Foghat To Release ‘Live At The Belly Up’ On CD Next Month

Courtesy: Foghat Records

This past February, veteran rock outfit Foghat released its new live recording Live at the Belly Up digitally, and this summer, the band will finally release the recording on CD.

Live at the Belly Up will be released on CD Friday, June 30 via the band’s own Foghat Records.  In anticipation of the recording’s release, the band has launched a PledgeMusic campaign giving fans the chance to pre-order the record with exclusive associated merchandise.

Different merchandise is available at different pledge levels. A $15 pledge gets fans a copy of the record along with Access Pass.  A $30 pledge can get fans a Live at the Belly Up t-shirt or drink holder.

Pledge levels go all the way up to $500 and quantities of each item is limited.  Audiences that want to check out the show before they decide whether or not to make that pledge can see a clip of the band performing its hit song ‘Slow Ride’ from the show here.  The record’s full track listing is noted below.

‘Live at the Belly Up’ Track Listing:
Fool for City / Eight Days On The Road
Under the Influence
Stone Blue
Drivin’ Wheel
Knock It Off
Terraplane Blues
Hot Mama
California Blues
I Just Want to Make Love to You
Slow Ride

The band is touring live in support of Live at the Belly Up.  It will be live at The Rose in Pasadena on May 25 and at The Canyon Club in Agoura Hills on May 26.

It will also join Jeff Foxworthy and Larry The Cable Guy on the pair’s Jeff & Larry Backyard Barbecue this summer beginning August 13 in Saratoga, NY.  The tour’s schedule, which includes a stop in Charlotte, North Carolina on September 15, is noted below.

08/13 – SARATOGA SPRINGS, NY
08/19 – ENGLEWOOD, CO
08/20 – ALBUQUERQUE, NM
08/25 – CLARKSTON, MI
08/26 – NOBLESVILLE, IN
09/15 – CHARLOTTE, NC

As if those live dates are not enough, the band also has scheduled a “Rock of the 70s” Shows with Atlanta Rhythm Section Pure Prairie League, Pat Travers Band and Poco.  It is also scheduled to perform as part of the Rock Getaway on the Riviera Maya from Oct. 26 to Nov. 5. The festival also features performances from Santana, Don Henley, Roger Daltry, Bad Company, Pat Benatar, Steve Miller, Foreigner, Cheap Trick, George Thorogood, REO and more.

More information on Foghat’s upcoming live dates, its new live recording and more is available online now at:

 

 

 

Website: http://foghat.net

Facebook: http://www.facebook.com/FOGHAT

Twitter: http://twitter.com/foghat

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Jefferson Grizzard’s Sophmore LP Another Solid “Modern Classic Rock” Record

Courtesy:  Back Porch Syndicate Records

Courtesy: Back Porch Syndicate Records

Singer/songwriter Jefferson Grizzard has released in his sophomore album Learning How To Lie a record that any fan of the “modern classic rock” genre will appreciate. The dozen tracks that make up his latest album instantly conjure thoughts of Bob Seeger, Joe Cocker, George Thorogood, and even Bruce Springsteen to a lesser extent. That’s thanks to the combination of his own vocal style set alongside From social commentary of sorts to songs of lost love and what would seem to be personal experiences, the songs on this album cover any number of topics. And the songs’ companion musical side serves to make each one all the better. One of the best examples of that social commentary comes in the form of the album’s title. The mournful yet powerful ballad ‘Lorelei’ is one of the best songs centered on a broken relationship. And ‘New Location’ comes across as a song that illustrates a personal experience. It would be interesting to hear from Grizzard himself on this infectious piece. Of course it and the other noted songs are but part of what makes Learning How To Lie a fit for any “modern classic rock” fan. There are nine other songs not noted here from which audiences will be able to choose their favorite(s). In hearing those other songs, those same listeners will agree that whether it be their first time hearing Grizzard’s music or not, this album is a solid work from start to finish.

