‘Under Cover’ Will Appeal To Motorhead, Rock Fans Alike

Courtesy: Motorhead Music

Almost two years ago, the rock world lost one of its great icons when Motorhead front man Lemmy Kilmister died from cancer.  When he died, that effectively put an end to one of the musical universe’s greatest acts.  That meant no more new Motorhead music.  Earlier this month though, Motorhead Music–the band’s own label–released a new collection of covers from the band to satiate audiences in the form of Under Cover. The 11-song record presents a rarely heard side of Motorhead that itself is certain to entertain listeners.  This is just one of the compilation’s key elements and will be discussed later.  The acts whose songs are featured here are collectively just as important to discuss as the songs themselves and will be discussed later.  The album’s sequencing rounds out its most important elements.  Each element is important in its own right to this compilation’s overall presentation.  All things considered, Under Cover proves to be a record that is an entertaining new offering for Motorhead’s most devout fans.

Motorhead, with the passing of front man Lemmy Kilmister almost two years ago, may not be actively recording new music anymore.  With the release earlier this month of the band’s new covers compilation Under Cover, the band’s most devout fans were given an entertaining new release from Motorhead even if it is not a collection of new Motorhead music.  That statement is supported in part through the songs that make up the collection.  Considering that Motorhead, throughout the course of its life, was known for up-tempo blues-based rock that was tinged with some punk elements, the songs featured in this compilation show that the band was just as talented handling other styles of rock as its own brand.  That is proven clearly in the band’s cover of David Bowie’s hit song ‘Heroes,’ which comes early in the record’s run. Bowie’s original work bears more similarity to works from perhaps Paul McCartmey than Motorhead.  Yet, even in its slightly amped up take on the classic tune, Motorhead does Bowie’s classic justice while adding its own rock touch that is certain to get praise even from Bowie’s most devout fans.  The band’s take on The Rolling Stones’ ‘Jumpin’ Jack Flash’ is yet another song featured in this record that shows the real reach of the band’s abilities.  Once again, the band largely stays true to its source material, while also adding its own respectable hard rock elements.  The expert balance of those two elements here will put a smile on any longtime Rolling Stones fan just as much as any Motorhead fan.  Much the same can also be said in examining the band’s take of another Rolling Stones standard, ‘Sympathy For The Devil.’  Those three songs alone show clearly the band’s reach.  Of course that is not to discount the band’s covers of Ted Nugent’s ‘Cat Scratch Fever,’ Rainbow’s ‘Starstruck,’ and The Ramones’ ‘Rockaway Beach’ as well as the album’s other songs.  Those covers show in their own way the band’s reach, though they are much closer to Motorhead’s style than the previously noted works.  Keeping this in mind, the bands whose works are featured here are just as important to note as the songs themselves.

Listeners will note that of the album’s 11 total songs, seven were crafted by British acts—Judas Priest, The Sex Pistols, The Rolling Stones, David Bowie, Rainbow and Ozzy Osbourne.  The other four songs come from American acts—Ted Nugent, Metallica, Twisted Sister and The Ramones.  That in itself is certain to create its own share of discussion.  Obviously Motorhead was itself a British outfit, but it could easily be argued that such an emphasis on its counterparts presents its own history lesson to listeners.  It shows the reach of the British hard rock scene between the 1960s and 1990s versus that of the American hard rock scene.  To that end, the acts featured here in themselves serve as a starting point on rock’s history on both sides of the Atlantic.  That might not have been the manifest intent with such a lineup, but it definitely will create those discussions.  On another level, it shows the band’s interest in so many different parts of the rock community at the time. Judas Priest was hard rock while the Sex Pistols were more punk (again, showing Motorhead’s roots). Rainbow was more of a progressive style hard rock while The Rolling Stones were that blues-based influence that Motorhead always added to its own music, too.  In the same breath, Metallica’s Whiplash shows where Motorhead perhaps got its harder almost thrash elements.  When this is all taken into account along with the influences from the other featured bands, Motorhead’s roots become even more evident.  In other words, the bands and songs featured in this compilation form a solid foundation for the record.  They collectively serve as a starting point for discussions about music history and about Motorhead’s history.  Both by themselves and together, they do plenty to make this record enjoyable and are not the record’s only key elements.  The album’s sequencing adds its own enjoyment to its presentation.

