Yep Roc Records To Celebrate 20th Anniversary With 3-Night Festival This Fall

Courtesy: Yep Roc Records

Yep Roc Records will celebrate its 20th anniversary this fall in North Carolina.

The little label that could will celebrate its 20th anniversary with a three night celebration that will run from Oct. 19 – 21 in Carrboro, N.C. and its new hometown of Hillsborough, N.C. The celebration will be highlighted with performances from the likes of Nick Lowe, Dave Alvin and Phil Alvin with The Guilty Ones, Tony Joe White, Los Straitjackets, The Stray Birds and more.

Tickets for the three-day anniversary celebration are on sale now.  They can be purchased online now here.  Ticketing options include single-night, two-night and three-night access.  The label has also made available early bird VIP Premium Packages that include three-night access to the celebration, artist reception and dinner on Oct. 20, Yep Rock 20 gear including T-shirt, pin and festival blanket.  More VIP events will be announced soon.

The first night of the upcoming celebration will be headlined by Nick Lowe.  The festival’s second and third nights will feature performances by all of the noted bands and others at the Cat’s Cradle in Carrboro.

More information on Yep Roc Records’ upcoming 20th anniversary celebration is available online now along with all of the label’s latest news and more at:

 

 

 

Website: http://www.yeproc.com

Facebook: http://www.facebook.com/yeproc

Twitter: http://twitter.com/yeproc

 

 

 

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The Dead Daisies Announce More New Live Dates

The Dead Daisies has confirmed three new live American dates for this summer.

A news released distributed Friday revealed the band will perform live August 9, 2017 at The Full Throttle Saloon in Sturgis, SD at the saloon’s famed motorcycle rally.

On Sept. 1, the band will perform at the The Easyriders Rodeo in Chillicothe, OH and at The National Harley Owners Group (H.O.G.) Rally on Sept. 2 at the Harley-Davison Museum in Milwaukee, WI.

The third of the band’s upcoming dates is scheduled for Sept. 2

“Riding gives you a sense of freedom,” Corabi said in a recent interview.  “When your job, family and daily pressures of life are weighing you down, you can fire up a bike, get on it and ride, and free yourself of everything.  Plus, I think all men have an inner “bad boy” in them, and all women (deep inside) WANT a bad boy, as well.  I have to admit, I’ve felt a bit “tougher” while I’m riding…that is, until I chipped a nail,” he said with a laugh.

The Dead Daisies’ upcoming summer dates are not the only good news for the band’s fans.  The band is also working with 12 of the largest Harley-Davidson dealers in America as part of its current Rock N Ride promotion for its current Dirty Dozen tour.  The promotion allows Harley-Davidson owners in the key markets the chance to win tickets to shows in those markets and to meet the band.

Courtesy: Spitfire Music/SPV

The announcement of the band’s new dates are not a surprise.  It comes a little more than a month after the band released its debut live recording Live & Louder, which was released May 19 as a standard 2-disc CD/DVD combo pack and as an extended box set.  The recording is available in stores and online now.

More information on The Dead Daises’ new live dates and live recording is available online now at:

 

 

 

Website: http://thedeaddaisies.com

Facebook: http://www.facebook.com/TheDeadDaisies

Twitter: http://twitter.com/TheDeadDaisies

 

 

 

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Vyces Debut New Video; Announces New Live Dates

Courtesy: O’Donnell Media Group

Vyces unveiled the video for its latest single ‘Nocturnal’ this week.

The song, which is taken from the band’s forthcoming EP Angels, features Carla Harvey, of Butcher Babies, making a guest appearance.  The video was directed by Ron Thunderwood at Tiger Lab Studios. Thunderwood called working on the video a memorable experience.

“I feel really lucky to have worked on this,” Thunderwood said of the shoot.  “It’s been the coolest challenge I’ve met as a director…mixing practical and CG effects, we really got to create another world.”

‘Nocturnal’ debuted online via Bravewords, a little more than two weeks after the band debuted the song alone online to all digital outlets.  The video is also streaming online via the band’s official YouTube channel.

In anticipation of Angels’ upcoming release and the debut of the EP’s lead single, the band has also announced new live dates with Shallow Side and Dead Horse Trauma.  The band’s dates with Shallow side begin June 27 in Fardo, ND and run through July 12.  The venue for that date is still being scheduled.

