Saul’s ‘Aeons’ More Proof That Independent Acts Are Just As Viable As The Mainstream

Courtesy: O’Donnell Media Group

Independent music acts deserve far more credit than they get from the mainstream.  This critic can attest to this statement as time and again, so many unsigned and indie acts that this critic has listened to have proven with their records, to be able to hold their own against their more well-known counterparts in the mainstream.  Independent hard rock band Saul is just one more act that proves that argument true.  Its new EP Aeons holds its own against records from the likes of Disturbed, Korn and Breaking Benjamin. This is proven in part through the EP’s lead single ‘Brother.’  The EP’s opener, ‘The Toll’ supports the noted statement just as much as its lead single.  It will be addressed a little later.  ‘I Am HIM,’ the EP’s penultimate song, is one more example of what makes Aeons a work that will appeal to the noted audiences.  When they are considered alongside the EP’s other two songs – ‘Bolide’ and ‘Aeons’ – the whole of the record proves to be a good effort from the Iowa-based band.

Aeons, the new five-song EP from Sioux City, IA-based band Saul is a good effort from the independent hard rock quartet.  It is a work that is certain to take listeners back to the late 90s and early 2000s with its musical arrangements and lyrical themes.  That is proven in part through the EP’s lead single ‘Brother.’  The band’s members waste no time launching into the nearly four-and-a-half-minute song’s musical arrangement, taking off right from the song’s outset.  The crunching guitars, bass and drums couple with front man Blake Bedsaul’s vocal delivery to instantly conjure thoughts of Hellyeah, Disturbed and Breaking Benjamin.  It doesn’t let up until late in the song’s run, either.  That moment when the song’s energy pulls back is well-placed, too.  That is because it helps to heighten the emotion in the song’s lyrical theme right at that moment.

Speaking of the song’s lyrical content, Bedsaul explained in an interview about the song’s topic.  “Lyrically, this song defines what I should have said to my brother in his last moments,” Bedsaul said in the interview.  “This song cuts deep for me, and it’s a constant reminder that life is fleeting.  Tell the people in your life that you love them.”  This message is delivered clearly as Bedsaul sings in the lead verse, “I write this letter/It’s a letter I’ll never send/Words I’d never say/Would you read it anyway/Tell me brother, what’s my fate/Did you see the sunrise/Did you see the rain/We’ve come so far/Penniless in pain/This is my fate/The world awaits/Hold my hands and tell me that it’s alright/Are you proud of everything I’ve done in my life.”  From here, Bedsaul goes on to sing in the song’s chorus asking pleadingly to his brother “Are you still proud of me after everything that I’ve done?”  Bedsaul continues in similar fashion in the song’s second verse.  Ultimately what this comes across as (at least to this critic) is a person who is dealing with a lot of personal guilty and heavy feelings in general.  Those thoughts and feelings are translated very well.  When it is considered alongside the companion that is the song’s musical arrangement, the song in whole becomes a work that easily holds its own against its more well-known noted counterparts, and proves easily that it could just as easily be played on any mainstream/active rock station along with songs from those bands.  It is just one of the songs featured in this EP that makes the record appealing for its noted audiences.  ‘The Toll,’ which opens the record, is another example of what makes Aeons a noteworthy record.

‘The Toll,’ is a strong first statement from Saul on this record.  The down-tuned crunching guitars couple with Bedsaul’s vocal delivery this time to just as easily conjure thoughts of Breaking Benjamin.  The same can be said of the subtle introduction of the keyboards in the song’s chorus.  The song’s ability to grab its targeted audience with its musical arrangement ensures that those listeners will pay just as much attention to the song’s lyrical content.

Bedsaul sings in this song, seemingly about facing the trials and tribulations and not letting those obstacles get in the way.  He sings, “I know I’m not giving in” and of “the toll it takes/the price we pay.”  Bedsaul never fully makes clear what is taking a toll, only hinting that maybe he is referencing facing life in general, as he sings in the lead verse, “Consider this/Like nothing left.”  Not having a lyrics sheet to reference, it is difficult to fully decipher Bedsaul’s words.  That aside, enough is understood that it is clear this is a song that lyrically sends a message about pushing through life’s adversity, which is always a welcome message.  The fire in the song’s musical arrangement couples with the strength of Bedsaul’s words to make the song in whole another standout addition to Aeons.  It is just one more of the songs that proves the record’s appeal.  ‘I Am HIM’ is one more way in which Aeons proves its appeal.

