Eagle Rock, The Who Shine Again With Band’s Latest Live Recording

Courtesy: Eagle Rock Entertainment

Veteran rock band The Who’s latest live recording Live at the Isle of Wight Festival 2004 is one of this year’s top new live recordings.  The concert, originally recorded June 11, 2004 during the band’s headlining performance of the festivals’ second night, this recording is yet another standout performance from one of the greatest names in the musical universe today.  That is evidenced in part through the concert’s 23-song set list.  This will be discussed shortly.  The band’s performance of said set list is just as important to discuss in examining this recording’s overall presentation, as the set list itself.  It will be discussed later.  The recording’s companion booklet rounds out its most important elements.  Each element is important in its own way to the recording’s overall presentation.  All things considered, this latest live offering from The Who proves, once again, to be one of this year’s top new live recordings.

The Who’s latest live recording Live at the Isle of Wight Festival 2004 is one of this year’s top new live recordings.  That is due in part to the recording’s extensive set list.  The 23-song set list is important to note for a variety of reasons beginning with its featured songs.  The songs featured in this concert’s set list set it distinctly apart from the band’s 2015 live recording Live at Hyde Park (which like this recording, was also released via Eagle Rock Entertainment).  Some of the songs in the two concerts’ set lists are the same.  However, almost half of the songs featured in the Isle of Wight concert recording (nine songs in total), are not featured in the band’s Hyde Park concert recording.  This is important to note because it gives the Isle of Wight Festival’s set list its own identity separate from that of the Hyde Park Show.  More simply put, it means that this set list isn’t just a carbon copy of that previous set list, which will make any audience happy.

On a secondary level, the concert’s set list is important to note due to its sequencing.  Thanks to the thought put into the set’s sequencing, the music’s energy rises and falls at all of the right points from start to finish.  That is evident early on in the concert’s two-hour-plus (132 minutes total) run time.  The concert starts off with full-on fire and energy, with that energy flowing through the set’s first four songs.  Things slow down a little bit from there as the band moves into ‘Behind Blue Eyes’ before picking back up again in ‘Bargain.’  The song’s finale gradually slows down just enough to let audiences rest before the band launches into the much higher-energy ‘Baba O’Reily.’  The set’s energy stays relatively high from there as the band works through ‘The Punk and the Godfather’ and ‘5:15’ before pulling back for a little while in ‘Love Reign O’er Me,’ ‘Eminence Front,’ ‘Drowned’ and ‘Naked Eye.’  The solid sequencing and energy continues from there throughout the second half of the show, ensuring audiences’ continued engagement and entertainment.

On yet another level, audiences will be pleased to note that the set list presented in this concert is exactly the same both on DVD/BD as on CD.  This is important to note because it was not the case in the Hyde Park performance recording.  In the case of that recording, the set lists were slightly different between the DVD/BD side and CD side.  Some of the songs included in the set list in that concert’s BD/DVD side were set aside in the CD side as “bonus tracks,” essentially breaking up the set for whatever reason.  Luckily that wasn’t the case with this presentation.  The set list for the Isle of Wight Festival concert is the same on both sides, maintaining a certain sense of continuity between the two sides.  Considering this, it is one more way in which the recording’s set list proves to be integral to the recording’s overall presentation. Together with the songs themselves and their sequencing the three elements show in full why the concert’s set list is so important to the recording’s overall presentation.  Even with this in mind, it should be noted that the set list is not the only important piece of the recording’s whole.  The band’s performance thereof is just as important to note as the set list.

The set list featured in Live at the Isle of Wight Festival 2004 is clearly an important piece of this recording’s overall presentation, as has already been pointed out.  It is not the recording’s only important element, though.  The band’s performance of the set list is just as important to discuss in examining the recording’s overall presentation as the set list.  Watching this concert, it is obvious that founding members Roger Daltry and Pete Townshend were both at least in their 50s if not their 60s.  Yet neither man showed his age by any means.  Rather both men performed with the fire that made them fan favorites in their youth.  That includes not only the men’s performances of the songs but their interactions with the audience between songs.  At one point, Townshend makes a joke about the sound not being turned up loud enough, referencing the old adage that if it’s too loud, you’re too old.  At another point, he makes a joke about the age of the band’s audience, and how many were probably conceived at the band’s last Isle of Wight performance in 1970.  Apparently Townshend, for whatever reason, served as the band’s mouthpiece between songs, saving the singing largely for Daltry, even though Townshend does get his moments in the spotlight. Staying on that train of thought, it should be noted that there is a little bit of foul language used between some of the songs, so viewer discretion is advised.  Even with that in mind, the foul language is kept to a minimum, so it isn’t too bad.  That being the case, the performances by Townshend and Daltry couples with those of their fellow musicians—Simon Townshend (guitars,vocals), Pino Palladino (bass), Zak Starkey (drums) and John Bundrick (keyboards)—to make for a performance from start to finish that will keep audiences completely entertained and engaged thanks to their collective energies.  Considering that, it becomes clear why the band’s performance of the set list is so critical to the recording’s overall presentation.  It is still not the last of the elements to be noted.  The recording’s companion booklet rounds out its most important elements.

