‘Psychotic Symphony’ Is A Brilliant Work From Some Of Progressive Rock’s “Titans”

Courtesy: InsideOut Music

Late next month, progressive metal outfit Sons of Apollo will make its way to Nroth Carolina as part of its tour in support of its debut album Psychotic Symphony. The performance is scheduled for Feb. 13 at Cat’s Cradle in Carrboro. Audiences who have yet to experience this new recording from the long time friends — Mike Portnoy (ex-Dream Theater, Winery Dogs, Transatlantic, Liquid tension Experiment), Derek Sherinian (ex-dream Theater, Platypus, Alice Cooper), Billy Sheehan (Winery Dogs, Mr. Big, Steve Vai), Ron “Bumblefoot” Thal (ex-Guns N’ Roses, Art of Anarchy) and Jeff Scott Soto (Trans Siberian Orchestra, SOTO, Rising Force) — will definitely be in for quite an experience. That is proven in part through the album’s musical arrangements. They will be discussed shortly. The album’s lyrical content plays into that experience, too. It will be discussed later. The album’s sequencing rounds out its most important elements, putting the finishing touch on the project. Each element is important in its own way to the whole of this nearly hour-long recording. All things considered, they make the album in whole a powerful effort from what is in its own right true rock royalty.

Prog-metal super group Sons of Apollo’s debut album Psychotic Symphony, released this past October via InsideOut Music, is yet another strong effort for the veteran musicians who came together to create the record. Regardless of whether this proves to be just a one-off program or something more long term, it can be said that it impresses from beginning to end. That is proven in part through its diverse musical arrangements. Right off the top, audiences are treated to an arrangement that echoes hints of Dream Theater’s 1997 album Falling Into Infinity courtesy of Sherinian’s keyboards and Portnoy’s work behind the kit. Thal’s guitar work is right up there with that of John Petrucci’s from that album, too. Soto’s vocal delivery expertly compliments the work put in by his band mates, sounding like a cross between James LaBrie and Fozzy front man Chris Jericho. Speaking of Fozzy, the album’s second offering, ‘Coming Home’ boasts an arrangement that can easily be likened to so many works from Fozzy. That is due again to the coupling of the song’s instrumentation and Soto’s vocal delivery. ‘Signs of the Time,’ which comes next changes things up even more with a full on prog-metal opus that expertly balances its heavier down-tuned guitar-driven verses with its more melodic choruses. The result of that balance is an arrangement that is easily one of the album’s high points, but most definitely not its only positive. The arrangement at the center of ‘Labyrinth’ is its own positive. It starts with a tense string arrangement that eventually builds to a solid yet just as tense rock arrangement complete with the rest of the band. From there, the arrangement gradually builds even more until finally climaxing in its bridge almost six and a half minutes in. From there, the song’s energy gradually declines but doesn’t let off too much. By the time the nine-minute-plus opus ends, audiences are left breathless as they agree that this arrangement is yet another of the album’s high points. As if all of that is not enough, the arrangement at the heart of ‘Divine Addiction,’ the album’s penultimate entry, conjures thoughts of early Deep Purple. ‘Opus Maximus,’ which closes out the album, is an aptly titled work. That is because its arrangement is nearly incomparable to anything else out there. The only seemingly feasible comparison that can be made (at least in this critic’s ears) is if one were to take the best musical elements of Dream Theater and Liquid Tension Experiment and mix them together into one whole. the result would be this absolutely bombastic work. When the song ends, audiences will be so blown away that they will agree, the musical adventured embarked upon 57 minutes ago is one of a kind and one that was well worth the trip. As much as this record’s musical arrangements do to the positive for its presentation, they are only one part of what makes the album stand out. Its lyrical themes are just as important as those arrangements.

