Record Kicks’ New Compilation Record Is A Strong Introduction To The Label And Its Acts

Courtesy: Record Kicks

Independent record label Record Kicks is closing out 2020 in an intriguing fashion.  The label released a new compilation record Friday to finish out the year.  Dubbed Breaks and Beats: Funk Breaks & Hot Instrumentals, the 12-song collection is composed of 48 minutes worth of instrumentals from some of the biggest hits of the acts signed to the label.  The record’s makeup – in regards to its featured songs — is itself a key aspect to the compilation and will be discussed shortly.  The sequencing of the record’s songs also plays into its interest.  This aspect will be discussed a little later.  The songs’ production rounds out the record’s most important elements.  Alongside the noted aspects of the songs and their sequencing, the compilation in whole proves itself an interesting new presentation from Record Kicks that is worth the occasional play.

Record Kicks’ newly released compilation record Breaks and Beats: Funk Breaks & Hot Instrumentals is an interesting new offering from the independent record label.  It is a presentation that audiences will find well worth taking in at least once if not more.  That is proven in part through its featured songs.  The songs themselves are works from a handful of the more than 30 artists and acts who are signed to the label.  Some of the featured artists and acts have released new material in the past year or so, too.  That might be why they were featured here.  Among those featured are the likes of Calibro 35, Hannah Williams and the Affirmations, Marta Ren, and The Tibbs, each of whom has released new music this year.  Between those noted acts and the others featured in the record, what audiences really get here is not only a sampling of new music from many of the featured acts, but also an introduction to those acts for those audiences who might be less familiar with the noted acts.  To that end, having so many acts and so much music to introduce to so many listeners forms a strong foundation for the compilation.  With any luck, the introduction to all of that music will encourage listeners to discover even more music from those acts.  This is just one aspect of what makes Breaks and Beats: Funk Breaks & Hot Instrumentals such an interesting collection of songs.  The sequencing of the record’s songs adds to that interest in its own right.

Thee sequencing of Breaks and Beats: Funk Breaks & Hot Instrumentals is important because of the clear attention paid to the record’s energy exhibited in this aspect.  The album starts off on a mid-tempo fashion in its first half before gradually starting to pick up just before its midway point.  From there, the energy gradually pulls back in ‘Soul Run.’  It starts out higher energy but then starts to gradually ease back as the song progresses.  From there, the compilation’s energy picks back up again gradually to a steady, mid-tempo feel right to the record’s end.  The short and simple is that the compilation’s energy is well-balanced throughout even with the stylistic approach and sounds staying relatively similar from one song to the next.  The changes in the energy are so subtle throughout, but just noticeable enough in that subtlety.  The result is that the record will ensure listeners’ engagement and entertainment through its overall feel as much as for its content.  Keeping all of this in mind, it still is not the last of the compilation’s most important elements.  The record’s production rounds out its most important elements.

Funk as a genre typically presents arrangements that typically are very busy.  Between guitars, drums, horns, (and vocals), most funk songs feature a wide range of instruments and lines.  The songs that are featured in this compilation are no exception to that rule.  Whether it be the combination of keyboards, drums, guitars and horns in Calibro 35’s aptly titled ‘CLBR 35,’ the more laid back but still rich mix of instruments in The Devonns’ ‘Tell Me’ or even the mix of instruments in The Liberators’ ‘Episco,’ the fact of the matter is that each of the songs featured in this compilation was precisely produced.  No one instrument outdid the others at any point in any song.  The dynamics overall were perfection, bringing about so much great emotion from listeners.  To that end, this aesthetic element of Breaks and Beats: Funk Breaks & Hot Instrumentals cements the engagement and enjoyment for the record.  In turn, it will no doubt encourage plenty of listeners to discover even more music from the record’s featured acts.  Considering that along with the compilation’s content and sequencing thereof, the whole of this compilation proves to be a positive presentation from Record Kicks that audiences will enjoy.

Record Kicks’ new compilation record Breaks and Beats: Funk Breaks & Hot Instrumentals is an interesting new offering from the label.  Usually, compilation sets are thrown out during the summer as mid-year space fillers rather than at year’s end.  That aside, the record is still a presentation that will entertain and engage listeners.  That is proven in part through its featured songs, which give audiences a nice introduction to just some of the label’s many acts.  The sequencing of the compilation’s featured songs adds its own element of enjoyment and engagement to the record.  The production presented in each song puts the final touch to the record’s presentation, bringing everything full circle.  Each item noted here is important in its own way to the whole of the compilation.  All things considered, they make Breaks and Beats: Funk Breaks & Hot Instrumentals an enjoyable last offering from Record Kicks for 2020 and gives hope for what 2021 has to bring from the label.  Breaks and Beats: Funk Breaks & Hot Instrumentals is available now digitally.