‘I Am Him’ once again conjures thoughts of Breaking Benjamin with its musical arrangement.  At the same time, though one could also argue that there are hints of In Flames and other similar acts.  It is by far one of the EP’s heaviest tracks, if not its heaviest arrangement.  In reference to its lyrical content, it is difficult, again, to decipher Bedsauls screams and growls when coupled with his band mates’ work sans lyrics sheet.  However, it can be inferred from what is decipherable, that perhaps this song is addressing matters of the past.  He notes late in the song, “say what you say/You cannot walk away/You know not what you’ve done.”  He is rather cryptic here and throughout the song, especially considering the addition of some religious imagery.  Simply put, this song is certain to generate plenty of discussion among listeners.  That is not a bad thing.  In fact, the fact that it will generate so much discussion makes it stand out that much more.  Considering that, it is clear why this song is so important.  It will get people thinking and talking.  The song’s heavy musical arrangement is just an added bonus.  When the two elements are joined with the music and lyrics in the previously discussed songs (and those not directly noted here), the end result is a record that makes Saul’s new EP just as viable for any mainstream/active rock radio station as the band’s more well-known counterparts and contemporaries.

Independent hard rock band Saul’s new EP Aeons is a good effort from the Midwestern outfit.  It holds its own well against records from the likes of Disturbed, Korn and Breaking Benjamin.  All three of the songs discussed here serve to prove that statement.  The EP’s other two songs that were not directly discussed do just as much to support that statement as the noted works.  Each song is critical in its own way to the EP’s whole.  All things considered, the EP proves to be a record on which any mainstream/active rock radio programmer should take a chance.  It is available now.  More information on Aeons is available now along with all of Saul’s current live dates and more at:

 

Website: http://saulofficial.com

Facebook: http://www.facebook.com/saulbandofficial

Twitter: http://twitter.com/saulband

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Madame Mayhem Debuts New Single, ‘Broken’

Courtesy: FM Management

Madame mayhem released her new single this week.

The veteran rocker debuted her new single ‘Broken’ on Friday.  The song was co-written with Keith Wallen (Breaking Benjamin) and features guest performances by Ray Luzier (Korn) on drums and Billy Sheehan (The Winery Dogs, Bozzio Levin Stevens, David Lee Roth) –and others — on bass.

‘Broken’ is streaming now on Spotify, and can be purchased via iTunes and Apple Music.

Madame Mayhem is currently scheduled to appear at the National Association of Music Merchants (NAMM) 2019 showcase Jan. 24-27 at the Anaheim Convention Center in Anaheim, California.  More information on the showcase is available here.

More information on Madame Mayhem’s new single is available online now along with all of her latest news and more at:

 

Website: http://www.madamemayhem.com

Facebook: http://www.facebook.com/madamemayhem

Twitter: http://twitter.com/MayhemOfficial

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Metal ‘Super Group’ Releases New Single, ‘Enter The Gallows’

Fledgling metal band Repentance has released its latest single.

The band — composed of former SOiL and Dirge Within guitarist Shaun Glass, Stuck Mojo front man Robby J. Fonts, lead guitarist Markus Johansson (THEM), drummer Anthony Lien and bassist Mike Sylvester — released its “first official” single ‘Enter The Gallows’ Oct. 18.

The song’s musical arrangement will appeal to fans of Lamb of God, Chimaira, Murkocet and other similar acts.  One could even argue that there is a hint of a Slayer and Machine Head influence incorporated into the arrangement.  Musically speaking, the song seems to come across as a sort of social commentary, though no explanation as to the meaning of the song’s lyrics in its news release.

‘Enter The Gallows’ was engineered by Chuck Macack (Born of Osiris, Oceano) and mastered by Chris Collier (Prong, Korn, RiotV) of CMC21 Productions at ElectroWerks Recording in Downers Grove, Illinois.

While the band is calling its new single its “first official” single, it is actually the band’s third single so far.  It follows the release of the band’s debut “demo” ‘Collide‘ on May 14 and its follow-up, ‘Born To Choose‘ only days later on May 20.

 

 

Courtesy: Napalm Records

‘Enter The Gallows” debut comes only days before the band is scheduled to play as a special guest for Devildriver at Route 20 on Nov. 12. The performance is part of Devildriver’s “The Outlaws Til The End Tour,’ which is in support of Devildriver’s new outlaw country covers record Outlaws Til The End Vol. 1.  The record was released July 6 via Napalm Records.  Tickets are available here.