The lyrical themes presented throughout Psychotic Symphony are key to the album’s presentation because they are just as varied as the album’s musical arrangements. The album’s opener is a prime example of that importance. Soto sings in the song’s lead verse, “Through desert skies and far beyond the ocean/I am the star that shines eternal glow/Forever you’ll know/A cold desire that’s feelin’ no emotion/I am the fire that burns inside your soul/I’m inside your soul/’Cuz I am the light/Surrender tonight/I am the face of tomorrow/Now I’ve just begun/You can’t hide or run/’Cuz I am the god of the sun.” He goes on to sing in the song’s second verse of this figure “healing wounds” and a “prophet crying out for mercy.” There is even mention of an “invited illusion” and “fallen temptation with desperation.” This is rather metaphorical speak to say the very least. Considering that the Egyptian sun God Ra was a false deity as was Apollo in Greek mythology, one could assume that here, the God in question is being used as a metaphor for some commentary on established religion in general. On the other hand, it could be something wholly different. It would have been nice to hear [Mike] Portnoy and [Derek] Sherinian discuss the meaning behind the song’s lyrics in their song-by-song discussions that are available now on YouTube. Even without any discussion by the pair, it goes without saying that this song, which seemingly is rooted in religion (or perhaps in mythology), is certain to generate plenty of discussion among audiences if it hasn’t already done so. That being the case, it is just one way in which the record’s lyrical themes prove so important to its whole.

‘Alive’ is another song that serves to show the importance of the album’s musical themes. This song seems (again, just to this critic) to come across as perhaps a statement of someone who has overcome so much in life. This can be inferred right off the top in the song’s lead verse as Soto sings, “Colorize the sadness/The fear is black wnad white/Tunnel of denial/Looking for the light/The devil on my shoulder/The master of disguise/Can you hear him singing/Release me from the past/This tortured life I’ve sown/I’ve been down/I’m tired of being alone/I can’t hear the silence/Screams into my soul/The truth is ringing.” He goes on to sing in the song’s second verse that “I’m alive” and of basically starting over thanks to his parents. Its’ definitely thought provoking. There’s even mention of eliminating all the negativity of the past as the song nears its bridge. Considering this, the argument that this song lyrically seems to be about overcoming difficult situations in life begins to hold even more water so to speak. When the Veer Union/Sevendust-style musical arrangement is added to the mix, the emotion of such a moment becomes stronger. Once again, this is the interpretation of only this critic. It would, again, be nice to learn the true meaning behind the song’s lyrics. Either way, the discussions that again are certain to be generated show the importance of the album’s lyrical themes.

‘Coming Home’ is yet another example of the importance of this record’s lyrical themes. This song seems to be more of a defiant statement as Soto sings, “Now I’m not so suspicious/You’re downright malicious/Can’t make a fool outta me/You’re scheme’s complicated/Your pride is inflated/Seized by a social disease/There’s a voice screaming outta my head/There’s a truth that I don’t wanna know/Cross the line that’ you’re gonna regret/Is it me/Is it you/So get out of my way/Goin’ out on my own/Now remember my name/’Cause I’m coming home.” Again, there is plenty left to the imagination here considering that the song doesn’t just come out and say what it means. It definitely comes across as a positive work, lyrically, though. Keeping this in mind, it adds even more depth to the album. When that depth is joined with the depth generated by the album’s other lyrical themes, it makes the album that much stronger. When the depth generated by the album’s lyrical themes is joined with that of the album’s musical arrangements, the whole makes the album that much more solid. Even with this all in mind, it still is not the last of the album’s most important elements. The record’s sequencing rounds out its most important elements.

Psychotic Symphony‘s sequencing is so important to note in examining its overall presentation because of how much even it adds to the record. From start to end, the album maintains a solid energy that barely lets up at any point. The most that it lets up (if one can even call it letting up) comes in the opening moments of ‘Labyrinth’ as the string arrangement sets the stage for the song to come. Even that moment isn’t too light. Rather the tension that is built here actually maintains the album’s energy, just in a way that is separate from the album’s first three songs. Even as the band moves into ‘Alive,’ which is arguably the album’s most radio-ready track, the energy there doesn’t even pull back too much. From that point on to the album’s end, the band keeps things moving almost nonstop, insuring that much more, listeners’ engagement. Keeping this in mind, that maintained energy proves to be important in its own right. Had the album been presented in any other order, that might not have been the case. Lukcily though, that didn’t happen, meaning again only positives. That becomes even more the case as this element is joined with the album’s musical arrangements and lyrical themes. All things considered, they make Psychotic Symphony a solid work from a group of brilliant musical minds.