Under Cover’s sequencing is an important to note in examining this record because of its ability to maintain the album’s energy from beginning to end.  The album starts out full throttle with the band’s cover of Judas Priest’s ‘Breakin’ The Law’ and keeps the energy flowing just as highly as it launches into its cover of The Sex Pistols’ ‘God Save The Queen.’  Even as the album progresses into the band’s cover of ‘Heroes,’ the energy still maintains itself even here.  Given, it isn’t as high as in the album’s first two entries, but still keeps moving.  The energy picks right back up as the album takes listeners through the band’s covers of Rainbow’s Starstruck’ and Ted Nugent’s ‘Cat Scratch Fever’ before pulling back again with two straight Rolling Stones covers.  From there on out, the energy picks right back and stays stable right to the album’s end even with the change in the songs’ styles.  Keeping this in mind, it is clear that plenty of time and thought was put into the record’s sequencing.  That time and thought ensures listeners’ engagement from beginning to end here.  That is because the record’s energy never lets up too much at any one point or even gets too high.  When this is taken into account along with the collective value of the record’s songs and their associated bands, it adds that much more depth to the collection.  That being the case, the whole of those elements make Under Cover a collection that will appeal not only to Motorhead’s fans from start to finish but to rock fans in general.

Motrhead’s recently released compilation record Under Cover is a collection of songs that will appeal both to Motorhead’s fans and to rock fans in general.  This is the case even though being a compilation record, it does not necessarily break any new ground in the way of compilation records.  The songs and bands featured on this record serve collectively as a solid starting point for plenty of discussions both on Motorhead’s history and on rock history.  They also do plenty to ensure listeners’ maintained engagement and entertainment.  The record’s sequencing does much the same.  All things considered, these elements make Under Cover a collection that while not exactly new to the compilation realm, is still entertaining in its own right.  It is available now in stores and online.  More information on Under Cover is available online now along with all of the latest Motorhead news at:

 

 

 

Website: http://www.motorhead.com

Facebook: http://www.facebook.com/OfficialMotorhead

Twitter: http://twitter.com/myMotorhead

 

 

 

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Judas Priest Album Re-Issue Is A “Turbo”-Charged Release

Courtesy: Sony Music

It might be hard for some to believe, but 30 years have passed since veteran hard rock band Judas Priest released its landmark album Turbo.  In celebration of the anniversary, Columbia Records and Legacy Records partnered to re-issue the album last month with some added bonuses.  Those bonuses—a pair of live recordings–will be discussed later, as they are key pieces of the re-issue’s overall presentation.  The original record is the key piece that should be noted in examining this latest re-issue of the classic album and will be discussed shortly. The set’s companion booklet is just as important to the package’s overall presentation as the album and the package’s bonus live discs, and will be discussed later, too. Each element obviously plays its own important part to the album’s presentation.  All things considered, Columbia/Legacy’s recent re-issue of Turbo proves in the end to be one of this year’s top new CD re-issues.

Columbia/Legacy’s recent 30th Anniversary re-issue of Judas Priest’s landmark album Turbo is one of 2017’s top new CD re-issues.  That is due in part to the presentation of the original album in this re-issue.  The work put in to re-master the album’s original masters paid off soundly (bad pun fully intended here).  The guitars, drums and vocals are just as clear and crisp here as in the album’s original release, if not more so.  The album’s sequencing is also the same as in its original release, adding even more to its enjoyment.  The improved audio quality of each track and the mirroring of the original album’s sequencing does plenty to entertain listeners in the album’s re-issue.  It is, collectively, just one part of what makes this re-issue so impressive.  Its companion booklet is just as important to note in examining its presentation as the album.

