Prested’s Lookout Records “Bio” Is A Must Read For Music Lovers, Punk Loyalists Alike

Courtesy:  Microcosm Publishing

Courtesy: Microcosm Publishing

Author Kevin Prested’s new book Punk USA: The Rise and Fall of Lookout Records is essential reading for anyone that has any interest in the history of punk rock. The book, published in paperback late this past January via Microcosm Publishing,, examines as the title states, the rise and fall of one of punk’s most influential record labels. It is a label that was home to greats such as Operation Ivy, Crimpshrine, and even none other than Green Day in its heyday. But as with all great things, it came to an end; an end that was obviously not the way that anyone wanted for a once great institution, but an end nonetheless. Now thanks to Prested, who is also a music journalist, audiences get a first-hand look at what led to the famed label’s beginning and eventual sad fall. Readers will especially enjoy this book primarily thanks to the presentation of the story. Prested doesn’t try to make his story another run-of-the-mill bio/history style presentation. Rather, it comes across more as a video documentary put into book form versus the other way around. That will be discussed shortly. Another aspect of the book that readers will appreciate is the history lesson provided by Prested. Audiences learn about not just the history of Lookout Records but of the bands that once called Lookout Records home. One more factor worth noting of Prested’s book that makes it so interesting is the inclusion of the occasional picture here and there as an added illustration of Lookout’s history. None of the photos are the standard publicity photos either. Rather, they are often times more candid shots of different bands and releases put out by Lookout. It’s a minor detail, yes. But it still adds its own interest to Prested’s book. The combination of those photos, the history presented by the story, and the overall structure of the story makes Punk USA: The Rise and Fall of Lookout Records a must read not just for those with a love of music history but especially for those with an interest of and love for punk and its roots.

Punk USA: The Rise and Fall of Lookout Records is a must read for anyone with a love for and interest in not just music history but also for the history of punk rock and its roots. The main reason that it proves itself such essential reading is its overall structure. The overall structure of Prested’s presentation is not just another run-of-the-mill bio or history piece. Rather what Prested has done here is taken the road less traveled. Instead of just being a long-winded read–unlike those bios and historical pieces–Prested has used his journalistic roots and crafted a piece that is presented more like the script for a televised documentary than a literary piece. The story and the quotes from Prested’s subjects (E.g. former Lookout employee Chris Applegren, Frank Portman (The Mister T Experience, The Bomb Bassets), Scott Conway (Screeching Weasel, Even in Blackouts), etc.) are clearly separated and even specifically labeled throughout each chapter. Speaking of the chapters, the book’s chapters are relatively short, ranging anywhere from three pages to five and maybe a little more. In general though, the chapters are relatively short. So readers won’t find themselves constantly asking when the chapters are going to end. On a directly related note, the historical reflections on Lookout’s history both on the part of Prested and his subjects are themselves so entertaining that even if the chapters were longer, readers still wouldn’t have to worry about the story dragging along. The story in whole is that well-written and structured. Considering this, it would be interesting to see if Prested would ever consider turning what is essentially a script into an actual visual presentation to complement his book. Needless to say it would be just as welcome among music lovers and punk fans as his book.

The overall structure of Punk USA: The Rise and Fall of Lookout Records is central to its success. The road taken by Prested in this book is the polar opposite of its much more well-known counterparts. In other words it isn’t just another of those long-winded pieces that relies more on facts and figures than actually engaging the reader. For this reason alone Prested is more than deserving of his share of applause. It is just one reason that Prested is deserving of credit in examining his new book, too. The history provided by the book makes Prested just as deserving of credit. The story presents not only the history of Lookout Records but also of the bands that once made Lookout one of the biggest names in the music industry before its eventual demise. Prested explains through the course of his story Lookout Records’ humble beginnings, its slowly building fame, which seemed to climax at the debut of Green Day’s hit 1994 record Dookie, and its not entirely surprising (and in turn sad) eventual fall. The thing is that as readers will note early on in the label’s history, there was some foreshadowing of what was to come for Lookout. The warning signs were there. They just didn’t seem to be entirely heeded. In regards to the history of the bands that called Lookout home, some readers will be surprised to learn that Green Day once called Lookout Records home as did punk icons Operation Ivy, Screeching Weasel, Pansy Division, and a number of others. Readers even get to hear from members of the noted bands as part of the label’s history in regards to their own experiences during their time on Lookout Records. The combination of the labels’ history and the history of the bands signed to the label together makes for quite the interesting read that true punk devotees will not want to put down. That coupled with the book’s overall structure makes it even more of a work that music lovers and punk lovers specifically will enjoy.

