These Streets Debuts New LP’s Lead Single, ‘Stay Awake’

Courtesy: Upstate Records/Blood Blast Distribution

Hardcore punk band These Streets is giving audiences their first preview of its new album Expect The Worst.

The band debuted the album’s lead single ‘Stay Awake‘ Wednesday.  The song’s heavy, pounding arrangement is a work that will appeal to fans of bands, such as Terror, Hatebreed and Sick of it All.  That is evident in the heavy, crunching, down-tuned guitar line at the center of the arrangement, as well as the full-on collective screaming effect that is so common in the hardcore punk scene and the tight yet equally intense drumming.

Front man Cam Ross said in a recent interview, the song’s lyrical topic stemmed from the band’s time on the road with two other hardcore punk bands on their most recent live run.

“Let’s just say that ‘Stay Awake’ is about a really long night we had on tour with Skarhead and Brick By Brick…a very long and interesting night,” he said.

The experience seemingly was impacting, as Ross stresses in the song’s lead verse that, “you can’t find peace at the bottom of the bottle” and that he can find “the power to break away.”  Additionally, he notes in the song’s second verse that “a sense of clarity is all I want.”  He goes so far as to open the second verse, saying, “I ask myself where I went wrong.”  The song’s third verse follows in similar fashion, lyrically.  Looking back, the song’s lyrical content seems to hint at the noted experience causing him to have a moment of personal insight.  That seeming insight, coupled with the song’s hard-hitting musical arrangement, makes the single a powerful first impression for the album.

‘Stay Awake’ is available to stream and download here.

More information on These Streets’ new single and album is available along with all of the band’s latest news at:





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Lamb of God Debuts New LP’s Third Single, Single’s Lyric Video

Courtesy: Epic Records

Lamb of God has debuted the latest single from its forthcoming self-titled album.

The band debuted the new single ‘New Colossal Hate‘ Wednesday alongside its lyric video.  The song’s musical arrangement is everything that fans have come to expect from the band, with its powerhouse shredding and equally precise timekeeping.  Its lyrical content is just as powerful as its musical content, according to information provided about the new song.  The information states that the song’s lyrical content is meant to address the mistreatment of people from ethnic minorities.

Guitarist Willie Adler spoke in a recent interview about the creation of the song’s arrangement.

“‘New Colossal Hate’ came out of our very first writing session in Maine,” he said.  “[Guitarist] Mark [Morton], our producer Josh Wilbur and I were at a super cool studio in South Windham called Halo.  An absolutely beautiful spot run by some of the best people I’ve ever met.  I’m pretty sure ‘New Colossal Hate’ grew from a few different demos I had.  You know, like pats of a car. However, as it started to take shape, it quickly became my favorite song on the record.  Please enjoy this banger of a tune.  It holds a very special place in my heart.”

Audiences who are prone to epileptic seizures are cautioned against taking in the song’s lyric video due to the excessive flashing images.

‘New Colossal Hate’ is just one of Lamb of God‘s lyrically heavy songs.  According to the noted information, the album also takes on issues, such as the nation’s opioid crisis (‘On The Hook’), school shootings (‘Reality Bath’) and social injustice (‘Routes’) throughout the course of its body.

‘New Colossal Hate’ is the third single so far from Lamb of God.  It follows the release of the album’s second single, ‘Memento Mori‘ and the album’s lead single, ‘Checkmate.’

According to front man Randy Blythe, ‘Memento Mori’ presents its own social commentary.

“Months before the COVID-19 outbreak occurred, I wrote ‘Memento Mori’ as a reminder to myself to be not be consumed by the ominpresent electronic harbingers of doom that surround us – cell phones, computers and television screens,” he said.  “While these devices can be useful tools, and it is important to stay informed, it is equally important to remain engaged with the real, physical world we live in, not just digitally filtered representations of reality.”

Blythe went on to talk about the song’s video in his statement.

“I wrote the narrative video treatment a few months ago to illustrate how warped and myopic our mental states can become when we fail to remain engaged with that reality – if all you pay attention to is catastrophe, then soon you will begin to see monsters everywhere,” he said.  “The actual monsters we used in the video are Sinisteria, a local Richmond, Virginia haunted house/dark performance troupe I met on the street at our annual Krampus Nacht parade.  Richmond has a strong tradition of loud music and weird costumed monsters working hand-in-hand to make salient points (we are the birthplace of Gwar, after all), and I couldn’t be more pleased with the results.”

