John 5 Announces New Album Details; Premieres Album’s Lead Single, Companion Video

Courtesy: Cosa Nostra PR

John 5 will release his latest album this fall.

The guitarist (a.k.a. John Lowery) is scheduled to release his new album, Sinner, Oct. 29. Pre-orders are open.

In anticipation of the album’s release, Lowery premiered the album’s lead single, ‘Que Pasa,’ and its companion video Friday. The song features a guest appearance by Megadeth front man Dave Mustaine. It features a musical arrangement that is easily comparable to works from fellow guitar virtuoso Joe Satriani.

The video for ‘Que Pasa’ features Lowery and his fellow musicians on stage in order to give audiences a look at what a live John 5 show looks like. Mustaine shows up on video singing the song’s only lyrics, “Que pasa, people/Que pasa.” Yes, it is that simple.

Lowery spoke highly of Mustaine during a recent interview.

“I have such an appreciation for Dave, and I love his voice, guitar playing and songwriting. And he kills it on ‘Que Pasa,'” he said. “It was such a joy to have him on this track.”

Lowery also discussed new album.

“When people hear this record, I want them to say, ‘Oh, that’s John 5,’” he said. “What you get with Sinner is the best of me. I just want to write memorable riffs that people will enjoy. When I sit on my couch and play my guitar, I play the same things you hear on the instrumental records. It’s honest. It’s real. It’s not a façade. This is how I play. This is what I love to do.”

The track listing for Sinner is noted below.

JOHN 5 | SINNER

Tracklisting

01. Welcome To The Island

02. For I Have Sinned

03. Euphoria (feat. Carla Harvey)

04. Que Pasa (feat. Dave Mustaine)

05. How High The Moon

06. Creepshow

07. Land Of The Misfit Toys

08. Crazy Little Thing Called Love

09. This Is How I Do It

10. Georgia On My Mind (feat. Peter Criss)

More information on John 5’s new album, single, and video is available along with all of his latest news at:

Website: https://www.john-5.com

Facebook: https://www.facebook.com/John5official

Twitter: https://twitter.com/john5guitarist

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Third Issue Of Joe Satriani’s ‘Crystal Planet’ Comic Book Coming

Courtesy: Heavy Metal Magazine/Incendium

The third issue of Joe Satriani’s Crystal Planet comic book series will release this fall.

According to information in a news release distributed Tuesday, the series’ third issue is scheduled to release in November through Heavy Metal magazine and Incendium’s Opus imprint. Pre-orders are open. A limited quantity of issues #1 and #2 is also available. Additionally, a very limited quantity of bundles — 250 total — featuring copies of issue #1 signed by Joe Satriani, sublimated hat, an art print of issue #2’s cover and an enamel pin is available here.

Along with the new issue of Crystal Planet, an accompanying action figure of Joe Satriani is also available to pre-order for $29.95. The action figure features Satriani in a Tri-Diver suit from the Crystal Planet comic book, complete with his signature Ibanez guitar.

The credits for Crystal Planet are noted below.

CREDITS:
CREATED BY: Joe Satriani, Ned Evett
SCRIPT: Tony Lee
PENCILS/INKS: Richard Friend
COLOR: Carlos Cabrera
LETTERS: Jacob Bascle
EDITOR: Llexi Leon

More information on Crystal Planet is available online now along with all of Satriani’s tour dates in support of Shapeshifting is available online now at:

Websitehttps://www.satriani.com

Facebookhttps://www.facebook.com/joesatriani

Twitterhttps://twitter.com/chickenfootjoe

To keep up with the latest entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Derek Sherinian Joins Up-And-Coming Guitarist Ballard For New Single

Courtesy: Ballard

Guitarist Paolo Ballardini (a.k.a. Ballard) debuted his latest single this week.

Ballardini debuted his new single ‘Too Soon‘ Friday. The full-on instrumental track features a guest appearance by keyboard wizard Derek Sherinian (Sons of Apollo, Platypus, ex-Dream Theater). The song’s energetic arrangement puts Ballardini’s talents on display, and at the same time is comparable to works from Joe Satriani.