The set list featured in The Who’s latest live recording and the band’s performance of that set list are both critical to the recording’s overall presentation, as has already been noted.  While both elements are clearly important to the recording’s whole, they are not its only important elements.  The recording’s companion booklet rounds out its most important elements.  The booklet is so important to discuss because of the history that it provides audiences.  Audiences learn through Matt Kent’s liner notes that this festival performance marked the band’s first festival performance since it performed at Live Aid in 1985.  They also discover that only two years prior, the band had lost fellow founding member, bassist John Entwhistle, and what followed.  Other highlights are noted in those liner notes, setting the stage (no pun intended) for the performance contained within this set, along with lots more history that audiences will enjoy learning.  Keeping this in mind, the information provided within the pages of the recording’s companion booklet proves to be just as integral to the concert’s overall experience as the concert’s set list and the band’s performance thereof.  Considering all of this, it becomes fully clear that each element is critical to the recording.  Of course there is still far more that could be noted including the recording’s production values (which are impressive in their own right), editing and more to evaluate the recording’s whole.  Those elements solidify even more the recording’s place in this year’s list of top new live recordings, and a piece that any fan of The Who should have in his or her own music library.

The Who: Live at the Isle of Wight Festival 2004, is one of this year’s top new live recordings.  That is evident through so many elements.  From the set list to the band’s performance thereof to the recording’s companion booklet and even the concert’s production values and editing, so many elements serve to support that statement.  Considering this (and even the concert’s availability on so many platforms and its average price point), this recording proves in whole that it deserves a spot on any critic’s list of the year’s top new live recordings and why it deserves that spot.  It proves, too, to be a recording that any fan of The Who should have in his or her music library.  It is available now in stores and online.  More information on Live at the Isle of Wight Festival 2004 is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://www.thewho.com

Facebook: http://www.facebook.com/thewho

Twitter: http://twitter.com/thewho

 

 

 

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The Who To Release New Live Recording

Courtesy: Eagle Rock Entertainment

Legendary rock band The Who is getting a jump start on the annual summer concert festival season with a new live recording this June.

The band will release its new live recording Live at the Isle of Wight Festival 2004 on Friday, June 2.  The recording will be released on DVD + 2CD, Blu-Ray + 2CD, and digital formats. Audiences can see a clip of the band performing ‘Naked Eye’ here.

The band’s 2004 performance at the festival marked the first time since 1970 that the band had performed at the festival.  The band’s performance was especially important because it was part of the band’s first live UK tour since the death of bassist and founding member John Entwhistle.  Pino Palladino handled bass duties during the performance and the band’s other 2004 UK dates.

The concert’s 21-song set features a variety of The Who’s greatest hits including but not limited to: ‘Baba O’Reily,’ ‘Substitute,’ ‘Won’t Get Fooled Again,’ ‘You Better You Bet,’ ‘I Can’t Explain,’ ‘Pinball Wizard,’ ‘Who Are You,’ ‘My Generation,’ and ‘Magic Bus.’  The concert’s full set list is noted below.

