Eminem’s Latest LP Re-Issue Will Find Appeal Among His Most Devoted Fans

Courtesy: Aftermath Entertainment/Shady Records/Interscope Records/Goliath Artists

When Eminem released his album Kamikaze in 2018, the veteran rapper reached the apex of his career.  The 13-song record exhibited the veteran rapper at the absolute top of his game.  Fast forward two years and audiences got a surprise follow-up in the form of Music to be Murdered By.  That record was an intriguing new offering from a figure who had spent years making his way to the top of the mountain that is the rap community.  It was such an intriguing offering because it presented Eminem in a state in which he seemed uncertain as to where to go.  Do not misunderstand this.  It gave audiences the best of both worlds from Eminem, the musical and lyrical sense of his early days, and some of the influence of his more focused, razor sharp delivery.  The thing is that even with that mix of influences, it seemed to lack direction.  It went all over the place between the two influences.  That same issue detracts from the new re-issue of that album, Music to be Murdered By Side B.  The double-disc presentation was released digitally last month with no prior push and then released physically this month.  It came less than a year after its predecessor’s release.  That noted lack of direction is the only negative to the re-issue.  Making up for that concern is the amount of content that audiences get in this re-issue.  That aspect in itself forms a solid foundation for the record.  The average price point of this presentation, considering how much content audiences get, puts the finishing touch to its appeal.  When it is considered with the overall content and the concerns raised by the disc’s collective content and sequencing thereof, the whole proves itself a presentation that will appeal to Eminem’s most devoted fan base.

Eminem’s re-issue of his 2020 album Music to be Murdered By is an interesting presentation from the veteran rapper.  It is a presentation that will appeal primarily to his most devoted audiences.  That is due in large part to the content (and amount thereof) featured in its second disc.  Audiences don’t just get a collection of random b sides or archived live clips, etc. that are so common in other acts’ re-issues.  Rather, audiences get in this presentation’s bonus disc, the equivalent of a whole new album.  It is a 16-song presentation of “new” content.  Odds are the extra content is likely a collection of songs that were recorded during the sessions for Music to be Murdered By, but that aside, Eminem went to the length of giving audiences the noted amount of content, rather than just tossing in a couple previously unreleased songs and maybe a remix of one of the original album’s songs.  In other words, what audiences get here is essentially two full-length albums in one.  When one considers this along with the recording’s average price point, the appeal grows even more.  That aspect will be discussed a little later.  Staying on the topic of the content, it proves slightly problematic.

The content featured in the bonus disc of Music to be Murdered By Side B gives audiences the best of both worlds from Eminem’s catalog.  The focused, sharp writing and musical approach featured in Kamikaze is evident here, as is the more familiar writing and performance style from the records that filled out the early part of Eminem’s catalog. The thing is that there seems to be no definite direction in the sequencing of that content.  It’s  as if Eminem  (and  those responsible for the  bonus disc’s sequencing) were unable to decide about which side of Eminem would get a better  response.  ‘Black Magic,’ which officially opens the bonus disc is among that more recent side of Eminem.  It finds him rapping about a woman who has “cast her spell” on him.  It turns though, as it transitions into ‘Alfred’s Theme’ by having him murdering that woman and then using the classic Alfred Hitchcock Presents theme for another lyrical assault on all the people who have ever criticized him.  In other words, it doesn’t take Eminem long to go back to his familiar lyrical defensive stance on which he built his fame.  The music bed that Eminem uses in ‘Tone Deaf’ finds him moving backward even more, along with his sarcastic lyrical content and delivery style.  His statement about trying to decide which side chick to be with is vintage Eminem, but those who appreciate his more serious approach to writing  might find this song less appealing.  It will leave those audiences  wondering if in fact Eminem has in fact already reached his peak.  ‘These Demons,’ which comes late in the disc’s run, is another notable moment showing the division in this re-issue.  Musically and lyrically, it starts out strong, what with its beats and socially conscious lyrics about the impact of the COVID-19 pandemic on the nation (especially the black community).  But from there, he proceeds to fall back again on his familiar defensive lyrical approach as the song continues, going after his critics once more.  It’s like even within one song, he cannot decide whether he wants to show his angry for the sake of being angry side or the more mature and powerful side of himself.  This happens throughout the course of the bonus disc in Music to be Murdered By Side B.  The result is that while there is some positive content, there is just as much material that might divide audiences.  It is a trend that continues what Eminem started with Music to be Murdered By.  To that end, the overall content featured in this re-issue is a concerning detractor from the album, but thankfully is not enough to make the album a failure.  It just makes the record a presentation that is far from being his best work.

