‘Elstree 1976’ Broadens The ‘Star Wars’ Universe More Than Ever Before

Courtesy: MVD Visual/FilmRise/British Film Company/Verax Films/Canal Cat Films/The Works

Courtesy: MVD Visual/FilmRise/British Film Company/Verax Films/Canal Cat Films/The Works

Forty years ago a little-known director named George Lucas started work on a movie by the name of Star Wars.  A year after he started work on the movie it made its U.S. debut and has since gone on to be one of the biggest sci-fi movies of all time.  It has also gone on to be one of the biggest movies in Hollywood’s modern history, making superstars of its lead cast, Mark Hamill, Harrison Ford, and Carrie Fisher.  The immediate supporting cast of Sir Alec Guiness, Peter Mahew, Anthony Daniels, Kenny Baker, and David Prowse gained their own notoriety as a result of the movie.  Though, Mahew and company sadly never really became as famous as Hamill, Ford, Fisher, Guiness, or Mahew.  The same obviously applies to the hundreds of extras brought on board to help flesh out the movie’s universe.  Now thanks to MVD Visual, Prowse and a handful of those others finally get to tell their stories in a new documentary titled Elstree 1976.  This documentary feature is a powerful presentation that every Star Wars fan should see.  That is due in part to its overall story.  That will be discussed shortly.  The work of those behind the program is just as important to note as the stories that make up the documentary’s presentation.  Last of note is the documentary’s bonus material.  Each element plays its own part in the documentary’s presentation.  All things considered, they make Elstree 1976 a Star Wars documentary unlike any other to date.  They make it one that every Star Wars fan should see.

Elstree 1976 is a Star Wars documentary unlike any other released to date.  It is a presentation that every Star Wars fan should see.  That is due in part to its overall story.  The story in question is one of the now legendary movie’s lesser-known cast members.  It is a story of actors who regardless of their roles, have never really gotten the credit that they deserve.  It is powerful in its own right.  That is because of the stark contrast of their lives to that of the movie’s famed lead cast.  It will move viewers to laughter at some points, and emotional pain at others, believe it or not.  The emotional pain is the result of the revelation of the stark contrast in the lives of the featured cast members to that of Hamill, Ford, and Fisher.  One of the program’s most intriguing revelations is that of the hierarchy even among its supporting cast and extras.  As audiences learn through the various stories, there is actually a divide among the movie’s supporting cast and extras involving who deserves to be at the Star Wars conventions and who doesn’t.  It all depends on the place of said cast members in that hierarchy.  The frustration felt between those cast members as a result of the noted hierarchy is interesting to say the very least.  One would never have suspected its existence.  But it is there.  In an even bigger picture, the contrast of the lives of those behind some of the movie’s most iconic characters to those of Hamill, Ford, and Fisher is just as eye-opening.  David Prowse is a prime example of the shocking nature of that contrast.  Prowse was the man behind Darth Vader, not James Earl Jones.  All that Jones did was read the lines originally assigned to Prowse in the movie’s production.  According to Prowse’s own words, he didn’t even know until after the fact that his lines–that he had recited–were replaced by Jones in post production.  He goes so far as to note that he thought his voice would still be the one behind the mask and was surprised by what had been done.  And now decades later, Prowse is not even invited to a number of annual Star Wars conventions.  He even notes that he doesn’t know why.  So he has had to live life largely anonymously.  His isn’t the only intriguing story.  Paul Blake’s story is another interesting part of the documentary’s overall story.  He is the man behind Greedo, the green alien shot by Han Solo in the cantina.  Yet even as iconic as the scene has become, Blake’s name is hardly known in connection to Greedo.  It is only thanks to the conventions that he has managed to build his fan base.  Again, his story is a prime example of the contrast of the cast’s notoriety and lives.  There are plenty of other stories shared throughout the program that serve to illustrate the stark contrast in the lives and fame of the movie’s cast.  Altogether those stories make the documentary’s overall story one that will both surprise and move Star Wars fans of any age.  It is a story that will put the movie into a whole new light for those fans and hopefully give fans a whole new respect for the movie’s lesser-known cast members.  It is just one of the documentary’s most important elements.  The work of those charged with bringing Elstree 1976 to life is just as important to note in its presentation as those interviewed to make up its story.