One of the best examples of what makes Jefferson Grizzard’s latest record such a joy is its title track, which comes roughly halfway through the album. Grizzard writes in this bluesy rocker, “Lovers spasm up the stairs/Through cries of pleasure and despair/The pauper and the millionaire/Their fates are slowly fusing/Golems hide ‘neath plastic shields/Throw tear gas full of sex appeal/While riots make commercial reels/The cobbler slays the general/And the planet keeps on turning.” These musings come across as personal thoughts on the state of the world around us. “While riots make commercial reels” could be referencing the spots made by news agencies that tease the daily nightly newscasts. More often than not, those spots tend to feature violent stories such as riots. One look at the nightly newscasts across the “Big 4” networks proves that. He writes also that “Golems hide ‘neath plastic shields.” Anyone with any knowledge of the Lord of the Rings trilogy will get this reference. It would seem that he’s speaking metaphorically, saying that something ugly lies beneath a weak façade. Of course this could be wrong being that it is just this critic’s own interpretation. Regardless, the fact that Grizzard could create such thoughts (and likely discussions) centered on this song just goes to prove its importance on this record. Audiences can make their own decisions when they check out the song’s official video online via YouTube at http://www.youtube.com/watch?v=D9cEtilwnn4.

‘Learning How To Lie’ is a prime example of why “modern classic rock” fans will appreciate and enjoy Jefferson Grizzard’s sophomore CD by the same name. It’s just one of so many songs on the record that boasts a solid groove sure to have audiences singing along. And its seeming social commentary only serves to make it even more enjoyable. On the exact opposite side of that musical coin, Grizzard exhibits his softer side on the ballad of lost love, ‘Lorelei.’ The words themselves are only part of what makes this song so hard hitting. The addition of gentle piano runs, alongside a chorus backing Grizzard and his band mates, and an orchestral arrangement make this song a solid tearjerker. Grizzard sings overtop of those additions, “Hear the engine roar/She’s got me running/From my own sweet home/She’s got me feeling all alone/With shots of shattered bones/That leave me stranded/Crash landed in a field/Where her voice, it never yields/You’ve got centuries to fill/With all these words you’ve crafted.” He paints a picture of a relationship that did not exactly end well. Again, with the addition of the orchestration and choir, it becomes all the more impactful for any listener.

Both ‘Learning How To Lie’ and ‘Lorelei’ are excellent examples of what Grizzard offers audiences on his latest full length release. If they aren’t enough for listeners to give this album a chance, then ‘New Location’ most definitely will be enough. Grizzard gets pretty descriptive here, writing about a person living in a situation that is less than even substandard for lack of better wording. He writes in this song, “All my books are burning/The carpet’s stained with tar/There’s Raptors rippin’ all the second strings off my guitars/Outside on my deck/The dogs are howlin’ at the moon/Jackie’s in the basement/Puttin’ fire to a spoon/I aint tryin’ to make no accusations/But I can’t lie/I need a new location.” The imagery only gets more disturbing from here. And it’s no better early on. That’s not a bad thing. As a matter of fact, the picture that he and his fellow musicians paint with their combination of lyrics and music make this one of the absolute highest of points. Audiences can download that song, the others noted here or any of the album’s other tracks now online via Amazon at http://www.amazon.com/Learning-How-Explicit-Jefferson-Grizzard/dp/B00JRE0R6M/ref=sr_1_2?s=music&ie=UTF8&qid=1405712208&sr=1-2&keywords=jefferson+grizzard.

Jefferson Grizzard currently has no tour dates scheduled. However, after downloading the songs from his new album, audiences can keep up to date with all of the latest tour updates, news and more online at http://jeffersongrizzard.com and http://www.facebook.com/jeffersongrizzard. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Cason’s Latest LP Has Plenty Of “Heart”

Courtesy:  Plowboy Records

Courtesy: Plowboy Records

Singer/Songwriter Buzz Cason has spent some six decades making music. He started his career by starting the very first rock and roll band in Nashville, Tennessee. He has founded his own recording studio where greats such as Elvis Presley, Dolly Parton, Emmylou Harris, and The Doobie Brothers have recorded hit songs among many other major names. He has also spent much of his career making his own music. He has continued making his own music up to this year. As a matter of fact, Cason released his latest record, Troubadour Heart earlier this year. The album is quite aptly titled considering Cason’s storied career. And for those audiences that might not be so familiar with Cason’s body of work, Troubadour Heart serves as quite the first impression, too. The album exhibits quite the number of influences. The laid back bluesy ‘Goin’ Back To Alabama’ presents an influence from the likes of Eric Clapton, Taj Mahal, and Robert Johnson. This applies both musically and lyrically. And then there’s the southern rock styling of ‘Something I Can Dance To.’ This song shows Cason’s Nashville roots and his rock leanings at the same time. Troubadour Heart’s penultimate tune ‘Cowboys & Indians’ exhibits more of Cason’s southern rock influences. Audiences more familiar with the history of modern rock will hear tinges of Eagles and even George Thorogood to a slightly lesser extent. There are also hints of The Grateful Dead and Dire Straits peppered throughout the course of Cason’s latest release. All of these influences together make Troubadour Heart one of 2014’s more interesting new records.