The structure of Punk USA: The Rise and Fall of Lookout Records coupled with the history of the label and its bands makes this book one that is well worth the read whether one is a punk devotee or a music lover in general. They are together only two parts of the whole that make it such an interesting read. Last of note in regards to the book’s enjoyment is its photos. While minor, they do play their own part in the book’s enjoyment. That is because the photos, much like the overall structure of the book, are not the standard prim and proper publicity photos that one might expect. Rather, the band pictures are candid shots of some of the bands that helped Lookout get its start and vice versa. There are also random pictures of some of the vinyls and cassettes that were distributed by Lookout throughout its life. Audiences will be interested in examining some of the pictures that Prested actually discusses in his book aspects of the albums such as their artwork. Readers, for example, will be interested to learn of the DIY approach taken in regards to the artwork of many of the bands’ albums. It wasn’t that spit-shined look of so many of today’s labels. That approach mirrors the overall approach of Lookout Records in whole in terms of signing and promoting bands. It makes even more interesting the fact that said approach coupled with so much dedication and hard work led to the rise of Lookout Records. At the same time, thinking about that in the same fashion, it is just as interesting to learn that that same approach also contributed to the label’s end. Again, that goes right back to the story at the heart of the book. It shows in the grand scheme of things why in fact the pictures included in this book are just as important to its overall story as the story itself and its structure. All three elements together show clearly why Punk USA: The Rise and Fall of Lookout Records is a must read for music lovers in general and for those more devoted to punk rock and its roots.

Punk Rock USA: The Rise and Fall of Lookout Records is a must read for any music lover in general and for those whose loyalties are more linked to punk and its history. The structure of the book makes it easy to follow for audiences. It comes across more along the lines of a video documentary’s script than a standard, long-winded historical piece. The story that is presented within the book’s pages makes it even more interesting for readers. That is because the story focuses not only on the history of Lookout Records in regards to its rise and fall, but also to the history of the band’s that once called Lookout Records home. Both histories are balanced quite well throughout the course of the book with the end result being an overall story that will keep readers from wanting to put the book down at any point. The band photos and photos of albums and EPs released via Lookout are just as intriguing of an addition to the overall presentation. That is because in some cases, the photos are accompanied by stories of the DIY approach taken by Lookout’s employees to crafting the releases’ artwork as well as the DIY approach taken to promote its bands. It shows that Prested was really thinking about that aspect of the book. He didn’t want to just throw in some random photos here and there. He wanted them to play their own important part in the whole of his book. The understanding of that approach also helps readers understand its role later in the label’s life, proving yet again the importance of the included photos even as minor of an element as they may seem. The combination of all three elements together proves once and for all why Punk USA: The Rise and Fall of Lookout Records is a book that is a must read for music lovers and more specifically punk loyalists alike. It is available now in stores and online and can be ordered direct online via Microcosm Publishing’s online store at http://microcosmpublishing.com/catalog/books/5160/. More information on this and other titles available from Microcosm Publishing is available online at:

Website: http://www.microcosmpublishing.com

Facebook: http://www.facebook.com/microcosmpublishing

Twitter: http://twitter.com/microcosmmm

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Tales From Wisconsin Is One Of Teenage Bottlerocket’s Best Records Yet