Sons of Apollo’s debut album Psychotic Symphony is a solid first outing from some of today’s great musical minds. From start to finish, this progressive metal offering is a work that any prog rock purist will enjoy. That is proven in part through the record’s varied musical arrangements. Its equally varied lyrical themes are just as certain to impress because of their ability to generate so much discussion among audiences. The album’s sequencing proves in its own way why this record is so impressive. Each element plays its own important part in the whole of Pyschotic Symphony. All things considered, they make this record yet another successful outing for some of the titans of progressive rock. It is available now in stores and online. More information on Psychotic Symphony is available online along with all of the band’s latest news at:

Website: http://www.SonsOfApollo.com

Facebook: http://www.facebook.com/SonsOfApollo1

Twitter: http://twitter.com/SonsOfApollo1

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Leprous Joins The Dear Hunter As Support For BTBAM Headlining Tour

Courtesy: InsideOut Music

Leprous has announced a new slate of live dates in support of its latest album Malina.

The band will join The Dear Hunter for a five-week headlining run by Between The Buried and Me across America.  Leprous’ performances are in support of Malina which was released last year via InsideOut Music while BTBAM’s dates are in support of its upcoming album Automata 1, which will be released March 9 via Sumerian Records.

The tour launches March 2 in Chicago, Illinois and runs through April 7 in Mount Clemens, Michigan.  It also includes performances in Houston, Texas; Pittsburgh, PA; Seattle, WA and a number of other cities.  The tour’s current schedule is noted below.

Tour Dates

3.2 – Chicago, IL – House of Blues
3.3 – Minneapolis, MN – First Ave
3.5 – Denver, CO – Ogden Theatre
3.6 – Salt Lake City, UT – The Complex
3.8 – Seattle, WA – Showbox
3.9 – Portland, OR – Wonder Ballroom
3.10 – San Francisco, CA – The Regency Ballroom
3.11 – Anaheim, CA – House of Blues
3.13 – Los Angeles, CA – Belasco Theater
3.15 – Las Vegas, NV – House of Blues
3.16 – Phoenix, AZ – Marquee
3.17 – Albuquerque, NM – Sunshine Theater
3.19 – Austin, TX – Come and Take It Live
3.20 – Dallas, TX – Canton Hall
3.21 – Houston, TX – Warehouse Ballroom
3.23 – Orlando, FL – The Beacham Theater
3.24 – Ft. Lauderdale, FL – Revolution
3.27 – Nashville, TN – Cannery Ballroom
3.28 – Asheville, NC – Orange Peel
3.30 – Pittsburgh, PA – Mr. Smalls
3.31 – Philadelphia, PA – Electric Factory
4.2 – Albany, NY – Upstate Concert Hall
4.3 – Boston, MA – Royale
4.4 – New York City, NY – Playstation Theater
4.5 – Silver Spring, MD – Fillmore Silver Spring
4.6 – Cleveland, OH – Agora Theatre
4.7 – Mount Clemens, MI – Emerald Theatre

Pre-sales for tickets are open now. General ticket sales open at 10 a.m. Friday.

More information on Leprous’ upcoming live dates is available online now along with all of the band’s latest news and more at:

 

Website: http://www.leprous.net

Facebook: http://www.facebook.com/leprousband

Twitter: http://twitter.com/InsideOutUSA

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Dream Theater Announces New Record Deal

Photo Credit: Mark Maryanovich

Dream Theater is officially calling a new label home.

The band announced Monday that it had signed a new contract with Sony Music. Specifics of the deal were not announced, but it is known that the band’s next album, its 14th, will be released via InsideOut Music, which is Sony Music’s progressive music imprint. InsideOut Music is also part of the Century Media Label Group, a division of Sony Music.

The band released a statement about the deal expressing the excitement of each member about the deal. The statement cited InsideOut Music Label Head/A&R Thomas Waber’s support of the band as a key motivation for signing the new deal.

