‘Twilight Zone: TCS’ Re-Issue Is A Good Holiday Gift For Series’ Fans

Courtesy: CBS Blu-ray/Paramount

Courtesy: CBS Blu-ray/Paramount

The Twilight Zone is one of the most revered television series of the 20th century. The sci-fi series has inspired TV writers across the board ever since it first aired almost 60 years ago. It has enjoyed its own continued life both on television and on various home video platforms in that time, too.  That continued life on home video includes a new pair of re-issues this fall.  The series’ was re-issued on DVD early this past October.  That re-issue was followed up by a Blu-ray re-issue of the series last week.  The series’ latest Blu-ray re-issue is a welcome addition to the home library of any of the show’s fans who might not already own any of the series’ previous releases.  That is due in part to the presentation of the episodes themselves.  While the episodes’ presentation is key to the set’s overall presentation, it is just one of the set’s key elements.  The set’s episode listing is just as important to note as the episodes themselves.  The bonus material presented in this collection rounds out its most important elements.  Each element is clearly important in its own right to the collection’s presentation.  All things considered The Twilight Zone: The Complete Series proves to be a re-issue that any of the series’ fans will welcome to their home DVD/BD libraries.  That is especially the case for fans who might not already own any of the series’ previous releases.

CBS Blu-ray’s brand new Blu-ray re-issue of The Twilight Zone: The Complete Series is a set that the show’s fans will openly welcome in their own home libraries.  That applies primarily to those fans who might not already own any of the show’s previous full-series incarnations.  That is due in part to the episodes’ presentation.  The episodes are presented here exactly as they were presented in their original broadcast on CBS so many decades ago complete with commercial breaks and original 1.33:1 aspect ratio.  In other words, it looks exactly as it did in its original broadcast.  The black bars are there on either side.  Of course, what with modern technological advances, audiences can handle that by setting their TVs to “cinema” mode (or whatever related mode each different brand might use) if they want a full-screen viewing experience.  The commercial breaks are perfectly clean both going to and coming back, too.  This could be chalked up to the fact that the episodes were taken directly from the transfers presented in Image Entertainment’s (now RLJ Entertainment) Blu-ray series presentation.  That set was released in 2010 along with the series’ separate standalone season sets.  Speaking of those releases, each disc even opens with the Image Entertainment slate, letting audiences know this collection was a direct transfer from that collection.  This plays directly into the bonus material included in this collection and will be discussed later.  Getting back on topic, the episodes’ presentation in this collection proves in the end to be key in its own right to the collection’s overall presentation.  It is just one shining piece of the set’s overall presentation.  The set’s episode listing is just as important to note as the episodes’ presentation to the set’s overall presentation.

The presentation of The Twilight Zone’s episodes in this latest re-issue is a key piece of the set’s overall presentation.  That is because the episodes are presented here just as they were in their original broadcast on CBS nearly six decades ago.  The commercial breaks are there and are perfectly edited both going and coming.  Each episode is also presented in its original 1.33:1 aspect ratio.  In other words, nothing has been lost in this latest transfer from Image Entertainment’s previous Blu-ray re-issue of the classic series.  While the episodes’ presentation are key to this set’s overall presentation, they are only part of what makes this latest re-issue stand out.  The episode listing is just as important to note as the episodes themselves.  Audiences will note that each season’s episodes are listed clearly and chronologically not just once but twice.  Each season is listed separate from the others inside the box’s front cover with the episodes in the exact order in which they originally aired.  This instantly eliminates confusion for audiences.  Even more impressive is that the episodes are linked with their respective discs, too.  As if that isn’t enough, the people at CBS Blu-ray and Paramount even went so far as to include episode listings on each disc, too.  This completely eliminates any guessing when audiences are looking for specific episodes.  That makes the set’s overall presentation and viewing experience all the more enjoyable and entertaining.  It isn’t the last important element to note in examining the set’s overall presentation.  The set’s bonus material rounds out its most important elements.