Courtesy:  Rise Records

Courtesy: Rise Records

Teenage Bottlerocket is one of the best punk rock bands that audiences have never heard. For almost fifteen years, this Laramie, Wyoming-based band has been making its own brand of punk rock and building its audience base. All the while, it has remained just under the mainstream radar. This is actually a good thing. That is because it has kept the band from becoming just another cookie cutter pop punk rock band a la Sum 41, Blink 182, Newfound Glory, etc. Remaining just under that mainstream radar has allowed the band to continue crafting its own brand of music more akin to its counterparts in The Lillingtons, Bowling For Soup, and others of that ilk, all the while building its legions of fans around the world. The band’s latest album Tales From Wisconsin is proof of that. It is a fourteen track, thirty-five minute record that is just as certain to have listeners singing along happily just as much as any of the band’s previous releases. This has already been proven thanks to the album’s lead single, the light-hearted ‘Nothing Else Matters (When I’m With You),’ and its follow-up ‘They Call Me Steve.’ Both songs clearly show that nearly fifteen years after it first formed and roughly thirteen years after the release of its debut album Another Way, Teenage Bottlerocket has not lost a single step. The album’s gentle, acoustic closer ‘First Time’ shows this just as much. What’s more, it shows a certain growth from the members of Teenage Bottlerocket. Sure, the comparison to Dropkick Murphys and Green Day are inescapable here. But considering TBR’s body of work up to this point, it shows a turning point for the band and just as with the album’s first two singles shows yet again why this album is one more success from what is one of the punk realm’s best kept secrets.

TBR’s new album Tales From Wisconsin comes some thirteen years after the release of its debut record Another Way. One would think that considering how long TBR has been making music together, it would have broken through into the mainstream a long time ago when MTV and VH1 were still airing music videos and when they, along with the nation’s mainstream radio stations, were thirsting for the next big name in punk rock. Interestingly enough that never happened. Yet considering what those outlets did to the reputation of punk rock, maybe it’s a good thing that TBR never did break through. It allowed TBR to continue making its own music rather than give in to some A&R rep and other label exec along the way. Because it has manage to avoid those trappings, the band has manage to craft an album in Tales From Wisconsin–its sixth full-length studio effort–that is just as enjoyable as any of its previous recordings. That is evident early on in the record courtesy of its lead single ‘Nothing Else Matters (When I’m With You).’ This fully tongue-in-cheek song pays homage to veteran hard rock/metal act Metallica all while presenting a story of a man who has met a woman who is just as much a fan of the band as him. The song’s standard, melodic punk sound will itself have audiences on their feet, dancing in time as Brandon Carlisle keeps time alongside brother Ray Carlisle and fellow guitarist Kody Templeman. The song’s lyrical side is just as apt to put a smile on audiences faces as Templeman makes reference after reference to Metallica’s body of work throughout the song, singing, “That guy was such a d*******/When we were sticking up for Jason Newstead/That’s when you said you loved …And Justice For All/I didn’t make up with the creeps that night/they were looking for a fight/I was totally right on/The frayed ends of sanity/The shortest straw has been pulled for me/I’ll probably fade to black someday/Unless you hit the lights and escape with me.” The references to Metallica’s extensive catalogue don’t stop here. There is also a reference to ‘The Unforgiven’ and ‘Nothing Else Matters.’ The song’s very title is itself a reference to ‘Nothing Else Matters.’ Such playful use of references coupled with the standard theme of a love found make this one of the most original compositions of its kind to be churned out by a musical act in any genre. Such originality makes clear why this song was chosen as the lead single for TFW. It also makes clear by itself what makes TFW one more wonderful release from one of the rock world’s best kept secrets. Audiences can check out the song’s lyric video online now via YouTube at https://www.youtube.com/watch?v=YdRrN4xQ8zk.