The stories that make up the overall body of Elstree 19976 are in their own right hugely important to the documentary’s presentation.  That is because of the new light that they shed on the movie’s legacy.  It also sheds a whole new light on the movie’s cast.  That new light is certain to create a whole new respect among audiences for the movie’s lesser-known cast.  It is just one part of what makes Elstree 1976 such an interesting program for Star Wars fans.  The work that went into bringing the documentary to life is just as important to note as the program’s stories.  That is because it is their work that audiences are really experiencing, not just the cast’s stories.  The program starts a little bit slow, at first providing some background bio information on each of the featured actors.  It seems unnecessary at first.  But as the program progresses, audiences begin to see in hindsight the importance of all of the background information that is provided.  Viewers are eventually taken behind the scenes of the movie’s production before eventually into the lives of those actors post Star Wars.  The program’s editing plays its own role in the story, too.  As each actor introduces his or her character, the editors present key footage from the movie that aligns with the actors’ main appearances.  It serves to help viewers make a connection, especially if viewers are visual learners.  Even the footage of the conventions is well placed within the related discussions by the actors in question.  The whole thing comes full circle in the end with the return of the actors’ action figures with the actors discussing the legacy that they helped to create right along with that footage.  It is a great way to complete the program and remind viewers that while these actors may not have the notoriety of Star Wars lead cast, they are still just as important to the movie as Hamill, Ford, and Fisher.  There are plenty of other pieces that could be cited in explaining the importance of the documentary’s actual production.  These are just some of the examples that can be cited in explaining its production.  All in all, every element of the program’s production shows why it (the production) is as important to its presentation as its stories.  Even as important as both elements are to this documentary’s presentation they are not its only important elements.  The documentary also comes with bonus material in its special Blu-ray director’s cut.  It rounds out the documentary’s presentation.

Both the stories that make up the body of Elstree 1976 and its production are important in their own right to the documentary’s presentation.  The stories give a whole new angle to the bigger story of the movie’s creation and a new respect for the movie’s lesser-known cast.  The production ensures just as much viewers’ engagement.  As important as both elements prove to be in the bigger picture of the program they are not its only important elements.  The program’s special Director’s Cut edition is available only on Blu-ray.  It comes with a number of bonus features that are not available in the program’s DVD presentation.  Why this is the case is anyone’s guess.  It honestly would have been nice to see all of the bonuses included in the Blu-ray presentation also included in its DVD presentation.  But that’s a moot point by now.  The bonus material in question includes feature-length commentary from filmmaker John Spira, extended interviews with the cast members, and best of all a tour of Elstree Studios (thus the program’s title) where Star Wars was filmed.  Each extra is fully deserving of being called a bonus in its own right.  Altogether they give an even deeper look at the Star Wars legacy.  They couple with the program’s stories and overall production to make the program in whole one that, again, every Star Wars fan should see at least once.  It may not take fans to a galaxy far, far away.  But it will definitely broaden the horizons of the Star Wars galaxy.

Elstree 1976 is hardly the first Star Wars documentary to ever be released.  It is however a documentary unlike any ever released about the legendary sci-fi flick.  That is because as its stories make clear, it is focused not on the movie’s celebrity cast but those that brought some of the movie’s most beloved characters to life, yet were hardly as acclaimed as Hamill, Ford, or Fisher.  The stories presented in this documentary will leave fans seeing the movie and its cast in a whole new light.  They will keep viewers engaged, entertained, and enlightened.  The program’s production ensures viewers’ engagement just as much as its stories.  This includes its pacing, editing and even writing.  The bonus material included in the program’s limited edition Director’s Cut Blu-ray presentation brings everything full circle.  It would have been nice to have that material included in the program’s DVD presentation, too.  But that just wasn’t to be.  So that aside, the bonus commentary, Elstree Studios tour, and extended interviews prove to be just as engaging for fans as the program’s main material.  It comes together to bring the program in whole and complete its presentation.  Each element is important in its own right.  There is no denying this.  Collectively though, they make Elstree 1976 a presentation that will definitely broaden the horizons of the Star Wars galaxy.  It will be available Tuesday, June 28th and can be ordered online direct via MVD Visual’s online store.  More information on this and other titles from MVD Visual is available online now at:

 

 

Website: http://www.mvdb2b.com

Facebook: http://www.facebook.com/MVDEntertainmentGroup

Twitter: http://twitter.com/mvdentgroup

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Advertisements

Hot Air Is One Of 2015’s Best New Children’s Albums

Courtesy:  Recess Monkey

Courtesy: Recess Monkey

Veteran kindie rock band Recess Monkey released its latest full-length studio effort Hot Air last week. The twelfth full-length release from the Seattle, Washington-based trio, it is one of the band’s best works to date. That is thanks in large part to the mix of its indie-rock style musical content and its original lyrical topics. From a song about the joy of taking in a thunderstorm to an equally entertaining piece about speaking “penguin-ese” to a piece that every Star Wars fan ou there (yes, the band even has a song centered on the Star Wars universe), and more Hot Air proves from start to finish just what makes it such a fun record and even one of the year’s best new children’s records.

