrated in itself.  That is due in part to the record’s diverse musical styles presented throughout the course of the 36-minute record.  This will be addressed shortly.  The lyrical topics presented throughout the record are important in their own right to the whole of the record, and will be discussed a little later.  The record’s sequencing rounds out its most important elements, and will also be discussed later.  Each item noted here is important in its own way to the whole of Fiesta Global.  All things considered, they make the 11-song album an enjoyable sophomore offering from Bromley.

Flor Bromley’s latest full-length studio recording Fiesta Global is a presentation that audiences of all ages will celebrate upon its release on Friday.  That is due in large part to the diverse musical stylings presented throughout the album.  It goes without saying that this record offers quite a bit of musical diversity for audiences.  One of the record’s most intriguing musical arrangements comes late in its run in the form of ‘Salta.’  The song is Latin at its roots.  However, the approach used here with the horns, guitars and hand drums (bongos) actually lends itself to thoughts of ska (yes, ska) just as much as Latin music.  It seems quite the odd hybrid, but it works so well here and is well worth hearing.  ‘Fiesta,’ the record’s opener takes audiences to the streets of Brazil with its Samba-rich arrangement.  It is a far cry from the sound of ‘Salta’ needless to say, but no less entertaining.  ‘Balloon Party,’ which features a guest appearance from Bromley’s fellow family entertainer Jazzy Ash, takes listeners away from Brazil and to the streets of New Orleans with its celebratory Dixieland-style arrangement, complete with trombone and light, bouncy beat on the snare.  As if all of this is not example enough of the musical diversity exhibited throughout Fiesta Global, ‘Superheroe,’ which immediately follows ‘Balloon Party,’ offers audiences a catchy, driving, guitar-centered punk rock style work, is just as far from the already noted songs as they are from it and one another.  Moving from the American rock scene, Bromley also takes listeners on a musical journey down to Columbia through the arrangement featured in ‘Lalalalala (Cumbia),’ which features another of Bromley’s fellow family entertainers, 123 Andres.  Between this arrangement, the others noted here and the rest of the unnoted arrangements, the whole of the album’s arrangements more than proves why the record’s arrangements are key to the album’s presentation.  They are in themselves, their own celebration of the world and its interconnectivity.  They are just one part of what makes Fiesta Global stand out in this year’s field of new family music releases.  The lyrical themes featured throughout the record are just as important as its musical arrangements.

Early on in the album’s run, Bromley takes on the issue of immigration and America’s cultural diversity in the album’s second song, ‘We Came To America.’  She reminds audiences in the simplest of terms that anyone can understand.  Right from the song’s outset, she sings, “We came to America/Every color, race and religion/From every country in the world/We came to America/Some of us were already here before the others came.”  From there she makes mention of people coming by boat and plane from so many points around the world.  The key here is that she comes right out and makes her statement, but does so in a not-so-forceful fashion as she reminds listeners that we should accept and appreciate one another.  The note that some people’s ancestors were even here before others is strong even in its subtlety.  She is to be especially applauded for that approach.  The fact that she took on the matter of immigration in such polite and professional fashion in a time when the matter of race and immigration is such a hot-button issue makes this song that much more admirable and her deserving of praise for tackling the matter, and for doing so in such fashion.  Bromley doesn’t stick to just the serious in her songs’ lyrical content.  She also proves she is able to get loose and have a good time in the celebratory update on Richie Valens’ timeless song ‘La Bamba,’ this time out just calling it ‘Bamba.’  The song features a guest appearance by Claudio Vega.  As another example, ‘Otono’ is another basic work that shows Bromley’s lyrical reach on this record.  It is a simple work that celebrates all the great things about the season of fall.  It’s another topic that can and certainly will bring the whole family together with such joy, and just one more way in which the album’s lyrical themes prove to be just as important to its whole as the record’s musical content.  For all that the album’s overall content does for its presentation, it is collectively just one part of the positivity in the album’s whole.  The record’s sequencing rounds out the most important of the record’s elements.

Fiesta Global starts off with high energy in ‘Fiesta,’ but gradually starts pulling back from there in terms of its energy.  ‘We Came To America’ for instance, is hardly the high energy piece that its predecessor is.  In fact, it is quite reserved by comparison, but still has a certain amount of energy in its own right.  Bromley picks things up considerably from there in ‘Lalalalala (Cumbia)’ before really pulling the record’s energy back yet again in ‘Vida.’  Interestingly enough, the energy goes right back up from there as the album makes its way into ‘Bamba’ and continues through ‘Panuelo’ before finally pulling back again in ‘Otono.’  That reserved vibe only lasts for so long before the album progresses into ‘Salta’ and gets listeners moving all over again.  ‘Balloon Party’ keeps the energy moving as it gives way to ‘Superheroe.’  Even as the album reaches its finale in the fully Spanish take of ‘We Came To America’ the energy doesn’t pull back but so much, giving audiences a comfortable final statement.  Looking back, audiences will note that the sequencing of Fiesta Global is important to its presentation because it keeps its energy rising and falling nonstop throughout.  That plays just as much into the record’s engagement as the record’s content.  That is because if its energies had stayed too reserved for too long, it would not have taken long for the record to lose listeners.  That diversity, that up and down throughout, keeps things fresh and entertaining throughout the album, in turn, adding to the interest.  When that interest is considered along with the engagement and entertainment generated through the song’s content, the end result is a presentation that, again, is deserving of its own celebration by listeners.

Flor Bromley’s latest LP Fiesta Global is a work that is well deserving of being celebrated in its own right among this year’s new family music albums.  That is proven in part through the album’s diverse musical arrangements, which are themselves a celebration of so many different cultures and peoples.  The lyrical content offers its own share of diversity, as is pointed out here.  The same can be said of the record’s energies throughout its sequence.  Each item noted is important in its own way to the whole of the album’s presentation.  All things considered, Fiesta Global proves itself to be among the best of this year’s new family music albums.  More information on the record is available online along with all of Flor Bromley’s latest news at:

 

 

 

Website: http://florbromleymusic.com

Facebook: http://www.facebook.com/FlorBromleyFanpage

Twitter: http://twitter.com/florbromley?lang=en

 

 

 

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.