For all of the concern that the overall content of Music to be Murdered By Side B raises, the sheer amount of content works with the re-issue’s average price point to make for even more appeal for audiences.  The average price point for this double-disc set – obtained by averaging listings at Amazon, Walmart, Target, and Barnes & Noble Booksellers (It was not listed through Best Buy and Books-A-Million) – is $16.82.  Yet the most commonly listed price for the re-issue is $15.99, well below that average.  Barnes & Noble Booksellers’ listing of $19.30 is the only one that exceeds the noted average.  In other words, audiences who get this re-issue are essentially getting two albums for the price of one.  Most full, “double albums” generally average in the range of $20-$25 if not more.  So even with the concerns raised by the inconsistency in the overall content featured here, the affordability of all of that content is sure to make this recording even more appealing, again, for Eminem’s most devoted fans.

Eminem’s re-issue of his 2020 album Music to be Murdered By is an intriguing presentation from the veteran rapper.  It is a presentation that is certain to appeal primarily to Eminem’s most devoted fan base.  That is due in large part to the fact that the bonus disc featured with the original album is rounded out by actual original content.  Rather than just throwing in a bunch of random live clips, b-sides other content, audiences get what is essentially an entire “new” album’s worth of music.  That in itself forms a strong foundation for the record’s presentation.  The content itself is somewhat problematic, though.  Given, Eminem gives audiences hints of the stylistic approach that made him famous as well as touches of his more current stylistic approach.  The problem is that throughout it all, there is a sense of inconsistency and lack of direction.  It is as if Eminem and company were unable to decide which side to show more in the bonus disc just as much as in the original album.  This notably detracts from record’s presentation, but not so much that it makes the re-issue a failure.  Considering the average price for this price listing, it gains even more appeal.  That average price point is that of a single, not double album, yet audiences get here the equivalent of a double album for the price of a single album.  To that end, whether audiences are the most devoted or just casual, they will agree that this affordability, together with the record’s amount of content (and even slightly with its content itself), makes this re-issue at least a slight success.  Music to be Murdered By Side B is available now.  More information on the album is available along with all of Eminem’s latest news at:

Website: https://www.eminem.com

Facebook: https://www.facebook.com/eminem

Twitterhttps://twitter.com/eminem  

To keep up with the latest entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always  keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.  

The Rolling Stones To Release Another Archived Live Show This Summer

Courtesy: Eagle Rock Entertainment

The Rolling Stones has been in the headlines a lot lately because of front man Mick Jagger’s recent health complications.  On the heels of the good news of Jagger’s recovery comes some more good news, this time about a new live Rolling Stones recording.

The band announced Friday, that it will release Bridges To Bremen on June 21 via Eagle Rock Entertainment.  Originally recorded September 2, 1998 in Bremen, Germany during the final leg of the band’s year-long Bridges To Babylon tour (which ran from 1997-1998), the recording is set for release on DVD/2CD, Blu-ray/2CD, three-disc vinyl and digital audio. A grand total of 40,000 people attended the more than two-and-a-half-hour concert.

Pre-orders for the recording are open now. A trailer for the recording is streaming now here.

The 22-song set opens with the band’s timeless hit song, ‘(I Can’t Get No) Satisfaction’ before moving into ‘Let’s Spend The Night Together.’  The show also features songs, such as ‘Memory Motel,’ ‘Thief in the Night’ and ‘Jumpin’ Jack Flash.’  The show’s full set list is noted below.

Courtesy: Eagle Rock Entertainment

Bridges To Babylon was released September 29, 1997 through Virgin Records.  The album was certified platinum by the Recording Industry Association of America, peaking at #3.

Along with the main show, Bridges to Bremen will also feature four extra performances that were recorded during the band’s performances at Chicago’s Soldier Field from the same tour.  The band opened its Bridges To Babylon tour in Chicago with two shows on September 23 and 25, 1997.

Courtesy: Interscope Records

Eagle Rock Entertainment’s release of Bridges To Bremen will come a little more than two months after the release of the band’s latest compilation, Honk.  The three-disc collection is set for release April 19 through Interscope Records.