Turbo’s updated sound quality and the mirroring of its original sequencing here does plenty to impress listeners with this re-issue.  It is just one of the elements that makes this re-issue stand out.  The set’s companion booklet does its own share to enhance the listening experience.  That is because of the material presented within the booklet.  The booklet opens with a brief but concise history lesson on the album’s creation, explaining that Judas Priest was not the only band that was changing its sound at the time that this record was being crafted.  The lesson notes, “heavy metal was kicking into various new gears as we began writing sessions for Turbo as it opens.  From there, it points out the extensive process that followed the original writing, taking the band across two continents.  It even offers an explanation of one of the album’s songs—‘Parental Guidance’—noting that the song tackled the issue of censorship in America at the time.  Between that explanation and the history presented inside the record’s booklet, it all offers plenty for fans and listeners to appreciate.  That is just the tip of the proverbial iceberg, too.  The booklet also includes lyrics for each of the album’s nine songs.  On the surface this doesn’t seem very important.  But considering how hit and miss albums have always been in terms of including lyrics, having those lyrics here is another positive.  They serve as a starting point on renewed discussions on the songs’ topics.  In the same breath, having the lyrics printed out also means no chance of misinterpreting the lyrics.  To that end, having the albums lyrics included in its new re-issue is just as important to its presentation as the short but concise history lesson that opens the booklet.  When both elements are coupled, they show clearly why the album’s booklet is just as important to the record’s presentation in its re-issue as the album itself.  It is still not the last of the re-issue’s most important elements.  The live recordings included with the record are just as important to the re-issue’s presentation as its booklet and original album’s presentation.

The presentation of Turbo’s original album and its companion booklet are both key pieces of the album’s re-issue.  They are only two of the record’s key elements.  The live recordings included in the record’s re-issue are just as important to its presentation as the album’s presentation and its booklet.  They are spread across two bonus discs and feature five of the songs included in Turbo’s sequencing.  The other songs included in the recordings take listeners all the way back to the band’s 1976 sophomore record Sad Wings of Destiny.  They include ‘Victim of Changes,’ ‘Hell Bent For Leather,’ ‘You’ve Got Another Thing Coming’ and so much more.  The whole of those songs makes for a 20-song set list spread across two discs that is in itself a history lesson for new fans.  The band’s performance also serves as a comparison point for the band’s on-stage presence then and its on-stage presence now.  Needless to say the band’s stage presence in these performances shows the band at the top of its game.  The only negative to the whole thing is that a DVD or Blu-ray wasn’t included.  Hopefully Columbia and Legacy will eventually release the performances on one platform, the other or both so as to complete the experience.  Even without a full audio/video experience, the performances, with their rich set lists and equally entertaining performances, do plenty to entertain audiences.  When the insured entertainment from the live recordings is set alongside the positives of the re-issue’s companion booklet and the positives of the original album’s re-mastering, the whole of those elements makes this package in whole one that proves to be one of this year’s top new CD re-issues.

Judas Priest’s 30th anniversary re-issue of its landmark album Turbo is one of this year’s top new CD re-issues.  That is due to the impressive work done to re-master the album’s masters.  The companion booklet that is included with the album plays its own important part in the presentation of the record’s re-issue.  The live recordings included in the set put the finishing touch on the presentation of the album’s re-issue.  Each element is clearly important in its own right, as has already been discussed.  All things considered, they make Turbo’s 30th anniversary re-issue one of 2017’s top new CD re-issues.  It is available now in stores and online.  More information on this re-issue is available online now along with all of Judas Priest’s news and more at:

 

 

 

Website: http://www.JudasPriest.com

Facebook: http://www.facebook.com/OfficialJudasPriest

Twitter: http://twitter.com/judaspriest

 

 

 

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Judas Priest To Re-Issue Another Classic Album Next Year

Courtesy: Sony Music

Courtesy: Sony Music

Judas Priest will re-issue another of its classic albums next year.

The veteran hard rock band announced this week it will re-issue its 1986 album Turbo on Feb. 3, 2017 via Sony Music.  The band’s 10th full-length studio recording, it was a major change of pace for the band stylistically and lyrically.

The album will be re-issued on a 3-CD set that includes the original album along with two bonus discs featuring live performances of songs included in Turbo and other classic Judas Priest songs.  The live performances are all previously unreleased recordings.  The track listing for the 3-disc set is noted below.