“Music has always been there for me, raising my spirits during hard times, and it is my hope that this song’s positive message will do the same for fans of our music right now and beyond,” he added.  “The release date for the tune was set a good while ago, but the timing seems eerily prescient to me now.  So enjoy the song and video, and remember to step away from the screens for a bit — real life is waiting for you.  We only get one shot, so don’t waste this day.  Everyone be well, keep a cool head, take care of yourselves and take care of EACH OTHER.”

Guitarist Mark Morton expanded on Blythe’s comments about the song’s creation.

“I had been sitting with the music for the intro and the post chorus for quite a while,” he said.  “I was trying to develop those two parts as separate songs altogether and was a little stumped particularly with the intro piece.  Me, Willie, and Josh Wilbur (producer) were doing demos in the studio, and the idea came up to try to mash those parts into the same tune, and everything just took off.  It was one of those times where once I knew what we were trying to do, the riffs just kind of fell out of me like they were writing themselves like they were writing themselves.  It’s always a crazy feeling when that happens.  Vocally, Randy heard the intro and said he instantly got a throwback Sisters of Mercy type vibe from it and he took off from there.”

In talking about ‘Checkmate,’ Morton had the following to say:

“‘Checkmate’ brings together all the components of the Lamb of God sound that we’ve been developing over the last two decades, but with the ambition and ferocity that comes with the start of a new chapter for our band,” he said.  “Re-energized and reignited, this is Lamb of God 2020.  We’ve never been more excited.”

Blythe expanded on his comments.

“Putting only our names on it is a statement,” Blythe said.  “This is Lamb of God. Here and now.”

Lamb of God was produced by Josh Wilbur (Soulfly, Hatebreed, Megadeth, Gojira), and features guest appearances from the likes of Hatebreed front man Jamey Jasta and Testament front man Chuck Billy.  The album’s track listing is noted below.


Lamb Of God tracklisting:
1. Memento Mori
2. Checkmate
3. Gears
4. Reality Bath
5. New Colossal Hate
6. Resurrection Man
7. Poison Dream (feat. Jamey Jasta)
8. Routes (feat. Chuck Billy)
9. Bloodshot Eyes
10. On The Hook

Pre-orders are open now for Lamb of God. The announcement was made recently that the album’s release date has been pushed back to June 19 as a result of the impact of the COVID-19 impact.

More information on Lamb of God’s upcoming live dates, its new album, single, news and more is available online now at:






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Hatebreed Debuts ‘When The Blade Drops’; Announces New Live Dates

Courtesy: Nuclear Blast Records

Hatebreed returned this week with its first new music in four years.

The band debuted the lyric video for its new single ‘When the Blade Drops‘ Friday.  The song’s musical arrangement is everything that fans of the veteran metalcore band has come to expect from the band.  The song’s lyrical content is certain to engage audiences just as much as its lyrical content.

Front man Jamey Jasta was upbeat when he talked about the song in a recent interview.

“This is just a taste of what’s to come and we’re definitely going hard on this one,” he said.  “The speed, intensity and brutality that people have come to expect from us is on full display.  Can’t wait to play this one live and see the pit erupt.”

‘When The Blade Drops’ is a standalone single.  It will not be included the band’s forthcoming, as yet untitled album.  The album is expected for release later this year.  A release date, title and more information on the album will be released when it becomes available.

While audiences await the release of Hatebreed’s new album, the band’s European fans will get to enjoy the band’s live show this spring and summer beginning April 2 in Leipzig, Germany.  The tour, which will find Hatebreed supporting Parkway Drive, is scheduled to run through April 18 in London, UK and to feature performances in cities, such as Wien, Austria; Paris, France and Budapest, Hungary.

Following the band’s initial European run, its members will rest and recharge before performing May 2 at the annual Launch Music Conference & Festival in Lancaster, PA.  The performance is a headlining show for the band.

Jeremy L. Weiss, the event’s founder and director, talked about the band’s inclusion at the festival/conference during a recent interview.

“The LAUNCH Music Conference & Festival parent company, The CI Companies, has had the pleasure of producing Hatebreed shows several times over the last couple of decades,” he said.  “They are a colossal force in metal and hardcore music, and a personal big-time favorite!  Easily some of the best dudes in the business to boot.  Love what they add to LAUNCH, and how this year’s event has such incredible musical diversity, and choice for attendees top down!”