It reaches back to 1971 and all the way up to the band’s 2016 compilation Blue & Lonesome.  The third disc, which is included only in the compilation’s deluxe edition, features 10 live tracks recorded throughout the band’s life.

More information on Bridges To Bremen is available online now along with all of The Rolling Stones’ latest news and more at:

 

Website: http://www.rollingstones.com

Facebook: http://www.facebook.com/therollingstones

Twitter: http://twitter.com/RollingStones

 

More information on Bridges To Bremen and other titles from Eagle Rock Entertainment is available online now at:

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Imagine Dragons Tapped To Headline CFB Championship Halftime

ESPN has announced the halftime entertainment for the College Football National Championship.

Grammy Award-winning band Imagine Dragons will perform at halftime live from Treasure Island at San Francisco Bay.  Network officials made the announcement Monday. Fans with passes to Treasure Island will get in to the show for free. A trailer for the band’s appearance is streaming online now here.

Courtesy: ESPN

According to a news release from ESPN, the band is scheduled to perform a handful of songs from its most recent album Origins.  The band’s performance is just one part of a season-long partnership between ESPN, Interscope Records and Universal Music Group Nashville.That partnership also saw ESPN feature Imagine Dragons’ hit song ‘Natural’ as ESPN’s college football anthem.

This is the second year that ESPN has partnered with Interscope Records for its college football broadcasts.  The network featured Kendrick Lamar as the halftime headliner for last year’s College Football Championship.  Alabama defeated Georgia in overtime in that game, which was watched by 29.9 million viewers, making it the second most watched cable presentation ever.

More information on ESPN’s College Football Championship coverage is available online now along with all of the latest college football headlines at:

 

Website: http://www.espn.com/college-football

Facebook: http://www.facebook.com/CFBonESPN

Twitter: http://twitter.com/espncfb

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

No Tricks Here: Imagine Dragons’ New Live Recording Is Musical Magic

Courtesy:  Eagle Rock Entertainment/Universal Music Group

Courtesy: Eagle Rock Entertainment/Universal Music Group

Imagine Dragons is one of the biggest bands in America today if not the world.  That goes without saying.  Ever since its original formation in 2008 the band has sold millions of albums, earned more than its share of awards and nominations, appeared on any number of TV shows, and entertained audiences the world over.  It even has a brand new single out on the soundtrack to the new romantic dramedy Me Before You.  Even in taking some obviously much-needed time off, the band still isn’t showing any sign of stopping.  That is because this summer the band will release its first official live recording in the form of Smoke & Mirrors Live.  It will be released Friday, June 3rd via Eagle Rock Entertainment.  Whether or not a person is a fan of this Las Vegas, NV-based band’s audiences will agree that this record is one more of 2016’s top new live recordings and yet more proof of why Eagle Rock Entertainment is the leading name in live recordings.  This is proven in part by the concert’s set list.  That will be discussed shortly.  The band’s performance and the overall production are just as important to note in the recording’s presentation as the show’s set list.  The concert’s varied platforms and packaging are just as notable in the recording’s presentation as the set list and overall stage show.  They round out the most notable of the recording’s elements.  Each noted element shows in its own way to be of its own importance to the recording.  Altogether they show clearly why Smoke & Mirrors Live is one of this year’s top new live recordings.  They also show once more why Eagle Rock Entertainment stands tall to this day as the leading name in live recordings today.

Imagine Dragons’ new live recording Smoke + Mirrors Live is one of 2016’s top new live recordings.  It is also more proof as to why Eagle Rock Entertainment stands tall to this day as the leading name in live recordings.  This is proven in part through the concert’s set list.  The concert boasts a total of twenty songs.  Some of those songs stand alone and others are part of mini-medleys.  In all the show’s set list pulls almost evenly from both of the band’s albums so far.  No fewer than seven songs were lifted from the band’s 2012 debut record Night Visions and ten others from Smoke & Mirrors.  The band even included some songs that were included only in certain limited editions of Smoke & Mirrors in the set in the form of ‘Warriors’ and ‘Thief’ alongside a cover of the song ‘Forever Young.’  That covers the show’s twenty total songs.  While the set list does an impressive job of covering the band’s body of work so far, there is a slight issue with the set’s presentation.  The concert’s Blu-ray/CD combo pack features the concert in whole on Blu-ray.  However some of the songs included in the concert’s Blu-ray presentation were omitted in its CD presentation.  What’s more, some of the interludes that are included in the Blu-ray presentation were also omitted from the CD presentation. It is problematic to a point that the noted elements have been omitted from the set’s CD presentation.  But thankfully at least in the Blu-ray/CD combo pack audiences do still get the full set list and concert experience regardless.  Not having the DVD presentation this critic cannot comment on that presentation.  Keeping that in mind the set list still proves to be its own important part of S+M Live’s presentation.  It is not the show’s only important element.  The band’s performance couples with its overall production to form another of the recording’s most important elements.