More information on this and other titles from Record Kicks is available online at:

Website: http://www.recordkicks.com

Facebook: http://www.facebook.com/recordkicks

Twitter: http://twitter.com/RecordKicks

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.  

The Tibbs’ Latest LP Is A Powerful New Musical Round From The Tibbs

Courtesy: Record Kicks

Music collective The Tibbs officially released its sophomore album Another Shot Fired Friday.  The 13-song record is a presentation that will appeal to a wide range of listeners.  From fans of vintage soul and R&B to The Tibbs’ own fan base, the 44-minute record proves itself to be an enjoyable record from start to end.  One of the songs that makes the record so enjoyable is its lead single, ‘Damaged Heart.’  It will be discussed shortly.  The album’s midpoint, ‘Mama Says’ does its own share to show what makes The Tibbs’ new album so enjoyable.  It will be addressed a little later.  ‘Circeo,’ which comes late in the record’s run, is yet another positive addition to Another Shot Fired.  It will also be discussed later.  When it is considered alongside the other two songs noted here and the rest of the album’s run, the album in whole finds itself leaving listeners anxious for The Tibbs’ next musical shot in the best way possible.

The Tibbs’ sophomore album Another Shot Fired is some strong musical firepower from the up-and-coming neo-soul/R&B outfit.  That is proven in part early on through the album’s lead single, ‘ Damaged Heart.’  The musical arrangement featured in the song plays its own key part in supporting the noted statement.  It is a throwback to the R&B sounds of the 1960s and 70s with its horns, funky guitar rhythms and drums. Roxanne Hartog’s vocal delivery here adds to that sense, too.  Adding to the arrangement’s appeal is the way in which it was produced.  There is something in the production that is so wonderful.  From the raw sound of the snare drum to the smooth sound of Hartog’s vocal delivery and the richness in the horns makes the overall sound come across as if the whole had been bottled up in a time capsule since the end of the 1970s.  It is such an infectious presentation in itself that will have listeners wanting to hit the dance floor  Ironically, as upbeat as the song is in its musical arrangement, that positive nature is counter to the song’s lyrical theme.

According to a statement from The Tibbs, the song’s lyrical theme is actually very heavy yet accessible to audiences. 

“‘Damaged Heart’ is about the uncertainty that one might bring from past experiences into a new relationship and the fear of not being able to give oneself completely,” the statement reads. “The bright spot being the openness with which this uncertainty is raised. Altogether, Damaged Heart could – despite the irreparable harm that is suggested is in the title – very well be interpreted as a love song …”

The statement is made clear as Hartog sings in the song’s lead verse, “My baby and I/We get by/But oh, sometimes/I can’t describe/This feeling creeps up on me/I wouldn’t say it’s a jealousy/But I can’t deny/I can’t deny/I can’t remember/When I last/Felt so deep longing/For someone in the past/This truth, it haunts me/In the night/Putting my heart…/I can’t deny/Couldn’t tell you why…”  Some of this is a bit difficult to decipher without a lyrics sheet to reference, but what is clearly being mentioned here is someone who wants to have gone past a previous relationship, but can’t help but think of that past situation.  This would seem to work in tandem with the statement about the song’s lyrical theme.  From there, she mentions in the song’s second verse what sounds like she is saying, “My damaged heart/has to learn.”  Again not having a lyrics sheet to reference makes deciphering precisely, the lyrics here difficult.  That aside, the message is relatively clear.  This is in fact someone who is trying to get over a past relationship, but is having some difficulty in doing so.  Going back to the song’s musical arrangement, it is even more evident how stark the contrast is in the song’s musical arrangement and its lyrical content.  It makes for quite the interesting presentation and just one example of what makes the album in whole so interesting.  ‘Mama Says,’ which serves as the album’s midpoint, is another notable entry to this record.