Tickets for this year’s Launch Music Conference and Festival are available here.  This year is the 12th year the festival has taken place.

Following the performance at the Launch Music Conference & Festival, Hatebreed’s members will take more time to rest and recharge before heading back out on the road again for another string of live dates, this time across Australia from June 13-24.

The band’s current tour schedule is noted below.



4/1 — Hamburg, Germany — Sporthalle Hamburg
4/2 — Leipzig, Germany — Arena Leipzig
4/3 — Munich, Germany — Olympiahalle
4/4 — Zürich, Switzerland — Samsung Hall Zürich
4/6 — Budapest, Hungary — Budapest Arena
4/7 — Wien, Austria — arte Hotel Wien Stadthalle
4/8 — Prague, Czechia — Futurum Music Bar
4/9 — Frankfurt Am Main, Germany — Festhalle Messe Frankfurt GmbH
4/10 — Schijndel, Netherlands — Schijndel
4/11 — Dortmund, Germany — Westfalenhallen
4/13 — Esch-sur-alzette, Luxembourg — Rockhal
4/15 — Paris, France — Zénith de Paris
4/16 — Bruxelles, Belgium — Forest National
4/18 — London, United Kingdom — The SSE Arena, Wembley
5/2 — Lancaster, PA — Chameleon Club

6/13 — Brisbane —Riverstage
6/19 — Sydney – Qudos Bank Arena
6/20 — Melbourne — Melbourne Arena, Melbourne
6/21 — Adelaide – AEC Theatre
6/24 — Perth – HBF Stadium



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The Forge Announces Expansive New Live Calendar

Courtesy: O’Donnell Media Group

Chicago has, for ages, been a hotbed for great musical talent and a place where some of the biggest acts have come on their tours, including the acts lined up to perform at The Forge, the city’s foremost concert venue.

The Forge released this week an extensive new list of acts scheduled to perform at the venue.  The schedule runs from Feb. 9 and runs through June June 29.  Dead Horse Trauma opens the new schedule alongside Oblivion Zero, Consume The Divide, A Silent Truth and torn By Tentacles.

Also scheduled to perform at The Forge on its latest schedule are: Sons of Apollo on Feb. 18 alongside Drifting; Act of Defiance on March 15, Hatebreed on March 20 alongside Crowbar, The Acacia Strain and twitching Tongues; Satyricon and Inquisition on May 20; Uli Jon Roth on June 29; Flaw, Bedlam, Static Signal and Undeclass on March 29 and many others.

The current schedule or The Forge is noted below.

The Forge – Event List

February 9- Dead Horse Trauma, Oblivion Zero, Consume the Divide, A Silent Truth, Torn by Tentacles
February 10 – Smells Like Nirvana, Facelift, Fake News
February 16- Dreezy/ Lil Bibby
February 18 – Sons Of Apollo, Drifting
February 23- Poison’d Crue & Done Dirt Cheap
February 24- Kashmir
February 27 – Anthrax, Killswitch Engage, Havok (Sold Out)
March 2- We Came As Romans, The Plot in You, Oceans Ate Alaska, Currents, Tempting Fate
March 4- Local Showcase- Stone the Crow, Orinoco, Torn by Tentacles, Bury the Shadows, What Lies Ahead, Secrets of Skeletons, Bury Your Past, 3 Days From Dying, Bareknuckle Bullseye, Folls Brew, Vivorum, Chalk
March 6- Catastrophic Event Specialist Tour- Ces Cru, G-Mo Skee
March 7 – Udo Dirkschnider, Elm Street, Strikeforce, Endgame
March 10- Blackened, My Metal Heart
March 15- Act of Defiance
March 16- Janet Gardner, Reanimate the Fallen, Bullet to the Heart, Blacken the Day
March 17- Riff Raff
March 20- Hatebreed, Crowbar, The Acacia Strain, Twitching Tongues
March 21- Dying Fetus, Thy Art is Murder, Enterprise Earth, Rivers of Nihil, Sanction
March 23- Twiztid
March 24- Magic Mike Tour
March 28- Froggy Fresh
March 29- Flaw, Bedlem, Static Signal, Underclass
March 31- ICP, Attila
April 12- The Lacs
April 13 – Cradle Of Filth, Jinjer, Uncured
April 26- Carnifex, Oceano, Winds of Plague, Archspire, Spite, Buried Above Ground, Widowmaker
April 28- Damaged Justice, Super Unknown, Big Bang Baby
April 29- Bobaflex, Andrew W. Boss, Trip 6
May 6 – Nile, Soulfly, Hate Storm Annihilation, Orinoco, Beneath the Hollow
May 20- Satyricon, Inquisition
May 25- Insomnium
May 31- Devastation on the Nation- Aborted, Psycroptic, Ingested, Disentomb, Arkaik, Venom Prison, Vale of Pnath
June 4 – HammerFall, Flotsam and Jetsam, Wrath, Acracy
June 29 – Uli Jon Roth