The presentation of the episodes in CBS Blu-ray and Paramount’s new Blu-ray re-issue of The Twilight Zone: The Complete Series and their listing are both key pieces of the set’s overall presentation.  They are not its only key elements.  The bonus material included in the set is just as important to note as the episodes’ presentation and their listing.  As noted earlier, the set presented here is the exact same set presented to audiences back in 2010 by Image Entertainment (now RLJ Entertainment) right down to the Image Entertainment slate that opens each disc.  What this means is that audiences not lucky enough to get that set will still get to see exactly what audiences with that set get/got to enjoy in terms of its bonus material.  Not every episode comes with bonus material.  But there is still plenty of bonus material to go around.  Audiences will enjoy taking in Burgess Meredith’s interview with Marc Scott Zicree in “Time Enough At Last” in which Meredith reveals he didn’t know series creator Rod Serling before acting in that episode.  He also revealed that he had a dislike for doing series that required constant appearances in that interview.  “Night of The Meek” offers its own enlightening audio commentary track in which viewers learn about star Art Carney’s reason for taking on his role.  Audiences will find just as entertaining the revelation that this episode was filmed at CBS’ studios in Los Angeles, so the snow had to be created for the episode since the episode was filmed on a sound stage and the very fact that it never snows in Los Angeles.  As if all of this isn’t enough, many of the episodes even offer audiences the option of experiencing the episode in a radio-drama format.  This and so much more makes the bonus material included in this latest Twilight Zone full series re-issue just as important to examine as the episodes’ presentation and their listing.  Not every episode comes with bonus material, and the bonus material isn’t listed inside the box, either.  That is a little problematic.  At the same time though, it makes the discovery process enjoyable in its own right.  To that end, the bonus material still proves to be important in its own right to this set’s presentation.  When it is set alongside the presentation of the set’s episodes and their listing, all three elements make this set’s overall presentation hugely enjoyable and in turn, make the set in whole a collection that will be welcome in the home collection of any of the show’s fans.  That applies primarily to those fans who might not already own the show in any of its previous full-series sets.

CBS Blu-ray and Paramount’s new Blu-ray presentation of The Twilight Zone: The Complete Series is a set that will be welcome in the library of any of the show’s fans.  That applies especially to fans who might not already own the show in its previous full-series releases.  That is due in no small part to the fact that the episodes are presented here exactly as they were in the show’s original run.  The commercial breaks are there and are edited expertly both going to and coming back.  The episodes are shown in their original 1.33:1 aspect ratio, adding a certain element of nostalgia to the viewing experience.  The episodes’ dual listing adds even more to the set’s presentation.  It completely eliminates any confusion in looking for specific episodes.  The bonus material included in this set is the same material included in Image Entertainment’s (now RLJ Entertainment) Blu-ray set released in 2010.  While not every episode comes with bonus material, there is still a large amount of material for audiences to enjoy.  It includes interviews and audio commentaries along with standalone radio drama presentations of specific episodes just to name a few items.  The bonus material isn’t listed inside the set’s box.  But that actually makes discovering the bonus material all the more enjoyable for audiences. Viewers need just select “Episodes” instead of “Play All Episodes” in order to discover each episode’s bonus material.

This new full-series re-issue of The Twilight Zone: The Complete Series boast plenty of positives even with one of those positives having a tiny negative that ultimately proves a positive, too.  Keeping that in mind, the set’s only other real negative is its packaging.  The packaging of the discs is touchy at best.  When trying to take out or replace discs, other discs might slip out, leading to an increased chance of discs being damaged via scratching.  This is an issue from which every one of CBS and Paramount’s recent series re-issues (I Love Lucy, The Andy Griffith Show, Hogan’s Heroes, Gomer Pyle U.S.M.C., Star Trek) has suffered.  It is a troubling matter.  But comparably speaking, it does make the packaging more ergonomic than so many of the show’s other full-series sets.  To that end, CBS and Paramount can be forgiven.  Hopefully it will be taken into consideration with any of the companies’ upcoming re-issues of other CBS series.  All things considered, The Twilight Zone: The Complete Series proves, again, to be a collection that fans of the timeless series will welcome in their own home libraries if they don’t own any of the series’ previous full-series sets.  It is available now in stores and online.

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Day Of The Falcon Stands Out In The Indie Flock

Courtesy: Image Entertainment/Quinta/PRIMA TV S.p.A/Carthago Films/france2 cinema/DFI Doha Film INstitute

Courtesy: Image Entertainment/Quinta/PRIMA TV S.p.A/Carthago Films/france2 cinema/DFI Doha Film Institute

Day of the Falcon is an interesting movie, especially considering that it is an indie flick.  This modern day update on Lawrence of Arabia may not be the year’s best movie.  But in the grander picture of indie movies released each year, it is one of the best of the flock in 2013.  So many film makers try to make indie flicks, but sadly come up short, instead releasing a final product that looks more like a second or third run movie that belongs on basic cable on a cold and rainy weekend.  This movie doesn’t fit in that category, though.  Amazingly enough, thanks to at least a pair of factors, the final product of this movie could easily hold its own against not only other indie flicks, but even some major theatrical releases.  One of those factors is the scripting.  Another would be the general scenery and backdrop.  And that actually ties directly into the cinematography.

