Beck’s New Live CD Is A Welcome Addition To Any Fan’s Collection

Courtesy:  ATCO/Rhino Records

Courtesy: ATCO/Rhino Records

Later this month, veteran guitarist Jeff Beck will release a brand new live recording titled Live+. The recording, which will be released only on CD, will be released on Tuesday, May 19th. The disc is a great new collection of live performances for audiences of all ages. The main reason for this is the list of songs that make up the disc’s sixteen total tracks. The disc’s body is composed of fourteen live tracks and two brand new studio tracks. The live tracks include both Beck’s own originals and some cover tunes that audiences of all ages will recognize and enjoy. The work of those charged with handling the record’s sequencing is just as much worth noting. The songs featured on this record come from a number of shows held during Back’s 2014 tour with ZZ Top. Despite this, they weren’t just tossed around haphazardly. Rather they were placed in a specific order that guarantees audiences will remain just as engaged as if they all came from one single performance. Having noted this, there is one more positive that can be noted of Live+. That last positive is the disc’s overall audio mix. Every little nuance of the performances is captured thanks to the work of those responsible for handling both the original concert audio and those charged with balancing said levels in the disc’s “post-production.” Taking into consideration all three elements noted here, Live+ proves itself to be another good addition to any Jeff Beck fan’s music library even if it is available only via CD and digital download.

Live+ is a good addition to any Jeff Beck fan’s music library. This is the case even with the collection of live performances being available mainly via CD and digital download. The reason that it proves itself worth the addition is the list of songs that makes up the body of the record. The record is composed of sixteen tracks. Fourteen of those tracks are live tracks and two are brand new studio recordings from Beck. In listening to the fourteen live performances that make up most of this record, audiences will appreciate that it includes both familiar originals from Beck and some familiar songs from other artists, too. The covers include Jimi Hendrix’s ‘Little Wing,’ ‘Sam Cooke’s ‘A Change is Gonna Come,’ ‘Mahavishnu Orchestra’s ‘You Know You Know,’ and a pair of tunes from The Beatles in the form of ‘A Day in The Life’ and ‘Hammerhead.’ There’s even an interesting take on the traditional song ‘Danny Boy.’ and an impressive take on Stevie Wonder’s hit song ‘Superstition.’ The original songs from Beck that were included across the disc include: ‘Morning Dew,’ ‘Big Block,’ ‘Why Give It Away,’ and ‘Loaded’ are just some of Beck’s originals featured throughout the record. Some might ask what this is important to the whole of the record. It is important in that it shows Beck’s versatility. It shows that along with handling his own works with just as much ease as ever, he has a certain respect for music and musicians across the musical universe. Those that are familiar with all of the songs featured here will second that sentiment while those that might be new to both Beck’s originals and the covers he handles will agree just as much as they discover both for the first time ever.

The songs that are included across the body of Live+ are in themselves key to the record’s enjoyment. That is because they put on display Beck’s versatility as a musician as well as his respect for other musicians and musical acts across the musical universe. On a related note, the work of those charged with handling the sequencing of the songs are to be commended. Their work makes the overall listening experience through each song all the more enjoyable. As audiences will note, from song to song, those charged with handling the record’s sequencing never stick to just one style of song. The more energetic, up-tempo songs are complemented quite well by their slower, more reserved counterparts from beginning to end. As inconsequential as this may seem, it is extremely important. It is especially important in the realm of live recordings. Musical acts assemble set lists that will keep their audiences fully engaged at the actual concerts that they hold. This compilation of live performances was set up in much the same fashion even being compiled from a number of live sets. It is a tribute to their efforts and attention to such an important detail along with that of Beck himself. It’s one more reason audiences will agree that Live+ is another good addition to any Jeff Beck fan’s personal music library.

Both the set list that makes up the body of Live+ and the work of those charged with handling the sequencing of said songs are important to the whole of the recording in their own right. Neither would be of any consequence without the work of those charged with handling the performances’ audio. This includes both those that handled the audio at Beck’s performances with ZZ Top last year and those that handled the audio levels in “post-production.” That is those that handled the audio levels in preparation for the recording’s release. It’s thanks to their work that singer Jimmy Hall blows audiences away with his powerhouse vocals. It is thanks to them that Becks work shines through just as much both during his time in the limelight and as a member of the musical collective on stage. Even more impressive is that throughout the course of the record’s live performances, every part is balanced with the utmost expertise. This includes not only Hall’s vocal talents and Beck’s talents on guitar, but the talents of their band mates–Jonathan Joseph (drums), Rhonda Smith (bass), and Nicholas Meier (guitar)–too. No one part overpowers the other at any point throughout the performances. The end result is a collection of performances that once more proves itself another worthy addition to any Jeff Beck fan’s personal music library.