 

TRACK LISTING

  • 1) I Can’t Explain
  • 2) Substitute

    3) Anyway, Anyhow, Anywhere

    4) Who Are You

    5) Behind Blue Eyes

    6) Bargain

    7) Baba O’Riley

    8) The Punk And The Godfather

    9) 5:15

    10) Love, Reign O’er Me

    11) Eminence Front

    12) Drowned

    13) Naked Eye

    14) Real Good Looking Boy

    15) You Better You Bet

    16) My Generation

    17) Old Red Wine

    18) Won’t Get Fooled Again

    19) Medley: Pinball Wizard / Amazing Journey / Sparks

    20) Medley: See Me, Feel Me / Listening To You

    21) Magic Bus

Live at the Isle of Wight Festival 2004 Blu-ray + 2CD combo pack will retail for MSRP of $29.98 and the DVD + 2CD combo pack for $24.98.  More information on Live at the Isle of Wight Festival is available online now along with all of the band’s latest news and more at:

 

Website: http://www.thewho.com

Facebook: http://www.facebook.com/thewho

Twitter: http://twitter.com/thewho

 

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

Website: http://www.eagle-rock.com

Facebook: http://www.EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

ELP Double Disc CD Set Is A Solid Final Entry For Band’s ’97 Montreux Show

Courtesy:  Eagle Rock Entertainment/Montreux Sounds

Courtesy: Eagle Rock Entertainment/Montreux Sounds

Nearly nine years ago, Eagle Rock Entertainment struck a deal with Montreux Sounds that since that time has led to the release of innumerable concerts from the famed festival’s decades-long history.  That number includes performances from acts across the musical spectrum and years.  One of the earliest of those releases came on November 16th, 2004 in the form of Emerson, Lake & Palmers (ELP as the band is also known) performance at the 1997 Montreux Jazz Festival.  It was released on DVD.  Six years after its release, the concert was re-issued on Blu-ray by Eagle Rock Entertainment.  Now almost eleven years after the release of that first DVD, Eagle Rock Entertainment has finally finished it off with the release of the concert in question on a double-disc CD set.  The very fact that the concert has finally been released in an audio-only presentation is the central reason that it proves to be one that any ELP fan will appreciate.  That will be discussed at more length shortly.  The show’s set list is another reason that ELP fans everywhere will appreciate this new release/re-issue.  It features some of the band’s biggest hits to date over the course of thirteen tracks and roughly hour and a half run time.  Last but hardly least of note to this recording’s positives is its liner notes.  The recording’s liner notes were penned by the members of the band themselves versus by an outsider.  This adds a certain extra enjoyment to the recording as it gives the band members’ own thoughts as opposed to personal thoughts and suppositions from any outside sources.  That final element set against the show’s set list (and the band’s performance by connection), and the recording’s platform makes it one welcome piece for any ELP fan’s collection regardless of whether or not he or she already owns the performance in either of its previous releases.  All three elements together also show once again why Eagle Rock Entertainment remains today the leading name in live recordings.

Earlier this month, Eagle Rock Entertainment released ELP’s classic 1997 performance at the famed Montreux Jazz Festival.  The performance, released on a double-disc CD platform, marks the third time that performance has seen the light of day.  It was originally released on DVD almost eleven years ago by Eagle Rock Entertainment.  Its second release, roughly five years ago, was on Blu-ray also via Eagle Rock Entertainment.  Now, with its release earlier this month on 2 CD set Eagle Rock Entertainment it would seem that Eagle Rock has finally completed releasing the concert on each of its platforms.  To the untrained eye (and ear) this is not very significant.  However the reality is far different.  Ever since Eagle Rock and Montreux Sounds first partnered to release the innumerable performances from the famed festival Eagle Rock has gone on to make a habit of releasing each recording on its multiple formats at once instead of making audiences wait.  That is a big change in comparison to the company’s earliest recordings, this recording included.  While it likely is not the last of the companies’ earlier recordings that have needed to be finished off, it is nice to know that both companies have strived to keep from making audiences wait since then.  It’s just one way in which this new release/re-issue shows itself to be such a welcome recording for ELP’s fans and one more example of why Eagle Rock Entertainment remains today the leading name in live recordings.  The show’s set list and the band’s performance of said set list is just as important to its overall enjoyment and success as its audio-only presentation.

The set list featured in this presentation of ELP’s ’97 Montreux show and the band’s performance thereof are just as important to the presentation’s enjoyment and success as its presentation.  The central reason for this is that the set list is the same as in the concert’s previous pair of releases going all the way back to its original DVD release in 2004.  This is so important because despite what some might believe there are some companies out there that will and do present the same concert with set lists that vary from one platform to the other.  It’s sad but true.  The variances commonly appear in the set lists’ orders.  In other cases, songs have in fact been known to be deleted depending on the platform and recording.  Luckily that hasn’t happened here nor has the set list’s order been altered.  The band’s performance of the show’s songs is just as important as the set list itself.  From beginning to end of the show’s roughly ninety-minute run time the band gives its all, keeping listeners engaged and entertained.  This is the case even in the show’s longer pieces, one of which runs just short of the twenty-minute mark.  The band keeps listeners so entertained that they will not even realize that so much time has passed by the show’s end.  It is yet another reason that this latest release of ELP’s classic Montreux show proves to be as enjoyable as the concert’s previous releases.  In simpler terms, it proves even more through its set list and the band’s performance of said set list to be one more welcome piece for any ELP fan.