The band’s tour with Dead Horse Trauma begins July 13 and runs through July 22 in Des Moines, IA.  Both tour schedules are noted below.

Look for VYCES on their summer and fall tour.

6/23 – Keokuk, IA – w/ Boboflex, Shallow Side
6/24 – Praire du Chien, WI – Music Fights Back Fest w/ Boboflex, Shallow Side, and Never Say Die

w/ Shallow Side

6/27 – Fargo, ND – Nestor
6/28 – Mankato, MN – Red Rocks
6/29 – Dubuque, IA – The Venue
6/30 – TBA
7/1 – North Platte, NE – Sculley’s Shooters
7/6 – Spokane, WA – The Pinnacle
7/7 – Seattle, WA – Funhouse
7/8 – Portland, OR – Rock Hard PDX
7/9 – Lewiston, ID – 3rd Wheel
7/11 – Jerome, ID – Diamondz
7/12 – TBA

w/ Dead Horse Trauma/ The Life Tour

7/13 – TBA
7/14 – Danville, IL – Vintage Villains
7/15 – Peoria, IL – Rail II
7/16 – Merriam, KS – Aftershock
7/18 – Chicago, IL – Reggies
7/19 – TBA
7/20 – TBA
7/21 – Waterloo, IA – Spicoli’s
7/22 – Des Moines – Wooly’s

More information on ‘Nocturnal’ is available online along with more news on Angels and all of the band’s latest news and more at:

 

 

 

Website: http://vycesofficial.com

Facebook: http://www.facebook.com/vycesofficial

Twitter: http://twitter.com/vycesofficial

 

 

 

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TesseracT Debuts New Single, Video; Launches New Live Schedule

Tesseract is back.

The U.K.-based progressive metal outfit unveiled its new single ‘Smile’ and its companion lyric video this week.  The previously unreleased song was recorded at 4D Studios in Brighton and Celestial Sound Studios in Notts, UK, and produed by Acle Kahney early this spring.

Tesseract Smile Video Grab

The band described the new song as “its most collaborative track in recent years,” with its vocals playing an integral part in bringing it to life. The band’s members added the song’s bass line strengthened the song even more by serving as the backbone for its chorus.

Vocalist Daniel Tompkins explained the lyrical concept behind the song is somewhat metaphysical.

“Lyrically, ‘Smile’ carries a strong and forward sense of irony as we explore the darkest side of the human condition,” Tompkins said.  “The song will witness the manifestation of an ‘entity.’ Consciousness survives through constant manipulation only to propagate pessimism and hopelessness.  Our entity observes, consumes and evolves, bearing witness to human existence, mimicking our presence in colossal form.”

Bassist Amos Williams expanded on Tompkins’ thoughts, saying the song, in its current form, is just one example of what audiences can expect from the band’s next, in-the-works album.

“We chose this track as although it is part of a greater theme, and is in fact toward the end of a story arc, it stands alone very well,” Williams said.  “We have a solid idea of where we would like to take this track on the next album as it is no way finished.  It is merely one step in a journey.”

Williams went on to discuss his own part in the song’s creation, saying a lot of time and thought was put into the bass’ line as it worked with the rest of the song.

“The verses and choruses stand very far apart from each other,” Williams said.  “There is a tension we wished to build through a minimalist approach, with small phrases that repeat against accompanying parts of different lengths.  These undulate, seemingly getting lost against the non-conventional phrasing of the drums.  All this is nothing new to TesseracT fans, but this time we have really looked to align the lyrical and musical messages.”

Courtesy: Atom Splitter PR

The band’s release this week of ‘Smile’ and its companion video was intentionally timed, as the band has hit the road on a new string of live dates with Megadeth and Meshuggah.  The bands’ tour launched June 23 in Big Flats, NY, and currently runs through July 11 in Pittsburg, PA.  TesseracT also has its own string of headlining dates lined up from July 1 to July 13.  TesseracT’s current live schedule is noted below.