“We are all really excited about signing a brand new record deal with InsideOut/Sony!,” the band members said in the statement. “We’ve known Thomas Waber for a very long time and it’s great to finally get a chance to work together. Thomas’ enthusiasm, energy, music industry expertise and positive outlook towards the future of DT’s recording career has been incredible to witness, and we have no doubt that being part of the InsideOut/Sony family will be an amazing creative and professional experience for us all!”

Waber shared the band’s excitement as he discussed the deal.

“This is what the term ‘coming full circle’ was invented for,” Waber said. “We’ve followed the band closely ever since they started touring in Europe in 1993, and there has been a lot of friendship and history between DT and us for close to 25 years. Stepping up to the plate to join them for this next important chapter in their career feels like the natural and right thing to do. I can’t wait to get started!”

Sony Music Germany CFO Philip von Esebeck agreed.

“This is an important signing in our goal to support and grow the InsideOut Music label as a brand, and we are very excited at Sony Music to welcome Dream Theater to our roster of top-tier artists!”

Before joining InsideOut Music/Sony Music, Dream Theater released its past four albums via Roadrunner Records. The band has also released albums via Atlantic Records, Elektra Records, ATCO and East West America.

More information on Dream Theater’s new deal is available online now along with all of the band’s latest news and more at:

Website: http://www.dreamtheater.net

Facebook: http://www.facebook.com/dreamtheater

Twitter: http://twitter.com/dreamtheaternet

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Leprous Premieres ‘Illuminate’ Single, Video

Courtesy: InsideOut Music

Leprous is giving audiences yet another preview of its fifth full-length studio release only days ahead of the album’s release.

The band unveiled ‘Iluminate,’ the third single from its forthcoming album Malina this week along with the single’s companion video.  Shot in Romania and directed by Costin Chioreanu for Twilight 13 Media, the video puts the band performing its new single in a very darkly lit background in order to help illustrate the song’s message.

The band explained that in a collective statement about the song.

“‘Illuminate’ is one of the most groovy songs we’ve ever made!  It’s the Leprous people know, but in a fresh version,” the statement reads.  “The abstract and dark video from Costin underlines the atmosphere of the song perfectly.”

Prior to this single and video, the band also released the singles and videos for ‘From The Flame’ and ‘Stuck.’  Other songs included in Malina’s 11-song body include ‘’Mirage,’ ‘The Weight of Disaster,’ ‘Captive’ and others.  The album’s full track listing is noted below.

LEPROUS – “Malina”:
1. Bonneville
2. Stuck
3. From The Flame
4. Captive
5. Illuminate
6. Leashes
7. Mirage
8. Malina
9. Coma
10. The Weight Of Disaster
11. The Last Milestone

Malina will be available in stores and online Friday, Aug. 25 via InsideOut Music on CD, digital, deluxe expanded CD and 2LP platforms.  Pre-orders are open now.

Leprous will embark on an extensive European tour this fall in support of Malina that begins Oct. 28 in Copenhagen, Denmark and currently runs through Nov. 25 in Oslo, Norway.  The tour also currently includes performances in Lyon, France; Dublin, Ireland; London, U.K. and other cities across Europe.

More dates are expected to be added to that schedule in the coming days and weeks.  The band’s current tour schedule is noted below.

LEPROUS, Agent Fresco, AlithiA & Astrosaur – European Tour:
Presented in Germany by Eclipsed, Laut.de, Guitar & Metal.de
28.10.2017 Copenhagen (Denmark) – Pumpehuset
29.10.2017 Hamburg (Germany) – Logo
30.10.2017 Cologne (Germany) – Luxor
31.10.2017 Esch (Luxembourg) – Rockhal
01.11.2017 Haarlem (The Netherlands) – Patronaat
02.11.2017 London (UK) – The Dome
03.11.2017 Dublin (Ireland) – Voodoo Lounge
04.11.2017 Leeds (UK) – Damnation Festival
05.11.2017 Vosselaar (Belgium) – Biebob
06.11.2017 Paris (France) – Trabendo
07.11.2017 Nantes (France) – Barakason
08.11.2017 Bordeaux (France) – Rocher Palmer
11.11.2017 Toulouse (France) – Le Metronum
12.11.2017 Marseille (France) – Le Moulin
13.11.2017 Milan (Italy) – Magnolia
14.11.2017 Lyon (France) – CCO Villeurbanne
15.11.2017 Winterthur (Switzerland) – Salzhaus
16.11.2017 Colmar (France) – Grillen
17.11.2017 Munich (Germany) – Backstage Halle
18.11.2017 Vienna (Austria) – Szene
19.11.2017 Budapest (Hungary) – A38
20.11.2017 Prague (Czech Republic) – Rock Café
21.11.2017 Warsaw (Poland) – Proxima
22.11.2017 Berlin (Germany) – Musik & Frieden
23.11.2017 Aarhus (Denmark) – Atlas
25.11.2017 Oslo (Norway) – Vulkan Arena
And more dates to be announced soon…