The script for this movie is a good script, although it isn’t without its faults.  It centers on the earliest days of the Middle East as it begins to rise to power thanks to the discovery of oil in the region.  Here is where the problems start.  The discovery of oil in the region leads to conflict between two of the region’s kingdoms.  The death of two members of one of the kingdoms leads to even more tensions, as it leads to the belief that the men in question were drowned in oil by members of the opposing kingdom in question.  Tensions eventually escalate after a request from Auda’s (Tahar Rahim) father, Amar (Mark Strong) is not exactly received too well by Nesib (Antonio Banderas), Auda’s father-in-law.  That would be because the request in question comes across as less than humble, upsetting Nesib.  Nesib’s refusal to this proposal leads to the eventual conflicts that follow Auda has he travels the desert to return to his wife.  So who’s still following all of this?  Does anyone need a program?  Sure, one might have to go back a couple times to catch everything going on.  But once the full story is unwrapped and understood, it leads to what makes the movie truly worth checking out; the cinematography and the shooting locales.    

Whereas the intertwining storylines can get more than a little bit confusing in this movie, the movie’s cinematography and shooting locales go hand in hand with one another.  As audiences will learn in the movie’s forty-minute long “Making of” feature, the movie was actually shot largely in the Middle East.  It was shot partially in Tunisia and partially in Qatar.  That it was shot on location in the Middle East instead of in a sound stage or in some location meant to look similar to the Middle East region played a big role in making the movie more believable.  The manner in which director Jean-Jacques Annaud caught the scenes made them all the more dramatic, even when Auda and those with him were facing the elements and not human enemies.  The inner turmoil on the faces of those with Auda as they struggled against the heat and dwindling supplies was powerful to say the least.  The joy on their faces as they discovered a freshwater spring and the sadness at the death of Auda’s brother were just as moving.  And it was all from getting just the right camera angles. 

The cinematography of the massive battle scenes—especially the final climactic battle scene—are perhaps the highlight of this movie.  Annaud explains in the movie’s “Making of” feature how the movie’s battle scenes were shot both from the ground and the air.  Again, those different angles help to really intensify the battles.  Annaud noted in the “Making of” feature that he wanted to make a movie that looked on par with the major motion pictures in theaters.  And he did just that.  He did so not just with the battle scenes, though.  He managed to succeed in that aspect throughout the course of the movie’s two hours and ten minutes.  Thankfully, it is Annaud’s leadership of the ship that is Day of the Falcon that helps make up for the slow first half.  He does the best that he can keeping the action moving.  And luckily once the initial story setup is finished the second and third acts come rather quickly before audiences even realize it, thus making it a movie that while it may need more than one watch, will grow on audiences more with each viewing.  And with each viewing, audiences will see that it is yet more proof that some indie flicks are just as good as pictures released by Hollywood’s major studios.  It is available now in stores and online and can be ordered direct from the Image Entertainment store at http://www.watchimage.com/product/day-of-the-falcon/4fee57e8-e613-e211-a415-020045490004.  A trailer for the movie is also available for viewing at this site.

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Williams’ Latest Live Release A Unique Performance

Courtesy:  Image Entertainment

Courtesy: Image Entertainment

Harland Williams is one of the most unique individuals in the modern history of stand-up comedy.  This comedian has already made millions laugh with his roles in the likes of Half Baked, Dumb and Dumber, and Rocketman.  He has also entertained the masses with his stand-up routine all across the late night talk shows.  Now, Williams is back again with a live DVD unlike any that his counterparts have released.  It’s unlike anything that audiences have seen, too.  For all intents and purposes, Williams’ new DVD, A Force of Nature is less a live release than a one man show set out in nature.