Jeff Beck’s new live recording Live+ shows plenty of reason for his fans to add this recording to their personal music libraries when it is released this month. The mix of original songs and covers shows both Beck and his band mates as quite the versatile group of musicians. It shows them as musicians that are not only greatly talented but that have great respect for other equally renowned acts. The work of those charged with sequencing the various performances is just as noteworthy. That is because the mood of the recording’s live songs doesn’t stick to just one style. The more energetic, up-tempo pieces are expertly complemented by more laid back, reserved pieces from beginning to end. The end result of that expert balance is a collection of performances that will keep audiences fully engaged from the collection’s first performance to its fourteenth. The work of those charged with handling the performances’ audio both in their live setting and in post production have made Live+ enjoyable, too. It is thanks to the work of those individuals that the performances sound so good from beginning to end. That element taken into consideration with the compilation’s set list and the work of those that assembled said set list proves Live+ in the long run to be a live recording that every Jeff Beck fan will want to add to their personal music library. That isn’t to ignore the record’s two new studio recordings, either. They add even more enjoyment to the record. Having noted all of this it can be said with certainty that Jeff Beck’s upcoming live CD Live+ deserves a spot on any critic’s list of the year’s top new live CDs.

Jeff Beck is currently wrapping up a handful of makeup dates with ZZ Top that were previously postponed last year. The dates in question were postponed due to an injury sustained by ZZ Top bassist Dusty Hill. The last of those dates is tomorrow, May 10th. After that date, Beck will embark on a nine-date solo tour that kicks off next Tuesday, May 12th in Louisville, KY. That schedule is listed below.

Jeff Beck Newly Added Solo Dates – on sale dates noted:

May 12 The Kentucky Center –Whitney Hall Louisville, KY*

May 14 Michigan Theater Ann Arbor, MI ***

May 15 Hard Rock Live Northfield, OH*

May 16 PNC Pavilion at Riverbend Music Center Cincinnati, OH

May 17 Ryman Auditorium Nashville, TN

May 19 Fox Theater St. Louis, MO *

May 21 Chicago Theatre Chicago, IL **

May 22 Riverside Theatre Milwaukee, WI*

May 23 State Theater Minneapolis, MN*

*on sale April 10

** on sale April 11

*** on sale April 17

Live+ will be available in stores and online Tuesday, May 19th. It will retail for MSRP of $18.98 in physical form. More information on this recording, Beck’s upcoming re-issue of Live at Ronnie Scott’s and any of his other recordings is available online now along with all of the latest updates on his tour schedule and other news at:

Website: http://www.jeffbeck.com

Facebook: http://www.facebook.com/jeffbeck

Twitter: http://twitter.com/jeffbeckmusic

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Atco Records To Release New Jeff Beck Live LP Next Month

Courtesy:  Atco Records

Courtesy: Atco Records

This spring, Atco Records will release a new live recording from veteran guitarist Jeff Beck.

Officials with Atco Records announced this week that the label will release Jeff Beck Live+ on Tuesday, May 5th. The sixteen-track recording features fourteen live recordings lifted from various stops on Beck’s 2014 tour with fellow legendary rock band ZZ Top and two new studio recordings. The new studio tracks are Beck’s first new studio recordings since he released his Grammy-nominated 2010 album Emotion & Commotion.  Beck was joined by fellow musicians Rhonda Smith (bass), Jonathan Joseph (drums), and Nicholas Meier (guitar) as well as vocalist Jimmy Hall for the performances featured on this recording. The songs culled for the recording include some of Beck’s biggest hits including: ‘Morning Dew,’ ‘Superstition,’ and ‘Big Block’ among others. There are also covers of The Beatles’ ‘A Day in the Life’ and ‘’Hammerhead,’ Jimi Hendrix’s Little Wing,’ Mahavishnu Orchestra’s ‘You Know You Know,’ and Sam Cooke’s ‘A Change Is Gonna Come’ as well as a special rendition of ‘Danny Boy.’ The new studio tracks ‘Tribal’ and ‘My Tiled White Floor’ round out the upcoming compilation. Ruth Lorenzo provides guest vocals for ‘Tribal’ and Veronica Bellino shares her talents on ‘My Tiled White Floor.’ The full track listing for Jeff Beck Live+ is listed below.