The premiere of ‘Too Soon’ comes more than three months after Ballardini premiered his then latest single, ‘Changes’ and its video. That song also displays some Satriani influence. At the same time, it also features some notable influence from Satriani’s fellow famed guitarist, Marty Friedman.

Sherinian’s participation in Ballardini’s new single comes as he continues work on his next album, which will follow up his latest album, The Phoenix.

The Phoenix produced the singles, ‘Empyrean Sky,’ ‘Dragonfly,’ and ‘Them Changes‘ (a cover of the Buddy Miles classic).

Sherinian followed up the release of The Phoenix with a guest appearance on Michael Schenker Group’s latest album, Immortal, which was released early this year. Now the band’s namesake, Michael Schenker will make his own appearance on Sherinian’s as-yet-untitled new album.

More information on Ballardini’s new single is available along with all of his latest news at:

Website: https://www.ballardmusic.net

Facebook: https://www.facebook.com/ballardmusic

Twitter: https://twitter.com/music_ballard

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Details Announced For Second Issue of Joe Satriani’s Limited ‘Crystal Planet’ Comic Book Event Series

Courtesy: Incendium/Heavy Metal

Joe Satriani’s limited event comic book will see its second issue released next month.

Satriani launched the limited series, which is based on his album, Crystal Planet, in March. The second of the series’ five issues is scheduled to ship next month. An exact shipping date is under consideration.

The series’ presentation coms courtesy of Heavy Metal Magazine and Incendiary. Co-created by Satriani and Ned Evett, the new title is centered on lead character Satchel Walker.

Walker is caught between two factions vying for resources from a dying star. It is up to him to end the conflict and bring peace to the universe and time stream. The only way he can achieve the noted goals is through the use of music. Pre-orders for the second issue are open now.

Issue #2 picks up where Issue #1 left off. Walker has experienced a death in his family, and takes his first steps on the Crystal Planet. His lifelong friend Sarah Fortune joins him on his voyage in a banged-up old station wagon as the swarm is hot on the duo’s heels.

Satriani had the following to say of the second issue of the Crystal Planet comic book.

“Satchel Walker’s world is about to be turned upside-down in ways he could never have imagined, he said. “Issue #2 will bring his futuristic, battle-torn nightmares closer to reality and re-unite him with his father’s strange and powerful guitar.” 

The credits for the comic book are noted below.

CREDITS:
CREATED BY: Joe Satriani, Ned Evett
SCRIPT: Tony Lee
PENCILS/INKS: Richard Friend
COLOR: Carlos Cabrera
LETTERS: Jacob Bascle
EDITOR: Llexi Leon

Satriani’s new comic book will also feature a companion collectible figure of Satriani himself as an added bonus. The action figure features Satriani in a Tri-Driver suit from the comic book, along with his signature Ibanez guitar. The figure will retail for MSRP of $29.95. Pre-orders for the action figure are open.

More information on Crystal Planet is available online now along with all of Satriani’s tour dates in support of Shapeshifting is available online now at:

Websitehttps://www.satriani.com

Facebookhttps://www.facebook.com/joesatriani

Twitterhttps://twitter.com/chickenfootjoe

To keep up with the latest entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

LTE’s Latest LP Is The Latest Contender For The Top Spot Among 2021’s Best New Rock Albums

Courtesy: InsideOut Music

More than two decades after the release of its then most recent album, prog rock super group Liquid Tension Experiment officially returned Friday.  The band – Mike Portnoy (drums), Jordan Rudess (keyboards), John Petrucci  (guitar) Tony Levin (bass) – released its new aptly titled album Liquid Tension Experiment 3 Friday through InsideOut Music.  The eight-song instrumental album spawned three singles ahead of its release.  Those songs are but a glimpse into the album, too.  The 61-minute presentation offers hints of the band’s existing catalog and something in another direction throughout, too.  ‘Beating The Odds is just one of the songs featured in the recording that shows a new creative direction from the band in its latest outing.  It will be discussed shortly.  The band’s updated take on famed composer George Gershwin’s ‘Rhapsody in Blue’ is another change in direction for the band in this outing.  It will be discussed a little later.  Showing even more, the change in direction in this record is ‘Chris and Kevin’s Amazing Odyssey,’ which comes just past the record’s midpoint.  It will also be discussed later.  Each note song proves the album’s growth, and in turn, engagement and entertainment.  When they are considered along with songs, such as ‘Shades of Hope,’ ‘Hypersonic,’ ‘The Passage of Time,’ and the album’s two remaining songs, the whole makes the album in whole a work that is a welcome return for Liquid Tension Experiment and that is among the best of this year’s new rock albums.