‘Mama Says’ stands out in part because of its musical arrangement.  This song’s arrangement is a catchy, mid-tempo blues-infused work.  It starts off simple with just Hartog’s vocals alongside a simple bluesy guitar line and some clapping.  As the song progresses, drums and a tambourine join in, but only subtly at best.  It is not until more than a minute and a half into the song that the arrangement picks up, including the addition of the horns to add some more flash.  The arrangement in whole lends itself easily to a comparison to works from The Tibbs’ label mates Hannah Williams & The Affirmations.  The energy in the song’s arrangement pairs well with the song’s lyrical theme, which is a tribute to one of the band members’ moms on one level.  On another, it is a song that echoes the appreciation that we all have for our mothers.

Hartog sings in the tribute’s lead verse, “My mama is the strongest girl I know/My mama is the strongest girl I know/She taught how to fly/She taught me how to sing/She taught me how to cry/She taught me everything I know/She said, “Don’t give up on yourself/She’s the strongest/She’s the sweetest/She’s the toughest/She’s the softest/She’s a goddess…”  As the song progresses, Hartog even sings, that the mother told her to “keep your head up high.”  The rest of the song follows much in the same vein, lyrically speaking.  The whole becomes a lyrical presentation that will put a smile on every listener’s face.  That is even more certain when this positive lyrical message is paired with the song’s equally uplifting musical arrangement.  All things considered here, the song shows even more why Another Shot Fired is another power packed musical round from The Tibbs.  It still is not the last of the record’s most notable tracks, either.  ‘Circeo,’ which comes late in the record’s run, is one more of the many enjoyable entries in this record.

‘Circeo’ is a full-on instrumental composition.  There are no vocals here.  It is just the band putting its talents on full display.  This three-minute, 42-second composition is a solid mix of vintage soul and R&B what with its horns, bolstered by the baritone sax, the solid, simple time keeping on the drums and the equally simple but strong guitar line.  The groove that the group establishes in this opus is so infectious.  It takes only a matter of moments for audiences to become wholly engaged in the song and entertained.  The way in which the arrangement was composed, it would be so easy to add any lyrics.  That is evident as the chorus and verse sections are that clear throughout the song’s nearly four-minute run.  Nevermind that the arrangement is not exactly progressive.  It is just so fun and engaging that it is so easy to overlook its simple approach.  Keeping that in mind, it proves itself to be just as welcome an addition to Another Shot Fired as the other songs noted here and the rest of the album’s entries.  When all of the album’s songs are considered together, they make Another Shot Fired a presentation that audiences will hope is not the last musical round to be fired off by The Tibbs.

The Tibbs’ sophomore album Another Shot Fired is an impressive new offering that will appeal to a wide range of listeners.  That is proven from the album’s open to its end through its musical and lyrical content.  That is proven through all three of the songs examined here.  When these songs are considered along with the rest of the album’s entries, the whole of the album becomes a presentation that is without question, one more of this year’s top new independent albums at the very least and a work that vintage soul and R&B purists will enjoy hearing just as much as The Tibbs’ established fan base.  The record is available now.

More information on The Tibbs’ new album is available along with all of the group’s news at:

Websitehttp://www.thetibbs.nl

Facebookhttp://www.facebook.com/thetibbs

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Marta Ren Debuts ’22:22′ Video

Courtesy: Record Kicks

Independent soul/funk artist Marta Ren debuted the video for her latest single this week.

Ren debuted the video for her new single ‘22:22‘ Thursday. The video’s debut comes less than a week after Ren debuted the single by itself on digital platforms for streaming and download.

The single’s new companion video features Ren and her band mates performing the song in what looks like a live setting. One can assume the performance was recent, as members of the audience were all wearing face coverings in response to COVID-19 restrictions.

The song’s musical arrangement is an up-tempo composition whose funky, soulful stylistic approach and sound will appeal to fans of works from Ren’s Record Kicks label mates Hannah Williams & The Affirmations, and The Tibbs.

According to information provided about the single, its lyrical theme is meant as a commentary about dealing with one’s inner struggles and balancing that with pleasing others.

The debut of Ren’s new single comes four years after the release of her debut album Stop Look Listen.

More information on Marta Ren’s new single and video is available along with all of her latest news at http://www.facebook.com/marta.ren.

To keep up with the latest entertainment news and reviews go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Hannah Williams & The Affirmations Debuts New Single, ‘The Only Way Out Is Through,’ Companion Video

Courtesy: Record Kicks

Hannah Williams & The Affirmations debuted the video for the group’s latest single this week.