JEFF BECK LIVE+

Track Listing

  1. “Loaded”
  2.  “Morning Dew”
  3. “You Know You Know”
  4. “Why Give It Away”
  5. “A Change Is Gonna Come”
  6.  “A Day In The Life”
  7. “Superstition”
  8. “Hammerhead”
  9. “Little Wing”
  10. “Big Block”
  11. “Where Were You”
  12. “Danny Boy”
  13. “Rollin’ And Tumblin’”
  14. “Going Down”
  15. “Tribal”*
  16. “My Tiled White Floor”*

*New Studio Recording

Jeff Beck will hit the road beginning next Monday, April 13th at The Capitol Theatre in Port Chester, NY on an eleven-date headlining tour that runs through April 26th. Beginning April 30th, Beck will join ZZ Top again for a handful of makeup dates that were postponed in 2014 due to an injury sustained by ZZ Top bassist Dusty Hill. Those dates run through May 10th. From there, Beck will take a couple days off before heading back out on the road once again beginning May 12th on a nine-date solo tour that begins in Louisville, KY and winds down on May 23rd in Minneapolis, MN. The full slate of dates for Beck’s upcoming performances is noted below:

Jeff Beck Solo Dates

April 13                  The Capitol Theatre                                                            Port Chester, NY

April 15                  The Paramount                                                                    Huntington, NY

April 16                  The Paramount                                                                    Huntington, NY

April 17                  The Paramount                                                                    Huntington, NY

April 18                  The Capitol Theatre                                                            Port Chester, NY

April 19                  Orpheum Theatre                                                               Boston, MA

April 21                  Ulster Performing Arts Center                                           Kingston, NY

April 22                  Bergen Performing Arts Center                                         Englewood, NJ

April 24                  Count Basie Theatre                                                           Red Bank, NJ

April 25 The Strand – Capital Performing Arts Center                                          York, PA

April 26                  The Palace Theatre                                                             Greensburg, PA

 

With ZZ TOP

April 30                  Cedar Park Center                                                               Cedar Park, TX

May 1                    Winstar Casino                                                                    Thackerville, OK
May 2                    Cynthia Woods Mitchell Pavilion                                        The Woodlands, TX
May 3                    Concrete Street                                                                    Corpus Christi, TX
May 7                    MidFlorida Credit Union Amphitheatre                                   Tampa, FL
May 8                    Cruzan Amphitheater                                                         West Palm Beach, FL
May 9                    St. Augustine Amphitheatre                                              St. Augustine, FL
May 10                  Verizon Wireless Amphitheatre                                              Alpharetta, GA

Jeff Beck Newly Added Solo Dates – on sale dates noted:

May 12                  The Kentucky Center –Whitney Hall                              Louisville, KY*

May 14                  Michigan Theater                                                          Ann Arbor, MI ***

May 15                  Hard Rock Live                                                             Northfield, OH*

May 16                  PNC Pavilion at Riverbend Music Center                       Cincinnati, OH

May 17                  Ryman Auditorium                                                          Nashville, TN

May 19                  Fox Theater                                                                  St. Louis, MO *

May 21                  Chicago Theatre                                                            Chicago, IL **

May 22                  Riverside Theatre                                                            Milwaukee, WI*

May 23                  State Theater                                                                  Minneapolis, MN*

*on sale April 10

** on sale April 11

*** on sale April 17

Jeff Beck Live+ will be available in stores and online Tuesday, May 5th. It will retail for MSRP of $18.98 in physical form. More information on this recording, Beck’s upcoming re-issue of Live at Ronnie Scott’s and any of his other recordings is available online now along with all of the latest updates on his tour schedule and other news at:

Website: http://www.jeffbeck.com

Facebook: http://www.facebook.com/jeffbeck

Twitter: http://twitter.com/jeffbeckmusic

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Jimi Hendrix Park Finally Becoming A Reality

Courtesy:  Merlis For Hire

Courtesy: Merlis For Hire

It has taken four years of planning and fundraising. But it looks like the long-awaited Jimi Hendrix Park will finally become a reality at least in part very soon.

Officials with the Jimi Hendrix Park Foundation announced this week that after much negotiation, The City Of Seattle is now pursuing a contract with construction company ERGG, Inc. to start work on the park, honoring one of the city’s favorite sons. ERGG, Inc. was chosen from a pool of five bidding companies to build the 2.5 acre park in the city’s Central District. The park will be located adjacent to the city’s Northwest African-American Museum. Construction on Phase I is expected to begin in April with opening of the park’s new features expected for this fall. Phase I of the park’s growth, designated “Little Wing,” will include a new stairway and grand entrance at the southeast corner of the park at the intersection of 25th and Massachusetts. It will also feature a chronological timeline of Jimi’s life and career, paved pathways, new landscaping that will feature new trees and native plantings, seat wall benches, improved fencing, ADA accessible walkways, rain infiltration gardens, a butterfly garden, and central plaza for community gatherings and performances.