 

Track listing:

DISC ONE – TURBO: REMASTERED                    
Turbo Lover
Locked In
Private Property
Parental Guidance
Rock You All Around The World
Out In The Cold
Wild Nights, Hot & Crazy Days
Hot For Love
Reckless

DISC TWO – LIVE AT THE KEMPER ARENA, KANSAS CITY 
Out In the Cold
Locked In
Heading Out To The Highway
Metal Gods
Breaking The Law
Love Bites
Some Heads Are Gonna Roll
The Sentinel
Private Property
Desert Plains
Rock You All Around The World

DISC THREE- LIVE AT THE KEMPER ARENA, KANSAS CITY 
The Hellion
Electric Eye
Turbo Lover
Freewheel Burning
Victim Of Changes
The Green Manalishi (With The Two -Pronged Crown)
Living After Midnight
You’ve Got Another Thing Coming
Hell Bent For Leather

 

Along with its triple-disc re-issue, Turbo album will also be re-issued on a single-disc 150-gram vinyl pressing. The album can be pre-ordered online now via Judas Priest’s webstore.

More information on the band’s upcoming re-issue of Turbo is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://judaspriest.com

Facebook: http://www.facebook.com/OfficialJudasPriest

Twitter: http://twitter.com/judaspriest

 

 

 

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Santana Shines Again In Phil’s Picks’ 2016 Top 10 New Live DVDs/BDs List

Courtesy: Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

The weather outside is definitely looking frightful this time of year.  That means rather than going outside to get out and about, people are going to be looking more for ways to have fun while they stay indoors and stay warm.  That is just one of so many reasons that record labels churn out so many live recordings each year.  The problem with all of those recordings is that while some are truly standout offerings, others are otherwise forgettable space fillers used to fulfill contractual obligations for the given acts.  Presented today are some of the best of this year’s new live recordings.

Whereas Phil’s Picks already presented the year’s top new live CD recordings, this time Phil’s Picks is presenting the year’s top new live DVDs and Blu-rays.  A lot of thought and consideration went into this list.  The concerts’ set lists, the bands’ performances, the cinematography and audio mix all went into consideration for this list as did the recordings’ companion booklets or lack thereof.  So it goes without saying that it wasn’t an easy list to assemble.  But this critic tried.
As always, the list presented here includes not just this critic’s list of the year’s top new live DVDs and BDs but five honorable mention titles for a total of 15 recordings.  Without any further ado, here for you, is Phil’s Picks 2016 Top 10 New Live DVDs/BDs.
PHIL’S PICKS 2016 TOP 10 NEW LIVE DVDs/BDs
 
1. SantanaSantana IV Live at the House of Blues Las Vegas
2. KISSKISS Rocks Vegas
 
3. Joe BonamassaLive at the Greek Theatre
4. Judas PriestBattle Cry
5. Motley CrueThe End Live in Los Angeles
6. The Rolling StonesHavana Moon
7. Deep PurpleLive at the NEC
8. Melody GardotLive in Paris
9. Gregory PorterLive in Berlin
10. ScorpionsLive in Munich
11. Alan JacksonLive at Red Rocks
12. Michael Schenker’s Temple of RockRock on a MissionLive in Madrid
13. SaxonFeel Your Power
14. Imagine DragonsSmoke + Mirrors Live
15. Fall Out BoyThe Boys of Zummer TourLive in Chicago
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Santana Shows The Way In The Phil’s Picks 2016 Top 10 New Live CDs List

Courtesy: Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Experiencing a live performance of one’s favorite act(s) is a very special event.  That is because it serves to help fans and their favorite acts connect in a way that taking in said acts’ studio releases just can’t.  What’s more attending live concerts isn’t always easy or inexpensive.  Between the cost of tickets, food, souvenirs, gas, and lodging, attending concerts can cost almost as much as a used car sometimes, depending on the act.  In other cases, one’s favorite acts might never even come near one’s town.  So what is a person to do to experience one’s favorite acts?  The answer is simple: the live recording.  That brings us to the topic of today’s “Best Of” list.