The group debuted the new single ‘The Only Way Out Is Through‘ and its companion video Monday. The song is the fourth single from the group’s latest album, 2019’s 50 Foot Woman. Its debut follows that of the album’s other singles, ‘Hourglass,’ ‘50 Foot Woman,’ and ‘I Feel It.’

The video features Williams taking a car ride through a city as she performs the group’s new single, which plays over the video. The musical arrangement that is featured in the song is a funky, horn-driven composition. Williams’ confident, gritty vocal delivery takes the fore while the drums keep solid time here. The subtle addition of the keyboards and guitar enriches the arrangement even more.

The song’s lyrical theme is centered on the all-too-familiar topic of a broken relationship, according to a statement from Victoria Klewin, who wrote the song’s lyrics.

“I was going through a really tough break up and struggling with the idea of being alone when Hannah said to me: ‘All you need now is you’,” said Klewin. “That stuck in my head and the rest of the lyrics followed. The pain of that situation was hugely transformative for me so I wanted to write a song about actively embracing emotional suffering in order to grow and also finding strength in your own autonomy”.

More information on Hannah Williams & Th Affirmations’ new single and video is available online now along with all of the group’s latest news and more at:

Websitehttp://hannahsoulwilliams.bandcamp.com

Facebookhttp://www.facebook.com/HWAffirmations

Twitterhttp://twitter.com/HWAffirmations

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Hannah Williams & The Affirmations Debuts Video For ‘Heart-Shaped Box’ Cover

Courtesy: Record Kicks

Hannah Williams & The Affirmations debuted the video for its cover of Nirvana’s ‘Heart-Shaped Box‘ this week.

The band debuted the video Thursday.  It is composed of footage sent to the band by its fans.  From a couple enjoying some time on the water, to another couple dancing to even man working on his motorcycle and more, the footage shows the diversity of the group’s fan base.  the video was directed and post-produced by Emma Holbrook.

The video’s premiere comes more than a month after the band debuted its cover of the song by itself.

The group discussed the song in a prepared statement at the time of the song’s debut.

“This release is an ode to the world and its struggles,” the statement reads.  “A nod to the past but also a move into the future, and most of all a tribute to all the amazing people who continue to not only support our band but also all the important messaging and movements we try to encourage through our art and influence.”

The debut of the group’s cover of ‘Heart-Shaped Box’ by itself came three months after the group debuted the video for its then latest single, ‘Hourglass.’  ‘Hourglass’ is the third single from Hannah Williams & The Affirmations’ latest album 50 Foot Woman.

The album also produced the singles ‘I Feel It‘ and ‘50 Foot Woman.’   The latter of the pair was also featured in Ifiniti’s recent campaign for its QX30 car.

More information on 50 Foot Woman is available online now along with all of Hannah Williams & The Affirmations’ latest news and more at:

 

 

 

Websitehttp://hannahsoulwilliams.bandcamp.com

Facebookhttp://www.facebook.com/HWAffirmations

Twitterhttp://twitter.com/HWAffirmations

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Hannah Williams & The Affirmations Debut Cover Of Nirvana’s ‘Heart-Shaped Box’

Courtesy: Record Kicks

Hannah Williams & The Affirmations debuted a cover of a famous Nirvana song this week.

The group debuted its cover of Nirvana’s ‘Heart-Shaped Box’ Friday.  The song, available to stream and download here, is a stark contrast to its source material.

Whereas Nirvana’s original was a heavy, gritty song, Hannah Williams & The Affirmations’ take on the song presents horns and keyboards, giving the cover a distinct hybrid lounge/soul sound.  Williams’ own vocal delivery adds its own touch to the cover, making it an even more unique take on the song.

Hannah Williams & The Affirmations discussed its cover in a collective statement.

“This release is an ode to the world and its struggles,” the statement reads.  “A nod to the past but also a move into the future, and most of all a tribute to all the amazing people who continue to not only support our band but also all the important messaging and movements we try to encourage through our art and influence.”

The cover’s debut comes three months after the group debuted the video for its then latest single, ‘Hourglass.’  ‘Hourglass’ is the third single from Hannah Williams & The Affirmations’ latest album 50 Foot Woman.

The album also produced the singles ‘I Feel It‘ and ‘50 Foot Woman.’   The latter of the pair was also featured in Ifiniti’s recent campaign for its QX30 car.