Jimi Hendrix’s sister Janie Hendrix is Founder and Director of the Jimi Hendrix Park Foundation. She shared her thoughts on this week’s major announcement noting her hopes that the park will be more than just another tourist trap. Rather, she hoped that it would become a site that would pay homage to Jimi’s life and legacy, noting, “It is our hope that for generations, it will exist as more than an attraction or point of interest, but a place of homage to one of Seattle’s own. The landscaping, the artistic design, and the ambience all mimic the vibe of the persona of Jimi, whom this park honors.”

Rosanna Sharpe is Executive Director of the Northwest African-American Museum. She shared Jamie’s high hopes for the park, especially being that the park will be located so close to the museum. “The Northwest African-American Museum looks forward to the opening of the new Jimi Hendrix Park,” she said. “Together we form a premier cultural destination that celebrates African-American art, history and culture, and the living legacy of an iconic musician who helped the world expand its definition of “black music” and continues to influence musicians today.”

Fundraising by the Jimi Hendrix Park Foundation started in 2012. It raised a total of $1.4 million for the first of the park’s two phases. Fundraising for the second phase of the park’s development is ongoing. The second phase of the park’s development includes: additional pathways, pedestrian lighting, improved fencing, construction of a central shelter and centerpiece feature, and a “shadow wave wall” that depicts iconic silhouette images of Jimi Hendrix. Anyone that would like to donate to the Jimi Hendrix Park Foundation’s work on the park’s second phase can do so online via the Foundation’s website at http://www.jimihendrixparkfoundation.org/donate.php. The Jimi Hendrix Park Foundation is a 501(c)3 registered public charity (EIN 27-3599916). A schematic design of the park in its completed state is noted below.

Courtesy:  Merlis For Hire

Courtesy: Merlis For Hire

Major financial assistance for development of Phase I came from: Hard Rock International, Parks and Green Spaces Opportunity Fund, Seattle Department of Neighborhoods, Janie L. Hendrix, King Conservation District, Seattle Parks Foundation, KISW 99.9 FM, Northwest African-American Museum, Nisqually Indian Tribe, and Fender Musical Instruments Co.

More information on The Jimi Hendrix Park Foundation is available online along with information on how to donate to the second phase of the park’s construction, and all of the latest developments on its construction at:

Website: http://www.jimihendrixparkfoundation.org

Facebook: http://www.facebook.com/JimiHendrixParkFoundation

Twitter: http://twitter.com/JimiHendrixPark

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Sony Legacy’s Latest Hendrix Profile Is One Of The Best Overall Albums Of 2015

Courtesy:  Sony Legacy/Experience Hendrix, LLC

Courtesy: Sony Legacy/Experience Hendrix, LLC

Sony Legacy’s new record You Can’t Use My Name is one of this year’s best new records. It is also one of the most important pieces of music history to be released in a long time. The record is a compilation of songs on which legendary guitarist Jimi Hendrix lended his talents during his short stint with Curtis Knight and the Squires from 1965 – 1966. The songs culled for this record have never been released in any form. That is,as is noted in the album’s companion booklet, a result of legal issues that were only hammered out by the people at Experience Hendrix, LLC. Speaking of the booklet, it is just one part of what makes this record so important regardless of one’s level of knowledge in regards to Hendrix and his body of work. Confused? It’ll all be explained shortly. First and foremost though, the songs are central to the overall enjoyment of the record. They, along with the record’s companion booklet, make perfectly clear why any music lover overall will want to hear this record. Last but not least of all worth noting is the production values of the songs presented across the record. Considering that they have apparently sat in limbo for decades, they sound especially impressive in this presentation. Each element by itself makes You Can’t Use My Name enjoyable for any Jimi Hendrix fan. All three elements taken collectively into account they prove this record to be an equally important piece of music history. That collective importance and enjoyment makes You Can’t Use My Name one of this year’s best new album’s overall and a piece that both Hendrix fans and music lovers overall should add to his or her collection.

There is a lot to be said of Sony Legacy’s new compilation You Can’t Use My Name. The fourteen-track record is a compilation of songs that were recorded by legendary guitarist Jimi Hendrix between 1965 and 1966 when he served as a backup member of Curtis Knight’s group Curtis Knight & The Squires. Its release on Tuesday, March 24th marks the first time ever that these songs have seen the light of day. They have hung in limbo for so long because of legal issues that Experience Hendrix, LLC only recently finally got settled. The issues in question had to do with ownership and distribution rights for the songs. The efforts to get the rights to the songs were well worth it as listeners will agree in hearing these songs. As listeners will note on this record, Hendrix’s guitar playing in each one of the compilation’s songs displays the roots of his talents. His guitar solo on ‘Gotta Have a New Dress’ and his work on the near seven-minute-long ‘Knock Yourself Out (Flying on Instruments) both display those roots. Though, the latter of the two shows more hints of the timeless tunes that he would churn out in the years to come with Mitch Mitchell, Noel Redding, and Billy Cox. For all of the breadth of talent displayed by both Hendrix and the members of The Squires on this record, listeners get to hear a glimpse of the consequences of those talents in the uncut take of ‘Gloomy Monday.’ Listeners hear Hendrix talking to Curtis Squires and to producer Ed Chalpin, head of PPX in regards to his name being used in the song’s credits. His reasoning for keeping his name off of the recording is fully justified, as audiences will read in the album’s companion booklet. Speaking of that story and the booklet in whole, the companion booklet that comes with You Can’t Use My Name both that story and the larger story presented in the booklet proves to be another reason that music lovers and Hendrix fans alike will enjoy and appreciate You Can’t Use My Name.

