Eve To Adam’s New LP Takes Listeners On An Enjoyable Musical Journey

Courtesy: Rocktagon Worldwide Music/High Road Publicity

Hard rock outfit Eve To Adam has been on quite the voyage since originally forming in 2001 in New York.  From lineup and label changes to struggles getting albums released to playing with some of rock’s biggest names past and present, this band has seen the highest of highs and the lowest of lows throughout its life.  So it makes sense that with its latest album—its fifth full length album—the band opted for the title Odyssey.  The 10-song, 37-minute album was released late last month via Rocktagon Worldwide Music, and shows both musically and lyrically how far this band has come in the now 16 years that it has been in existence. Its heavy emphasis on electronics and keyboards presents a sound that will appeal to fans of Orgy, Powerman 5000 and other similar acts.  Its lyrical content is just as varied.  It ranges from a commentary about the life in ‘The Price’ to a statement of self-confidence in the fist-pumping opener ‘Altitude’ to the anthemic closer ‘Day Drinkin’ and more.  Between the varied lyrical themes presented throughout the record and its musical arrangements, the whole of those elements makes Odyssey a musical journey that is well worth taking.

Eve To Adam’s latest full-length studio recording Odyssey is a musical journey that proves well worth taking.  That is exhibited through the record’s musical arrangements and its widely varying lyrical themes.  ‘The Price’ is just one of the songs included in this record that serves to support these statements. The song’s up-tempo, guitar-driven arrangement will instantly have listeners pumping their fists as their blood flows so fast with the music.  The intensity in that arrangement serves well to illustrate the emotion expressed in the song’s lyrical content, which seems to be a commentary of sorts of life.  That is inferred as front man Taki Sassaris sings in the song’s lead verse, “The price is high/You know you were told/Oh darling let me go/Before my body’s cold/And my weary heart grows old/The memory/Now comes to me/So far removed/From a life I used to know/Suddenly you realize it/The time remaining has been bought and sold.”  It is as is Sassaris is saying here, “let me make the most of my life.”  That is inferred even more as he sings in the song’s chorus, “Money all day all day/You gotta get paid/Running around insane/No time to hesitate/Some days, some days/You never get ahead/Well I’m not your slave, no slave/The price will be paid.”  Who precisely Sassaris is addressing as he sings, “I’m not your slave” would be interesting to learn.  That aside, it seems even more through this and the song’s lead verse that he is singing about not letting life get the better of one’s self.  The contrast of that chorus to the song’s second verse seems to hint at that message even more. Sassaris sings in that second verse, “The style instills/It makes this work/Consuming all my thoughts/Inside these fears stand tall/One by one the brave now fall.”  The song’s chorus responds to that message with its message of making the most once again.  When that seeming message of overcoming life’s difficult moments presented in the song’s lyrical content is set against the driving energy in the song’s musical arrangement, the two elements together make this song stand out against the record’s other offerings.  It also serves to help show why this record in whole is a musical journey worth taking, and is just one example of what makes that trip worthwhile.  ‘Altitude,’ the album’s opener, is another example of what makes journey taken through this record so worthwhile.

‘The Price’ is a clear example of what makes the journey taken through Odyssey worthwhile.  That is due to the partnering of the song’s driving musical arrangement and its thought provoking lyrical content.  It is just one of the songs that serves to make the trip taken through this record so worthwhile, too.  ‘Altitude,’ the record’s opener is another example of what makes that journey so worthwhile.  As with ‘The Price’ that is exhibited in part through the song’s musical arrangement.  This song’s musical arrangement is heavy on keyboards.  The combination of the keyboards with the guitars and vocal elements in the mid-tempo rocker makes the song a solid start to the record.  The song’s lyrical content is just as interesting to take in.  Sassaris sings in the song’s lead verse, “It’s now fast approaching/It’s my favorite time you see/The moment right before you reach/You feel this clarity/A painful total freedom/I have no anxiety/Anything that steals from this/Becomes an enemy/You’ll see.  This is a statement of confidence, plain and simple.  Considering the band’s *ahem* odyssey up to the point of this album’s release, it makes sense that it would be the record’s first lyrical statement. It is Sassaris saying, “I’m still here.  Nothing is going to get me down.”  That message is driven home even more as he and the rest of the band sing in the song’s chorus, “Free from me/I’m far above it all/Not a worry in my head/I’m free from me/I’m far above it all/For as long as I can be.”  The song’s second verse solidifies that message of confidence and optimism even more as Sassaris sings, “Don’t you take for granted/This zero gravity/It’s never very easy/To escape captivity/Now try to remember/Why you fought for this release/This elevation’s beautiful/But it’s difficult to breathe/You’ll see.”  He comes across as saying that getting that getting out on one’s own, so don’t’ lose sight of things on that personal journey.  It’s a strong statement, and again is only this critic’s interpretation.  Hopefully it is the correct interpretation, but should not be taking as gospel.  That aside, that seeming message of self-confidence and determination, when coupled with the song’s hard-hitting musical arrangement, makes this song a solid first impression from the band on this latest effort.  The combination of the two elements shows in its own way what makes the journey taken in this record is worthwhile.  It is not the last song that serves to support that statement, either.  The album’s closer, ‘Day Drinkin’’ supports that statement, too.