ELP’s newly re-issued ’97 Montreux show proves through its very presentation on double-disc DC set to be a welcome addition to any ELP fan’s personal collection.  This is regardless of whether or not fans already own the concert in its previous DVD and Blu-ray presentations.  The fact that the set list from the concert’s original presentation has been held in tact here makes it all the more impressive.  The band’s performance of said songs adds a whole extra level of enjoyment to this recording for ELP’s fans.  While all of the recording’s noted elements do plenty to make it enjoyable for ELP fans of all ages, they are not the only factors that make it such a worthwhile addition to any ELP fan’s collection.  The liner notes included in the recording’s companion booklet add even more reason for the band’s fans.  That is because all three of the band’s members share their own thoughts on the group’s performance at the festival as well as on its founder Claud Nobs and the town of Montreux.  The trio’s sentiments in regards to Nobs are deeply moving in their respect for him.  All three men also paint a picture of the town of Montreux as something right out of a classical work of art.  All of the descriptions are of a town that during most of the year is a sleepy little hollow that is a dream come true for anyone wanting an escape from the hustle and bustle of city life.  But during the annual festival time things really ramp up.  It’s such an interesting juxtaposition to see in one’s own mind.  On a separate but related note, writer Michael Heatley notes ahead of the band members’ own thoughts a brief but concise history of the band’s rise to fame and eventual inclusion at the Montreux Festival.  Audiences that might not be so familiar with the band’s history will be interested to learn that ELP actually got its start at the 1970 Isle of Wight Festival.  Ironically enough, Eagle Rock Entertainment just recently released what would be the last major concert by Rory Gallagher and his band mates in Taste at that same festival on Blu-ray and DVD.  Even more interesting is that where ELP got its start would be the last major mark for one Jimi Hendrix before his untimely death only weeks later.  It’s an interesting six degrees of separation to consider that makes this addition to the recording’s liner notes that much more important to the whole of its presentation.  One can’t help but stop in considering this to think for a moment:  the very festival and year where ELP got its start (according to Heatley) is the same festival that essentially was the last blast for two other acts’ careers.  Together with the concert’s presentation here in a double-disc CD platform and the show’s set alongside the band’s performance of said set, the whole of these elements completes the recording and shows once and for all why any ELP fan will want to have this potentially final installment from the band’s ’97 Montreux show in his or her own home music library.

ELP’s newly released double-disc CD presentation of its performance at the 1997 Montreux Jazz Festival is more than likely the final installment of said performance from the legendary progressive rock band.  That is because the concert has already been released both on DVD and Blu-ray previously in separate years.  That being the case, the CD set’s release this summer in itself is reason enough for the band’s fans to add it to their own home music libraries.  This applies both to those with the concert’s previous releases and those without.  The fact that the set list was kept intact in its presentation makes the recording even more enjoyable. Add in an equally solid performance from the band from start to finish and some rather insightful liner notes in the recording’s companion booklet and ELP fans get one more presentation of its 1997 Montreux show that each will agree is a completely welcome addition to their own personal music library. Fans will be happy to know considering all of this that Emerson, Lake & Palmer: Live at Montreux 1997 is available no in stores and online in its new double-disc CD presentation. More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Taste: Live At The Isle Of Wight Is A Shining Diamond In The Rough

