Eagle Rock Entertainment, Alan Jackson Partner For New Live Recording

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Country legend Alan Jackson has a new live recording due out this spring.

Alan Jackson will release his new live recording Keepin’ It Country: Live at Red Rocks this spring.  The concert will be released in stores and online Friday, May 6th.  It will be released on DVD and digital outlets.  The concert was originally recorded at Jackson’s performance at the famed Red Rocks Amphitheatre in Morrison, CO on May 17th, 2015 and features a twenty-six song set from the veteran performer.  The set list features a number of Jackson’s biggest hits including but not limited to: ‘Don’t Rock The Jukebox,’ ‘Chattahoochee,’ ‘Gone Country,’ ‘Where Were You (When The World Stopped Turning),’ and a number of others.  The concert’s full set list is noted below.

Track Listing:

1.)    Gone Country

2.)    I Don’t Even Know Your Name

3.)    Livin’ On Love

4.)    Good Time

5.)    Small Town Southern Man

6.)    The Blues Man

7.)    Who’s Cheatin’ Who

8.)    Little Bitty

9.)    Country Boy

10.) Drive (For Daddy Gene)

11.) Where Were You (When The World Stopped Turning)

12.) Don’t Rock The Jukebox

13.) Here In The Real World

14.) Wanted

15.) Chasin’ That Neon Rainbow

16.) It Must Be Love

17.) Song For The Life

18.) Pop A Top

19.) Angels and Alcohol

20.) You Never Know

21.) As She’s Walking Away

22.) Remember When

23.) It’s Five O’Clock Somewhere

24.) Chattahoochee

25.) Where I Come From

26.) Mercury Blues


Over the course of his now twenty-three year career, Alan Jackson has sold nearly sixty-million albums worldwide.  He is a member of the Grand Ole Opry, has received more than 150 industry awards, including 18 ACM awards, 16 CMA Awards, 2 Grammys, and ASCAP’s Founders and Golden Note Awards.  In 2014 he became the first person to be awarded ASCAP’s Heritage Award.  This made him the most performed country music songwriter-artist of ASCAP’s first century.  He has also released more than sixty singles.  Fifty of those singles have gone on to be Top 10 singles.  Thirty five of said singles have gone on to become #1 songs.  That puts him in very elite company alongside the likes of Paul McCartney and John Lennon.  More than twenty of their songs have gone on to become #1 songs.


Keepin’ It Country: Live at Red Rocks will be released Friday, May 6th in stores and online.  It will be available on DVD and digital video.  The DVD will retail for MSRP of $14.98.  More information on this and other titles from Eagle Rock Entertainment is available online now at:




Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews




More information on the recording is available now along with all of Jackson’s latest news and more at:




Website: http://www.alanjackson.com


Facebook: http://www.facebook.com/OfficialAlanJackson

Twitter: http://twitter.com/OfficialJackson




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The Magic Show Act II Proves To Be Just The Beginning For The Members Of We Are The Finale

Courtesy: Houndstooth productions

Courtesy: Houndstooth productions

Typically when people think about Nashville, Tennessee, the first thing that comes to mind is country music.  Nashville is the home of country music.  Its Ryman Auditorium and Grand Ole Opry are shrines to the legends of country music for all intents and purposes.  So the thought that a rock band–a punk band no less–would rise among the country ranks and make a name for itself among that mass of counrty acts no less comes as something of a surprise. But when audiences hear the new EP The Magic Show Act II: The Turn from We Are The Finale, they will agree that this Nashville, TN-based band is set to finally start turning the tide in Music  City, USA and help make the city known for being more than just the capital of country music.  The Magic Show Act II: The Turn totals only five songs and sixteen minutes.  Throughout the course of the EP’s technically four full-length songs–the EP’s opener only runs fifty-one seconds and isn’t technically a song–front man Daniel John Schafer and band mates Bradley Gwinn, Brandon Keysey, Freddy March, and Ronnie Mills show quite a bit of diversity and talent.  They take listeners on a ride through some of rock’s sub genres throughout the record from the pop punk style of the EP’s first full track ‘Well Enough Alone’ to a semi-post hardcore sound in ‘…And Scene’ and an almost seemingly 80s influenced sound on the EP’s closer ‘The Honeymoon Phase.’  It’s tough especially in the indie rock world to find a record that crosses so many sounds within the course of its songs (Whether it be an LP or EP). But the members of We Are The Finale have done just that here.  Keeping that in mind, it helps to make this EP one that is deserving of at least one listen by audiences.