Nearly a year to the day after it released its 2014 album Wired, Recess Monkey has released its twelfth full-length album Hot Air. Twelve albums is a lot for any musical act regardless of genre. For any musical act to maintain its creativity, energy, and originality over such a span is just as much of a feat. Somehow though, the members of Recess Monkey–Drew Holloway (vocals, guitar), Jack Forman (bass, keys), and Korum Bischoff (drums)–have managed to do just that. That is clear in the songs that make up Hot Air. The album’s mix of indie-rock musical styling coupled with its original, creative lyrical topics will have listeners of all ages enjoying it from start to finish, even singing along (and maybe even dancing along, too). One of the songs that serves to prove this is the album’s song about the joy of thunderstorms, ‘Thunder & Lightning.’ While not the first song ever crafted about thunderstorms, the band’s approach to the song makes it stand out quite well among those other songs. The band wastes no time jumping right into the song, offering up an up-tempo piece set against the rumbling of thunder. What’s really interesting here is that the band uses not only an up-tempo musical backing for the song, but plays in a major tone, too. Even more interesting of the song’s musical side is that one could actually call it avante garde to a point. That is because of its non-standard style especially in its verses. This seems minor on the surface. But on a deeper level, it helps lay a positive foundation for the song. It’s not the standard emotional approach used by so many other children’s entertainers in handling the subject. Nor is it an ominous sound. Rather it is somewhat playful for lack of better wording. It is a really smart approach used by the band in this song. Holloway sings over that upbeat foundation, “The sky is a canvas for each lightning bolt/It’s painted so lovely and it gives me a jolt/Yeah, hear a big old rumblin’ all across the sky/Watch it light up like the fourth of July.” The picture painted by Holloway as he sings is not one of something ominous or scary but rather one of something truly incredible to behold. The lightning bolts are equated to giant electrical paint brushes (doesn’t that sound like the name for some kind of indie garage rock band?) that paint their way across the canvas of the sky. It’s a great way to both get young listeners to appreciate the beauty and power of storms and show them that there’s no reason to fear storms. Being such a multi-faceted song, it proves quite well within itself to be one of Hot Air’s best tracks and just one example of why Hot Air is one of Recess Monkey’s best LPs to date.

‘Thunder & Lightning’ is within itself one of the best songs included in the body of Hot Air. It also proves in the grand scheme of things to be one piece proving what makes Hot Air one of Recess Monkey’s best albums to date. It’s just one song that proves both arguments. The album’s lead single, ‘Penguinese’ also serves to show that Recess Monkey still has not lost its touch or its originality and creativity even twelve albums in. The song is about exactly what one might think. It is a fun, nonsensical piece about learning to speak “Penguinese,” the supposed language of penguins. It’s such a nonsensical song, yes. Yet it is that nonsensical approach that makes it so fun. Think for a brief moment and try to name one band in the mainstream or even kindie rock world that has written such a song. Can’t think of one? Exactly. Holloway sings over Bischoff’s infectious 2/4 disco-style beat, “Just got a new kid/A new kid at school/He’s a little bit different/But a lot of bit cool/He’s not from around here/He’s from far away/Doesn’t speak the language/But you really oughtta hear him say his penguinese. The sound effect in the background that is apparently supposed to be a penguin “talking” adds to the song’s hilarity and creativity. Holloway goes on to sing of the penguin, “Folks don’t understand him/He don’t act like they do/Take a look in his lunchbox/And they give a big “Ewwwww/But he’s a snappy dresser/With a tux every day/He doesn’t speak the language/But you really oughtta hear him speak his penguinese.” The recorders (yes, the band even uses recorders in this song. That’s just as original) somehow work in some odd way. Who would have thought? Recorders actually serving a real musical purpose. It’s okay to laugh. Don’t be ashamed. It’s so nonsensical yet so fun that listeners of all ages will find themselves unable to deny just how fun it is. In having to admit how fun it proves to be, listeners will agree that it is one more example of what makes Hot Air one of Recess Monkey’s best albums to date. It also shows itself to be one of the best of the album’s songs overall.