Troubadour Heart is one of this year’s more interesting records. That’s because of the range of influences exhibited throughout the course of the album’s fifteen total tracks. One prime example of this comes in the laid back bluesy ‘Goin’ Back To Alabama.’ The song—the album’s only blues-influenced piece—conjures thoughts of Eric Clapton, Taj Mahal, and even Robert Johnson thanks both to its music and lyrics. Cason sings of a subject reminiscing of his younger days in Alabama. He sings, “When my world/Comes unraveled/I know it’s time/For me to travel/Going ‘round the bend/Gettin’ in that Dixieland.” He goes on in the song’s chorus to sing in semi-celebratory fashion about going back to Alabama. The most interesting aspect of this song is that not only does it exhibit classic blues influence, but that guest singer Dan Penn actually sounds just like Eric Clapton. If one were to hear this song without knowing that it was Penn backing Cason here, one would swear that one was hearing Eric Clapton. The similarity between the pair’s vocals is incredible. That and the song’s easygoing lyrics and music show just why ‘Going’ to Alabama’ is such a solid example of what makes Troubadour Heart such an interesting listen.

‘Goin’ Back To Alabama’ is an excellent example of the diversity of Cason’s talent on his latest record. It is just one example of that talent, too. Another equally impressive example of that diversity is in the more up-tempo southern rock tinged song ‘Something I Can Dance To.’ It clearly reflects Cason’s early days growing up in Nashville with its sound. That up-tempo sound and the song’s lyrics—which are slightly sexually charged in their own right—make this song a perfect fit for so many country-western style bars and clubs. The energy exuded by this piece will have listeners up and dancing in no time regardless of whether or not there’s a formal dance floor.

‘Cowboys & Indians’ is the penultimate track included in Troubadour Heart’s fifteen total tracks. It is also one more fitting example of the diversity of music presented on this record. This song presents a pretty obvious country-western influence as Cason sings about a Romeo and Juliet style story. Cason’s story here presents the love story of a Native American woman falling in love with a seemingly White male. Despite the fact that one’s parents doesn’t approve of the other, the couple doesn’t let that stop them. They end up happily ever after and having their own family together. It’s a fun story and an equally fun final blast from Cason before he gently closes out the album with the aptly titled beachy tune ‘Pacific Blue.’ That final song is a fitting closer as it is one more song showing the pure vastness of Cason’s talent and influences. Having taken in this song and those mentioned before it, listeners will agree once more that Troubadour Heart is without a doubt one of the year’s most intriguing records.

Troubadour Heart is available now in stores and online. It can be downloaded via Amazon at http://www.amazon.com/gp/product/B00HGTNKAK/ref=s9_simh_gw_p15_d0_i1?pf_rd_m=ATVPDKIKX0DER&pf_rd_s=center-2&pf_rd_r=1RG9YQMJV0C4KG1XBKVB&pf_rd_t=101&pf_rd_p=1688200382&pf_rd_i=507846. His new album can also be purchased at any of his upcoming live shows. Cason is scheduled to perform live Wednesday, Jun e18th in Okoboji, IA. He also has a pair of shows scheduled in Nashville and one in Lincolnton, North Carolina. That concert is scheduled for Saturday, August 16th. Audiences can get a complete list of Buzz Cason’s live events and news online at http://www.facebook.com/buzzcasonmusic, http://www.buzzcason.com, and http://twitter.com/buzzcason. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Thorogood & Company Put On A Real Rock Party In Their First Ever Montreux Show