The members of We Are The Finale have crafted a record in its new EP The Magic Show At II: The Turn that is well worth at least one listen.  The reason being that through the course of the EP’s four full-length songs, the band refuses to stick to just one of rock’s various sub genres.  it switches things up from one song to the next, thus keeping audiences engaged from start to finish.  The record’s lead song ‘Well Enough Alone’ is proof of that.  The song’s slower, almost bluesy sound instantly hints at an influence from the likes of Set It Off.  Front man Daniel John Schafer’s lyrics add a certain depth to that musical side, too. He hits on a topic that quite a few men have dealth with in life in the form of a woman that causes a man no end of problems inside.  He sings, “Your eyes are telling lies/That your mouth is trying to hide/So now I gotta decide if it’s worth it/To keep this dragging on.”  Schafer writes in the song about how his subject is going crazy over the female in question, writing, “Girl, you got me faded (Whoa, I’m so smooth girl)/And now the groudn is shaking (Let me move you)/Now I feel like I’m six feet deep (You shouldn’ve known, too)/And the top of my headstone reads Leave well enough alone.”  In other words, the woman in question is killing his subject, metaphorically speaking of course.  What man hasn’t been in this situation at least once in life?  And while the song’s subject is obviously male, one could argue and flip it to have a female as the lead subject singing about a guy driving her crazy as that does happen, too.  That interchangability and the song’s musical side colletively make ‘Well Enough Alone’ a fitting opener for the band on its new record.

‘Well Enough Alone’ is a good first impression from We Are The Finale on its new EP.  This is especially the case for those that might not be so familiar with the band’s music.  That’s thanks to its mix of relatable lyrical content and equally interesting musical side.  Audiences that pick up the band’s EP will note that as enjoyable as this song proves to be, the band doesn’t resteasy on its laurels.  Rather it switches things up from here as is evidenced in the semi-post hardcore sound of ‘…And Scene.’  The song opens with the sound of an old film reel setting the stage for what is to come much like was done with old movies.  It is a fitting addition to this song, considering the song’s lyrical content.  Shafer sings in the song’s chorus, “All you ever wanted was to bust out on the scene/But I won’t let the scene change me/And all you ever wanted was a reason to feel this way/So now I’ll stay away/Away from you for a while.”  Before this, he sings, “My face fills with blood/Your face is so smug/So now I’ll take some steps away/This life you sell/It can’t be real.”   The song seems to come across as highliting the frustration felt by someone that has to deal with one of those overly annoying people who lives solely to bring others down one way or another.  Hopefully that interpretation is right as it is just the interpretation of this critic.  The song’s second verse strengthens the argument for this interpretation as Shafer sings, “I’ve heard these lies before/Back when I was young/And I am moving on my way/Now that I’m older I see all the things that I want/And I’m ready to plead my case.”  Again, Schafer comes across as targeting the people that would say whatever they want to others, knowing others would believe them and in turn allow themselves to be torn down emotionally.  It will be interesting to find out whether or not this interpretation is correct. Hopefully it is correct.  Regardless, the very fact that it could generate such discussion and thought by itself makes it well worth hearing.  The balance of Schafer’s clean vocals and his screams set against the song’s guitars and drums adds even more depth to the song, proving again what makes ‘…And Scene’ another part of a whole that any indie punk and rock fan will enjoy.