WITH MEGADETH + MESHUGGAH
6/23 Big Flats, NY – Tags Summerstage
6/25 Boston, MA – House Of Blues
6/27 Philadelphia, PA – The Fillmore
6/28 Portsmouth, VA – Portsmouth Pavillion
6/29 Silver Spring, MD – The Fillmore
6/30 Columbus, OH – Express Live
7/07 Saint Charles, MO – Family Arena
7/08 Oklahoma City, OK – The Zoo Amphitheatre
7/09 Houston, TX – Revention Music Centre
7/11 Pittsburgh, PA – Stage AEHEADLINE:
7/01/17 – Indianapolis IN – The Emerson Theater
7/05/17 – Nashville, TN – Exit / In
7/06/17 – Memphis, TN – Hi Tone
7/12/17 – Buffalo, NY – The Waiting Room

7/13/17 – Amityville, NY – Revolution Bar & Grill

‘Smile’ can be purchased or streamed online now here.  More information on ‘Smile’ is available online now along with all of TesseracT’s latest news and more at:

 

 

 

Website: http://www.tesseractband.co.uk

Facebook: http://www.facebook.com/tesseractband

Twitter: http://twitter.com/tesseractband

 

 

 

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PBS Kids To Tackle Sibling Rivalry On New ‘Arthur’ DVD

Courtesy: PBS/PBS Kids/Public Media Distribution

PBS Kids will release another new collection of Arthur episodes on DVD this summer.

Public Media Distribution and PBS Kids will release Arthur: Brothers and Sisters on Tuesday, July 18. The single disc compilation features eight more episodes of the hit animated series at a total run time of 108 minutes (1 hr. 48 minutes).

All eight episodes feature plenty of sibling rivalry between Arthur and his little sister D.W. (Dora Winnifred for the uninitiated) that puts the pair in plenty of different situations including the arrival of Arthur and D.W.’s second sibling in ‘Arthur’s Baby,’ D.W. copy-cating Arthur in ‘D.W. The Copycat’ and a pre-summer showdown between Arthur and D.W. in ‘The Pageant Pickle.’

Arthur and D.W. are not the only Elwood residents featured in the series’ latest DVD release.  Sue Ellen learns a hard lesson about being careful what she wishes for in ‘Sue Ellen’s Little Sister,’ in which she gets tired of being an only child.  Arthur’s friend Francine and her sister go through some growing pains to which so many siblings can relate, too in ‘Francine Redecorates.’

As if all of that isn’t enough, everyone’s favorite troublesome twins, the Tribbles, get their own moment in the light in this compilation in ‘Two Minutes.’  When Timmy and Tommy discover which twin was born first, Timmy asks D.W. to help him solve, with quite the interesting result.

Between these episodes and the pairing of ‘D.W.’s Baby’ and ‘Arthur’s First Sleepover,’ Arthur: Brothers and Sisters offers families nearly two hours of animated entertainment.  The DVD will retail for MSRP of $6.99.  It can be pre-ordered online now via PBS’ online store.

More information on Arthur is available online along with lots of games, activities, printables and more at:

 

 

 

Website: http://www.pbskids.org/arthur

Facebook: http://www.facebook.com/ArthurPBS

 

 

 

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Putumayo World Music’s Latest Cuban Music Compilation Is Another Magical Musical Journey

Courtesy: Putumayo World Music

Cuba has been in the news quite a bit lately.  It hasn’t been for the best reasons, either.  Luckily though, where certain events have caused quite the division among Americans and natives of the island nation, Putumayo World Music has bridged that gap with a new collection of Cuban music in the recently released compilation record Cuba! Cuba!  The 10-song record is a collection that will unite everyone regardless of political persuasions and ethnic backgrounds.  That is due in part to the songs featured in this latest collection of Cuban compositions.  It will be discussed shortly.  The artists and acts featured throughout the record are collectively just as important to discuss in examining the record’s whole as its songs.  This will be discussed later.  The record’s companion booklet rounds out its most important elements.  Each element is important in its own right to the album’s whole.  All things considered, they make this record one of the year’s top new World Music offerings as well as one of the year’s top new Jazz and Blues records.

Putumayo World Music’s latest Cuban music compilation Cuba! Cuba! is one of this year’s top new World Music albums and new Jazz & Blues offerings.  That is due in part to the 10 songs that make up the record’s body.  From start to finish, the songs vary in regards to the eras in which they were released and in terms of their styles.  From Samba to Rumba to Bossa Nova and beyond, so many sub-genres of Cuban music are represented throughout the course of the album.  This shows that those behind the record’s sequencing clearly put a lot of time and thought into assembling and sequencing the songs.