Both ‘Thunder & Lightning’ and ‘Penguinese’ are high points to Hot Air in their own right as well as points proving why Hot Air is one of Recess Monkey’s best albums to date. They are just a couple of examples of what makes this album so enjoyable, too. The album’s penultimate opus ‘Oh Lando,’ which is a direct tribute to George Lucas’ classic Star Wars franchise, is another of the album’s high points. It is also one more prime example of what makes Hot Air one of Recess Monkey’s best records to date. Yet again, how many bands out there either the world of kindie rock or mainstream music have crafted any songs in tribute to one of science fiction’s greatest properties? Exactly. For that reason alone, grown-ups will want to hear this song just as much as their younger counterparts. The song, which centers on the events that happen in Cloud City in Star Wars: Episode V–The Empire Strikes Back. The song’s bass-driven musical side is infectious and will instantly have listeners tapping their toes. Considering that Disney is preparing to release the next chapter in the Star Wars franchise this winter, it makes this song a fitting way to remind audiences of where the Star Wars franchise has come from as audiences prepare to see where it is going. It is original. And it is fun. Ergo, it is one more great addition to Recess Monkey’s new album and yet more proof of why Hot Air is one of Recess Monkey’s best albums to date. Set alongside the likes of ‘Thunder & Lightning’ and ‘Penguinese,’ all three songs show in their own right why Recess Monkey remains one of the best acts in the world of kindie-rock today. That is not to discount the album’s other tracks by any means. ‘Hand Me Downs’ lets listeners know it’s okay to have hand me downs. There’s nothing to be ashamed of in wearing them. The Benny Goodman-esque clarinet work on ‘Carry A Tune’ is sure to impress jazz lovers. And the indie rock style of ‘Lighter Than Air’ coupled with its bright lyrics about soaring among the clouds will put just as much of a smile on listeners’ faces. Whether for those songs, the compositions more directly noted here or any of the album’s other tracks not noted here, it can be said with ease that considering each of the album’s tracks, Hot Air is full of anything but hot air. It is one of Recess Monkey’s best albums to date and one of the best new children’s albums of 2015.

Hot Air proves from start to finish to be one of Recess Monkey’s best albums to date and one of the best new children’s alums of 2015. That is thanks in large part to the creativity and originality displayed throughout the course of the album’s fifteen tracks and thirty-eight minutes. It is available now in stores and online, and can be purchased online via Recess Monkey’s online store at http://www.recessmonkeytown.com. More information on Hot Air is available online now along with all of the band’s latest news and tour schedule updates online now at:

Website: http://www.recessmonkeytown.com

Facebook: http://www.facebook.com/recessmonkeytown

Twitter: http//twitter.com/recess_monkey

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Pacific Rim Is Fun But Forgettable

Pacific-Rim-poster-BIG

Courtesy: Warner Brothers Studios/Legendary Pictures

Thirty-seven.  According to most news agencies, that is how many sequels will have been churned out in theaters by the time 2013 has winded down.  Those reports go on to say that this is a new record for movie studios.  Those same movie studios have most recently been lambasted by the likes of Steven Spielberg and George Lucas for that glut of franchise flicks.  The pair most recently stated that if Hollywood’s major studios continue on their current track, the movie industry’s implosion won’t be far behind.  Keeping this in mind, what is a movie-goer to do in looking for something that is not a sequel or even prequel in 2013?  The answer would seem simple.  Although in reality it isn’t.  Case in point, the mega-blockbuster, Pacific Rim.

While it isn’t a sequel, or even a prequel or reboot, the latest blockbuster from Warner Brothers Studios and Legendary Pictures is still anything but original.  The Japanese influenced action flick is formulaic and trite.  The whole robots versus giant monsters bit has been done to death.  If one were to take Power Rangers, Godzilla, Independence Day, Top Gun, (Yes there’s even a hint of Top Gun in here believe it or not) and the equally terrible 1989 movie, Robot Jox, and toss them into a pot, they would get this fast paced and underperforming movie that’s more fit for a person with ADD than a more discerning viewer.   Making things worse, writer Travis Beacham has taken elements of each of the aforementioned movies and TV shows, and tossed them in all over the place for a movie that ultimately adds up to nothing.  From its standard stereotypical character types to its equally seemingly ADD influenced writing to the attempts to cover all of this with special effects in hopes of making it look like something substantial, it all adds up to a movie that is more forgettable than fun.