‘Nothing Else Matters (When I’m With You) is one of the most original compositions about a relationship that has ever been crafted by any act in any of the music world’s many genres. The playful references to Metallica’s biggest hits as the basis for the song’s story coupled with the song’s catchy hooks and chorus makes it obvious why the song was chosen as TFW’s lead single. It also stands as just one clear example of why TBR remains today one of the best kept secrets in both the world of punk and rock in general. The song’s follow-up ‘They Call Me Steve’ shows just as clearly how much TBR has to offer on its latest release. The song’s musical side boasts even more infectious hooks and choruses throughout its two-minute, twenty-one second run time. Looking at the song from a lyrical standpoint, it is just as intriguing as Templeman sings, “I knocked down a tree with my bare hands/And I’ve been to all four corners of this land/I killed a giant spider with an iron sword/And I ran ten miles being chased by a zombie horde/They call me Steve/I’ll do anything you want me to/They call me Steve/I’ll dig a hole to Hell and back for you.” If not for the song’s companion video, which can be viewed online now, the song alone would definitely have had audiences talking. The song’s companion video is a Minecraft themed creation that perfectly complements the song’s lyrical content. It’s a love story in a video game world. The video can be viewed online via YouTube at https://www.youtube.com/watch?v=IqLAkjRyiJU. In viewing the video, audiences will agree that it perfectly illustrates the story presented in the song and in turn makes the song even more enjoyable than it is on its own musical merits. The combination of the song’s musical and lyrical sides, and its companion video makes clear once again why TBR remains one of the best names in the punk realm and one of rock’s best kept secrets. Alongside ‘Nothing Else Matters (Without You),’ it shows even more clearly whyTFW is such an enjoyable record.

‘Nothing Else Matters (Without You)’ and ‘They Call Me Steve’ are both clear examples of what makes TFW such an enjoyable record both for fans that are new to the band’s material and to those that are more familiar with the band’s body of work. As much enjoyment as those songs offer audiences, there is one more song on this record that stands out even more than them as one of the album’s highest of points. That song is the album’s string-laden acoustic closer ‘First Time.’ Both musically and lyrically it presents the band’s much more rarely exhibited softer side. The comparison to Green Day and Dropkick Murphys among others is inescapable here because of that combination of music and lyrics. But being one of those truly rare times that the band has gotten to display its softer side, it makes this moment something special. It shows the band a little more willing to grow and show a more mature side from the band in comparison to what audiences have become accustomed to hearing. There is almost a certain desperation in Templeman’s voice as he sings I’m falling apart with a broken heart for the first time/I’m starting to doubt what this feeling’s about/For the first time/I stare at the wall/I’m beginning to fall…For the first time/spinning out of control/With nowhere left to go.” It’s not the standard oh, woe is me sort of delivery musically or lyrically that audiences have become all too familiar with from so many punk and emo bands. It has its own identity. Because of that, it proves yet again what makes TFW just as enjoyable as TBR’s previous records and why this veteran punk rock band remains today one of the best kept secrets of the rock world in whole. Together with ‘Nothing Else Matters (When I’m With You)’ and ‘They Call Me Steve,’ all three songs together exhibit why this record is just as enjoyable for first time listeners and for those that are more familiar with the band’s body of work. That is not to discount the other dozen tracks that make up this record, either. Each of those tracks not noted here makes its own argument in favor of TFW, too. The whole of those tracks and those more fully noted here show clearly why every punk rock fan should hear this record regardless of their familiarity with TBR.

TBR is currently out on tour in support of its new album. It will wrap up the U.S. leg of its tour this Sunday, April 19th in Denver, Colorado before taking a few days off to recharge and prep for the European leg of its tour. That leg kicks off next Thursday, April 24th in Lindau, Germany. Fans will be able to pick up TFW at either of those shows or any of its upcoming shows, too. Fans that can’t make it to the band’s shows can also pick up TFWin stores and online. Fans can check out TBR’s latest tour dates and get more information on TFW, and where they can purchase it online now at:

Website: http://www.teenagebottlerocket.com

Facebook: http://www.facebook.com/teenagebottlerocketofficial

Twitter: http://twitter.com/teenbottlerock

Instagram: http://instagram.com/teenagebottlerocket

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Green Day Announces New Live Date At Cleveland’s House Of Blues

Courtesy:  BBGun Press

Courtesy: BBGun Press

Green Day is going to make things *ahem* hot in Cleveland later this month.

Green Day announced today that it will perform live at the House of Blues in Cleveland, Ohio on Thursday, April 16th. Members of the band’s Idiot Nation fan club can purchase tickets tomorrow, April 2nd, before they go on sale for the general public. Tickets go on sale for fan club members tomorrow morning at 10am ET and will remain on sale until they are all sold. Tickets for the general public will go on sale this Friday, April 3rd at 10am ET.