More information on Repentance is available online now at:

 

Website: http://repentanceband.com

Facebook: http://www.facebook.com/WeAreRepentance

Twitter: http://twitter.com/WeAreRepentance

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

‘Earthquake’ Is A Good First Impression For Hyvmine

Courtesy: Seek and Strike Records

The first impression is the most important that ca be made in any situation. From getting that coveted job to winning over a love interest to winning over audiences, that first impression is the best chance that one has to success in so many avenues. Taking this into consideration, it can be said that up-and-coming hard rock outfit Hyvmine has made a good first impression with its debut album Earthquake. Released Jan. 19 via independent label Seek & Strike Records (also home to Between The Buried and Me, Body Count, Gus G. and others), this first effort from Hyvmine is certain to reach a wide array of audiences. That is proven in part through the diversity in the album’s musical arrangements, which will be discussed shortly. The album’s sequencing also helps to prove its ability to reach audiences, and will be discussed later. The record’s production is also important to its ability to reach listeners and will also be discussed later. Each element is important in its own way to the whole of Earthquake‘s overall presentation. All things considered, the noted elements make Earthquake a record that while not earth-shaking, is still a good first impression for Hyvmine.

Hard rock outfit Hyvmine’s debut album Earthquake is a work that, as noted is not necessarily an earth-shaking record. It is however, a good first impression for the up-and-coming hard rock outfit. That statement is supported in part through the musical arrangements that are exhibited throughout the course of the album’s nine-song, 42-minute body. right off the top, audiences are treated to an arrangement in ‘Shift’ that boasts elements of Alter Bridge and Dream Theater. Yes, that’s quite the duality, but somehow front man Al Joseph and his band mates make that pairing of influences work. The slow build from the song’s opening piano line into the more contemplative moments that make up the early portion of the song builds a strong foundation for the song. The eventual growth from that vibe to the more power packed portions of the song shows definite thought put into the arrangement, and in turn is sure to keep listeners engaged. the same can be said of the joining those Alter Bridge and Dream Theater influences within those harder-edged moments. Joseph’s own vocal delivery boasts an eerie similarity to that of Alter Bridge front man Myles Kennedy, too, adding even more interest to the arrangement. Add in the song’s lyrical content, which seems to present the message of living life to the fullest, and audiences get an interesting first effort here. It is of course only one song that shows the importance of the album’s arrangements to its whole. The post-grunge vibe of ‘Fire Escape’ conjures thoughts of Korn, Staind and so many aggro-rock bands that rose to fame in the late 90s and early 2000s while ‘Mirror Master’ brings about thoughts of Sevendust and The Veer Union. The arrangement at the center of the album’s title track, which also comes virtually dead center of the album, will reach fans of Creed and other similar acts. Considering the diversity displayed throughout these songs and that of the songs not noted here, it becomes fully clear why that diversity helps to make this record a good first impression for this record. It shows the band’s ability to cover any type of rock, giving in itself reason for audiences to give it at least one listen. It is just one of the album’s most important elements. Staying on the same note as the songs, their sequencing proves just as important to discuss as their arrangements.

Earthquake‘s sequencing is important to note because as much as the songs’ arrangements do for the record’s presentation, if they had been poorly placed, they would have been completely useless. Luckily though, that didn’t happen. Again, noting the gentle, contemplative piano run at the start of the album’s opener and the manner in which it builds into the bigger picture of the song, it is just the first strong salvo from the band. The transition from that song’s raucous finale to the more controlled yet heavy riffs of ‘Mirror Master’ was a smooth and smart move. It keeps the heavy without being too stark of a change. The heavy continues into the album’s third track with the more up-tempo ‘Shogun,’ which also boasts a solo that would make John Petrucci proud. The heavy still doesn’t end there. From there, the album transitions into a rather Creed-esque radio ready rocker in ‘All of Creation’ before the album finally pulls back in ‘Earthquake.’ What’s really interesting here is that while it does finally pull back, that pull back is only partial as it starts off soft before picking back up a little bit in what is overall yet another Creed style work. ‘Fire Escape,’ the start of the album’s final trio of songs, brings the heavy back in full force before moving in a slightly more mainstream direction again ‘ Elysium.’ ‘Great Divide,’ the album’s penultimate track, gives listeners one last dose of heavy before closing out the record in another Creed-esque rocker in ‘Cliffhanger.’ Considering the direction that the album takes from beginning to end with its energies, it can be said after going through the whole of the 43-minute run time that the album’s energy stays relatively stable. That applies from song to song and even within the songs themselves. The stability of the energies within the songs and between songs creates a listening experience that even more certifies listeners’ engagement. When that insurance is considered along with the insurance generated through the songs’ very arrangements, that whole shows even more why Earthquake, while again not earth-shaking, is still a good first impression from Hyvmine. It is still not the last of the elements that makes this record a respectable start for the band. Its overall production is also worth noting.