So many consumers today have turned away from purchasing physical albums and turned more towards directly downloading specific songs from given acts’ albums. Ever since the creation of iTunes so many years ago, people have increasingly turned their backs on the physical object. The main argument given for this turn is that there are so few full albums worth purchasing anymore. To a certain point, that argument does hold water. In the case of You Can’t Use My Name, it is an argument that is one giant hole. In this case, the hole is so large not only because of the amount of impressive songs included for the compilation’s body but for the inclusion of its companion booklet. The booklet included with You Can’t Use My Name gives an in-depth background on Hendrix’s early days and his rise to stardom as the mouthpiece of The Jimi Hendrix Experience. While many audiences know plenty about Hendrix’s time with The Jimi Hendrix Experience and Band of Gypsys, it’s likely that far fewer audiences know about the legal issues that he faced during his rise to stardom. The booklet included with You Can’t Use My Name outlines in detail the legal issues in question courtesy of writer John McDermott. Those legal issues even boil over onto the album itself as can be heard in the rough cut of ‘Gloomy Monday.’ McDermott goes so far as to clearly transcribe the conversation heard between Hendrix, Knight, and PPX head Ed Chalpin before the recording begins. It clearly displays Hendrix as being very untrusting of Chalpin but trying to play off his discomfort at the situation in which he had found himself. That’s just part of the whole story that makes this record a must have for any music lover, historian or Hendrix fan. McDermott goes on to detail how perhaps Hendrix’s own interpretation of his contract with PPX versus Chalpin’s view obviously led to the ongoing dispute and the rift formed between Hendrix and Chalpin. McDermott notes in his history that these disputes followed Hendrix into his career with The Jimi Hendrix Experience. It would explain why in Sony Legacy’s Hendrix documentaries Jimi Plays Berkeley (2012), The Jimi Hendrix Experience: Hear My Train A’ Comin’ (2013), and Blue Wild Angel: Jimi Hendrix Live at the Isle of Wight, Hendrix is seen as being somewhat closed off from others while not on stage. He even shows a little of that side on-stage, too. It is visible and audible in his stage presence. Despite his powerhouse performances, he himself comes across as being a little reserved for lack of better wording. The impact of these legal issues would seem to explain at least to some extent that reserved nature. Regardless of whether or not the legal issues outlined in You Can’t Use My Name’s companion booklet played a role in who Jimi Hendrix became over time, one can’t help but wonder. The very revelation of those issues–which may or may not have played a role in his personal life–thanks to John McDermott and the potential discussions that they could lead to as noted here, prove without a doubt why the booklet included with You Can’t Use My Name is just as important to the whole as the music itself. It still is not all worth noting of what makes the record work, either. The record’s production values are well worth noting, too.

The music chosen for You Can’t Use My Name and the record’s companion booklet are both of equal importance to the record’s enjoyment and success. That has been noted above. The music presents Hendrix before he was a star. And not only that, but it also presents a clear picture of his musical roots. The in-depth history of the legal issues challenging Hendrix as his star rose is just as key to the record’s enjoyment and success. It is more ammo in the argument in favor of owning the physical object and against the digital. Those that buy the album in its physical form will get the full experience, including that history and music. Those that only download the music won’t get the full background on the music and why the songs on this record are so important in the overall history of popular music and of Jimi Hendrix’s career. Now, having noted all of this, the music and the history lesson behind the music would be useless without quality production values. From the socio-politically charged protest piece that is ‘How Would You Feel’ to the uptempo, blues-infused instrumental that is Knock Yourself Out (Flying on Instruments) to the album’s controversial closer ‘Gloomy Monday,’ each song collected for the album sounds equally impressive. And that is thanks to those charged with resurrecting them and re-mastering them. If not for their painstaking efforts, none of the elements noted above would mean anything and this record would otherwise end up collecting dust on store shelves. But thankfully that is not the case. Because it isn’t the case, every song on the record is equally worth the listen. In hearing the quality sound of each song and taking in the important history behind the songs, listeners that are open-minded enough will agree that You Can’t Use My Name is not only one of this year’s best new albums but one of the most important pieces of 20th Century music history to come along in a very long time.