‘The Price’ and ‘Altitude’ are both songs that serve to show why the musical journey on which Eve To Adam takes listeners on its new album is so worthwhile.  They are only two examples of what makes that journey worthwhile.  The album’s closer, ‘Day Drinkin’ puts the proverbial exclamation mark on that statement.  As with the previously noted compositions, that is due in part to the song’s musical arrangement.  Unlike those songs, this song’s composition is more of a straight forward rock song.  It can be argued that it is the album’s most radio-ready song, too, with its anthemic arrangement.  The song’s lyrical content is just as infectious as Sassaris and company sing, “You know what we need right now/You feel it when we’re hanging out…So we’re day drinkin’/throw ‘em back till the morning light/Day drinkin’/Livin’ hard, but it feels so right/Numb the pain to fight the fire/Day drinkin’/There ain’t no shame in this way of life.”  Such content, coupled with the song’s bombastic arrangement instantly conjures thoughts of Motley Crue.  This should come as no surprise considering said band is one of the acts that ETA has emulated in its previous albums.  It’s just a fun song and an equally fun final statement from the band on this record.  It shows one last time why indeed the journey on which this record takes listeners is well worth taking.

Eve To Adam’s latest full-length album Odyssey sends listeners on quite the musical journey over the course of its 10 songs and 37 minutes.  From the high energy and confidence expressed in its opener to the more contemplative yet still powerful content of ‘The Price’ to the fun, infectious content of the album’s closer and all points in-between, this record offers listeners plenty to appreciate.  All things considered, they make the journey that listeners take this time fully worthwhile.  Odyssey is available now in stores and online.  More information on Odyssey is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://www.evetoadam.rocks

Facebook: http://www.facebook.com/evetoadam

Twitter: http://twitter.com/EVETOADAMMUSIC

 

 

 

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Remark Hoping To Get Positive Remarks Across America With Its Music

Russia has been in the news quite a bit lately thanks to everything going on in Washington, D.C. – but for all of the negativity coming out of the news concerning the former Communist nation, some good musical news has been coming out of Russia lately.

Russian rock outfit Remark released its debut, self-titled album last year, and has been making waves overseas with the record.  Now the band has its eyes set on the U.S. with its latest single ‘Falling.’

The released its lead single in its home county last year, and is now spreading the song across America with the song’s companion video.  The video is streaming online now via the band’s official YouTube channel.

Courtesy: High Road Publicity

It is just one of the latest songs to be released from the band’s debut record.  Also out now are the videos for the band’s singles ‘Vesna’ and ‘Wild Run.’

Remark’s name has been building over the years as it has shared the stage with major American acts such as Slash and Myles Kennedy, Tom Keifer, W.A.S.P., Dope and others.

 

More information on Remark is available online now at:

 

 

Website: http://www.remarkband.com

Facebook: http://www.facebook.com/remarkofficial

 

 

 

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Blacktop Mojo Releases New LP’s Second Single

Courtesy: High Road Publicity

Courtesy: High Road Publicity

Blacktop Mojo has released another song from its latest full-length studio recording.

The band released the title track from its new album Burn The Ships this week via Revolver magazine.  It is the second single to be released from the album, which has already garnered critical acclaim from fans and critics alike.

The song, the band said in a collective statement, is about the journey to the point of the song’s (and album’s) creation and the journey ahead.