The set list presented in S+M Live (as it will henceforth be known) is its own important part of the recording’s presentation.  That is because it lifts liberally from both of the band’s current albums including songs that were only available in exclusive limited editions of Smoke + Mirrors.  Even with the set list being abridged–so to speak–in the recording’s CD presentation, placing the CD with the Blu-ray in the Blu-ray/CD combo pack makes up for that and for the omission of the interludes, too.  While the set list ultimately proves important in its own right to the recording’s presentation the band’s performance and stage production are collectively just as important to the recording as the set list.  Front man Dan Reynolds keeps audiences completely entertained both in the concert’s more reserved moments and those that are more fiery.  That is because of the emotion and energy that he exuded in each moment.  Simply put he showed that he was completely involved in the performance.  He wasn’t just phoning it in.  Sadly there are performers who do try to phone it in.  In some cases it works.  In others it obviously doesn’t.  Luckily his is neither case.  His band mates—Wayne Sermon (guitar), Daniel Platzman (drums), and Ben McKee (bass)—along with the rest of the band’s touring members mirror that energy in their own performances.  The collective whole of their performances will keep audiences at home just as entertained as those that were in attendance at the concert’s recording.

On a related note to the band’s performance, the concert’s general stage production plays its own role in the recording’s presentation.  There’s no pyro or seizure-inducing strobes at any point through the show.  Rather, the band utilizes a minimalist set for its show.  There are some monitors that utilize lights within their displays.  But they are really the extent of the show’s “special effects.”  This limits the use of the lights which in turn actually makes them a hugely element in illustrating the mood of each song’s mood.  The lights brighten at all of the right moments and dim in the same fashion. They even change colors at just the right moments in order to help illustrate the songs’ mood.  When they do start pulsating, that action is limited even in those moments.  Simply put the minimalist production used in the band’s stage show proves just as important to the band’s performance as the band’s performance itself.  The two work hand in hand in entertaining audiences and keeping them engaged.  They show in whole that they are indeed just as important to the concert’s presentation as its relatively extensive set list.  They are hardly the last of the recording’s most notable elements.  The concert’s platforms and packaging round out its most notable elements.

The set list presented in Smoke + Mirrors Live is its own important part of the recording’s overall presentation.  That is the case even with the set list varying between the recording’s visual and audio presentation.  The band’s performance and stage production couple for another important part of the recording’s presentation.  That is because they work so well together to entertain audiences with their collective energy.  There is no arguing the importance of each noted element in the recording’s overall presentation.  As important as they are to the whole of the recording they are not the recording’s only important elements.  The varied platforms and packaging of the recording are just as important to its presentation as any of the other noted elements.  In regards to its platforms it is available in the Blu-ray/CD combo pack which is being examined here.  It is also available in a DVD/CD combo pack, standalone DVD and Blu-ray platform, and various digital platforms.  This might not seem like much on the surface.  But in presenting it in all three formats (and each format being “extended”) Eagle Rock and Universal Music have covered all of their bases.  They have essentially reached out to every possible audience group.  This was an extremely wise course of action for all involved.  The recording’s packaging is just as important as its platforms.  That applies primarily to the concert’s physical platforms.  Audiences will note that the packaging for both the DVD/CD combo pack and Blu-ray/CD combo pack is exactly the same.  It presents both halves of the recording in a gatefold packaging.  The discs are each placed on their own spindle in their own respective spot inside the packaging.  This greatly reduces the odds of damage to the case and the discs.  Audiences that are familiar with multi-disc CD packaging will note that many labels today use thin, plates in the middle of a standard sized CD case in order to save space on CD racks.  That does save space.  But as thin as said inserts are, they are very prone to breaking because of their fragility.  The material used for inserts in multi-disc DVD and Blu-ray packaging is more durable, making it smarter for that platform.  Keeping all of this in mind, the packaging used for this (and many other live recordings from Eagle Rock Entertainment) might be bulkier than those from other labels.  But it is more durable and better protects the recordings’ discs.  So to that end, Smoke + Mirrors Live’s packaging proves in the bigger picture to be just as important to its presentation as its set list, stage production and performance by the band.  Each element is equally important in its own right to the recording’s overall presentation.  Even the program’s main menu plays its own part in the concert’s presentation.  Audiences get to see the band prepare for its performance in the recording’s menu.  There are also snippets of said performance played against the menu.  And they aren’t just short, little snippets either.  They are solid samples of each song. Between that and everything else that has been noted audiences get in whole here a recording that audiences in whole will appreciate.  This applies regardless of audiences’ familiarity with the band’s body of work.