Liquid Tension Experiment’s latest album, Liquid Tension Experiment 3, is a presentation that will appeal to the band’s established audience base.  In the same note it will appeal to fans of the band’s members and their primary projects just as much.  That is due in large part to the songs featured in this recording.  The songs in question show evidence of songs from the band’s existing catalog as well as works that show some growth from the band.  One of the most notable of the songs that exhibits that growth comes in the form of ‘Beating The Odds.’  The six-minute-plus composition is not the wildly energetic style composition that audiences have come to know from the band.  Rather, it combines a variety of tones and influences, beginning with a very Rush style guitar intro to open the song.  From there, listeners can hear distinct influence from Dream Theater’s early days prior to Portnoy’s departure from the band.  At the same time, there is also a hint of Spock’s Beard influence through the combination of Rudess’ work on keyboards and Petrucci’s guitar performance.  At times the influences remain separate, and at others join together for one unique whole.  Through it all, the balance in the influences is handled expertly, a tribute to the record’s production.  The end result of that controlled chaos is a work that brings out the best of the bands that have influenced this band’s members in one complete work that boasts its own standout identity as a prog-rock opus.

‘Beating The Odds’ is just one of the songs that serves to exhibit the growth from Liquid Tension Experiment in its latest album.  The band’s updated take on George Gershwin’s timeless jazz classic, ‘Rhapsody in Blue’ is another clear example of the successful change in the band’s new album.  It is a complete change of pace for the band, taking on a jazz classic instead of any rock composition.  Gershwin’s original composition is present here.  There is no denial of that fact.  At the same, the song gets a nice change of pace in this rendition.  Petrucci’s subtle guitar opening mimics the piano line that opens the original so well.  The addition of the synthesized string arrangement at points throughout is a nice tribute to the original in its own right.  It actually does well to sound like the real thing, even being synthesized.  What’s more, the Joe Satriani-style approach that Petrucci takes along with his own style as the song progresses adds even more to the approach.  Much the same can be said of Rudess’ keyboard performance throughout, and that of Portnoy.  The whole of the group’s work here is such a rich presentation.  It is a dramatic change of pace for the band this time out and such a successful risk.  It is just one more example of what makes the album so successful.  ‘Chris and Kevin’s Amazing Odyssey’ — which comes in the record’s second half — is yet another example of the album’s strength.

‘Chris and Kevin’s Amazing Odyssey’ is notable because it is so starkly unlike anything that these musicians have ever crafted collectively and with their primary acts.  The whole thing starts off with Levin using what sounds like a bow on his bass, as if it was a standup bass.  Portnoy’s accents on the toms sound random, but are in fact complimentary to Levin’s work.  The subtle addition of the occasional keyboard effect makes for its own unique touch here.  The whole experimental work immediately comes across as a distinctly avant-garde type composition, yet is still so engaging because of that experimental, free form type composition.  It is another wonderful example of how much the band has branched out this time out and how that willingness to try something new has paid off.  When it is considered with the other two songs examined here and the more familiar sound exhibited through other songs featured here, such as ‘Shades of Hope,’ ‘Hypersonic,’ ‘The Passage of Time,’ and the album’s two remaining songs,  the whole of all of that content makes the album in whole a welcome return for Liquid Tension Experiment and an equally impressive new addition to this year’s list of top new rock records.

Liquid Tension Experiment’s first new album in more than two decades and first since the release of Spontaneous Combustion – released in 2007 (almost 15 years ago) by three quarters of LTE under the moniker of Liquid Tension Trio – is an impressive new offering from these  musical mates.  It proves that from start to finish with a solid combination of familiar content and plenty of material that takes chances and takes the band in new directions.  Those newer songs are all examined here.  When they are considered with the rest of the album’s works, the whole makes LTE 3 a work that every prog-rock fan will welcome.  It is proof positive that good things really do come to those who wait.  LTE 3 is available now.  More information on the album is available along with all of the band’s latest news at https://www.facebook.com/ltexperiment.  