More information on Leprous’ new single, video, tour and more is available online now at:

 

 

 

Website: http://www.leprous.net

Facebook: http://www.facebook.com/leprousband

Twitter: http://twitter.com/leprousband

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Leprous Debuts ‘Stuck’ Video; Announces Tour Dates

Courtesy: InsideOut Music

Leprous has unveiled the video for its latest single.

The band debuted the video for its new single ‘Stuck’ Friday morning.  The video, directed by Troll Toftenes, features the band performing its new song in what is clearly meant to look like a live performance.  That is evident with the use of the lighting, amps and camera angles, which the band addressed in a recent interview.

“Doing a performance video to enhance the special edit version of this song felt like an obvious choice, and the footage captured by Troll Toftenes supports the dynamics of the music in a great way.”

The song, the second from the band’s latest album Malina—the album’s first single was ‘From The Flame’–is itself a dramatic change of pace for the band, as it boasts a much more radio-friendly sound than what has been presented in any of the band’s previous albums. The band said in a recent interview that the change in sound was intentional.

“‘Stuck’ is Leprous in a new package!,” the band said. “ It’s straight to the point, groovy, and has probably the guitar and bass sound on the album that we’re most happy with.”

Audiences will be able to hear ‘Stuck,’ ‘From The Flame’ and the album’s other nine songs when Malina is released Friday, Aug. 27 via InsideOut Music in stores and online. It will be available on standard CD platform as well as digital download, deluxe expanded edition, and vinyl.  Pre-orders are available now here.

The album’s track listing is noted below.

LEPROUS – “Malina”:
1. Bonneville
2. Stuck
3. From The Flame
4. Captive
5. Illuminate
6. Leashes
7. Mirage
8. Malina
9. Coma
10. The Weight Of Disaster
11. The Last Milestone

Leprous will make its way across Europe this fall in support of Malina beginning Oct. 28 in Copenhagen, Denmark. The band’s current tour schedule includes shows in Lyon, France; Milan, Italy; Budapest, Hungary and many other locations.  The band’s current tour schedule is noted below.

Here is a list next of shows for LEPROUS:
LEPROUS – Festivals 2017:
11.08.2017 Rasnov (Romania) – Rockstadt Extreme Fest
19.08.2017 Mo i Rana (Norway) – Verket Festival

LEPROUS, Agent Fresco, AlithiA & Astrosaur – European Tour:
Presented in Germany by Eclipsed, Laut.de, Guitar & Metal.de
28.10.2017 Copenhagen (Denmark) – Pumpehuset
29.10.2017 Hamburg (Germany) – Logo
30.10.2017 Cologne (Germany) – Luxor
31.10.2017 Esch (Luxembourg) – Rockhal
01.11.2017 Haarlem (The Netherlands) – Patronaat
02.11.2017 London (UK) – The Dome
03.11.2017 Dublin (Ireland) – Voodoo Lounge
04.11.2017 Leeds (UK) – Damnation Festival
05.11.2017 Vosselaar (Belgium) – Biebob
06.11.2017 Paris (France) – Trabendo
07.11.2017 Nantes (France) – Barakason
08.11.2017 Bordeaux (France) – Rocher Palmer
11.11.2017 Toulouse (France) – Le Metronum
12.11.2017 Marseille (France) – Le Moulin
13.11.2017 Milan (Italy) – Magnolia
14.11.2017 Lyon (France) – CCO Villeurbanne
15.11.2017 Winterthur (Switzerland) – Salzhaus
16.11.2017 Colmar (France) – Grillen
17.11.2017 Munich (Germany) – Backstage Halle
18.11.2017 Vienna (Austria) – Szene
19.11.2017 Budapest (Hungary) – A38
20.11.2017 Prague (Czech Republic) – Rock Café
21.11.2017 Warsaw (Poland) – Proxima
22.11.2017 Berlin (Germany) – Musik & Frieden
23.11.2017 Aarhus (Denmark) – Atlas
25.11.2017 Oslo (Norway) – Vulkan Arena
And more dates to be announced soon…