Imagine Dragons’ new live recording Smoke + Mirrors Live is a recording that every viewer will appreciate.  This applies regardless of audiences’ familiarity with the band’s body of work.  This is due in part to the recording’s extensive set list.  The band’s performance and its general stage production work together to keep audiences entertained and engaged from beginning to end.  The packaging of both the DVD/CD and Blu-ray/CD combo pack plays its own important part in the recording’s overall presentation, too.  The concert’s main menu proves important to its presentation, too even as minor as it may seem.  Each element is important to the concert’s presentation in its own special way.  Altogether they make Smoke + Mirrors Live a concert that audiences will not only appreciate but will agree is one of 2016’s top new live recordings.  They will agree, too that it proves once more why Eagle Rock Entertainment still stands tall as the leading name in live recordings.  It will be available in stores and online Friday, June 3rd.  More information on this and other titles from Eagle Rock Entertainment is available online at:

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

More information on Smoke + Mirrors Live is available online now along with all of Imagine Dragons’ latest news and more at:

 

 

Website: http://www.imaginedragonsmusic.com

Facebook: http://www.facebook.com/ImagineDragons

Twitter: http://twitter.com/imaginedragons

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Rise Against Announces Dates For Upcoming Tour

Courtesy:  Interscope Records

Courtesy: Interscope Records

Rise Against is hitting the road this summer.

The band is hitting the road in support of its brand new album The Black Market (Interscope Records).  The band’s tour kicks off next Sunday, August 31st at the Made in America Festival in Los Angeles, California.  The first half of the band’s current 24-date tour will see the band play a handful of dates in the Midwest before it makes its way through various dates in California.  The second half of the band’s current tour schedule brings the band to the East Coast after another handful of Midwest dates September 22nd, 23rd, and 24th in Missouri and Ohio.  Rise Against will be joined by Touche Amore and Radkey for its upcoming tour.  The band’s current tour schedule is listed below.

RISE AGAINST
with Touché Amoré and Radkey

Aug 31 Made In America Festival Los Angeles, CA
Sep 06 Riot Fest Toronto, ON
Sep 07 Chill on the Hill Detroit, MI
Sep 09 Myth St. Paul, MN
Sep 11 Aragon Ballroom Chicago, IL
Sep 12 Riot Fest Chicago, IL
Sep 14 Aftershock Festival Sacramento, CA
Sep 16 The Wiltern Los Angeles, CA
Sep 17 The Wiltern Los Angeles, CA
Sep 18 RIMAC Arena La Jolla, CA
Sep 19 Fox Theater Oakland, CA
Sep 21 Riot Fest Denver, CO

Sep 22 Uptown Theater Kansas City, MO
Sep 23 The Pageant St. Louis, MO
Sep 25 Jacobs Pavilion Cleveland, OH
Sep 26 Best Buy Theatre – SOLD OUT New York, NY
Sep 27 The Shindig Festival Baltimore, MD
Sep 29 House of Blues Boston, MA
Sep 30 The Wellmont Theatre Montclair, NJ
Oct 01 Tower Theatre Upper Darby, PA
Oct 03 The Tabernacle Atlanta, GA
Oct 04 House of Blues Orlando, FL
Oct 05 Jannus Live St. Petersburg, FL
Oct 31 Voodoo Music Festival New Orleans, LA

The Black Market debuted at #3on the Billboard Top 200 Albums Chart and at #1 on iTunes’ Alterative Albums Chart.  The album’s lead single, ‘I Don’t Want To Be Here Anymore,’ is currently in the Top 10 at both Alternative and Active Rock radio.  The song is meant to raise awareness about the overwhelming amount of violence in nations around the world from the United States to countries in the Middle East and elsewhere.  It is accompanied by a video that can be viewed now here.