Pacific Rim is a fun movie.  But it is also largely forgettable.  The most blatant of reasons for this is its very concept.  The concept behind this movie is anything but original as already noted.  Robots fighting monsters has been done for roughly two decades or more with the various Japanese shows and movies that influenced America’s hit pop culture phenomenon that is the Power Rangers franchise.  And that franchise itself caused any number of imitators such as the Superhuman Samurai Syber Squad and VR Troopers just to name a couple of so many that have been churned out here stateside since the early 1990s.  This is just the tip of the iceberg in where this movie goes wrong.  Along with those Japanese TV shows and movies from which this movie blatantly lifts, viewers will also see just as much pulled from the likes of Top Gun and Independence Day.  One scene in particular halfway through the movie’s roughly two hour run time sees Raleigh and his co-pilot Mako (Charlie Hunnam and Rinko Kikuchi respectively) come back victorious from having taken down a pair of kaiju by themselves.  It looks just like a certain scene from Top Gun (and so many other action movies and TV shows).  Heck, for that matter, one could even argue that this harkens all the way back to a scene from the original Star Wars franchise that occurred after the Death Star was destroyed.  It was a near mirror image.  Again, here we have prime examples of just how unoriginal this movie is.  Instead of trying to do anything original, it just pulls scenes from other movies for this story.  It’s not the end of the movie’s faults, either.

Audiences that are familiar with their sci-fi history will take notice of the scenes throughout this movie lifted from so many other movies and TV shows.  The script’s writing hurts the viewing experience just as much as the lifted scenes, if not more so.  We’ll start with the example of Stacker Pentecost’s over-the-top motivational speech to his forces as he triumphantly joins the fight once more having been sidelined for years from fighting the war against the Kaiju, too.  This exact same over-the-top motivational speech style was used in Independence Day and so many other action movies both before and after it.  It makes the whole work come across as that much lazier and anything but serious.  Rather it makes the movie come across as cheesy.  This kind of interpretation by audiences can greatly hurt the movie in the long run. It’s just one of so many other moments much like it.  These moments coarse through the movie right to its final mega-battle scene, taking even more away from its ability to be taken seriously.  Of course, this isn’t the bottom of the barrel.  Things get worse for Pacific Rim in considering the story’s character styles.

In the case of Pacific Rim, audiences are presented with even more standard action movie fare with the characters of Pentecost and Raleigh.  Raleigh is the standard heroic leader character with a mysterious past about which he won’t talk. It makes him even more mysterious to those around him.  But it hardly creates an appeal among audiences for him as he’s hardly the first character of his sort to grace the big screen.  Having covered one of the movie’s main characters, let’s examine another main character in Raleigh.  Raleigh is the standard plays-by-his-own-rules character style seen in all the way back to Han Solo, Wolverine, Maverick, and so many other anti-hero and semi-anti-hero types.  Just as with so much else in this movie, it’s one more factor that has been done to death.  And because of this, the picture becomes even clearer as to why Pacific Rim will ultimately be one more forgotten action movie that will end up in the five-dollar bin at Wal-Mart not long after it debuts on DVD and Blu-ray.

Pacific Rim suffers from so many negatives.  It’s no wonder why it has fallen so short in terms of ticket sales versus its production costs.  However, for all of its negatives, there is at least one positive to Pacific Rim.  That positive is the movie’s special effects.  The special effects in this movie are above par for Summer blockbusters.  Watching the Jaeger (pronounced yager) pilots working together to bring their robots to life to battle the Kaiju (pronounced KI-joo) is something to behold.  The combination of live action and CG effects sets the bar extremely high for other special effects laden movies to come.  So to that extent, those behind the cameras and computer screens deserve their due credit for this.

At the same time that the movie’s special effects are a good thing, they are also a bad thing.  The reason for this is that it is honestly the only positive to the movie.  Had this movie had more laurels on which it could rest, the special effects would not have been a burden.  But sadly, it doesn’t have those other laurels.  And because of this, it will lead many viewers to feel that director Guillermo del Toro is just trying to fool audiences and make them think this is something with substance.  In reality, it has none.  Sure, the graphics and special effects are great.  But audiences should not let this become a smokescreen.  They need to see that being that this is all it has going for it, Pacific Rim is sadly anything but one of the best new theatrical releases of 2013.  It isn’t the year’s worst.  But it is hardly the year’s best, either.  In the long run, it will prove to be little more than a vague memory in the vast expanse that is the world of the action movie.

