Ill Nino Debuts ‘All or Nothing’ Video; Summer Tour Dates Scheduled

Ill Nino debuted the video for its latest single this week.

The band premiered the video for its new single, ‘All or Nothing’ Wednesday through Loudwire. The song, which tackles the topic of immigration, features a guest appearance by P.O.D. front man Sonny Sandoval and comes approximately five months after the band premiered the video for its then latest single, ‘Mascara,’ which also premiered through Loudwire.

Both songs are expected for inclusion in Ill Nino’s forthcoming album IllMortals, which is scheduled for release later this year through Break Silence Music. The album’s release date is under consideration.

Front man Marcos Leal address the lyrical theme of ‘All or Nothing’ and working with Sandoval in a prepared statement.

“‘All or Nothing’ was written as a challenge to myself. I knew the moment I joined Ill Nino, I would face negativity, scrutiny and possibly ridicule,” said Leal. “It caused me to question myself, and even question if I was good enough to embrace this opportunity. I challenged myself as I’m challenging all of you, what would you do if the opportunity of a lifetime was within your grasp? I chose to go ‘All or Nothing.’”

Added Leal, “I wanna thank one of my heroes, Sonny Sandoval of P.O.D. for lending his freshness to this track and being a constant inspiration.”

Sandoval, shared Leal’s positive thoughts as he talked about working with Ill Nino on the song and video.

“Like P.O.D., ILL NIÑO have always incorporated their culture, roots and heritage into their music and sound, which have set them apart in this metal scene for over two decades,” said Sandoval. “It was my honor and privilege to have contributed to this record. After knowing them for 20 years now, I don’t know why we didn’t do this sooner.”

The video for ‘All or Nothing’ features Ill Nino and Sandoval performing the band’s new single in what is meant to resemble an alleyway in an urban setting, what with the graffiti on the wall behind the band. That imagery pairs with visuals of an Hispanic woman praying, a factory, and information about the role of immigrants in America perhaps equating Leal’s comments about taking a major chance in life to what Immigrants do every day.

The musical arrangement featured in ‘All or Nothing’ takes listeners back to Ill Nino’s infancy, with its sharp guitars, driving vocals and heavy bass. It sounds like it would fit well in the band’s 2001 debut album, Revolution, Revolucion.

‘All or Nothing’ will be available to stream and download by itself beginning May 14.

Courtesy: Ill Nino

In other news, Ill Nino is scheduled to launch the “Ill Texas Familia Tour” in July. The tour is scheduled to run from July 8-11 and September 11-12. The tour’s information is noted below. King 810, Upon a Burning Body, Incite, Evolution Empire, and Born in Blood are scheduled to join the band for the brief run.

ILL NIÑO tour dates:

July 8 – Corpus Christi, TX – Brewster Street

July 9 – Austin, TX – Come and Take It Live

July 10 – El Paso, TX – Rock House *Also feat. Upon A Burning Body

July 11 – Lubbock, TX – Jake’s Sports Cafe

September 11 – Orlando FL – Warlando *Festival

September 12 – Lynchburg, VA – Blueridge Rockfest *Festival

Ill Nino will join the likes of Limp Bizkit, Five Finger Death Punch, P.O.D., and Sevenust at the noted festival shows.

More information on Ill Nino’s new single, video, and tour is available along with all of the band’s latest news at:

Websitehttps://www.illnino1.com

Facebookhttps://www.facebook.com/Officialillnino

Twitterhttps://twitter.com/officialillnino

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Kings Of Quarantine Debuts ‘Mountain Song’ Cover, Companion Video

Rock super group Kings of Quarantine debuted the video for its latest single this week.

The band — Jason Rockman (Slaves on Dope), Kevin Jardine (Slaves on Dope), and Bill Kelliher (Mastodon) — debuted the video for its cover of the hit Janes Addiction song ‘Mountain Song‘ Tuesday. The band was joined by an all-star cast of musicians for the video and the song, consisting of: Wes Borland (Limp Bizkit), Tanner Wayne (In Flames), P-Nut (311), Louise Post (Veruca Salt), Richard Patrick (Filter), and Bert McCracken (The Used).

Kings of Quarantine’s take on ‘Mountain Song’ stays largely true to its source material. What it does extra is gives the song an added punch with its multiple vocal takes and even heavier, amped up guitars.

Courtesy: TAG Publicity

One hundred percent of sales from the single’s release will go to benefit Roadie Relief, an effort that serves to assist roadies who were negatively impacted by the COVID-19 pandemic.

Rockman talked about that attempt to help concert staff through the song’s sales in a prepared statement.

“We hope to not only put a smile on people’s faces, but also help the touring staff that have been severely affected by the pandemic”, said Rockman.