Today, Phil’s Picks presents its list of the year’s Top 10 New Live CDs.  Everyone should understand this is distinguished from the year’s top new live DVDs and BDs.  That’s because some recordings come only on CD while others are only presented on the latter format.  Others are also presented in both formats both separate of one another and collectively.  The recordings included in this list include both standalone CDs and CDs included in complete DVD/BD/CD sets.  One of the standalone live CDs included in this list is ZZ Top’s new live recording Greatest Hits Live.  The Outlaws’ Legacy Live is another of those standalone CD recordings.  Joe Bonamassa also has a new live recording in the form of Live at the Greek Theatre that is available on separate CD, DVD, and BD platforms.  It’s on this list, too.  Suffice it to say, there’s a healthy mix of new live titles here both in terms of genre and platform.  So, enough rambling.  Presented here for you is Phil’s Picks 2016 Top 10 New Live CDs.

It should be noted here again that the list includes the Phil’s Picks Top 10 new Live CDs as well as five additional honorable mention titles for a total of 15 recordings.

 

PHIL’S PICKS 2016 TOP 10 NEW LIVE CDs

 

  1. Santana IV Live at the House of Blues Las Vegas
  1. ZZ TopGreatest Hits Live
  1. Judas PriestBattle Cry
  1. KISSKISS Rocks Vegas
  1. Joe Bonamassa Live at the Greek Theatre
  1. The OutlawsLegacy Live

  2. The Rolling StonesHavana Moon

  3. Motley Crue – The End: Live in Los Angeles

  4. SaxonFeel Your Power

  5. Imagine DragonsSmoke + Mirrors Live

  6. Iggy Pop Post Pop Depression

  7. Ayreon – The Theater Equation
  8. Pete Townshend’s Deep EndFace The Face

  9. Wacken 201526 Years Louder Than Hell

  10. LeprousLive at Rockefeller Center

 

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Metal Purists Will Appreciate UDR Music’s Wacken 2015 Recording

Courtesy: UDR Music

Courtesy: UDR Music

The Wacken Open Air Festival is one of the most renowned hard rock concert festivals if the music industry.  The festival started 26 years ago in the city after which it is named.  Late this summer UDR Music celebrated the festivals 25th anniversary – marked in 2015 – with the release of the festival’s 25th anniversary recording.  Considering that the recording presents the show lineup from the festival’s 25th anniversary, its title is a little bit misleading.  That aside, it is still an enjoyable experience for any purist member of the metal nation worldwide.  That is due in no small part to the lineup presented in the recording.  This will be discussed shortly.  The bands’ performances are just as important to note in the recording’s presentation as is the recording’s presented lineup.  That will be discussed later.  The platforms on which the recording has been made available rounds out the most important of the recording’s elements.  Each element is clearly important in its own right to the recording’s presentation.  All things considered, Live at Wacken 2015 26 Years Louder Than Hell is one of this year’s top new overall live recordings.

Live at Wacken 2015 – ­26 Years Louder Than Hell is one of 2016’s top new overall live recordings.  It is hardly the first live recording that the festival’s organizers have ever released.  Even with that in mind, it is still an enjoyable recording for the festival’s fans and for the purist metal legions around the world.  That is due in no small part to the recording’s featured performer list.  A total of 107 bands performed on Wacken 2015 between the Bullhead City Circus, Party Stage and double main stage.  It goes without saying that considering that mass of metal, there’s no way that UDR or the fesitval’s organizers could have possibly featured every one of those bands.  Regardless, the featured performer list included in this recording is still impressive in its own right.  That list includes the likes of Judas Priest, Danko Jones, Uli Jon Roth, In Flames, Annihilator and so many others.  Simply put, the perfomer list featured in this recording pulls from a number of metal’s sub genres and from so many eras of metal’s history.  It goes to show the respect that the festival’s organizers and fans have for metal, its history and culture.  Sure, it would have been nice to have Dream Theater included in the featured performer list, or maybe Hellyeah, or even Prong (yes, even Prong performed at Wacken 2015).  But the performer list included in this recording is still impressive in its own right in the end.  Considering this, it should be clear why it is such an important piece of the recording’s presentation.  It is just one of the important elements to note.  The featured acts’ stage presence in their performances is just as important to note here as the acts themselves.