The Black Market is available now in stores and online.  More news from Rise Against including the band’s latest tour updates is available online now at http://www.facebook.com/riseagainst, http://twitter.com/riseagainst, http://www.myspace.com/riseagainst, and http://www.riseagainst.com.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Indie Rapper 13’s Self-Titled Debut Shows He’s As Good As Any Mainstream Rapper

Courtesy:  Goomba Music

Courtesy: Goomba Music

The self-titled debut from Puerto Rican born rapper William Morgan (A.K.A. 13) is the album that fellow rapper Eminem’s fans have wanted ever since the release of his 2004 album, Encore.  The follow-ups in Relapse and Recovery haven’t been met with quite the vigor from fans as his earlier works.  Enter 13, with his brand new self-titled release.  The eleven-song album from the once homeless military veteran is easily compared to music from the likes of Eminem.    If audiences were to hear this record without knowing it was the New York native, they would believe that it was in fact Eminem.  13’s self-titled debut sounds just like Eminem’s music both stylistically and lyrically.  Even 13 himself sounds quite like Mr. Mathers in terms of his voice and rhyming style.  The similarities between the two are inescapable, right from the moment that the album opens. 

The album’s opener, ‘Hi/Hello’ is quite the first introduction of 13 to his audiences.  And it is crafted much as Eminem has done on past records.  Until the moment that he introduces himself officially, letting people know who he is, audiences are led to believe that they are listening to Eminem.  It is said though, that imitation is the sincerest form of flattery.  Eminem would in fact be flattered by the fact that this artist sounds so much like him all the way around.  Thirteen doesn’t let up once throughout the course of the album’s eleven songs.  From one song to the next, each one is hard-hitting in its own way.  One of the hardest hitting of the album’s tracks is the song, ‘Houston We Have a Problem.”  Richy Nix guests on the track.  The song opens with the ominous strains of a piano.  The piano part stays on as 13 raps about his tough upbringing and of his adult life.  The picture he paints is one of a man that has so much turmoil in his life going all the way back to his childhood growing up around drugs and babies born to moms on drugs.  It’s a tough picture to see.  But it is definitely impactful in hearing this.

Just as powerful as ‘Houston We Have a Problem (ft. Richy Nix)’ is the album’s midway point, ‘Alter Ego.’  He writes about finding God despite everything that he has been through in life, and how he wishes he had that American dream of having a child and a wife.  He writes, “Hey what up/My life was never easy/Raised up in the ghetto/You would never wanna be me/I’m a product of an adult something crazy/See me rise up to the top/Then I promise/Best believe me/something I never know/Is why society is so cold….I had to slowly realize/That my pain is why I rise/Once I reach up to the top/Then I push the pain aside/What a life, what a life/Oh man, what a life/All I really want/A couple kids and a wife/That’s alright/It’s a battle/It’s a fight/Imma fight with all my might…forever hold on tight.”  As ominous as the song sounds, musically, it’s really quite the uplifting and inspiring piece that many people will understand and appreciate in their own way.  And it’s just one more part of what makes this album one that any hardcore rap fan will appreciate in whole.

Audiences will appreciate 13’s songs both for their music and for their hard-hitting lyrics.  There is not one bad song throughout the course of the album.  The music isn’t all that audiences will appreciate from this record.  The album’s production values are what make the music sound so good.  The mix of the piano parts, the occasional guitars and the beats is a very good touch.  No one part overpowers the other at any point throughout the album.  The same can be said of the vocals.  They are just as well balanced with the album’s other elements.  They all work together to make this an album that any purist rap fan will enjoy.  It serves to prove that just as with the world of rock music, indie rappers can be just as good as the big names.  13’s new self-titled debut is available now.  It can be downloaded via iTunes at https://itunes.apple.com/us/album/thirteen/id667109934.  And fans can keep up with the latest from 13 online at http://www.facebook.com/13isgodsend and http://newyork13.com

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.