That time and deliberate thought is exhibited just as much in the variety of eras represented here.  The balance of new and classic Cuban works is expertly balanced with five classics and five originals featured here.  Even more interesting to note is the fact that some of those classics are presented in a new setting through younger acts who specialize in Cuban music.  Case in point Asere’s take on Cuban composer Luis Marquetti’s song ‘Oriente,’ which was included in his 1980 album Fe, Esperanza y Caridad and Septeto Nacional Ignacio Pineiro’s cover of singer-songwriter Marcelino “Rapindey” Guerra’s ‘Me Dieron la Clave.’  On the more modern side, listeners get Sonlokos’ original tune ‘Rumba Con Sabor a Melao’ and Palo!’s original composition ‘Al Monte.’  This is just a glimpse into the division of new and classic tunes that complete this record.  Audiences will hear for themselves the full division when they pick up the album for themselves.

Staying on the matter of the album’s featured songs and their performers, the performers featured in this record are just as important to discuss as the songs and their variety.  That is because the list of featured performers is just as varied as the songs.  Those behind the record’s creation put just as much thought into choosing the record’s featured performers as the songs.  Legendary Cuban singer Roberto Torres is featured as part of the collection alongside fledgling Miami-based outfit Sonlokos while fellow up-and-coming Miami-based Palo! is set alongside veteran Cuban-American musician Jose Conde to round out the record.  Earlier in the record’s run, Al Valdes is partnered alongside veteran La Familia Valera Miranda for a solid 1-2 classic Cuban pairing – one more example of the diversity in the record’s performer lineup.  Keeping this in mind, the diversity in the songs and performers featured in this record becomes clear along with the importance of said diversity.  Even with this in mind, that extensive diversity is only a portion of what makes this record so enjoyable.  The companion booklet that comes with the record rounds out its most important elements.

The musical diversity and that of the acts chosen for the record are both critical to its overall presentation.  They are not its only key elements, though.  The record’s companion booklet is just as important to its whole as the songs and their featured performers.  That is because the booklet provides a brief but concise history on each performer and its associated song.  For instance, audiences learn in reading the booklet that while Roberto Torres started his career as a performer, he is now a successful label owner.  Audiences also learn through the booklet’s notes that La Familia Valera Miranda’s musical roots reach back generations, going all the way back to Santiago de Cuba, “the largest city in the eastern part of the island.”  As if that is not enough, another Santiago de Cuba resident, Armando Garzon gets his own highlight here.  Audiences learn of his history that he was born in the city in 1948 and lived most of his life exposed solely to the region’s music thanks to his grandmother and great-aunt.  These are just some examples of the depth of information provided in the album’s booklet.  Again, even more information is provided both on the featured acts and songs throughout the booklet.  The whole of that collective information makes for an educational experience that is just as enjoyable as the experience provided via the album’s songs.  Keeping all of this in mind, the songs that make up the album, their performers and the record’s booklet join to make the album in whole a collection that will take listeners to Cuba without the need for expensive passports, tickets, vaccinations or anything else.  Considering this, they make the record in whole, one of this year’s top new World Music records and one of the year’s top new Jazz & Blues offerings.

Putumayo World Music’s new Cuban music compilation Cuba! Cuba! is a hit twice over.  It is one of the year’s top new World Music offerings and one of the year’s top new Jazz & Blues albums. As has already been noted, that is due to the partnering of 10 songs and acts that span the rich, expansive history of Cuba’s musical history.  The companion booklet that comes with the record, which is nothing new to Putumayo World Music’s offerings, puts the finishing touch on the album’s overall presentation.  All things considered, the album proves wholly that it deserves a spot on any critic’s list of the year’s top new World Music albums list as well as the year’s top new Jazz & Blues albums.  It is available now in stores and online.  More information on this and other titles from Putumayo World Music is available online now along with all of the company’s latest news and more at:

 

 

 

Website: http://www.putumayo.com

Facebook: http://www.facebook.com/Putumayo

Twitter: http://twitter.com/putumayomusic

 

 

 

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Killset’s Sophomore Album Will Leave Aggro-Rock Fans Making Plenty Of Noise

Courtesy: Scratched Records

The wait is almost over.