More information on The Forge’s schedule is available online now along with all of its latest news at:






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Tommy Victor Is In His Prime On His Latest Prong Recording

Courtesy: Steamhammer/SPV Records

Later this month, Prong will release its latest album to the masses, and the record, Zero Days, is one of this year’s top new hard rock and metal offerings.  The record, the 12th full-length studio recording from Tommy Victor and his ever-rotating roster of fellow musicians, is everything that audiences have come to expect from Prong – heavy yet infectious riffs and grooves, and equally hard-hitting lyrical content. That is evidenced early in the album’s run in the form of ‘Divide and Conquer,’ which will be discussed shortly.  The full-on thrash riffs and social commentary of ‘Forced Into Tolerance’ shows just as much as ‘Divide and Conquer’ what makes this record another enjoyable offering from Prong.  It will be discussed later.  ‘Self Righteous Indignation’ also serves, with its musical arrangement and lyrical content, why this record represents everything that Prong’s fans have come to expect from the band.  It is hardly the last of the songs included in this record that serves that purpose, too.  The record boasts 10 other songs that could just as easily be used to show why Prong has crafted another solid offering in Zero Days and why it is.  The whole of the album’s 13 songs shows the album to be, again, one of this year’s top new hard rock and metal albums.

Veteran hard rock outfit Prong’s latest album Zero Days is everything that Prong’s fans have come to expect from the band and then some.  The album, Tommy Victor’s 12th album under the Prong moniker, utilizes a solid mix of musical arrangements and hard-hitting lyrical content to make it one of this year’s top new hard rock and metal albums.

That is evidenced early on in the driving composition ‘Divide And Conquer.’  The melodic hard rock arrangement at the song’s center harkens back to some of the best songs included in the band’s 1996 album Rude Awakening and its forebear, Cleansing (1994).  That is evidenced through the song’s straight forward guitar arrangement and Victor’s own vocal delivery style.  Drummer Art Cruz’s own work behind the kit adds to that feel even more as does that of bassist Mike Longworth.  The whole of those parts makes this arrangement one of the album’s best musical compositions.  The songs’ lyrical content builds on the foundation created by the arrangement and strengthens the song even more.

The lyrical content presented in ‘Divide and Conquer’ strengthens the foundation created through the song’s musical arrangement because it hits just as hard as the arrangement with its commentary. Victor sings in the song’s lead verse, “There’s no relief/There’s just regret/Want to forget/Just can’t believe/Really don’t want any part of that/Just another bad experience/For what’s positive or negative/Maybe it’s all just relative.”  He and his band mates go on to sing in the song’s chorus, “You can’t go through life without these conditions/Divide and conquer/You can always rely on opposition/Face the sorrow/You can’t go through life without some division/Divide and conquer…”  This comes across as a message about accepting the good and bad in life rather than just the good.  This is of course only this critic’s own interpretation and should not be taken as gospel.  That interpretation is made just as much as Victor sings in the song’s second verse, “You only see what you gotta get/You cannot get what you cannot see/Always forced into compromise/Always have to make the sacrifice/Things are not what they seem to be/Living in a false reality.”  From here the song returns to its chorus before making its way to its end, reminding listeners that negative will always come with positive, and that people should expect both sides in life; that only seeing one side is close-minded.  Again, this is only this critic’s own interpretation.  Hopefully it is somewhere in the ballpark of being right.  Regardless, it can be agreed by everyone that whatever the message, it definitely is hard-hitting.  When that message is coupled with the song’s driving musical arrangement, the urgency of understanding the message is driven home even more, making this song both musically and lyrically a work that so many people (especially in today’s world) should hear, proving why it is such an important addition to Zero Days.  It is not the album’s only stand out song.  ‘Forced Into Tolerance’ is another of the songs that serves to show why Zero Days is another solid offering from Prong, despite what some critics might have people believe.