The acts that are featured in UDR Music’s new Wacken Open Air Festival recording are important in their own right to the recording’s overall presentation.  That is because while hardly every one of the bands that performed at the festival, they represent a wide swatch of the metal community and its history.  That means the recording will reach just as wide of an audience.  While the recording’s featured performer list is clearly an important piece of the recording’s presentation, it is hardly the recording’s only important element.  The bands’ stage presence in their performances plays an important part in the recording’s presentation, too.  Rob Halford and company prove the importance of the bands’ performances right from the recording’s outset.  They take the stage and own it with ease.  Halford is at the top of his game both in terms of his vocal talent and his very presence.  Glenn Tipton is just as enjoyable to take in as he works his way through the band’s performance of ‘Painkiller.  On another note, the members of Running Wild are just as impressive as they work through the high-octane ‘Under The Jolly Roger.’  Skindred’s performance of ‘Proceed With Caution’ will have home audiences on their feet just as easily as it did the audience in attendance of the festival.  That is because of the fire and energy exuded by the band throughout its performance.  It is just one more example of the importance of the bands’ performance to the festival recording’s presentation.  One could just as easily cite the performances from My Dying Bride, In Flames, and Death Angel as proof of that importance, too.  All things considered, it is safe to say that every single performance featured in this recording will keep home audiences just as entertained and engaged as the audiences that got to enjoy the festival in person.  Even with all of this in mind, the bands’ performances still are not the last element to note in examining this recording.  The platforms on which the recording has been made available are just as important to note as the previously discussed elements.

The bands that were featured in Live at Wacken 2015 26 Years Louder Than Hell and their performances are both key elements in examining the festival’s recording.  The featured performer list presents the past, present and future of metal while also presenting a solid cross-section proving what has made the festival so respected for now 26 years.  The featured bands’ performances are so important to note because they will keep home audiences just as entertained and engaged as the audiences who had the honor of experiencing the festival in person.  While both elements are clearly important both alone and collectively to the recording’s presentation, they are not its only important elements.  The platforms on which the recording has been made available are just as important to note as the previously noted elements.  Audiences will be happy to know that the recording has been made available on separate 2 DVD/2 CD and 2 BD/2 CD combo pack.  The DVD set averages approximately $22 and the BD set $23.  Considering that, the various platforms and their prices are relatively affordable for audiences.  The only downside to the sets is that their set lists don’t exactly match.  Not every song featured in the recording’s DVD and BD presentation is included in the recording’s CD platform.  To that end, it is the recording’s only major negative, which is actually a good thing.  That means that the recording’s varied platforms and other discussed elements more than make up for that one negative, as unavoidable as it is to note.  All things considered, Live at Wacken 2015 26 Years Louder Than Hell proves in the bigger picture to be one of 2016’s top new live recordings as well as one of the year’s top new live DVD/BDs and CDs.  It is available now in stores and online.

Live at Wacken 2015 26 Years Louder Than Hell is one of 2016’s top new live recordings.  That is the case even considering that it does have at least one unavoidable negative.  The recording’s featured performer list and the featured acts’ performances partner with the varied platforms on which the recording has been made available to make the recording an enjoyable experience for any purist member of the metal nation worldwide.  It is available now in stores and online.  More information on this and other titles from UDR Music is available online now at:

 

 

 

Website: http://www.udr-music.com

Facebook: http://www.facebook.com/UDRMusic

Twitter: http://twitter.com/udrmusic

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Conquest’s ‘Under The Influence’ Is Not Just Another Covers Album

Courtesy:  Dark Star Records

Courtesy: Dark Star Records

Early this past April St. Louis, Missouri-based metal outfit Conquest released its latest album Under The Influence.  The forty-three-minute covers album presents eleven songs from some of the band members’ favorite bands.  The songs themselves are, collectively, their own important part of the record’s presentation.  That will be discussed shortly.  They are not the album’s only key element.  The band’s take on the featured songs is just as important to note in this record’s presentation as the songs themselves.  That will be discussed later.  The album’s overall sequencing rounds out the record’s most important elements.  Each element is important in its own right to the album’s whole.  Altogether all three elements Under The Influence a covers album that any rock fan should hear at least once.  This applies regardless of audiences’ familiarity with Conquest’s body of work.