More information on Leprous’ tour schedule, new single, album and more is available online now at:

 

 

 

Website: http://www.leprous.net

Facebook: http://www.facebook.com/leprousband

Twitter: http://twitter.com/leprousband

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Next To None Unveils ‘Phases” Latest Single, Video

Courtesy: EMP Label Group/InsideOut Music

Next To None is giving audiences a new preview of its new album.

The band unveiled the video for its new single ‘The Apple’ this week.  The song is the latest song from the band’s upcoming album Phases, which is currently scheduled to be released Friday, Friday, July 7.  It will be released domestically via EMP Label Group in North America and via InsideOut Music in Europe.

The record’s full track listing is noted below.

Phases Track Listing:
1. 31
2. Answer Me
3. The Apple
4. Beg
5. Alone
6. Kek
7. Clarity
8. Pause
9. Mr Mime
10. Isolation
11. Denial
12. The Wanderer

The band’s new video sets the band in an open-air environment as it performs the song, creating an interesting juxtaposition between the peaceful setting and the controlled chaos of the song’s arrangement.  Audiences can check out the video online now here.

Next to None will tour in support of Phases alongside Mike Portnoy’s Shattered Fortress in Europe this summer.  The bands’ tour begins June 28 in London, UK and runs through July 6 in Tilburg, Holland.  The bands’ current tour schedule is noted below.

28th June – Koko, London, UK
1st July – Trianon, Paris, France
2nd July – Slagthuset, Malmo, Sweden
3rd July – Kulturfabrik, Esch Sur Alzette, Sweden
4th July – Teatro Della Luna, Milan, Italy
5th July – Z7, Pratteln, Switzerland
6th July – 013, Tilburg, Holland

More information on Next To None’s new single, album and more is available online now at:

 

 

 

Website: http://www.nexttonone.net

Facebook: http://www.facebook.com/NextToNoneband

Twitter: http://twitter.com/NextToNoneBand

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.   Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Next To None Announces Sophomore Album’s Release Date

Courtesy: EMP Label Group/InsideOut Music

Next To None will release its sophomore album this summer.

Phases will be released July 7 via EMP Label Group in North America and InsideOut Music in Europe.  The announcement this week comes on the heels of the completion of the band’s European tour with Haken.

Work on the new record started last October and took approximately four months. Drummer Max Portnoy said the band in whole has been anticipating the album’s release.  He said that was because of the work put in by the band’s members in making the album become a reality.

“We’re so excited to finally be releasing our new album” Portnoy said.  “We feel it’s a huge step forward for the band and shows a much heavier and much more technical side.  This album is very special to us because it’s the first time we recorded and self-produced our entire album.  We were able to create music that is completely our own.  Every note, every sound, every word came from us, and we can’t wait for you all to hear it.  I suppose you could say what we’ve done here is do more of everything we did before but the greater experience we now have has helped us become better at what we want to do.”

Phases marks the debut for new guitarist Derrick Schneider with the band.  Schneider joined the band from a recommendation by former Guns N’ Roses guitarist Rob “Bumblefoot” Thal, who also made a guest appearance on the band’s debut album.  Ryland Holland left the band left the band last year to study at Berklee College of Music.

The band will hit the road alongside label mates Doll Skin this summer in celebration of the album’s release. The dates for that tour will be announced soon.  More information on those dates is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://www.nexttonone.net

Facebook: http://www.facebook.com/NextToNoneband

Twitter: http://twitter.com/NextToNoneBand

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.