You Can’t Use My Name proves in the end to be an aptly titled new collection of songs from Experience Hendrix, LLC and Sony Legacy. The history provided behind the songs courtesy of John McDermott illustrates this clearly and concisely. This leads the songs themselves to prove all the more valuable both because of Hendrix’s performance on each one and simply for the fact that they were held in music limbo for so long. And thanks to the hard work of those charged with restoring the songs, the songs are clear and completely enjoyable. The end result of all of these elements is an album that once again proves to be one of the year’s best overall new records and one of the best pieces of 20th Century music history to come along in a very long time. You Can’t Use My Name will be available Tuesday, March 24th in stores and online. Though, the purchase of the physical item in the case is highly recommended. More information on this and other titles from Experience Hendrix, LLC and Sony Legacy is available online now at:

Website: http://www.jimihendrix.com

Facebook: http://www.facebook.com/JimiHendrix

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Live In Tokyo Presents A Master Musician At His Finest

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

The term master is a word that is generally used for someone who has spent many years honing one’s talents. And not only that, but someone whose time honing his or her talents have paid off in the most positive ways possible both for himself/herself and for others. There are masters in every profession. There are master carpenters. There are master chefs. There are even master electricians and martial artists. So what makes a musician a master at his or her own craft? The answer is much the same as those people who spend their own lives honing their crafts. It leads to yet another question: Who are the masters in the music industry today? Led Zeppelin, The Rolling Stones, and Queen are just a few acts that come to mind. Another master that comes to mind is the hugely talented and so humble guitarist Jeff Beck. His latest live recording Live in Tokyo is proof positive of why Beck is deserving and has been deserving of the title of master for many years. That s evident throughout the hour and a half-long set. Beck shows so much talent and humility throughout the show, handling his own tunes and covering songs from other masters, too. Along the way, Beck lets his band mates keep the center stage while he does his own thing. Staying on that line of thought, Beck’s own on-stage presence in this concert shows even more why he is considered one of the masters. He shows that he doesn’t need big antics or even big riffs to make an impact on his audiences. And last but not least worth noting as proof of his position is the fact that Beck didn’t need to spend any time between songs killing time. He let his music (and that of his band mates) speaks so loudly in its beauty and impact that it speaks perfectly for itself. It left no need to waste any time between songs, thus making the performance presented here so enjoyable. And in the end, it leaves not even a shadow of a doubt as to why Jeff Beck is one of the true masters in his field.

Jeff Beck is a master of his field. He has far more than proven this throughout the course of his decades-long career. From his earliest days as a member of the famed Yardbirds up to his current solo career. His latest live recording Live in Tokyo shows without a shadow of a doubt why some five-plus decades since he first started making a name for himself he is considered one of the industry’s true masters. Beck proves why he is one of the industry’s masters on Live in Tokyo first and foremost through the concert’s set list. He breezes through his own compositions and those of other masters from across the music industry. Those masters include: Jimi Hendrix, Charles Mingus, The Mahavishnu Orchestra, and even John Lennon and Paul McCartney among others. The fact that Beck handles such variety of music with equal ease shows great talent. It also shows a great knowledge and respect for the history built by said masters as audiences will hear for themselves throughout the concert. He performs with such ease. Yet it’s obvious he never takes for granted his craft nor the talents of those to whom he pays tribute. Such great talent and respect for his fellow musicians in this form proves without a shadow of a doubt why Jeff Beck is considered a master. It’s definitely not the only way he proves it here (as if he really needed to do so). He also proves himself a master through his humility, which could be included in his on-stage presence.

While Jeff Beck’s name graces the cover of his new live recording, his on-stage presence proves to be a total counter to that billing. He shows so much humility throughout the course of the concert, letting his band mates–Jonathan Joseph (drums), Nicholas Meier (guitar), and Rhonda Smith (bass)–take the center stage most of the time. He doesn’t just fade into the background by any means. But he also doesn’t show himself to be like other well-known musicians who try to covertly hog the limelight while their band mates try to shine. He shows quite the level of humility, allowing Joseph, Meier, and Smith to display their talents just as much as himself if not more. It’s really something rare to behold especially in the current era of the music industry. It’s also quite refreshing. That humility coupled with Beck’s own talents show here even more why Beck is justifiably considered a master.

Staying on the matter of Beck’s talents, He shows with his talents that he doesn’t need huge riffs, pyro, crazy antics (  without his guitar) or other extras to entertain audiences. He doesn’t show the need to speed through any of the songs, either. He more than lives up to the adage that it takes a real musician to play slow and with control. What’s more he lives up to that adage more than once throughout the course of the concert. That casual approach oddly enough actually makes the performance even more enjoyable. In turn it proves yet more why Jeff Beck is one of the greatest of the music industry’s masters.