Covers albums are a dime a dozen nowadays in the music industry.  Nine times out of ten, they are space fillers used between new albums to tide over fans and fulfill contractual obligations for record labels.  Even worse, said albums are commonly thrown together rather haphazardly, much like all of the “hits” albums that are out there.  The end result in both cases are albums (if one even wants to call them albums—note the sarcasm) that are anything but memorable or even worth having in one’s personal music collection.  Enter Under The Influence, the new covers collection from St. Louis, Missouri’s hard rock outfit Conquest.  Unlike all of the covers (and “hits”—technically singles) collections out there on the market today this eleven-song compilation record is one that every rock fan should head at least once.  This applies regardless of audiences’ familiarity with Conquest and its body of work.  The record’s featured covers are in themselves just one of the elements that make this record worth hearing.  That is the case because the songs don’t just come from one of rock’s many sub-genres or another.  Rather it crosses those genres from beginning to end.  It also spans rock’s rich modern history with its presented songs.  It all kicks off with a pair of Judas Priest covers in the form of ‘Metal Gods’ and ‘The Ripper.’  That pair of songs is followed by a cover of Iron Maiden’s beloved ‘Wraith Child.’ The band gets even heavier from there with its own take on Metallica’s ‘For Whom The Bell Tolls.’  Things change even more dramatically in the band’s next offering, a cover of Motorhead’s ‘Ace of Spades.’  This one comes at just the right moment, too, as it is essentially the album’s midway point.  It isn’t even the album’s most interesting of the record’s inclusions either.  The album’s second half features covers of songs from Bon Jovi, Anthrax, Pantera, Black Sabbath, Motley Crue, and even UFO.  To say that that is a broad swath of bands (and songs) would be an understatement.  Simply put, the eleven songs (and bands) that are featured in this covers collection is extremely wide.  The songs are just as diverse in their stylistic approaches as the bands are within their own rock sub-genres.  Keeping that in mind, it becomes clear as to why the songs featured in this record are so important to its presentation.  They don’t subject listeners to just one style of rock.  Rather, they cover so many different styles from so many ages of rock’s rich history.  They make up just one of the record’s most important elements.  The band’s take on each of the featured songs is just as important to note here as the songs themselves.

The songs (and bands) that are featured in Conquest’s new covers collection are collectively their own important part of the record’s presentation.  That is because they lift liberally from rock’s rich modern history.  The songs present a wide range of bands and rock styles from beginning to end.  That is just one part of what makes this record a rare covers collection that is actually worth hearing.  The band’s actual performance of the record’s featured songs is just as important as the songs themselves.  The band’s take on Metallica’s ‘For Whom The Bell Tolls’ is one of the band’s best performances in this record.  If one were to hear this take on the classic heavy metal tune without knowing it was Conquest, one would actually think that it was Metallica.  The band performed the song verbatim both lyrically and stylistically.  And front man Derrick Brumley may not sound just like James Hetfield circa 1984.  But listeners will be surprised at the similarity in the sound of the singers’ vocals.  The band’s take on ‘Ace of Spades’ is just as impressive.  One could argue in fact, that Conquest’s take on the classic rock anthem is just as good as Motorhead’s original recording.  It doesn’t bear the grittier, garage rock sound presented in Motorhead’s original composition.  But even with that taken into consideration it still pays honor stylistically to the original right down to the song’s familiar up-tempo bass line (handled here by bassist Rob Boyer).  One of the song’s biggest surprises is Brumley’s vocal delivery.  It’s not certain as to whether or not Brumley set out to emulate Lemmy Kilmister in this cover.  But interestingly enough listeners will note that there is a certain element of that gritty sound made so familiar by the late rock legend in Brumley’s own vocal delivery here.  It is a nice touch to the, and especially so if Brumley did not set out to try to sound like Kilmister.  The band’s take on UFO’s ‘Lights Out In London’ is another example of the importance of the band’s performances in this record.  It could actually be argued here that Conquest’s cover is even better than the original.  That is thanks to the bombastic guitar solos, Bruley’s powerhouse vocal delivery, and Tim Fleetwood’s equally solid work behind the kit.  Of course Boyer’s work on the bass here shouldn’t be ignored either.  The whole of the band’s work here makes the band’s take on the song a song that will have make every rocker out there proud.  It is just one more example of what makes the band’s performance of each of the record’s featured songs is just as important as the songs themselves.  They are hardly the record’s only key examples of that importance.  Audiences will take just as much notice of the band’s take on ‘Dead Or Alive’ ‘Wraithchild’ and ‘Cowboys From Hell.’  The prior pair of covers is much more bombastic here in the case of the original songs.  ‘Cowboys From Hell’ on the other hand is a relatively close take on the original.  All three will hold listeners’ ears and have them talking afterward just as much as the other noted covers and those covers not noted here.  All in all, the band’s take on each of the songs featured proves just as pivotal to the record’s presentation as the songs themselves.  They are not the record’s only important elements, though.  The album’s sequencing is just as important to its presentation as the songs and their performances.