Courtesy:  Eagle Rock Entertainment/Eagle Vision

Courtesy: Eagle Rock Entertainment/Eagle Vision

Eagle Rock Entertainment and Montreux Sounds formed a new landmark business partnership a year or so ago.  The partnership in question allowed Eagle Rock distribution rights for a number of new and archived shows that were recorded at what is one of music’s most revered festivals.  And the recordings in question have been nothing short of impressive.  From the likes of Miles Davis, Stan Getz, and Etta James to newer acts such as The Raconteurs, the Montreux Jazz Festival has seen some of the industry’s top names take its storied stages.  Now, one more piece of the legendary festival’s history has been released to the masses in the form of George Thorogood & The Destroyers Live at Montreux 2013.  The concert, which was recorded this past July, marked the first time that Thorogood and his band mates—Jeff Simon (drums), Bill Blough (bass), Jim Suhler (guitar/vocals), and Buddy Leach (saxophone)–had ever performed at the venue.  And Thorogood himself makes note of his excitement at getting to finally perform at Montreux after more than two decades.  That excitement pored over throughout the band’s entire performance, too.  It’s one of the key factors of this recording that makes it so fun to take in.  The band’s set list is another reason that fans will enjoy this recording.  Thorogood and his band mates hit on every one of their major hit songs.  There is even a tribute to Johnny Cash thrown in for good measure.  If that isn’t enough for fans, the combination of the recording’s bonus interview and companion booklet will push the recording over the top.  They, along with the set list and the band’s performance, make this recording one more huge success from Eagle Rock Entertainment and Montreux Sounds.

George Thorogood has been making music and performing for over four decades.  So it comes as quite the surprise that 2013 marked the first time that he and his band mates played the famed Montreux Jazz Festival.  The festival, which started out mainly as a venue for the top names in jazz and blues, has grown each year to incorporate bands and artists from across the musical spectrum.  Thorogood and his band mates obviously held no ill will toward festival organizers when they took the stage at the festival.  Thorogood makes no bones concerning his excitement at finally being invited to perform at Montreux.  His positive energy isn’t confined to just that one moment, either.  From the high energy opener that is ‘Rock Party’ to hits like ‘I Drink Alone’, ‘Bad to the Bone’, and ‘Madison Blues’, the band exudes so much energy and excitement.  The audience in attendance feeds off of every bit of that excitement, too.  The mutual sharing of excitement and energy can be felt even by viewers watching this recording from the comfort of their own living rooms or bedrooms.  Home viewers may even find themselves feeding off of that excitement, dancing around and playing air guitar, etc.  That shows just how much fun Thorogood and company make their performance for all of their audiences.  Home viewers will discover this for themselves when they order or purchase the recording for themselves on DVD and Blu-ray.

The positive energy and excitement exuded by Thorogood and company is key to the overall enjoyment of this recording.  Whether one is seeing the concert for the first time or reliving the concert again, everybody can agree that the band’s stage performance alone is enough reason to take in this concert.  Just as important to the overall enjoyment of this concert recording is the set list chosen for the performance.  Fans won’t be disappointed at the set list chosen for the concert.  The veteran rockers included all of their fan favorites over the course of the near ninety-minute set.  From the likes of ‘I Drink Alone’ to the band’s now famous cover of John Lee Hooker’s ‘One Bourbon, One Scotch, One Beer’ to the Johnny Cash tribute in ‘Cocaine Blues’, the band leaves little if anything on the table.  Audiences will especially appreciate that in the tribute to the late country singer, Thorogood actually seems to channel him.  He actually sounds like Cash, vocally speaking, at points in the song.  The same can be said of his guitar work, too.  It is just one of so many high points offered throughout the course of the concert.  And it’s just one more part of what makes the recording as a whole so enjoyable for audiences of all ages.  It’s not the last, either.  The bonus interview and companion booklet included in with the DVD and Blu-ray put the finishing touch on this recording.

The songs chosen for this concert and the band’s performance collectively make up the most important and impressive part of this latest recording from Eagle Rock Entertainment and Montreux Sounds.  There is still one part of the overall presentation of this recording that puts it over the top.  That last part ifs the collective bonus interview and companion booklet.  The show’s bonus sit-down with Thorogood shows that the persona presented on stage was as real as it comes.  Audiences get even more insight into his excitement over playing Montreux at long last.  And through the show’s companion booklet, audiences get a brief history of Thorogood’s career leading up to his performance at Montreux.  Audiences will be interested to learn that along with George Thorogood and The Destroyers, ZZ Top was at Montreux this year, as were Prince, Sting, Ben Harper, Deep Purple, Leonard Cohen, and so many others.  It’s just a tiny piece of the whole history that audiences will enjoy learning in reading through the included literature.  And together with everything already mentioned, that history and the bonus interview make this presentation complete.  It all collectively makes this latest release one more huge success from Eagle Rock Entertainment and Montreux Sounds.  It is available now in stores and online and can be ordered direct from Amazon at http://www.amazon.com/Live-At-Montreux-2013-Blu-ray/dp/B00FFLBXJQ/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1387537259&sr=1-1&keywords=george+thorogood+%26+the+destroyers+live+at+montreux+2013.  More information on this and other concerts in Eagle Rock’s ongoing Montreux series of concerts is available online at http://www.eaglerockent.com and http://www.facebook.com/EagleRockEnt.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Outlaws Have Plenty Of Reason To Be “Proud” Of Their New LP