Jeff Beck proves in so many ways throughout Live in Tokyo why decades after he first broke out he is considered one of the best in the game. He shows why through his humility, his knowledge and respect for the history of music, and through his own ability to entertain audiences without really having to try. One more way that he proves his place in the music industry’s upper echelons is through the fact that he didn’t even need to spend any time killing time between songs to entertain audiences. His talents (and  his band mates) prove so substantial throughout the concert that audiences won’t feel like they are losing anything in that lack of interaction. Audiences will be so entertained that all they will feel and hear is the music. By the time the show ends, audiences won’t even realize that it all passed without even the slightest break for conversation. That is how loudly and how solidly the talents of both Beck and his band mates spoke throughout this concert. It truly says something about an entertainer when he or she doesn’t need to rely on such extra in order to entertain audiences and fill time at the same time. Considering this, it is one more way in which Jeff Beck proves that now in his 70s, he is only coming into his prime and yet is justifiably considered one of the greatest of the masters in the music industry. Together with all of the aforementioned aspects of this concert, audiences will see with crystal clear vision just why Jeff Beck is one of the greatest in his business. It also shows why Eagle Rock is the greatest in its business.

Jeff Beck has made quite the name for himself over the course of his decades-long career. That career includes time with other greats and with those that are perhaps not so well-known. Through it all, Beck has persevered and risen throughout those decades to become today one of the true masters of the music industry. Whether it be through his stage presence, his very display of talent, or his knowledge of and respect for the history of music, Jeff Beck shows throughout Live in Tokyo without a doubt why he is a master musician. Audiences will agree with this sentiment when they purchase this concert for themselves on DVD and Blu-ray. It is available in stores and online now. More information on this and other recordings from Eagle Rock Entertainment is available online at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EalgeRockEnt

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

“Irish Tour ’74” Is An Excellent Re-Introduction To Rory Gallagher

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Rory Gallagher is probably not the first name that most people would come up with when they are asked to name some of the most well-known guitarists in music’s modern history. While he may not be one of the most well-known musicians to have ever picked up a guitar, the artists with whom he recorded and performed in his short career are legendary. Muddy Waters and Jerry Lee Lewis were just a couple of acts that he recorded with during his career. He also performed and recorded with former members of the famed Yardbirds after that band’s initial disbanding. And that is just a small sampling of his achievements from his career. Now thanks to Eagle Rock Entertainment, a whole new generation of rock purists is being introduced to Gallagher’s talents thanks to the recent release of his Irish Tour ’74 archived live recording. The archived concert was released in a special deluxe 2-CD edition on October 21st. And it goes without saying that there is a lot to like about this recording especially for those that might not be so familiar with Gallagher and his body of work. The most obvious thing to like about the recording is the recording’s set list. The special double-disc CD set focuses primarily on Gallagher’s shows from Cork, Ireland on January 5th, 1974. It is a great piece of music history especially for those that aren’t so familiar with Gallagher and his body of work. The concert’s audio mix in this presentation is another aspect that audiences will like. Four decades have passed since the shows from Gallagher’s ’74 tour. And the audio has stood the test of time quite well, as audiences will note here. Rounding out the package is its companion booklet. The companion booklet comes with never before published pictures and new liner notes. Each factor noted here makes Irish Tour ’74 enjoyable in its own right. Together, they make this recording a welcome and important piece of music history.

Irish-born blues-rock guitarist Rory Gallagher was one of the most well-kept secrets in the music industry during the course of his short life. He recorded roughly twelve studio albums over the course of his career. Those albums have sold well over thirty million copies worldwide. For such impressive numbers, Gallagher never gained the international super stardom of his British and American counterparts at the time. But as audiences will hear in the set list contained on Eagle Rock’s double-disc release Irish Tour ’74 Gallagher was and still is deserving of far more credit and acclaim than he has ever received. The blues rock sounds presented in the show’s set list echo hints of Led Zeppelin, The Allman Brothers Band, The Doobie Brothers, and so many other great names within rock’s blues-based sub-genre. One could even argue that there are hints of Jimi Hendrix in his playing. That is evident right off the top in his performance of ‘Messin’ With The Kid.’ Audiences can hear both Hendrix and Led Zeppelin guitarist Jimmy Page in this song. Lou Martin’s frantic work on the keyboards and Rod De’ath’s drumming set against Gallagher’s guitar playing make this song an explosive opener and an equally explosive first impression for those that are hearing Gallagher’s music for the first time. Audiences will also appreciate the comparison to George Thorogood (and to a lesser extent Lynyrd Skynrd) that can be made in ‘Hands Off.’ The song’s straight forward 4/4 blues-rock vibe will have any listener jamming out regardless of their familiarity with Gallagher’s music. The mini-tribute to the Andrews Sisters in the opening of ‘Who’s That Coming’ is by itself a great touch. The song’s simple stylistic comparison to The Allman Brothers Band and even The Doors makes the song even more enjoyable for audiences. Yes, one could even make a comparison between Gallagher and The Doors. That says quite a bit about Gallagher’s talents. Listening to the rest of the songs that make up this two-disc recording, audiences will find other comparisons. In making such comparisons, it reveals even more Gallagher’s level of talent. One can only hope that the end result will be a resurgence in the popularity of his music.