More information on 50 Foot Woman is available online now along with all of Hannah Williams & The Affirmations’ latest news and more at:

 

 

 

Websitehttp://hannahsoulwilliams.bandcamp.com

Facebookhttp://www.facebook.com/HWAffirmations

Twitterhttp://twitter.com/HWAffirmations

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

Katie Knipp Debuts ‘Chamomile and Cocaine’ Lyric Video

Courtesy: TAG Publicity

Independent blues artist Katie Knipp debuted the video for her latest single this week.

Knipp, who has released five albums and is working on her sixth — some of which have even charted on Billboard’s Blues Albums Chart — debuted the lyric video for her single ‘Chamomile and Cocaine‘ Tuesday.  The song’s musical arrangement features an old school 12-bar blues sound complete with keyboards, sax and bluesy guitar.

The guitar line is comparable to works from the likes of B.B. King, Albert King and even Stevie Ray Vaughan.  The simple, subtle drumming is akin to that of so many of the best blues drummers of past and present.  Knipp’s own vocal delivery has hints of Janis Joplin alongside that of Hannah Williams (Hannah Williams and the Affirmations).

The song’s lyrical content has nothing to do with drugs, despite the drug reference in its title.  Rather, it’s a proud, confident statement from Knipp about herself that could serve to inspire other women.  Knipp sings right from the song’s outset, “I’m your chamomile and I’m your cocaine/I wear my hair like lingerie/I got a voice that’s thick like creme brulee/And I’m comin’ at ya.”  She continues in the song’s second verse, “Been singing the blues/ Since the age of 13/No time for B.S./Ya’ know what I mean/I got one foot on the tambourine/I’m in the game/I’m here to play/I’m comin’ at ya.”  There’s no ambiguity here as to the song’s lyrical theme.  It’s just a sog presenting Knipp’s confidence in herself.

‘Chamomile and Cocaine’ is available to stream and download here.

More information on Katie Knipp’s new single is available along with all of her latest news at https://www.facebook.com/Katie-Knipp-106564726092866/.

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

 

Hannah Williams & The Affirmations Debut ‘Hourglass’ Video

Courtesy: Record Kicks

Hannah Williams & The Affirmations debuted the video for the group’s latest single this week.

The band debuted the video for its new song ‘Hourglass‘ Friday.  The song is featured in the group’s latest album 50 Foot Woman (2019).  The video presents the band performing its new single — its third from the album — in a studio setting, all in black and white.

The soulful song presents an arrangement that any r&b fan will appreciate just as much as fans of music lovers in general.  The song’s lyrical content, which centers on the all-too-familiar topic of a broken relationship, will connect with any listener.

Hannah Williams & The Affirmations debuted the video from the album’s title track/album opener, on Sept. 18.  Its debut was followed Oct 15 with the debut of the video for the album’s second single, ‘I Feel It.’

Hannah Williams & The Affirmations are scheduled to continue touring in support of 50 Foot Woman this spring, with a new leg of dates scheduled to launch March 6 in Girona, Estonia.  The tour is scheduled to run through July 11 in Birmingham, UK and feature performances in cities, such as Margate, UK; Annonay, France and Haarlem, Netherlands.

The tour’s schedule is noted below.

 

 

HANNAH WILLIAMS & THE AFFIRMATIONS ON TOUR!
Mar 06 2020 ES, Girona, Black Music Festival
Mar 26 2020 FR, Romans, La Cordonnerie SMAC
Mar 27 2020 FR, St Germain en Laye, La Clef
Apr 17 2020 FR, Le Teil, La Cave à Jazz
Apr 18 2020 FR, Annonay, La Presqu’île
May 01 2020 NL, Alkmaar, Secret South Festival
May 02 2020 NL, Hengelo, Heartland Festival
May 05 2020 NL, Haarlem, Liberation Fest
May 31 2020 UK, Margate, The Soundcrash Funk & Soul Weekender
Jul 10 2020 UK, Reading, Readipop Festival
Jul 11 2020 UK, Birmingham, Mostly Jazz Funk & Soul Festival

More information on Hannah Williams & The Affirmations’ upcoming tour dates, music and more is available online at:

 

Website: http://hannahsoulwilliams.bandcamp.com

 

Facebook: http://www.facebook.com/HWAffirmations

Twitter: http://twitter.com/HWAffirmations

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like’ it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Hannah Williams & The Affirmations’ New LP Towers Over Its Counterparts In Phil’s Picks 2019 Top 10 New Albums List