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment is the leading name in live recordings. That is already a well-known fact. That is not just because of the extensive list of acts whose recordings it has released over the years but also because of the quality of said recordings. While that list of recordings is extensive, most of the recordings in question released over the years have been from the biggest names in the music industry. They have not necessarily featured lesser known acts. But earlier this month Eagle Rock changed that when it dug up a hidden gem in the form of Taste: What’s Going On—Live at the Isle of Wight. Taste has never been among music’s (or more specifically rock’s) elite. But that takes nothing away from the Irish trio’s music. Now thanks to the efforts of those at Eagle Rock Entertainment a whole new generation of audiences will discover the joy that is Taste in this new recording. The central element that makes Taste: What’s Going On—Live at the Isle of Wight such a wonderful new recording is its introductory history lesson on Taste. The lesson in question gives a thorough background on the band and its place in rock’s history as well as the importance of its performance at the Isle of Wight Festival. Staying on that note, the companion booklet included with the recording adds even more background on the band and festival, making the recording in whole that much more enjoyable for viewers. And that is still not all that can be noted that makes this recording so impressive. The performance at the heart of the recording translates just as well decades after it was first held as it did for audiences that were in attendance at the original show. By direct connection, the recording’s production values are just as impressive as the performance itself. They are the finishing touch to the presentation. Together with each of the previously noted elements, it shows once more why Eagle Rock Entertainment remains the leading name in live recordings and why the recording in whole is one more welcome addition to this year’s crop of live recordings.

Taste: What’s Going On—Live at the Isle of Wight is one of the most surprising and welcome additions to this year’s rich field of live recording offerings. That is especially the case being that unlike so many other live recordings released by Eagle Rock over the years, this recording comes from a decidedly unknown act. Thanks to the inclusion of an introductory history lesson on the band, fronted by famed guitarist Rory Gallagher, audiences of all ages get a good introduction to the band and its importance to the music community both in its heyday and in the modern history of the music industry. The history lesson in question even features Taste’s former drummer John Wilson and one of the band’s managers discussing the band’s history and its performance at the famed festival. Speaking of managers, there is a short discussion on the band’s financial situation leading to said manager change as well as discussions on the importance of the band in comparison to the likes of Jimi Hendrix (who just happened to also be one of the performers at the Isle of Wight festival) and other more well-known acts. Viewers will be surprised to hear the likes of U2’s The Edge and other well-known names singing the praises of Taste, discussing the band’s place in the music industry’s history and its importance in comparison to its more well-known counterparts. These and other discussions featured throughout the presentation’s introductory segment form a solid foundation for the recording and show in themselves why they are collectively an important part of the recording’s whole. They are just one part of the recording that viewers will enjoy, too regardless of viewers’ familiarity with Taste and its body of work.

The history lesson presented ahead of Taste’s performance at the Isle of Wight Festival forms a solid foundation for the whole of Taste: What’s Going On—Live at the Isle of Wight. That foundation is strengthened even more through the companion booklet included with the recording. It picks up right where the presentation’s video bio left off with even more information to set the stage (no pun intended) for the featured performance. One of the most interesting pieces of information included in the booklet is that the band was actually late to the stage because the festival, which started out as a ticketed event, became a virtual free for all as so many people showed up for the event. Just as interesting is the note about Jimi Hendrix telling an interviewer to ask Rory how it felt to be the world’s greatest guitarist because he himself didn’t know. Of course that humility was the norm for Hendrix as he was very much the standard anti-rock star persona. But that the future legend would even throw such credit in Gallagher’s direction says quite a bit about the respect that even others far more well-known than himself had for him as a musician and person. It is quite the telling statement. There is also a more specific explanation of what exactly led to the tension between the band and its manager, and their subsequent split from him. These are just a handful of examples of the importance of this recording’s companion booklet. There is far more history provided in the booklet including a more thorough history of the band’s formation and additional information about the band’s performance at the Isle of Wight not included in the primary video history lesson featured on disc courtesy of Garth Cartwright. The combination of the booklet’s history lesson and that of the disc’s video history lesson makes both elements together an all too important part of this presentation’s whole. That is especially the case considering the relative obscurity of Taste both then and now among audiences. Of course noting both historical elements is only scratching the surface of what makes this latest recording from Eagle Rock Entertainment so important. One would be remiss to ignore the recording’s central focus, the band’s performance.

The history lesson provided both on disc and on paper in Taste’s new live recording sets a solid foundation for audiences before they take in the concert at the heart of the presentation. The concert in question is just as enjoyable as the history lesson preceding the concert. While the concert is composed of only seven songs, those songs will keep any classic rock aficionado fully engaged. As Cartwright notes in the concert’s companion booklet, the trio’s performance was truly something special even for that time. From the adrenaline-fueled opener after which this recording is named to the solid blues tones of ‘Gambling Blues’ to ‘Same Old Story’ and the show’s final number ‘Catfish Blues’ the band proves with this performance that had its members not allowed their tensions to get the better of them, it might have indeed gone on to become one of rock’s elite. Alas that wasn’t to be. But thankfully audiences have this concert to remind them of the greatness that could have been. It is one more way in which this presentation shows itself to be such a surprising and welcome diamond in the rough from Eagle Rock Entertainment and why Eagle Rock Entertainment is, again, the leading name in live recordings.