“We all quit our jobs at about the same time to make this record and play as much as possible—that was our all in, no going back moment,” the band’s members said.  “It reminded me of a story we heard from the 1500s about a Spanish explorer that sailed to conquer a territory.  Once they landed on the beach, he burned al the ships so all his men knew one thing was clear, there’s no going back.  That’s what this song is about, and that’s the story of our lives at the point of the record being created.”

‘Burn The Ships’ is streaming online now via the band’s official YouTube Channel.  Audiences can also hear the album’s lead single, ‘Pyromaniac’ while there, too.

Burn The Ships will be released in stores and online this coming Friday, March 10.  It can be pre-ordered online now via the band’s official Bandcamp page.

More information on ‘Burn The Ships’ is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://www.blacktopmojo.com

Facebook: http://www.facebook.com/BlacktopMojo

Twitter: http://twitter.com/BLACKTOPMOJO

 

 

 

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Blacktop Mojo’s New LP Is Set To “Burn” Up The Mainstream Rock Radio Realm

Courtesy: High Road Publicity

Courtesy: High Road Publicity

This time next week, Blacktop Mojo and its fans will be only a week away from the release of the band’s latest full-length studio recording Burn The Ships.  For those unfamiliar with the Palestine, TX-based band, it is a good fit for anyone that is a fan of Alter Bridge, Black Stone Cherry, Theory of a Deadman, Zakk Wylde and all of his various projects.  From start to finish, this record is set to *ahem* burn up the mainstream rock radio realm with its infectious, guitar-driven arrangements and equally interesting lyrical content.  The record’s hard rocking second song ‘End Of Days’ is just one of the songs included in this record that supports that statement.  It will be discussed shortly.  The much more reserved, yet heavy in its own right ‘Prodigal’ supports that statement in its own right.  The band’s own take on Aerosmith’s timeless classic ‘Dream On’ even serves to support that statement, too.  Between these songs and the album’s other ten songs, the whole of this record shows Blacktop Mojo to have great potential.  They show in whole that given the right support from mainstream rock radio, Blacktop Mojo could be one of the realm’s next big names.  They also show this album to be one of the year’s top new hard rock records as well as one of the year’s top new independent albums.

Blacktop Mojo’s new album Burn The Ships, its sophomore release, is one of this critic’s choices for the year’s top new hard rock records and new independent albums.  That is thanks to its mainstream accessibility, even being an independent act. Independent here, should be clarified, to mean not signed to a major label.  It does not necessarily mean independent in the unsigned sense.  From start to finish, it proves to be an album that is primed to “burn” up the mainstream radio realm.  ‘End of Days,’ the record’s second song is a strong example of what makes this album such a “hot” (yes, that awful pun was intended, too) new effort from Blacktop Mojo.  That is due in part to the song’s arrangement.  The hard-hitting, guitar-driven composition instantly conjures thoughts of Theory of a Deadman’s heavier works.  That is only one part of what makes the song so interesting. The song’s lyrical content is just as important to note here as the song’s musical arrangement. Front man Matt James sings in the song’s lead verse, “Has it all been an empty gesture/Has it all been a waste of time/World’s spinning into certain disaster/We never figured out the meaning of life/Don’t wait/To say/What’s on your mind/Don’t take/It with you/Leave it behind.”  He goes on to sing in the song’s chorus, “There’s a fire in the sky/There’s chaos in the air tonight/Stay with me…sit back and watch the end of days.”  Taking this all into consideration, one can’t help but interpret the song, lyrically, as a statement of the world’s current state of affairs.  The song’s second verse proves that just as much as James clearly sings about the events of September 11, 2011.  It should be noted here, too, that his statements in the second verse are not meant to do anything but add to the statement of the direction this world—not just America—is taking.  When such content is set against the driving energy in the song’s musical arrangement, the pairing of the two elements makes this song stand out clearly among BTS’ other songs.  They join to prove the song to be a clear example of what makes this record such a worthwhile new effort from Blacktop Mojo.  It is just one of the songs included in this record that exhibits what makes the record so impressive overall.  ‘Prodigal’ serves just as much to show what makes BTS stand out in this year’s field of new rock and hard rock records.