More information on this newly announced concert is available online along with all of the latest news from the band at:

Website: http://www.greenday.com

Facebook: http://www.facebook.com/GreenDay

Twitter: http://twitter.com/greenday

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Microcosm Publishing Releases New Introspective On The Life And Death Of Lookout Records

Courtesy:  Microcosm Publishing

Courtesy: Microcosm Publishing

Lookout Records is known to many music industry insiders and fans alike as being one of the most important and influential record labels in the rock world. The company, which focuses mainly on the world of punk rock, was founded almost thirty years ago by Lawrence Livermore as a means to support his band The Lookouts. Thus the name Lookout Records. During the course of the label’s life, it became home to some of the biggest names in the punk world. It’s the label that gave Green Day its first chance. It was also home at one point to fellow punk stalwarts Operation Ivy and Crimpshrine just to name a couple more. For all of its successes early on, there were also a lot of bad business decisions that would go on to lead to the label’s demise. Now thanks to music journalist Kevin Prested, audiences finally get a glimpse into how those decisions led to Lookout’s downfall and the early decisions that led the label to be one of the biggest in the world of punk in his new book Punk USA: The Rise and Fall of Lookout Records.

Punk USA: The Rise and Fall of Lookout Records is available now in paperback from Microcosm Publishing. It is available in stores and online for MSRP of $14.95. It can be ordered online direct from Microcosm Publishing via the company’s online store at http://microcosmpublishing.com/catalog/books/5160/?utm_source=PUNK+USA+-+The+Rise+and+Fall+of+Lookout+Records+%28birthplace+of+Green+Day%29&utm_campaign=Lookout+Records&utm_medium=email. More information on this and other titles from Microcosm Publishing is available online at:

Website: https://www.microcosmpublishing.com

Facebook: https://www.facebook.com/microcosmpublishing

To keep up with the latest sports and entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Roy Orbison To Receive New Award

Photo Credit: Janet Macoska

Photo from “The Last Concert” Credit: Janet Macoska

Legendary musician Roy Orbison is gone but definitely not forgotten.  The legendary musician will posthumously receive an award from the Musicians Hall of Fame and Museum.  Orbison will be awarded the Iconic Riff Award.  The award, which is being awarded for the first time, is being awarded to Orbison for his hit 1964 song, ‘Oh, Pretty Woman.’  The song would go on to become a number one single after its original release.

Heads of the Musicians Hall of Fame and Museum said the reason that Orbison was chosen as the first recipient of the award because of the riff that opens ‘Oh, Pretty Woman.’  The song itself has been covered by countless artists. It rose to its biggest fame thanks to rock band Van Halen’s cover of the song.  It was also the inspiration for the hit 1990 rom-com, Pretty Woman, starring Richard Gere and Julia Roberts.  The song itself can even be heard in the movie’s soundtrack.

Along with its numerous covers and use in movies, ‘Oh, Pretty Woman’ the song is also included a new live concert recording from Legacy Recordings titled Black & White Night.  The DVD recording was released this week.  It was recorded in September of 1987 and includes the likes of: Bruce Springsteen, Elvis Costello, Jackson Brown, JD Souther, and Tom Waits joining the star for his hit song.

Roy Orbison is one of the music industry’s most well-known and respected names.  He started his career in 1956.  He was signed to the famed Sun Records at the time.  The label also boasted the likes of Elvis Presley, Jerry Lee Lewis, and Johnny Cash on its roster.  It wouldn’t be until he signed a deal and recorded for Monument Records in the early to mid-1960s that his career truly took off.  The release of ‘Oh, Pretty Woman’ marked the peak of his career at the time.  The song, which Orbison co-wrote with Bill Dees, would go on to sell seven million copies and spend three weeks at number one on the Billboard Hot 100 Chart.  It also peaked at number one on the British charts for three weeks.  This was an unprecedented feat for any American recording artist at the time.  That is because The Beatles were dominating both countries’ charts at the time.