The album’s production is important to note in examining Earthquake because while it does largely impress, there are at least a couple of problem points. ‘Shogun’ is one of those problem points. There are moments throughout the song when front man Al Joseph’s vocals are slightly washed out by the song’s musical elements. This means that interpretation of what he is singing becomes difficult without a lyrics sheet. There also seems to be a bit of a balance issue between Joseph’s vocals and the song’s musical elements here, too. This is, of course, just this critic’s own take. Others might hear it differently. The problem that this critic has caught here is that again, the music seems to slightly overpower Joseph’s vocals. That takes away at least something from the enjoyment here. The vocals in ‘Elysium”s chorus seem to bleed together a little with its musical side, too. Again, this is just this critic’s interpretation. Other than those directly noted elements, the album’s production proves relatively positive throughout. Keeping this in mind, it proves — despite the few problematic balance issues — to be relatively stable from beginning to end. When that is considered alongside the stability in the album’s sequencing and the variety of the album’s musical arrangements, the whole of these elements shows in full why Earthquake is a good first impression for Hyvmine.

Hyvmine’s debut album Earthquake is a good first impression for the band. While it may not be an earth-shaking start for the band, it is still respectable. That is thanks in part to the variety exhibited in the album’s musical arrangements. From Dream Theater to Korn to Creed and points even in-between, the album’s arrangements are certain to reach a variety of audiences. The album’s sequencing keeps its energy relatively stable from beginning to end. This is proven through the song transitions and even within the songs themselves. The album’s overall production is relatively stable, too, strengthening its presentation even more. Each element is important in its own right to the album’s whole. All things considered, they make Earthquake a good first impression from Hyvmine that, while it might not have everyone thinking the same, will impress plenty of audiences. It is available now in stores and online. More information on Hyvmine is available online now at:

Website: http://seekandstrike.com/artists/hyvmine

Facebook: http://www.facebook.com/hyvmineband

Twitter: http://twitter.com/hyvmineband

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Ellefson Coffee Company Grand Opening Celebration Grows Again

Courtesy: Ellefson Coffee Company/O’Donnell Media Group

Next weekend’s grand opening of Ellefson Coffee Company’s first brick and mortar store keeps growing.

The festivities for next weekend’s grand opening of Ellefson Coffee Company’s Jackson, MN store now include performances by two more acts.  Kik Tracee/Zen From Mars vocalist Stephen Shareaux and Bang Tango/Zen From Mars guitarist Drew Fortier will perform at the store throughout the weekend.  The duo will perform songs from Kik Tracee and Zen From Mars over the weekend.

Also added to the weekend’s festivities is Bryn Arens, front man of beloved local Minneapolis-based band FLIPP.  Arens, Shareaux and Fortier are just the latest additions to next weekend’s grand opening celebration. Local Jackson, MN-based stock car racer Luke Sathoff’s Ellefson Coffee Company-sponsored car will be on display at the store throughout the weekend, too.

The newly noted additions to next weekend’s festivities join already announced celebrities That Metal Show co-host Don Jamieson and paranormal author and investigator Adrian Lee.

Jamieson will be at the store April 8 while Lee will lead Ellefson and others on an exploration of Loon Lake Cemetery, the local Jackson, MN cemetery that inspired Megadeth’s hit song ‘Mary Jane.’

The permanently displayed “Museum of Deth,” which features artifacts and memorabilia from Ellefson’s personal collection. The items that will be on display include Ellefson’s own high school marching band uniform and memorabilia from other acts including Korn, Machine Head, Max Cavalera and Coal Chamber.

Ellefson said in a recent interview he was looking forward to next weekend’s events.

“As the grand opening draws nearer, it’s amazing to see the excitement build and be able to announce some more killer things we have planned for the grand opening and beyond!,” Ellefson said.  “We have people traveling from all over the country to join us in this celebration of all things coffee and metal and we’re going to show them all a great time.”

Ellefson Coffee Company Marking Director Thom Hazaert agreed.