‘Divide and Conquer’ is one of the best examples of how much Tommy Victor and company have to offer audiences on its latest album Zero Days.  Its driving musical arrangement and equally hard-hitting lyrical content couple to make the song a work that will entertain audiences while also leaving them thinking quite a bit.  The impact from the song’s musical and lyrical content makes it only one of the album’s best additions.  ‘Forced Into Tolerance’ hits just as hard as ‘Divide and Conquer.’  Just as with the aforementioned work, that is due in part to the song’s musical arrangement, which instantly conjures thoughts of Slayer, Hatebreed and others of that ilk.  That speaks for itself.  Considering that, the next step here is to examine the song’s lyrical content, which at least to this critic seems to be a commentary about the bigotry and racism that has become far too prevalent across the nation ever since the rise to power of the nation’s current “leader.”  That is inferred right off the top as Victor sings, “Forced into tolerance of what we disdain/Being irrational is how we exist/Someone goes around and it makes no sense/They are labeled and then disgraced/Caught in the ignorance and try to explain.”  He goes on to bring out the foolishness of the hateful views that are being expressed by singing, “I don’t care if you exist…Don’t f****** tell me it is what it is.”  He goes on in similar fashion from here with the same musical and lyrical fire, indicting those close-minded masses of the nation (and the world possibly) pointing out the dangers of their views, and the foolishness of those views.  It is a powerful statement both musically and lyrically that will be timely as long as such people and views exist in the world.  Considering this, it is clearly evident why this song is so important to the overall presentation of Prong’s new album. It is not the last of the record’s key compositions either.  ‘Self Righteous Indignation’ is yet another of the album’s most important songs.

‘Divide and Conquer’ and ‘Forced Into Tolerance’ are both key additions to Prong’s 12th full-length studio recording.  That is thanks to the songs’ powerhouse musical arrangements and the equally hard-hitting commentaries contained within each song.  The whole of those elements within each song makes each song a clear example of what makes Zero Days such a strong new effort from Prong.  They are not the album’s only key works, though.  ‘Self Righteous Indignation’ is yet another of the album’s most important works.  As with the previously discussed songs, that is due in part to the song’s musical arrangement, which can easily be compared to works from the likes of Fear Factory, White Chapel and other similar acts with its heavy, crunching, down-tuned guitars, pounding drums and equally heavy bass line.  Keeping this in mind, it is only one part of what makes the song stand out so distinctly from the record’s other tracks.  The song’s lyrical content is just as important to note here as its musical arrangement.

The lyrical content presented in ‘Self Righteous Indignation’ seems to this critic at least as a commentary about those people who think themselves so much better than everyone else.  That is inferred as Victor sings in the song’s lead verse, “A victim/Of the system/Who gives a damn about your needs/Won’t listen/To criticism/Disgust for everyone who cheats/My heart is cold/I cannot pray/I can’t look way/What may unfold/Your dismay/Just total disdain/Self/Righteous/Indignation.”  That seeming commentary continues in the song’s second verse as Victor sings, “No wisdom/So distant/A great sense of psychic grief/existence/Of symptoms/distaste for everything that’s cheap/It’s always known/All the demands/The helping hands/have no control/What you don’t have/Gets way out of hand.”  Once again, this is all just this critic’s own interpretation and should not be taken as the only interpretation.  It only seems to this critic that this song, lyrically, addresses those people who have that unnecessary God complex of sorts.  Sadly, there are far too many people of this sort around the world, and if that is indeed what Victor is addressing here, he does quite the job of addressing the matter.  Keeping that in mind, the song’s musical arrangement expertly couples with the power in the song’s lyrics and Victor’s own powerhouse vocal delivery.  It delivers a message of pure anger aimed at those people in question; a message that, again if that is the intended message, definitely hits home in a big way, showing once more why this song is such a key addition to Zero Days.  It is hardly the last of the songs that could be examined to show what makes Zero Days such a strong new effort from Prong.  Any of the other 10 songs that fill out the rest of the album could be examined just as easily as this work and the previously discussed works.  Considering this, the whole of this record shows Prong at its prime; a work that will definitely impress any of the band’s fans new or old.  They make the record a work that deserves a spot on any critic’s list of the year’s top new hard rock and metal albums.