To keep up with the latest entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.  

Joe Satriani Launching New Comic Book

Courtesy: Incendium/Heavy Metal

One of Joe Satriani’s classic albums is getting a comic book adaptation.

Heavy Metal magazine and Incendiary are set to release the new Crystal Planet comic book. Co-created by Satriani and Ned Evett, the new title is centered on lead character Satchel Walker.

Walker is caught between two factions vying for resources from a dying star. It is up to him to end the conflict and bring peace to the universe and time stream. The only way he can achieve the noted goals is through the use of music.

The comic book will start as a five-issue limited series. The first issue of each print will release as a prestige format limited edition collectible comic book, featuring cardstock covers, specialty foil treatments, glossy pages and individual numbering. each first printing will be limited to 1,998 copies at $19.98. Orders are open here, with the first issues scheduled for shipping March 21.

The credits for the comic book are noted below.

CREDITS:
CREATED BY: Joe Satriani, Ned Evett
SCRIPT: Tony Lee
PENCILS/INKS: Richard Friend
COLOR: Carlos Cabrera
LETTERS: Jacob Bascle
EDITOR: Llexi Leon

According to a statement from Satriani, the creation of the new comic book is more than two decades in making.

“Funny how things get their start” said Satriani “July 1994 I’m on tour with Deep Purple and I’m warming up with my guitar backstage in a bull’s isolation cell at the Plaza de Toros in Gjion, Spain. Then and there I start writing the opening riff to a song that will become “Crystal Planet” and a few years later it’s the title track for my ’98 album release.” 

He continues “Fast forward to 2013, friend and fellow guitarist Ned Evett makes an animated sci-fi video for my song “Lies and Truths” using artwork from my “Joe’s Art 2013” book. We projected that video on a 30ft. screen every night of the Unstoppable Momentum Tour. It was a hit with the fans which got us thinking we could expand the clip into a “Crystal Planet” sci-fi epic. Ned and I formed Satchtoons, a company focused on creating animated content, and we got to work on scripts and demos for the “Crystal Planet” pilot. Seven years later, thanks to Llexi Leon and Heavy Metal, here we are with our first comic book series! Llexi and I had worked together on his awesome “Eternal Descent” comics, and by coincidence we met again when Heavy Metal published a short excerpt of “Crystal Planet” adapted by Brendon Small for the magazine’s 2019 music issue. Both Ned and I love working with Llexi and the Incendium creative team, they bring so much artistry and expertise to our time-traveling adventure. I am thrilled to finally offer our fans the first full issue of what will ultimately be a three novel trilogy.”

Llexi Leon made reference to a pair of well-known science-fiction movies as he explained the approach taken for Crystal Planet.

 “Crystal Planet is a thrilling rollercoaster through space and time, it’s Mad Max Vs TRON – with guitars!,” he said. “This has been an incredibly rewarding project to bring to fruition, digging deep into the lore behind one of the greatest instrumental rock records. Working with Joe has always been a pleasure, having collaborated in comics with Eternal Descent years ago his love of the medium is well known. There was a treasure trove of concepts and character exploration compiled over decades by Joe and his writing partner Ned that formed the basis of this project, with the ultimate goal to take fans on a journey to Crystal Planet for the first time. Tony, Richard, Carlos, and Jacob have done a tremendous job realizing an incredible world and telling it’s story. It’s fitting that our publishing venture with Heavy Metal would begin with a space faring time travel adventure!” 

Satriani’s new comic book will also feature a companion collectible figure of Satriani himself as an added bonus. The action figure features Satriani in a Tri-Driver suit from the comic book, along with his signature Ibanez guitar. The figure will retail for MSRP of $29.95. Pre-orders for the action figure are open.

More information on Crystal Planet is available online now along with all of Satriani’s tour dates in support of Shapeshifting is available online now at:

Websitehttp://www.satriani.com

Facebookhttp://www.facebook.com/joesatriani

Twitterhttp://twitter.com/chickenfootjoe

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Neal Schon’s Latest LP Is A “Universal” Success

Courtesy: Neal Schon Music, Inc.