Courtesy: Record Kicks

As the year finally winds down its final days, the attention for many companies turns to the new year and the new crop of records already planned for the first quarter of the year.  As attentions turn to thew new year and its new albums, attention should also remain on the current year’s albums.  This year produced so many standout records from across the musical universe.  From rock and hard rock to pop to neo-soul and more, the offerings presented to audiences were many to say the very least.  Keeping that in mind, any critic will agree assembling the list of the year’s top new albums overall is a chore, but one that must happen.  This year’s top new albums are mainstream and independent alike, at least on this critic’s list.

Hannah Williams & The Affirmations easily made their way onto this critic’s final musical year-ender list with their new album 50 Foot Woman as did Slipknot, Sara Potenza and even Joel Ross.  Again, this list was anything but easy to assemble, but it did finally come together.  It is presented here complete with five honorable mention titles.  Without any further ado, here for your consideration is Phil’s Picks’ 2019 Top 10 New Albums.

 

PHIL’S PICKS 2019 TOP 10 NEW ALBUMS

  1. Hannah Williams & The Affirmations — 50 Foot Woman
  2. Devin Townsend — Empath
  3. Slipknot — We Are Not Your Kind
  4. Joel Ross — Kingmaker
  5. Jazz At Lincoln Center Orchestra w/ Wynton Marsalis — Jazz & Art
  6. Lakou Mizik — HaitiaNola
  7. Diana Panton — Cheerful Little Earful
  8. Am I Dead Yet? — Am I Dead Yet?
  9. Carlos Santana — Africa Speaks
  10. The Magpie Salute — Highwater II
  11. Tedeschi Trucks Band — Signs
  12. The Sh-Booms — The Blurred Odyssey
  13. Sara Potenza — Sara Potenza
  14. Wargirl — Wargirl
  15. Hootie & The Blowfish — Imperfect Circle

 

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Hannah Williams & The Affirmations Stand Tall Among 2019’s New Independent Albums

Courtesy: Record Kicks

The old year is almost gone and the new year is on the way.  With the countdown to the calendar change nearing its annual end, critics are preparing their annual year-ender lists or have already posted said “Best Of” lists.  This critic has waited a while to make sure as many albums and EPs have been considered, and now with less than two weeks left in the year, the time is right to offer the first of many “Best Of” lists.

Opening this year’s multitude of year end “Best Of” lists from Phil’s Picks is the year’s top new independent albums.  Independent can mean acts signed to independent labels — of which there are many — and those who are straight up unsigned.  This year’s list presents a variety of acts and sounds, not the least of which is Hannah Williams & The Affirmations’ new album 50 Foot Woman.  Also featured in this year’s list is the surprisingly enjoyable self-titled album from Am I Dead Yet.  Its mix of David Bowie, Pink Floyd and other similar acts makes its musical content strong in its own right.  The addition of its lyrical content adds even more interest to its whole.  Hard rock band Bad Blood is also featured in this year’s list with its self-titled debut.  These are just some of the acts featured in Phil’s Picks 2019 Top 10 New Independent Albums.  It should be noted that while the list is the “Top 10,” it features five additional honorable mention titles for a grand total of 15 albums, as in every past year.

It should be noted that the choices featured on this list were not easy.  The honorable mention titles are not bad albums.  They are all good in their own way.  It was just that difficult to choose, as every listed album had its own positives. Some had more positives than others. Now with all that said here for your consideration is Phil’s Picks 2019 Top 10 New Independent Albums.

 

PHIL’S PICKS 2019 TOP 10 NEW INDEPENDENT ALBUMS

1.Hannah Williams & The Affirmations — 50 Foot Woman

2. Am I Dead Yet? — Am I Dead Yet?

3. Bad Blood — Bad Blood

4. The Sh-Booms — The Blurred Odyssey

5. Aree And The Pure Hearts — Never Gonna Die

6. Wargirl — Wargirl

7. Lullwater — Voodoo

8. Sara Potenza — Road To Rome

9. Corroded — Bitter

10. Awake At Last — The Change

11. Blacktop Mojo — Under The Sun

12. Stone Leaders — Stone Leaders

13. Dark Station — Down in The Dark

14. Them Guns — From The Shadows

15. Damn Your Eyes — Kill The Outside

 

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