After nearly two years of touring and crafting new songs, Killset will soon release its sophomore album S.T.F.U.  The ten-song, 43-minute record is a solid new effort from the independent Southern California-based band.  That is evidenced through arrangements that will appeal to fans of Limp Bizkit, Taproot, Staind and other agro-rock acts from the late 90s and early 2000s and through lyrical content that will move listeners just as much as the songs’ musical arrangements.  The album’s lead single ‘Killers in the Pit’ is just one of the songs included in this record that supports that statement.  The brooding yet uplifting ‘Broken Angel’ supports that statement in its own way, too.  ‘Animal,’ with its fiery arrangement and equally powerful lyrical content, also supports that statement, and is hardly the last song to support that statement, too.  The album’s proudly defiant opener ‘Get Up’ and its follow-up ‘Bully’ are two more examples of what makes this album a success for its targeted audiences along with the rather interesting cover of Kris Kross’ ‘Jump’ and the brooding ‘Not A Love Song,’ which comes late in the record’s sequence.  Between these songs and the pieces not noted here, the whole of this record is sure to have its target audiences *ahem* making plenty of noise.  Yes, that awful pun was fully intended.

Killset’s sophomore album S.T.F.U. is a work that is certain to leave its target audiences making plenty of noise.  That is due to musical arrangements and lyrical content that echo influences of so many of its aggro-rock ancestors.  This is evidenced in part through the album’s lead single ‘Killers in the Pit.’  This song’s musical arrangement is full on aggro-rock and will appeal directly to Limp Bizkit fans from start to finish.  That is thanks to a guitar and drum line that clearly echo influences from Wes Borland and John Otto and a vocal delivery from front man Luca that just as quickly conjures thoughts of Limp Bizkit front man Fred Durst.  Bassist Mark Baker can’t be ignored here either as he provides an equally infectious low-end line, adding even more impact to the song’s musical arrangement.  Whether one openly admits to being a Limp Bizkit fan or keeps the band as a guilty pleasure, that overall infectious arrangement is in itself proof of what makes the song and the album a success for Killset’s key audiences.  The same can be said of the song’s lyrical content, which delivers a boldly defiant message about music’s power to heal.

The lyrical content of ‘Killers in the Pit’ delivers a powerful 1-2 punch that hits listeners just as hard as the song’s musical arrangement.  That is because it stands up against the stereotypical statements about anger management, showing that the power of aggressive music is just as pivotal in mental health as so many other outlets, if not more so.  Luca sings in the song’s opener, “So first they say to count to 10/Now f*** that/Then they say just take a breath/F*** that/Oh, you can be happy/just take these pills/Now f*** that/We’re done with your pills and your chemi-kills/F*** that/They will no longer control the way we choose to find our peace/We’ll show the world how we get down.”  He goes on to say in the song’s second verse, “If you love standing up for what you believe, say hell yeah/If you love being part of this beautiful scene, say hell yeah/We do what we do/We say what we mean/If you believe/That God believes, say hell yeah.”  Don’t mistake that statement for the band being some Christian rap/rock outfit.  But it is one more positive statement from the band.  When that statement is joined with the rest of the song’s lyrical material, the whole is a statement that will resonate with any listener.  The addition of the song’s musical arrangement adds to that impact even more, showing why this song helps to solidify S.T.F.U.’s appeal with Killset’s fans.  The combination of those two elements makes ‘Killers in the Pit’ just one example of what makes S.T.F.U. in whole a work that will appeal to Killset’s fans.  The brooding yet uplifting ‘Broken Angel’ is another example of what makes this record a work that will appeal to the band’s key demographic.

‘Killers in the Pit’ is a work that shows clearly both musically and lyrically why S.T.F.U. will resonate with Killset’s key fanbase.  That is evidenced through the combination of the song’s infectious, aggro-rock arrangement and its proudly defiant lyrical content.  Even with this in mind, it is not the only song included in this record that serves to show what makes this record appealing to certain audiences.  ‘Broken Angel,’ with its brooding yet powerful musical arrangement and lyrical content, strengthens the album even more.  The song’s piano-centered arrangement starts off gently, eventually building until it reaches its climax in the song’s bridge.  Opinions may vary in comparisons, but this critic’s own comparison leans toward similar works from the likes of Staind, Linkin Park and other (again) aggro-rock acts from the late 90s and early 2000s.  That is not a bad thing, though.  Once more, it shows a very directed aim from the band in crafting the song’s arrangement.  As with ‘Killers in the Pit,’ it is just one part of what makes the song important to discuss.  The song’s lyrical content is just as important to note here.