It goes without saying that guitarist Neal Schon is one of the most well-known and respected figures in the music industry today.  A founding member of legendary rock band Journey, Schon has also worked with fellow rock legend Carlos Santana, and is also a Rock & Roll Hall of Fame Inductee.  The band he helped found has sold millions of records the world over, too, thanks in part to his own performances on said records.  Schon added yet another proverbial notch in his belt this month when he released his new solo album Universe.  The 15-song record is a surprisingly enjoyable presentation that will appeal equally to fans of Journey, Schon and to real rock musicianship in general.  This is proven in no small part to the musical arrangements that make up the body of the 70-minute record.  They will be discussed shortly.  The arrangements’ sequencing builds on the foundation built by the songs themselves and will be discussed a little later.  The record’s production rounds out its most important elements.  It will also be examined later.  All three elements noted here are important in their own way to the whole of the album.  All things considered, they make Universe more proof of why Neal Schon is in fact one of the most respected and well-known figures in the entire musical universe.  Yes, that awful pun was intended.

Neal Schon’s new solo album Universe is a strong new musical statement from a musician who has already so many laurels over the course of his career.  It is a presentation that will appeal widely not only to his fans, but to those of Journey and of real pure guitar rock, too.  That is proven continuously throughout the course of the album’s hour-plus run time in large part because of its featured musical arrangements.  The arrangements are wide spread in terms of their influences and comparison.  The record opens with a decidedly Joe Satriani style composition in ‘Something in the Heart.’  The song finds Schon playing so subtly against an orchestral backing and slow, steady drum beat to open the song.  The picture that it paints is like something that belongs in the end credits of some blockbuster drama on the big screen (E.g. the sun setting on the lead characters, their silhouettes the only part of them visible following the events of the story).  The subtlety in Schon’s performance alongside that of the song’s orchestral element is such a powerful presentation.  On a distinctly different note, Schon takes listeners in a completely different direction in ‘She’s For Real.’  The use of the strings in this song’s arrangement pairs with the piano arrangement to create something of a vintage disco type of style approach.  The aforementioned Joe Satriani-esque guitar work and the solid time keeping that accompany the strings and piano come into play here to enhance the arrangement even more, and make it that much more engaging and entertaining.   Not only that, but it also adds to the discussion on the diversity of the album’s musical arrangements.  It strengthens that discussion and in turn the importance of that element.  Showing even more, the diversity in the record’s musical arrangements is the frantic ‘Be Happy,’ which comes late in the album’s run.  The high-energy composition clocks in at just under three-and-a-half minutes, and makes full use of that time, too.  Schon’s fingers run their way all over his guitar’s fret board while the bass line and time keeping add an extra layer to the work.  The ghost notes and cymbal crashes from the percussion give just the right accent along with the bass drum.  The repetition of the almost walking bass line makes for a solid counterpoint to Schon’s fiery guitar work.  The addition of the strings to the mix adds its own unique touch to the whole, too.  By the time the song ends, listeners themselves will be left feeling breathless just from hearing the whole of the noted elements.  The composition is that intense, but in the best way possible.  It is just one more way in which the diversity in the album’s musical arrangements come through so clearly.  Between this work, the others addressed here, the likes of others, such as the slow jam style ‘Silent Voyage,’ the powerhouse cover of Prince’s ‘Purple Rain,’ and the bluesy, almost Pink Floyd-esque ‘Caruso,’ that diversity becomes even clearer.  When all of this is considered along with the rest of the album’s works, that diversity shines through even more, leaving zero doubt as to its importance.  It is of course just one of the key elements that makes Universe such a surprisingly successful album.  The sequencing of the album’s featured musical arrangements adds even more impact to the album’s presentation.