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Paramount, Lucasfilm’s new Indiana Jones Box Set The Best Yet

Paramount Pictures/Lucasfilm, LTD.

Indiana Jones is one of the most famous and beloved heroes in the stories annals of Hollywood.  His original trio of adventures has transcended generations.  And his more recent adventure has its own legions of fans, too.  To this day, Indiana Jones costumes are still popular every Halloween.  And much like his costumes are so popular, so are his adventures to the point that they have seen multiple releases both as stand-alone features and box sets.  Now fans have the opportunity to see all four movies in a whole new way thanks to the release of the brand new “Indiana Jones:  The Complete Adventures” on blu-ray.

Paramount and Lucasfilm have officially released the complete four film set along with the bonus features included in the previous sets.  Among those bonus features are the “Making of” features for all four of the movies and the feature discussing the now famed “melting face” sequence from Indiana Jones and the Raiders Of The Lost Ark.  That in itself is a great feature for anyone who has any interest in Hollywood special effects and movie production.  Some of the features even include bonus pop up trivia that adds even more appreciation for these classic movies.  For instance, audiences learn through the pop-up trivia that when Indy comes face to face with a King Cobra in “Raiders”, he was never really in danger, of course.  He was actually separated from the snake by glass.  That the glass was made invisible in post production is a tribute to the work of all involved.  Another little tidbit is that the canyon scene in which the Nazis were carrying the ark was the same canyon from a certain other famous science fiction movie.  Give up?  Does the title Star Wars mean anything to anyone?  That’s right!  It’s the same one.  Obviously it’s a little more than mere coincidence.

The bonus features included in this set are much like the ones from the previous DVD releases.  But not everyone has had the opportunity to own this piece of movie history.  For those who have yet to include it in their home libraries, the bonus features make the whole viewing experience that much more enjoyable.  They are just a drop in the bucket, though.  The clarity of the picture in all four movies is so much clearer in each one.  Everything is more clear and defined.  Even the original grainy footage is still evident here and there.  Nothing has been lost in the transfer to blu-ray.  If anything, so much has been gained with this set.

The enhanced picture and the extensive bonus features go a long way to making this a must have set for Indiana Jones fans of any age.  They aren’t all that make it an impressive set.  Unlike the previous larger “Complete DVD Movie Collections”, this set is far more ergonomically designed.  It’s presented in a much more slim case shaped like a book.  Each “page” contains the disc for each movie.  Also included on each page is a promo poster and production shots to enhance the design.  This compact design will save space on anyone’s DVD and/or blu-ray rack.  And combined with everything else included in this set, most audiences will agree that “Indiana Jones:  The Complete Adventures” is not only the “complete” adventures of Indiana Jones, but the complete definitive adventures of Indiana Jones.

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Red Tails is a fast paced, high flying history introduction

Pride.  Honor.  Courage.  The men who fought and died for this country all had these qualities.  Sadly, in all the stories shared of “The Greatest Generation” since WWII ended, the story of the famed Red Tails is one that has been shared far less than that of other groups.  So when word came out that a big budget Hollywood feature centered on one of the United States military’s greatest ever fighting groups would be made, it was a welcome announcement.  And the end result was not bad.  However, it still could have been better.  What can be said of Red Tails is that it is at least a nice starting point in the history of the Tuskegee Airmen.

Red Tails wastes no time getting right into the story.  It starts off with the squadron on the equivalent of a scouting mission.  Thanks to writers Aaron McGruder and John Ridley, audiences are immediately told of how the Tuskegee Airmen were kept from flying real missions until Col. A.J. Bullard (Terrence Howard) convinces the military brass that his men deserve the chance to fly real combat missions.  The action moves rather quickly from there.  To the writers’ credit, at least the story does keep the melodrama to an extreme minimum, opting instead for featuring the deeds of this fearless group of pilots.

Red Tails shares with audiences a sampling of what made the Tuskegee Airmen the great group of pilots that they have come to be known as today.  However, where it succeeds in presenting wonderful representations of the pilots’ achievements, it comes up short in their overall history.  It would have been nice to get more background on how the all black air wing was first created and how it ended up in Italy.  Simply put, while Red Tails is a good starting point, there is still so much more that can and should be shared about what is one of the most important group of servicemen to ever don the uniform and fly the flag of the United States of America. 

To keep up with the latest entertainment reviews and news, go to http://www.facebook.com/philspicks and “Like” it, or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can also keep up with the latest entertainment reviews and news at https://philspicks.wordpress.com.