“The Ellefson Coffee Company store has turned out to be an amazing way for David to have a permanent face in his hometown, while being able to tie in EMP, Jackson, Dean, SIT and everything else in our universe,” Hazaert said.  “With the huge sense of Megadeth history in Jackson, we are excited to be able to create a really unique an amazing fan (and coffee) experience that, as predicted, is turning out to not only be a highlight for the people of Jackson, but a destination for Megadeth fans from around the world.”

Ellefson Coffee Company’s new brick and mortar store sells more than just coffee.  It also serves as an outlet for anyone looking to purchase products from Ellefson’s EMP Label Group, Jackson Guitars, SIT Strings, Puck Hcky, Dean Guitars and other companies connected with Ellefson and EMP Label Group.

Ellefson Coffee Company’s grand opening will take place Friday, April 7 – Sunday, April 9 at 404 2nd Street, Jackson, MN.  The store can be contacted by phone at 507-847-4065.  More information on Ellefson Coffee Company is available online now at:

 

 

 

Website: http://www.ellefsoncoffeeco.com

Facebook: http://www.facebook.com/ellefsoncoffeeco

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Ellefson Coffee Co. Store To Hold Grand Opening This Spring

Courtesy: O'Donnell Media Group/Ellefson Coffee Company

Courtesy: O’Donnell Media Group/Ellefson Coffee Company

Ellefson Coffee Company’s first ever brick and mortar store will hold its official grand opening this spring.

The event will be held April 7 – 9.  It comes almost three months after the store held its soft opening, which was held Jan. 10.  The company is named after its founder, Megadeth bassist Dave Ellefson.

The store is located in Ellefson’s hometown of Jackson, MN.  Ellefson will be on hand for the grand opening.  He will be joined by comedian and That Metal Show co-host Don Jamieson.  Jameson said in a recent interview that he gladly accepted Ellefson’s request to appear at the event, while also praising the power of one of Ellefson Coffee Company’s select coffee lines.

“He’s (Ellefson) a Grammy®-winning musician, thrash metal legend and now…Mega Barista!,” Jamieson said.  “When David and I spoke about this event, I was immediately excited to jump on board.  In fact, after a few cups of his Kenya Thrash blend, I may just run all the way to Jackson, MN!  So come raise a glass of java, and join us for this celebration of Ellefson coffee.”

Ellefson was also excited for his store’s official hard opening.

“This is our heavy metal spring break in Jackson!,” Ellefson said.  “We look forward to hosting some really fun events centering around my career’s roots and history in the area, as well as a chance to see some memorabilia from my friends in music, film and TV.”

Some of the memorabilia on display at the store will include Dave’s Jackson High School marching band uniform to see, and items from other bands including Korn, Coal Chamber, Machine Head, and others.

Along with memorabilia, the store will also offer products from Ellefson’s fledgling record label, EMP Label Group for sale and Ellefson Coffee Company products.

Ellefson’s ECC partner Tom Hazaert stressed the new store, while already having been opened since January, will be a special place for coffee lovers and for Jackson, MN’s metal community for the foreseeable future.

“Not only will Ellefson Coffee Company now have a permanent face in David’s hometown, but being able to tie in EMP, and everything else we do, and with the huge sense of Megadeth history in Jackson, we are excited to be able to create a really unique and amazing (and coffee) experience that we are sure will not only be a highlight for the people of Jackson, but a destination for Megadeth fans from around the world,” Hazaert said.

As part of the store’s hard opening, author Adrian Lee will join Ellefson and company as they take visitors and customers on a haunted tour of nearby Loon Lake Cemetery.  The cemetery is where one Mary Jane Terwilliger is said to be buried.  According to legend, Terwilliger, born in 1862, was beheaded by residents of Petersburg, MN in 1881 after being accused of being a witch.  However, research has debunked that myth, proving she in fact died at the age of 17 allegedly from diphtheria.

Due to the myth surrounding Terwilliger and her death becoming so popular, she became the topic of the song ‘Mary Jane,’ which is included in the band’s 1988 album So Far, So GoodSo What!  Terwilliger’s headstone stands today at the Jackson County Historical Society office.

Ellefson Coffee Company’s store is located at 404 Second Street, Jackson, MN 26143.  More information on Ellefson Coffee Company’s store, its coffee lines, and more is available online now at:

 

 

 

Website: http://www.ellefsoncoffeeco.com

Facebook: http://www.facebook.com/ellefsoncoffeecompany

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

2017 Rock On The Range Festival Lineup Announced

Courtesy: Danny Wimmer Presents/AEG Live

Courtesy: Danny Wimmer Presents/AEG Live

The lineup for the 2017 Rock on the Range Festival has been announced, and once again it has proven to be quite the collection of acts.