The concert that lies at the heart of Taste: What’s Going On–Live at the Isle of Wight is a very important element in the enjoyment and overall success of this recording. When coupled with its dual-part history lesson, the recording in whole shows even more why it is such an outstanding new release from Eagle Rock Entertainment. For all of the value of the presentation’s noted elements none of them would be of any significance without the concert’s surprisingly impressive production values. Being that the concert was originally recorded some forty-five years ago, the footage has stood the test of time quite well. The grainy look of the footage is still there. But it obvious that it has been re-mastered. The fact that those charged with restoring the footage maintained that balance between old and new so expertly speaks volumes about their efforts. The same can be said of the recording’s audio mix. It is clear that the audio was as painstakingly handled as its footage. The result here is a performance that sounds and looks just as good today as it did almost five decades ago. Together with its two-part history lesson and the concert itself, the whole of Taste: What’s Going On–Live at the Isle of Wight proves again exactly why it is one more of this year’s best new archived live concert recordings and one more reason that Eagle Rock Entertainment remains today the leading name in live recordings.

Taste: What’s Going On–Live at the Isle of Wight is a surprising release from Eagle Rock Entertainment. That is because those familiar with the company’s history of live recordings know most of them to be from far more well-known acts. But in discovering this far lesser-known act in this concert, audiences will agree that Taste deserves far more respect today than it got so many decades ago. They will also agree in watching this recording that it serves as a solid, enjoyable introduction to Taste for said audiences. That is thanks primarily to its rich, in-depth history lesson, which serves as the recording’s foundation. The performance itself will make that introduction all the more enjoyable for viewers. And of course thanks to the efforts of all involved with the concert’s production values past and present, the concert looks and sounds just as good today as it did decades ago. All things considered, Taste: What’s Going on–Live at the Isle of Wight proves in the end to be not just a surprising new release from Eagle Rock Entertainment but a surprisingly entertaining recording. It also proves once more why Eagle Rock Entertainment remains today the leading name in live recordings. It is available now in stores and online. More information on this and other titles from Eagle Rock Entertainment is available online now at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment To Release Taste’s Final Live Show This Fall

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment announced today that it will release a “delectable” new archived live concert recording from the famed rock band Taste this fall.

Eagle Rock Entertainment will release What’s Going On – Live at the Isle of Wight Festival 1970 on Friday, September 18th. The concert recording, originally shot by Academy Award® winner Murray Lerner, was restored from its original 16mm film and even had its sound remixed for its upcoming presentation. It will be available on a number of platforms including: DVD, Blu-Ray, double-disc LP set for vinyl fans, and digital formats. The DVD wil retail for MSRP of $14.98, Blu-ray for $19.98, CD for $13.98, and double-disc vinyl LP set for $34.98.

The concert presented in What’s Going On – Live at the Isle of Wight Festival 1970 presents the story of the famed Irish band, formed in 1966 by equally noted multi-talented musician and songwriter Rory Gallagher. The recording is especially important as it would be the last time that the band would perform together in its short time together. Before performing at the festival, Taste released only two full-length albums—its self-titled debut release in 1969 and its follow-up On The Boards (1970). Those albums are being included in a companion box set titled I’ll Remember, which will be released via Universal Music Group on August 28th. Both albums have been re-mastered and include their own bonus tracks. Also included in the box set will be previously unreleased live concert recordings from Stockholm’s Konserthuset, The BBC and Woburn Abbey Festival and demos of both the band’s previously released and un-released material.

The track listing for What’s Going On – Live at the Isle of Wight Festival 1970 includes all of the songs featured in the concert’s original 1971 Polydor LP as well as bonus tracks for true hardcore fans of Taste. There will also be a trio of songs from the German TV series Beat Club. Those songs are: ‘If The Day Was Any Longer,’ ‘It’s Happened Before, It’ll Happen Again,’ and ‘Morning Sun.’ If that isn’t enough for fans, Eagle Rock Entertainment has also included music videos for the songs ‘I’ll Remember,’ ‘What’s Going On,’ and ‘Born on the Wrong Side of Time.’ Audiences can check out the band’s performance of ‘What’s Going On’ right now online via YouTube at https://www.youtube.com/watch?v=mOo_Zi1W2iE&feature=youtu.be.   It is just one of the performances included in the recording. Speaking of those performances, the complete track listing for the concert in each of its platforms is noted below.