The sequencing of Universe is important to examine because it plays directly into listeners’ engagement and entertainment.  As already noted, the album opens on a somewhat somber note in ‘Something in the Heart.’  From there, the album’s energy only barely picks up as it progresses through ‘The Eye of God’ and ‘The Universe.’  From there, ‘Caruso’ pulls things back again before finally really letting loose in the cover of ‘Voodoo Child.’  The energy in that song carries through to ‘Third Stone From the Sun’ before really pulling back again in Schon’s cover of ‘Purple Rain.’  Listeners will be glad to know that things do not stay reserved for too long, as the album starts to pick back up again immediately after in ‘She’s For Real.’  The rises and falls in the album’s energy continues from here with full stability, ensuring just as much, that noted engagement and entertainment for audiences.  The bigger picture, looking back, is that of sequencing that took into full account, the songs’ energies and impact thereof.  The result of that attention to detail makes an album that listeners will find just as enjoyable to hear for this aspect as for the songs themselves.  Keeping all of this in mind, now it is even clearer why Universe is such a successful new offering from Schon.  It still is just one more aspect of the album that listeners will appreciate.  The production of Schon’s new album puts the finishing touch to the presentation.

As has already been noted more than once here, there is a lot going on in many of the songs featured in Universe.  This means that a lot of attention had to be paid to detail in each song.  That is so that the sound is balanced to the best degree possible in each work.  Those efforts paid off, too.  Schon takes center stage throughout the album, and with good cause.  At the same time though, Schon’s fellow musicians each get their own attention in each song.  The string arrangements are balanced so well each time they are incorporated into the songs.  The bass line, which far too often is under used by bands across the board, gets its own time in the light throughout the album, too.  Even the drums sound so rich, but never overpowering at any point. Simply put, throughout the course of Universe’s one hour, 10-minute presentation, each instrument and performance is expertly balanced in each song.  The result is that the album sounds that much more appealing.  When this is considered along with the appeal just from the diversity in the album’s musical arrangements and the effect of the arrangements’ sequencing, the album in whole becomes a presentation that is another presentation from Schon that will appeal just as much to his fans as to those of Journey and guitar rock.

Neal Schon’s newly released solo album Universe is a positive new offering from the guitarist, whose accolades are already numerous.  Its diverse musical arrangements in themselves are certain to appeal to the noted wide range of listeners, along with the sequencing of those arrangements.  The production of the arrangements puts the finishing touch to the album’s presentation, giving them the aesthetic that makes their sound just as appealing as their general content.  It puts the final touch to the album’s whole.  When it is considered with the songs and their sequencing, that whole makes the album a presentation that will appeal just as much to Schon’s fans as to those of journey and pure guitar rock.  Universe is available now.  More information on the album is available along with all of Schon’s latest news at:

Website: http://schonmusic.com

Facebook: http://www.facebook.com/schonmusic

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.  

Deep Purple’s Latest And Likely Last Album Tops Phil’s Picks 2020 Top 10 New Rock Albums List

Courtesy: earMUSIC

The year 2020 threw a lot of misery and negativity at the world.  Between the seemingly endless issues raised as a result of the COVID-19 pandemic, the political problems that plagued America and the world, and some of the most respected names in the industry passing, there has been more than enough for us to never speak of 2020 again when it ends.  For all of that negativity and misery that the world has seen this year though, there actually has been at least some positive in the form of new music from so many acts.  The lists compiled already recently by Phil’s Picks and other outlets have more than supported that statement.  That new music includes new albums from lots of new and established rock acts, such as Deep Purple, Faith & Scars, and even Nine Inch Nails.  All three acts are featured in this year’s list of Phil’s Picks Top 10 New Rock Albums.  Their musical and lyrical content collectively (and sometimes by themselves) prove them fully deserving of their spots on this (and any critic’s) list.

As with every other list from Phil’s Picks, this list features the Top 10 new titles in the given category and five additional honorable mention titles for a total of 15 titles.  Without any further ado, here is Phil’s Picks 2020 Top 10 New Rock Albums.

PHIL’S PICKS 2020 TOP 10 NEW ROCK ALBUMS

  1. Deep Purple – Whoosh!
  2. Nick Perri & The Underground Thieves – Sun Via
  3. Derek Sherinian – The Phoenix
  4. Ricky Byrd – Sobering Times
  5. Joe Satriani – Shapeshifting
  6. Pearl Jam – Gigaton
  7. Nine Inch Nails – Ghosts V
  8. Nine Inch Nails – Ghosts VI
  9. Soul Asylum – Hurry Up and Wait
  10. Shadow and the Thrill – Sugarbowl
  11. Faith & Scars – Revolver
  12. Jason Kui – Naka
  13. Michael Abdow – Heart Signal
  14. Horisont – Sudden Death
  15. Night – High Tides Distant Skies

Next up from Phil’s Picks is 2020’s Top New Hard rock & Metal Albums.  Stay tuned for that.