Courtesy: Rocket Science Ventures

The Outlaws is coming!  Get it?  It’s a movie reference for those who might not have known.  The movie in question is The Three Stooges’ 1965 movie by the same name.  Of course that movie was anything but good, thanks to one Curly Joe DeRita.  It isn’t the focus of today’s review.  The Outlaws in question getting the focus today is the Tampa Bay, Florida based Southern Rock band.  The Outlaws has been making music for four decades.  This band has been there through thick and thin during the entire course of its career.  And next month, The Outlaws will release its eleventh full length studio album, titled, “It’s About Pride.”

“It’s About Pride” is a fitting title for the band’s new album as it’s an album of which the band’s fans new and old will be proud.  The album opens strongly with the song, ‘Tomorrow’s Another Night.’  It’s a straight forward country rock style song with a hopeful chorus that in its own way outlines everything that this band has been through in its career.  The band sings in the chorus, “Tomorrow’s another night/Maybe the light will shine on me/I’ll take what I’m given/And I’ll hold on tight/Win or lose/it’s gonna be alright/But tomorrow’s another night.”  The song drives, musically speaking, through its entire four and a half minute run time, keeping listeners’ ears the whole time.  The multi-guitar “attack” and guitar solos add their own flare to the song, too.

The band follows up ‘Tomorrow’s Another Night’ with an equally driving song in ‘Hidin’ Out in Tennessee.’  It’s basically another song about life on the road for a band.  This type of song is nothing new to the music business.  It crosses the border from rock to country.  But rather than taking the Bon Jovi or Kid Rock route, The Outlaws take a more positive outlook here, singing, “Nobody knows where an outlaw goes/and they d*** sure don’t wanna be found/If you’re lookin’ for me/I’ll be hiding out in Tennessee.”  The song breaks down into a mini jam session from the last chorus that will get any pure blood country fan on his or her feet.  It’s a great way to finish off this song and segue into the next.

That next song is the album’s title track.  And it’s bound to be one of the album’s biggest hits.  For that matter it could very well become one of the band’s biggest hits in its entire four decade long career.  Front man Henry Paul sings of the band’s roots, and its pride in those roots.  As noted in the band’s bio, this song tells the story of how the band has endured so much and has still come back for more.  As with ‘Hidin’ Out In Tennessee’, the multi-guitar attack adds its own touch.  The music in general really catches the vibe of the song’s lyrics, too.  It helps to convey the band’s early history and everything that it has faced to get where it is today.   

The album’s opening trio of tracks is a great way to start off what is a great return for a band that’s been away for quite some time.  They are only part of the overall success of the album, though.  Fans will also enjoy the George Thorogood style ‘Born To Be Bad’ and the Neil Young/Lynyrd Skynyrd styled ‘Trouble Rides A Fast Horse.’  Fans of fellow southern rock acts such as the Eagles and Tom Petty will like ‘Trail of Tears’ and ‘Right Where I Belong.’  ‘Trail of Tears’ is a touching story of what happened to the Native American community as a result of the Indian Removal Act of 1830.  Whether these songs or any others, fans will all have more than their share of favorite songs.  They all combine to make for an album that any fan of southern rock and/or country will enjoy.

“It’s About Pride” hits stores Tuesday, September 25th via Rocket Science Ventures.  While fans wait for the album’s release, they can see them live on tour.  The band will be in Vernal, Utah next Friday, August 17th for the annual Country Explosion.  To see more tour dates and keep up with all the latest from The Outlaws, fans can check them out online at http://www.outlawsmusic.com, http://www.facebook.com/outlawsmusic, http://twitter.com/outlawsmusic, and on the band’s official YouTube channel, http://www.youtube.com/outlawsmusic.

To keep up with the latest entertainment reviews and news, go to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.