TRACK LISTING DVD / Blu-Ray

1) What’s Going On

2) Sugar Mama

3) Morning Sun

4) Gambling Blues

5) Sinner Boy

6) Same Old Story

7) Catfish Blues

8) I Feel So Good

TRACK LISTING CD / 2LP

1) What’s Going On

2) Sugar Mama

3) Morning Sun

4) Gambling Blues

5) Sinner Boy

6) I’ll Remember

7) I Feel So Good

8) Catfish Blues

9) Same Old Story

10) Blister On The Moon

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

Website: http://www.eagle-rock.com

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Experience Hendrix, Legacy Announce New Hendrix Live Recording

Courtesy:  Experience Hendrix, LLC/Legacy Recordings

Courtesy: Experience Hendrix, LLC/Legacy Recordings

Officials with Experience Hendrix, LLC and Legacy Recordings announced Tuesday that the companies will release one of the last live performances of Jimi Hendrix’s career next month.

Blue Wild Angel: Jimi Hendrix Live at the Isle of Wight will be released on Tuesday, June 17th on DVD and Blu-ray. The recording captures what would be his last full performance before his death eighteen days later on September 18th, 1970. His last live performance before his death was an impromptu set at Ronnie Scott’s Jazz Club in Soho less than a month later. The concert presented on Blue Wild Angel: Jimi Hendrix Live at the Isle of Wight documents Hendrix’s headlining performance at the hugely revered festival on August 31st 1970. Hendrix performed to an audience of 600,000 at the festival. It was the largest audience before which he had ever performed. It was also the first time that his new band, rounded out by bassist Billy Cox and drummer Mitch Mitchell, had played together in the UK.

The concert’s presentation on both DVD and Blu-ray will contain the same features including new footage of ‘Hey Joe’ that was not part of the concert recording’s original release. There is also a bonus interview with director Murray Lerner, reproductions of the original Isle of Wight Festival tickets, festival posters and even a copy of Hendrix’s own hand-written directions to the festival. The recording features both a stereo sound mix and ad 5.1 audio surround sound track mixed by Eddie Kramer. Eddie Kramer was Jimi Hendrix’s original recording engineer. The complete track listing for Blue Wild Angel: Jimi Hendrix Live at the Isle of Wight is noted below.

TRACKLIST

  1.      Blue Wild Angel: Jimi Hendrix Live At The Isle Of Wight (Main Film) (Live At The Isle Of Wight)
  2.      Introduction (Live At The Isle Of Wight)
  3.      God Save The Queen (Live At The Isle Of Wight)
  4.      Sgt. Pepper’s Lonely Hearts Club Band (Live At The Isle Of Wight)
  5.      Spanish Castle Magic (Live At The Isle Of Wight)
  6.      All Along The Watchtower (Live At The Isle Of Wight)
  7.      Machine Gun (Live At The Isle Of Wight)
  8.      Lover Man (Live At The Isle Of Wight)
  9.      Freedom (Live At The Isle Of Wight)
  10.  Red House (Live At The Isle Of Wight)
  11.  Dolly Dagger (Live At The Isle Of Wight)
  12.  Foxey Lady (Live At The Isle Of Wight)
  13.  Message To Love (Live At The Isle Of Wight)
  14.  Ezy Ryder (Live At The Isle Of Wight)
  15.  Purple Haze (Live At The Isle Of Wight)
  16.  Voodoo Child (Slight Return) (Live At The Isle Of Wight)
  17.  In From The Storm (Live At The Isle Of Wight)
  18.  Credits (Live At The Isle Of Wight)

Blue Wild Angel: Jimi Hendrix Live at the Isle of Wight will be available Tuesday, June 17th. It can be pre-ordered online now via Amazon at http://www.amazon.com/gp/product/B00JGD0TGC/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00JGD0TGC&linkCode=as2&tag=legacy_recordings-20&linkId=ZIHQ4HIRI22HXDGE. More information on this and other Jimi Hendrix recordings is available online at http://www.facebook.com/JimiHendrix and http://www.jimihendrix.com. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.