We Are The Finale shows throughout the course of both ‘Well Enough Alone’ and ‘…And Scene’ its musical versatility and its lyrical versatility, too.  The band exhibits just as much musical versatility in ‘The Honeymoon Phase’ which closes the EP.  The band’s use of keyboards throughout the song and the rather bombastic guitar solo incorporated into the song’s bridge adds its own share of depth to the song.  They collectively show something of an 80s influence.  There’s also a bit of a Fall Out Boy influence here, too.  Such a juxtaposition of sounds shows even more than ever the versatility of the band’s abilities and influences.  That versatility by itself makes the song one more good example of what makes The Magic Show Act II: The Turn well worth the listen.  The song’s lyrical side gives it even more depth as Schafer sings, “I’ll rip the ties that bind me to your walls/And I will grab hold of everything and try/To stay on my feet while you’re chasing afer me/Because this war torn heart can’t beat anymore/And I’ve lost my want to pick you off the floor/So stay on your knees and stop chasing after me.”  He goes on to sing of his subject taking the chance to tell a significant other that he/she loves someone in particular.  Yet in the song’s end, he sings, “Now we’ll stay forever broken-hearted/And destined to feel this way.”  It’s almost as if he is saying in regards to his subject that said subject will take the chance to express his/her love for a certain person even though it may be too late and regardless of not getting that chance again.  It’s something of a bittersweet song, when considered from this lyrical angle.  The song’s musical side complements that bittersweet feel, too. the two elements together make for a song that is just as solid as the EP’s opener.  It will leave audiences wanting more in the best possible way.  Audiences will get to hear more as the band has a pair of live dates currently scheduled.

Audiences can hear more from We Are The Finale live now as the band currently has a pair of live dates confirmed.  The band is scheduled to peform a live home town show tomrrow at Rocketown.  It is also schedule to perform at Exit/In in Nashville, TN on January 17th.  Audiences can purchase tickets for both shows online now and get the latest news from the band at http://www.facebook.com/WeAreTheFinaleband. Audiences can also keep up with all of the latest from the band online via Twitter at http://twitter.com/wearethefinale.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

NCAA Div. I Women’s Basketball Championship Brackets To Be Revealed On ESPN

Courtesy:  ESPN

Courtesy: ESPN

Women’s college basketball fans will find out which teams will make this year’s NCAA Women’s Basketball Division I tournament next week.

ESPN will reveal the complete field for this year’s tournament next Monday, March 17th on the NCAA Women’s Basketball Selection Special Presented by Capital One.  The special presentation will air live on ESPN and online via WatchESPN.  Kevin Negandhi will anchor the broadcast.  He will be joined by veteran analysts Kara Lawson and Rebecca Lobo in studio for in-depth analysis of the team selections.  The trio will interview Baylor’s Kim Mulkey and Notre Dame’s Muffet McGraw as part of the evening’s broadcast.

Also joining the discussion will be espnW.com writer Mechelle Voepel.  She will offer extra insight on ESPNU’s NCAA Women’s Basketball Selection Special Extended Coverage Presented by Capital One.  That special will air on ESPNU at 8pm ET.  ESPNU’s extended coverage special will feature an exclusive interview with Carolayne Henry, chair of the NCAA Division I Women’s Basketball Committee among a number of interviews included in the broadcast.

ESPNU will follow up its special Monday night broadcast with a special two hour-long edition of College Basketball Live Tuesday, March 18th at 1pm ET.  College Basketball Live: NCAA Women’s Special will follow up Monday night’s bracket announcement with an in-depth analysis of the tournament.  It will also feature live interviews with some of the top names in women’s college basketball.  Beth Mowins and Cara Capuano will co-host the special extended edition of College Basketball Live.  They will be joined by analysts Debbie Antonelli, Maria Taylor and Brooke Weisbrod.

Both ESPN and ESPNU will offer much more for audiences in their respective broadcasts.  More information on each is available online at http://espn.go.com/womens-basketball/ and http://espn.go.com/espnw/.  Along with the extensive coverage offered by ESPN and espnW, cast members from ABC’s hit drama Nashville will add their own touch to the broadcast, too.  Connie Britton and Hayden Panettiere will open ESPN’s NCAA Women’s Basketball Selection Special Presented by Capital One live from the Grand Ole Opry in Nashville, TN.  In addition to their opening segment, ESPN will feature Britton’s take on Jason Aldean’s hit song ‘The Only Way I Know’ throughout the selection special’s broadcast.  The song, which featured Luke Bryant and Eric Church, will also be used throughout ESPN’s NCAA Women’s Division I tournament coverage.  Nashville airs Wednesday nights at 10pm ET on ABC.

ESPN and the ESPN family of networks will have full coverage of the 2014 NCAA Division I Women’s Basketball Championship beginning March 22nd.  The networks’ full broadcast schedule is expected to be released soon.  More information on this year’s tournament and coverage is available online at http://espn.go.com/espnW, http://espn.go.com/womens-basketball, and http://www.facebook.com/espnW.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews, go online to https://philspicks.wordpress.com.