The three-day festival will be headlined by Metallica, Soundgarden and Korn.  It will feature more than 50 bands over the course of that time along with some of the country’s top comics at the festival’s Rock on the Range Rolling Rock Comedy Tent.

The lineup for the 2017 Rock on the Range Festival includes: Metallica, Soundgarden, Korn, The Offspring, Volbeat, Primus, Bush, Chevelle, Papa Roach, Seether, Coheed & Cambria, Alter Bridge, The Pretty Reckless, Taking Back Sunday, Thrice, Amon Amarth, Pierce The Veil, Sum 41, Skillet, Dillinger Escape Plan, In Flames, Gojira, Biffy Clyro, Motionless In White, Nothing More, Beartooth, Starset, Every Time I Die, The Story So Far, Deafheaven, Zakk Sabbath, Rival Sons, The Amity Affliction, Attila, Norma Jean, Suicide Silence, Whitechapel, I Prevail, Turnstile, Dinosaur Pile-Up, Red Fang, Dorothy, Kyng, Radkey, As Lions, Frank Carter & The Rattlesnakes, Sylar, Fire From The Gods, Badflower, Wage War, Goodbye June, Cover Your Tracks, DED, Bleeker, Royal Republic, Mother Feather, Aeges and One Less Reason.

Rock on the Range—fueled by Monster Energy—is billed as America’s largest and most acclaimed rock festival.  The festival will also feature in 2017 “The Music Experience,” art installations, and unique on-site activities over the course of the festival’s three days.

Tickets for the 2016 festival sold out more than two months in advance of the festival.  It marked the fourth consecutive year the festival has sold out in advance.

Weekend Field, new Weekend Field VIP, Weekend Stadium and a limited number of Weekend Stadium 4-packs are available now for purchase.  A layaway option is also available for concert-goers.  That option allows audiences to split the cost of their ticket/ticket packages into four separate monthly payments.

Fans can get a pre-sale password for Weekend Field VIP, Weekend Field GA, Weekend Stadium GA and Weekend Stadium GA 4-packs on the official Rock on the Range website, Facebook page and Twitter page.  The ticket prices are listed below.

 

  • Weekend Field VIP: starting at $349.50* + fees
  • Weekend Field GA: starting at $199.50* + fees
  • Weekend Stadium GA: starting at $99.50* + fees
  • Weekend Stadium GA Ticket 4-Pack: $380.00 + fees
  • * Phase One prices listed
  • *** Ticket prices automatically move to the next price level once the allotment sells out ***

General on-sale for tickets is Friday, Dec. 2 at 10 a.m. EST.  Tickets will be available online at the festival’s website, at Ticketmaster locations and the MAPFRE Stadium box office.

Audiences who want an even more special concert experience can purchase the new Uber Ranger Camping Package.  The package includes amenities for four people such as luxury RV on a double campsite at the Ohio Expo North Campground (May 18 – 21), a dedicated concierge with golf cart shuttle, 4 Weekend VIP Field Admission Tickets, a backstage tour, access to the stadium club (with catered lunch and dinner), access to the Side Stage Viewing Platform, access to the VIP Lounge and more.  More information on the new Uber Ranger Camping Package is available here.

Rock on The Range celebrated its 10th anniversary in 2016.  More than 120,000 people attended the festival from around the world.  As part of its 10th anniversary celebration, Columbus, OH mayor Andrew J. Ginther and the Columbus, OH city council presented festival organizers with awards of recognition.  A resolution was also announced from the Franklin County Board of Commissioners acknowledging the festival’s economic impact on the city.

The commissioners pointed out in their resolution pointed out the festival brought in more than $140 million for the city over the course of its ten years in the city.

Rock on the Range is produced by Danny Wimmer Presents, AEG Live and MAPFRE Stadium.  It is supported by Monster Energy, Bud Light and Zippo.  They and other partners will feature interactive experiences, meet & greets, and other special fan engagement opportunities throughout the festival.

More information on the 2017 Rock on the Range Festival is available online now at:

 

 

 

Website: http://www.RockontheRange.com

Facebook: http://www.facebook.com/rockontherange

Twitter: http://twitter.com/rockontherange

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep  up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.