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.  

Every Hour Kills Pays Homage To Joe Satriani In Its Latest Single

Courtesy: Asher Media Relations

Independent rock band Every Hour Kills debuted the latest single from its new EP this week.

The band Sacha Laskow (guitar, programming), Bret Stutsky (bass), and Jerrod Mawell-Lyster (vocals) — premiered its cover of Joe Satriani’s ‘Time’ Friday through Bravewords.  The song, which feautres a guest guitar performance by Rick Graham, is the second single from the band’s forthcoming EP ReAwaken, which is scheduled for release Oct. 9.

The premiere of ‘Time’ comes less than a month after the band debuted the EP’s lead single, ‘Veiled Aurora,’ whose musical arrangement will appeal to fans of bands, such as Sevendust, Periphery, and Between The Buried and Me.

The musical arrangement at the center of EHK’s cover of ‘Time’ stays true to its source material.  At the same time though, the arrangement adds a certain heaviness through the guitars, drums and bass.

The EP is a concept record of sorts that is set in the 22nd century.  A plague has all but wiped out Earth’s population.  Enter a race of beings from another world that are known as “Illusorians.”  The Illusorians have a way to end mankind’s suffering.  Each of the EP’s songs features a story of someone trying to deal with the planet’s “new normal.”

Pre-orders and pre-saves for Re:Awaken are open now here.  The EP’s track listing is noted below.

Track Listing:
1. Veiled Aurora (ft. guest vocals Shaley Bourget of Dayshell, Of Mice & Men & guest guitar solo Morgan Reid of Bloodshot Dawn) (4:18)
2. Anthelion (ft. guest vocals Chris Thoresen (Shark Infested Daughters & guest guitar solo Travis Montgomery of Threat Signal, Meytal) (4:26)
3. Re:awaken (4:12)
4. Time ft. guest guitar solo Rick Graham (Joe Satriani cover) (5:04)
5. Veiled Aurora (Instrumental) (4:18)
6. Anthelion (Instrumental) (4:26)
7. Re:awaken (Instrumental) (4:12)
8.  Time (Joe Satriani cover) (Instrumental) (5:04)

More information on Every Hour Kills’ new EP is available along with all of its latest news and more at:

 

Website: http://everyhourkills.com

Facebook: http://www.facebook.com/EveryHourKills

Twitter: http://twitter.com/everyhourkills

 

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Lufeh Debuts ‘Escape’ Video

Courtesy: Asher Media Relations

Independent prog-rock band Lufeh debuted the video for its latest single this week.

The band debuted the video for its new single ‘Escape‘ Monday. The song is the latest single from the band’s debut album Luggage Falling Down.

Much as with the video for its predecessor — ‘My World‘ — this video places the band in a “live” setting as it performs its new single.  The song’s musical arrangement presents a sound that will appeal just as much to fans of Dream Theater as it will to Joe Satriani and even to Emerson Lake & Palmer with its guitar, keyboard and vocal lines.

A statement from the band explained that the song’s lyrical theme is meant to convey a message of introspection.

“Escape’ deals with the faith it takes to move out of a stagnant or unhealthy situation while still holding true to the values you identify with,” the statement reads. “In true ‘Luggage Falling Down’ fashion, this heavy subject is faced fearlessly and authentically with a groovy, upbeat charisma.”

Luggage Falling Down is available to stream and download through SpotifyApple Music and Lufeh’s official Bandcamp page.  The album’s track list is noted below.

 

Track Listing:
1. Find My Way (4:25)
2. The Unknown (3:36)
3. Doors (4:06)
4. Trial of Escapade (4:24)
5. My World (4:52)
6. End of The Road (4:05)
7. Escape (4:03)
8. The Edge (4:04)
Album Length: 33:39

 

More information about Lufeh’s new single and album is available along with all of the band’s latest news at:

 

Websitehttp://lufehband.com

Facebookhttp://www.facebook.com/lufehband

Twitterhttp://twitter.com/lufehband

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.