The lyrical content at the heart of ‘Broken Angel’ is just as important to discuss as its musical arrangement not just because of its content, but the depth that it adds to the song when set alongside that brooding arrangement.  The song’s subject sings through Luca here, “All your perfect imperfections/The chaos in your mind/You’re tortured/Neglected/Beautiful inside/Your heart has a melody/It only speaks to me/Your smile so perfectly hides the pain…I can see your suffering/Your eyes/Angel/Unto me you are the blessing that I would never change…don’t give up/Don’t give into the pain/Before you’ve had the chance to truly spread those wings/So pure/You’re broken just right for me.”  This song is full on teen angst, with one person saying to the emotionally scarred love interest, “I understand you, etc. etc.”  It’s uplifting.  There’s no denying that, but the almost goth style angst expressed lyrically is the kind of thing that will definitely appeal to a very directed audience, especially when it is joined with the song’s equally brooding musical arrangement. The pairing of the two elements makes clear why this song is one more way in which S.T.F.U. will appeal to Killset’s key fans, and is still not the last of the songs included in the record to do so.  ‘Animal’ is yet another of the record’s songs that shows what makes this record appealing to Killset’s key collective fans.

‘Killers in the Pit’ and ‘Broken Angel’ are both key examples of what makes S.T.F.U. a record that will certainly resonate with Killet’s key audiences.  That is thanks to the songs’ musical arrangements and lyrical content.  While both songs are clear highlights in this, the band’s sophomore album, they are not it’s only standout songs.  ‘Animal’ is yet another example of what makes this album another success for Killset.  As with the previously noted songs, that is due in part to the song’s musical arrangement.  The song’s musical arrangement is a straight-forward composition that is driven jointly through the work of guitarist Dave Comer and drummer Jason “Jas” Dillon.  Dillon solidly keeps the song’s up-tempo 4/4 time signature moving even as he works his musical magic.  Comer’s guitar line helps keep the song moving just as much with its straight forward approach.  That partnership creates a solid foundation for the song’s arrangement that is strengthened even more through Luca’s vocal delivery and Baker’s bass line.  All things considered here, the straight forward rock arrangement presented here easily could hold its own with so many arrangements from the band’s mainstream counterparts.  It is only one part of what makes the song stand out.  The song’s lyrical content is just as important to note as its musical arrangement.

The lyrical content presented in ‘Animal’ is just as important to note as the song’s musical arrangement because it comes across as taking on one’s inner proverbial demons.  That is inferred as Luca sings in the song’s lead verse, “All these voices/Play in my head/So much noise/I’m coming unglued/Just ignore them/That’s what they said/But if only they could hear them, too/I’m so sick I’m about to freak out…can’t get ‘em out now.”  This contemplation continues in similar fashion in the song’s second verse with the subject admitting seemingly to a love interest that he has some serious issues to deal with.  It almost comes across as a song that, in its own way, takes on the issue of domestic violence.  That is, of course, just this critic’s own interpretation, so it should not be taken as the only interpretation.  When this is set against the song’s driving arrangement, it shows even more why this song is another important addition to S.T.F.U.’s body.  When the whole of the song is joined with the previously discussed works and the other songs not noted here, the whole of the album proves to be a solid new effort that is certain to leave listeners making their own noise.

Killset’s sophomore album is a very directed effort, with musical arrangements and lyrical content that is certain to resonate with the band’s targeted audiences.  That is evident  in the defiant, fist-pumping anthem ‘Killers in the Pit,’ the more brooding yet uplifting ‘Broken Angel’ and the powerful seeming commentary on domestic violence of ‘Animal.’  All three songs show three very distinct arrangements separate of one another but that are still very much within a specific musical continuum. That is evidenced just as much in the likes of the album’s defiant opener ‘Get Up’ and its equally powerful anti-bullying follow-up, ‘Bully.’  Even in the band’s playful take on Kris Kross’ classic hit ‘Jump.’ The band sticks to a certain musical era and audience here and in the rest of the songs not noted here.  Each work shows in its own way to be important to the record’s whole.  All things considered, they show, once more, that S.T.F.U. is certain to leave listeners making plenty of noise beginning July 7.  More information on S.T.F.U. is available online now along with all of the band’s latest news and more at:

 

 

 

Facebook: http://www.facebook.com/killsetofficial

Twitter: http://twitter.com/_KillSET_

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.