‘End of Days’ is a clear example of what makes Blacktop Mojo’s new record Burn The Ships an impressive new effort.  That is due to the combination of the song’s driving, guitar-centered musical arrangement and its thought-provoking lyrical theme.  The combination of the two elements makes it just one example of what makes the song (and album) stand out.  It is just one of the songs that so clearly shows where this record gets its *ahem* fire (yes, that awful pun was intended, too).  ‘Prodigal,’ with its far more reserved, yet still heavy arrangement and lyrical theme, stands on its own merits.  The song is a deeply contemplative work that harkens back to similar works from both Theory of a Deadman and Black Stone Cherry.  This is especially true in examining the song’s musical arrangement.  The song’s lyrical theme seems, at least to this critic, as a coming-of-age story of sorts.  That interpretation was made through James singing in the song’s lead verse, “Don’t call me/The prodigal son/Cause I ain’t comin’ back/I’ll make it/On my own/Let me walk my own path/And don’t worry/About me/I’ve got everything I need/I’m gonna see the world/through my own eyes/Climb the mountain, see the sky/Across the stars on the other side.”  He goes on to sing in the song’s chorus, “One of these days I won’t be around/I’ll rip my roots up from the ground/With wings of feathers…I’ll fly toward the sun/’Till they melt from my back.”  James continues on in similar fashion in the song’s second half, singing from the vantage point of a figure striking out on his or her own.  It is not one of those standard “oh woe is me” sort of songs, either.  But the mixed emotion of a person wanting and needing to grow and be one’s own person is there.  It is especially illustrated through the song’s musical arrangement.  When that emotionally powerful arrangement is coupled with the song’s deeply moving lyrical theme, the two elements together make this song heavy without being heavy.  That heavy without heavy presentation makes the song stand out from its counterparts just as much as ‘End of Days.’  It also serves to show even more why this record stands out in this year’s field of new rock and hard rock entries.  It shows the band’s ability to entertain audiences while not just sticking to one style of song.  It is just one more song that shows the band’s breadth of talent and influences.  The band’s take on Aerosmith’s timeless classic ‘Dream One’ is one more of the album’s inclusions that shows what makes this record stand out.

‘End of Days’ and ‘Prodigal’ are both prime examples of what makes Blacktop Mojo’s new record Burn The Ships stand out as one of this year’s top new hard rock records and one of its best new independent albums.  They show the band’s range in terms of its talent and influence—one song is heavy both musically and lyrically while the other is heavy musically without being heavy, and is also heavy lyrically.  While both songs show in their own ways what makes this album stand out, they are only two out of so many songs that show how much the band and album have to offer.  The band’s cover of Aerosmith’s timeless classic ‘Dream One’ is just one more of the songs included in this record that serves to show how much the band and album offer listeners.  The arrangement presented by the band here is one of the most powerful renditions that any band has presented to date.  It boasts the same moving vibe evident in the original rock ballad, but also infuses its own hard rock edge into the song here to add even more to the song’s impact.  That harder edge even gives the song’s lyrical theme its own new identity.  That in turn makes the song all the more powerful of a composition, showing once more just how much this new record from Blacktop Mojo has to offer audiences.  Between this cover of a true classic, the other songs noted here and the album’s other 10 tracks, this album in whole proves to be one that hard rock fans everywhere should hear at least once.  In doing do, those fans will agree that this record is indeed set to “burn” up the mainstream rock radio realm given the right support.  They will also agree that this record is an easy pick for one of this year’s top new hard rock records as well as one of the year’s top new independent recordings.

Blacktop Mojo’s latest full-length studio effort Burn The Ships is an easy pick for any critic’s list of the year’s top new hard rock records and one of the year’s top new independent albums.  That is exhibited both through the record’s musical arrangements—which conjure thoughts of Fuel, Alter Bridge, Theory of a Deadman, Zakk Wylde and Black Stone Cherry just to name a handful of more well-known acts—and the record’s lyrical themes.  From start to finish, both elements will keep listeners engaged in every song.  That includes the band’s cover of Aerosmith’s ‘Dream On.’  After taking in the 13 songs that make up the record’s body, listeners will agree, once more, that Burn The Ships is an easy pick for any critic’s list of the year’s top new hard rock records and the year’s top new independent albums.  They will also agree in taking in this album that given the right support, Blacktop Mojo is primed to be one of mainstream rock radio’s next big names.  Burn The Ships will be available March 10 in stores and online.  More information on Burn The Ships is available online now along with all of Blacktop Mojo’s latest news and more at:

 

 

 

Website: http://www.blacktopmojo.com

Facebook: http://www.facebook.com/BlacktopMojo

Twitter: http://twitter.com/blacktopmojo

 

 

 

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