The set list that makes up Irish Tour ’74 presents Gallagher as a truly talented musician. The same can be said of his band mates in these concerts. It makes one wonder why he never gained the level of fame as his counterparts despite his albums selling some thirty million copies worldwide. Perhaps this recording will help push him to that stratosphere on which his counterparts in question rest to this day. The set list itself more than makes this recording a great re-introduction to Gallagher’s works. Without a solid audio mix the recording would be nothing. Luckily though, the tapes on which these shows were originally recorded have stood the test of time quite well. The audio levels are expertly balanced in their re-mastering. The end result there is that no one part overpowers the other at any one point throughout the course of the recording. Yet again, it is proof of why Eagle Rock Entertainment remains to this day the leader in live recordings. Whether the recording be from a world renowned superstar or someone lesser known such as Gallagher, Eagle Rock Entertainment releases only the best possible recordings. It does not release recordings with inferior production values. Such expertly handled production values will make taking in Gallagher’s music all the more enjoyable and play even more of a role in re-igniting his fame.

The production values of Irish Tour ’74 and the recording’s set list are both key to the overall success of this latest archived concert. The two elements together make this recording an excellent way to re-introduce Rory Gallagher to the world. The recording is rounded out with the inclusion of a companion booklet loaded with extras. The companion booklet boasts sixteen pages of previously unpublished photos from Gallagher’s Irish tour and new liner notes outlining the tour’s highlights. Among the most interesting of the liner notes are notes concerning his performance in the worn torn region of Belfast. There are notes about his impact on that region and his influence as a musician overall during his career and much more included in the liner notes. It is one more important piece of the whole that makes Irish Tour ’74 such a wonderful re-introduction for Gallagher to the world. Together with the show’s set list and its exception production values, it becomes all the more valuable for any rock and roll purist and fan of classic rock. It becomes a recording that regardless of one’s familiarity with Gallagher and his body of work, any rock purist will enjoy. It could even lead said purists to become new fans or new fans again of Rory Gallagher.

Irish Tour ’74 is available now in stores and online. Along with its double-disc CD presentation, it is also available as a special eight-disc box set containing all four of Gallagher’s performances on his 1974 tour of Ireland and even more bonuses and even a triple gate fold vinyl for all the vintage rock fans. The triple gate fold vinyl re-issue can be ordered online at http://www.recordstore.co.uk/recordstore/recordstore/Irish-Tour-74-Expanded/3JHU0000000. More information on this and other releases from Rory Gallagher, as well as the latest news from Rory Gallagher, is available online at:

Website: http://www.rorygallagher.com

Facebook: http://www.facebook.com/RoryGallagher

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment Releasing New Archived Gary Moore Concert

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment will release later this month a new archived live performance from guitarist Gary Moore.

Gary Moore: Live at Bush Hall 2007 will be released by Eagle Rock Entertainment Tuesday, September 23rd. The concert was recorded at London’s Bush Hall on May 17th, 2007. It was originally broadcast by Planet Rock Radio and features a number of songs from his then new album Close as You Get (2007). Those songs include the likes of ‘Eyesight to the Blind,’ ‘I Had a Dream.’ Also included in the performance are some of Moore’s older material including: ‘Don’t Believe a Word,’ ‘Walking By Myself,’ and ‘Still Got The Blues’ among a number of others. The concert’s release later this month will mark the first time that it will have been released in its entirety worldwide. Its track listing is noted below.

TRACK LISTING

1) If The Devil Made Whiskey

2) Thirty Days

3) Trouble At Home

4) Hard Times

5) Eyesight To The Blind

6) I Had A Dream

7) Too Tired

8) Gary’s Blues 1

9) Don’t Believe A Word

10) Still Got The Blues

11) Walking By Myself

12) The Blues Is Alright

13) Sundown

 

More information on this and other releases from Eagle Rock Entertainment is available online at http://www.facebook.com/EagleRockEnt and http://twitter.com/EagleRockNews. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.