Prong’s latest full-length studio recording Zero Days shows Tommy Victor at his prime along with the band that he founded so many years ago.  It is a record that shows despite all of the band’s lineup and label changes, is still as relevant and powerful today as it was in its infancy.  That is exhibited from start to finish through the album’s powerhouse musical arrangements and its equally hard-hitting lyrical content.  The two elements together make the album in whole one of this year’s top new hard rock and metal albums.  It will be available Friday, July 28 via Steamhammer/SPV Records.  More information on Zero Days is available online now along with all of Prong’s latest news and more at:










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Amon Amarth Conquers Phil’s Picks’ 2016 Top 10 New Hard Rock & Metal Albums List

Courtesy: Metal Blade Records

Courtesy: Metal Blade Records

The hard rock and metal community have collectively become a rather crowded field this year in terms of new albums.  It has made extremely difficult naming the year’s top new hard rock and metal records.  There have been that many outstanding records.  Metallica’s first album in eight years, HardwiredTo SelfDestruct is just one of the albums that has more than proven deserving of being on that list.  The same can be said of Amon Amarth’s latest offering, Jomsviking.  It is a rarity for the band, being a concept record.  The concept behind the record more than works.  And its musical arrangements work just as well.  On another note Prong, with its latest offering X No Absolutes has proven through its overall content (and sales) that it is another success for the band—and more specifically founder Tommy Victor, the band’s only original member.  So no doubt it belongs on the list of the year’s top new hard rock and metal albums, too as do so many others.  It was not easy for this critic to assemble this year’s list of new hard rock and metal albums considering how many outstanding albums were released in that collective field.  But a decision had to be made.  That decision is presented below.

As a reminder, the list, as with each of Phil’s Picks year-ender lists, presents Phil’s Picks Top 10 picks for the year’s best plus five honorable mention titles for a total of 15 albums.  Honorable mention is not mean in a negative fashion by any means.  They were each deserving of being named to the year’s best.  It was just that tough assembling a list of the year’s best, so the final list ended as presented here.  Without any further ado, here is the Phil’s Picks 2016 Top 10 New Hard Rock and Metal Albums.




  1. Amon AmarthJomsviking


  1. MetallicaHardwiredTo SelfDestruct


  1. All Hail The YetiScreams From A Black Wilderness


  1. NonpointThe Poison Red


  1. SpellcasterNight Hides The World


  1. WovenwarHonor is Dead


  1. ArtilleryPunishment By Perception


  1. ProngXNo Absolutes


  1. AnthraxFor All Kings


  1. DestrageA Means To No End


  1. WhitechapelMark of the Blade


  1. DevildriverTrust No One


  1. Oni – Ironshore


  1. Primal FearRulebreaker


  1. HatebreedThe Concrete Confesional




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Suicidal Tendencies Added To Ozzfest Meets Knotfest Lineup

Courtesy:  Adrenaline PR

Courtesy: Adrenaline PR

Organizers with the 2016 Ozzfest Meets Knotfest have added another band to the mega-festival’s lineup.

Veteran hard rock band Suicidal Tendencies has been added to the lineup for the inaugural Ozzfest Meets Knotfest.  It marks the first time that the band has ever taken the stage at Ozzfest in any capacity.  The band will take the place of Children of Bodom, which was originally scheduled to perform on the first day of the double-header festival. The updated lineup for the festival is noted below. Audiences will note that there is even a stage dedicated to late Motorhead front man Lemmy Kilmister at this year’s festival.



Saturday, September 24


MAIN STAGE:  Black Sabbath, Disturbed, Megadeth, Opeth, Black Label Society, and Rival Sons.

LEMMY STAGE:  Suicidal Tendencies, Hatebreed, DevilDriver, Goatwhore, Huntress, and Dead Cross.

NUCLEAR BLAST STAGE: Municipal Waste, Kataklysm, Nails, The Shrine, and Still Rebel.


Sunday, September 25


MAIN STAGE:  Slipknot, Slayer, Amon Amarth, Anthrax, and Trivium.

LEMMY STAGE:  Sabaton, Suicide Silence, Overkill, Emmure, Butcher Babies, and Man with A Mission.

NUCLEAR BLAST STAGE:  Whitechapel, Combichrist, Carnifex, Loathe, SIM, and ONI.


Ozzfest Meets Knotfest is currently scheduled to be held Saturday, September 24th and Sunday, September 25th at San Manuel Amphitheater and Festival Grounds in San Bernardino California.  As a special holiday celebration, fans can purchase single 4-day ticket packs for $84.  The limited-time special is going on now and ends July 4th at 11:59pm PT.  Tickets can be purchased online at and  More information on the inaugural Ozzfest Meets Knotfest is available online at:


















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