The songs that are featured in Conquest’s new covers collection and the band’s take on each song are equally important to the album’s presentation.  The songs are so important to note because of the broad range of influences presented throughout the record’s forty-three minute run time.  The band’s performance of the songs is just as important to note as the songs themselves because of the similarities and differences between the originals and the band’s updated take on each song.  Those similarities and differences are certain to create their own share of interest and discussion among audiences.  As important as each element proves to the record’s whole they are not its only key elements.  The record’s sequencing is just as important to its presentation as those noted elements.  Audiences that pay close attention to the record’s sequencing will note that for the most part the record maintains a relatively solid energy level from beginning to end.  Though, the energy does pick up just enough at given points, so as to maintain listeners’ engagement.  It picks up first just past the record’s halfway point in the form of Motorhead’s ‘Ace of Spades’ before puling back just a little bit as the record transitions into its second half.  As the album nears its end the band picks things up once more in the covers of ‘Red Hot’ and ‘Cowboys From Hell’ before finishing off with the slightly slower (slightly at best) but no less heavy ‘Children of the Grave.’  Simply put, the band has balanced the record’s energy and even its varied musical styles from beginning to end thanks to its expert sequencing.  This ensures listeners’ maintained engagement, and in turn, entertainment.  Keeping this in mind, the record’s sequencing shows in the end why it is just as important to its presentation as its songs and performances thereof.  Each element is important in its own way to the whole of the record.  All things considered, Under The Influence shows in the end to be a rarity of a covers album.  It doesn’t come across as just some contractually obligated space filler.  Rather it proves to be a collection of classic rock songs that Conquest’s fans will enjoy just as much as those of the bands featured throughout the record.  It is a record that succeeds at presenting a solid introduction to rock’s rich modern history all while entertaining rock fans of all ages.  It is a covers collection that is actually worth hearing at least once regardless of audiences’ familiarity with Conquest or its body of work.

Conquest’s latest studio recording Under The Influence is a record that every rock fan should hear at least once.  This applies regardless of listeners’ familiarity with the band or its body of work.  That is because it isn’t just a random, contractually obligated space filler record.  Its eleven songs present a solid introduction to rocks rich modern history.  That is thanks to the broad array of bands and songs that is presented here.  The band’s performance of each song is just as important to the record’s presentation as the songs themselves.  That is because they present new and familiar takes on the classic songs; takes that will keep listeners engaged and generate their own share of discussion among audiences.  The album’s sequencing rounds out its presentation.  Over the course of its forty-three minutes, the records sequencing expertly balances the record’s energy from beginning to end.  This ensures just as much listeners’ engagement.  Each element plays its own important part in the record’s presentation.  Altogether they make Under The Influence a record that very rock fan should hear at least once regardless of one’s familiarity with Conquest or its body of work.  It is available now in stores and online.  It can be ordered online direct via Dark Star Records’ online store.  More information on this and other titles from Conquest is available online now at:

 

 

 

Website: http://conquestmetal.com

Facebook: http://www.facebook.com/conuestrocks

 

 

 

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