A new collection of Orbison’s hits titled The Monument Boxset will be released November 26th.  The collection is a vinyl only package that includes three of the most well-known and beloved albums that Orbison recorded during his time with Monument Records.  Those records are: Lonely and Blue, Crying, and In Dreams, which was also just recently re-issued on CD.  The new box set also includes a fourth album that had not existed until now.  The album will be centered on ‘Oh, Pretty Woman’ and will be comprised of five tracks.  The album’s songs were chosen by Orbison’s own sons, Alex, Roy Kelton, and Wesley Orbison.  Orbison’s suns have maintained their father’s legacy, running Roy’s Boys LLC, which is responsible for managing their father’s likeness, image, and musical releases.

Roy’s Boys LLC and Legacy Recordings are set to release one more live Roy Orbison concert before the year ends.  The Last Concert25th Anniversary Edition chronicles what would be Orbison’s final concert before his death in 1988.  The concert was recorded on December 4th, 1988.  That was only two days before he would suffer a fatal heart attack.  The fact that he would pass away only two days later is only part of what makes the upcoming concert so important.  Orbison commonly closed his shows with a performance of ‘Running Scared.’  But recording engineers ran out of tape that night before Orbison performed the song.  The result of that shortage is that ‘Oh, Pretty Woman’ would end up being the final number from his final ever concert.  More information on all upcoming Roy Orbison releases is available online at http://www.royorbison.com and http://www.facebook.com/royorbison.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Green Day Back On The Road

Courtesy:  BB Gun press

Courtesy: BB Gun press

Pop punk trio Green Day kicks off a new tour tonight.  The tour kicks off at the Allsate Arena in Rosemont, IL.  The tour is in support of the band’s recently released trilogy of albums, Uno!, Dos!, and Tre!  It will take the band through a total of approximately thirty-six dates, most of which will be dates in Europe.  After tonight’s show, the band moves on to Moline IL tomorrow at the i Wireless Center and then on to the CONSOL Energy Center this Sunday in Pittsburgh, PA.

The European leg of the tour kicks off May 24th at the Blue Cross Arena in Milan, Italy.  The European leg of the band’s tour will take it from Italy to Serbia, to Austria and throughout the U.K., Russia, France and many more countries.  The current slate of dates has Green Day wrapping its tour at the Bilbao BKK Live Festival on May 13th in Bilbao, Spain.  To get a full listing of tour dates and all the latest news from the band, fans can “Like” Green Day on Facebook at http://www.facebook.com/GreenDay.  Fans can also keep up with all the latest from the band on Twitter at http://twitter.com/greenday.

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Green Day Announce New Tour Dates

Courtesy:  BB Gun press

Courtesy: BB Gun press

Pop punk band Green Day has announced two new concert dates to its current tour lineup.  The band—Billie Joe Armstrong (vocals/guitar), Tre Cool (drums) and Mike Dirnt (bass)—added performances on Tuesday, April 16th and Thursday April 18th.  The band will perform at the Greek Theatre in Berkeley, California on April 16th.  Tickets for this show will be available this Friday at noon local time.  Fan club members will get first access to pre-sale tickets, which go on sale today at 3pm EST/12pm PST.  For more information on this pre-sale and more, fans can go online to http://www.idiotclub.com.  The second of the new pair of performance dates will be at the Los Angeles Sports Arena in Los Angeles, California.  Tickets for this show will be available next Friday, February 22nd at 10am local time.       

The dates are just two more in an already very busy schedule for the trio.  The band will kick off its tour on Thursday, March 28th and will tour across the country through April 18th before heading overseas for the European leg of its tour.  The tour is in support of the band’s recently released trilogy, Uno!, Dos!, and Tre!  Also recently announced is the upcoming debut of the band’s documentary, Cuatro!, at the 20th annual SXSW Film Conference and Festival.  The documentary follows the band as it brings its trilogy from concept to store shelves.  It also includes some very special performances recorded along the way.  The 20th annual SXSW Film Conference and Festival runs from March 8th – 16th in Austin, TX.

Also debuting at the annual event is the Doug Hamilton directed, Broadway Idiot.  The film follows Billie Joe Armstrong as he ventures into the world of Broadway and turns the band’s album, American Idiot into the massive stage success that it is today. 

For more information on all of this and to get the latest news from the band, go online to http://www.greenday.com, http://www.facebook.com/GreenDay, http://twitter.com/greenday, and http://www.youtube.com/greenday.

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.