As odd as it may seem to have a one man show outdoors, it’s actually rather smart. What audiences get in this new DVD release is just Harland Williams, a series of cameras, and nature; nothing else.  Williams even notes to viewers that there are no audiences to cue them when to laugh.  It’s just audiences watching him perform.  And if he thinks viewers should laugh at one point or another, he throws sunflower seeds at the camera.  Yes this is juvenile to say the least.  But in its own bizarre way, it may make some audiences laugh.  Speaking of knowing when to laugh, most audiences won’t have to worry about knowing when to laugh as his material is so off the wall that one can’t help but laugh, even as disturbing as some of his material is.  He spends roughly a good ten minutes going on a rant about what he calls “SOs” or Successful Orgasms.  Needless to say, this material is not something that would be considered safe for younger viewers.  But older audiences won’t be able to hold back the laughs, as childish as Williams acts throughout this part of his act.  It’s just one part of what will keep audiences watching and laughing.  Williams also goes on rants of sorts about hecklers, predator drones, and so much more.

Williams’ act aside, another factor that makes his new release interesting is its production values.  Considering that Williams spends his entire near hour long performance outside, he must have had a wind screen on his mic.  That’s assumed as there’s no wind noise going through his mic.  And the camera work adds to Williams’ almost manic delivery.  This may come across as something minor to most audiences.  But as he notes early in the program, what audiences get in this performance isn’t one of those performances held in what is essentially a controlled environment.  Even the production crew is at the mercy of Mother Nature here.  And considering how small his space was in which to perform, the camera crew did an impressive job of staying up with Williams’ constant movement rather than leaving viewers feeling dizzied, trying to keep up with him.  It’s one more positive to the overall experience.

Needless to say that considering Williams brand of comedy both in his material and in the presentation, Harland Williams has created in A Force of Nature a stand up performance that is unlike anything else.  The production values of this release add their own positive element, too.  It all comes together to make for a DVD that is a good introduction for Williams’ new audiences, and an equally entertaining piece for more experienced audiences.  It’s available in stores and online now.  Audiences can keep up with all the latest from Harland on his official Facebook page, http://www.facebook.com/officialharlandwilliams on his official website, http://harlandwilliams.com and on Twitter at http://twitter.com/harlandwilliams.  Audiences can even get all of his latest podcasts online for free at http://bit.ly/buaFvX.

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Serious Subject, Simple Writing Help The Last Fall Succeed

Courtesy:  One Village Entertainment/Image Entertainment

Courtesy: One Village Entertainment/Image Entertainment

The Last Fall is a good story for anyone looking to get their football fix during the sport’s offseason.  The story focuses on Kyle Bishop (Lance Gross), a football player who ends up going back to his hometown after leaving his team at the story’s opening.  The story doesn’t make entirely clear what happened that led Bishop to leave the team.  Though, it is indirectly hinted that he was cut.  This is hinted as he looks at newspaper articles written about him when he was in college as he cleans out his locker.  When he goes back to his old hometown, he hopes that things will be better.  But the reality is quite different as he finds out just how difficult it is to get a job.  And his personal relationships aren’t as he hoped, either.  What’s more, audiences discover that being that he’s no longer playing football, his financial situation isn’t as great as it perhaps could have been considering his former star status.  Kyle admits to his old flame the reality of finances for football players, to which she is rather surprised.  This is the center of what makes The Last Fall worth at least one watch.

That this story would tackle the very real issue of the myth surrounding professional athletes’ financial status is what really makes The Last Fall worth at least one watch.  Few, if any, sports based dramas tackle the myth about how professional athletes live.  Because of this, there is an overwhelming myth about professional athletes’ financial status and how they live; this despite a new special from ESPN Films’ 30 for 30 series.  So it’s nice to see a movie (even a direct to DVD movie) tackle the subject and show that things aren’t always parties and planes for professional athletes.  

The Last Fall’s depiction of life post professional sports makes the story stand out among sports based dramas.  It’s thanks to the story’s script that this plot works.  The movie itself runs just over an hour and a half.  In that time, the story is simple enough to follow that if a person had to step out for any reason, one could let the movie keep running, come back, and still know what’s going on.  To that extent, this is a good thing believe it or not.  It means that this movie will easily allow viewers to be pulled in and suspend their disbelief without worrying about becoming too invested in it to the point that they worry about missing anything.  In simplest terms, the movie’s overall success with its intended audiences can be summed up in one word:  Balance.  The script balances all of its elements in a short period of time so well that while it may not be a major motion picture, it’s a story that any football fan will want to watch at least once.

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