Kings of Quarantine’s latest single and video are the second from the group. The trio covered Faith No More’s 1987 hit song ‘We Care A Lot‘ last year. The group was joined by members of Anthrax, Korn, Filter, Run DMC, Refused, and Men Without Hats for that recoding and its video.

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Killset Debuts ‘Closure’ Video

Killset is giving audiences their first listen to its new album.

The band debuted the video for its new single ‘Closure’ Thursday through altpress.com.  The video is also streaming through the band’s official YouTube channel.  The song is taken from the band’s forthcoming third album Killin’ Spree, which is set for release in Fall.  The album’s exact release date has not yet been released.

Courtesy: altpress.com/Adrenaline PR

Musically, the band’s new song will appeal to fans of the aggro-rock sounds of the late 1990s.  Specifically speaking, the song’s arrangement will appeal to fans of bands, such as Korn, Stain and Limp Bizkit.  Lyrically, it will appeal to a wider range of listeners, as front man Luca explained in his interview with altpress.com.

“I think the song is pretty self-explanatory, as far as the message,” he said.  “It’s about getting closure.  I believe everyone has had some type of situation in their life where they’ve needed closure.  The track is about getting it and being able to move on in a positive direction.”

‘Closure’ is available for download now.  The song was produced by Killset with Eric Kalina and Eddie Wohl (Ill Nino, Fuel, Anthrax).  Wohl also mixed the track while Maor Appelbaum (Sepultura, Faith No More, Ill Nino) mastered the track.

While the focus right now is on Killset’s new single, it is just one of the album’s notable nods.  The album will also feature a guest appearance by Nonpoint front man Elias Soriano on the track ‘Burn.’  Along with offering guest vocals on the song, Soriano also co-produced the track with the band.  He talked in a recent interview about working with Killset on the song.

“It was cool creating with the guys,” Soriano said.  “I really think we accomplished something special with this song.”

Killin’ Spree is Killset’s third album in four years.  The band released its debut album Know Your Killer in October of 2015.  That album was followed up in June 2017 with the band’s sophomore album STFU.

More information on the upcoming release of Killin’ Spree is available online now along with all of Killset’s latest news at http://www.facebook.com/killsetofficial.

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Killset’s Sophomore Album Will Leave Aggro-Rock Fans Making Plenty Of Noise

Courtesy: Scratched Records

The wait is almost over.

After nearly two years of touring and crafting new songs, Killset will soon release its sophomore album S.T.F.U.  The ten-song, 43-minute record is a solid new effort from the independent Southern California-based band.  That is evidenced through arrangements that will appeal to fans of Limp Bizkit, Taproot, Staind and other agro-rock acts from the late 90s and early 2000s and through lyrical content that will move listeners just as much as the songs’ musical arrangements.  The album’s lead single ‘Killers in the Pit’ is just one of the songs included in this record that supports that statement.  The brooding yet uplifting ‘Broken Angel’ supports that statement in its own way, too.  ‘Animal,’ with its fiery arrangement and equally powerful lyrical content, also supports that statement, and is hardly the last song to support that statement, too.  The album’s proudly defiant opener ‘Get Up’ and its follow-up ‘Bully’ are two more examples of what makes this album a success for its targeted audiences along with the rather interesting cover of Kris Kross’ ‘Jump’ and the brooding ‘Not A Love Song,’ which comes late in the record’s sequence.  Between these songs and the pieces not noted here, the whole of this record is sure to have its target audiences *ahem* making plenty of noise.  Yes, that awful pun was fully intended.

Killset’s sophomore album S.T.F.U. is a work that is certain to leave its target audiences making plenty of noise.  That is due to musical arrangements and lyrical content that echo influences of so many of its aggro-rock ancestors.  This is evidenced in part through the album’s lead single ‘Killers in the Pit.’  This song’s musical arrangement is full on aggro-rock and will appeal directly to Limp Bizkit fans from start to finish.  That is thanks to a guitar and drum line that clearly echo influences from Wes Borland and John Otto and a vocal delivery from front man Luca that just as quickly conjures thoughts of Limp Bizkit front man Fred Durst.  Bassist Mark Baker can’t be ignored here either as he provides an equally infectious low-end line, adding even more impact to the song’s musical arrangement.  Whether one openly admits to being a Limp Bizkit fan or keeps the band as a guilty pleasure, that overall infectious arrangement is in itself proof of what makes the song and the album a success for Killset’s key audiences.  The same can be said of the song’s lyrical content, which delivers a boldly defiant message about music’s power to heal.

The lyrical content of ‘Killers in the Pit’ delivers a powerful 1-2 punch that hits listeners just as hard as the song’s musical arrangement.  That is because it stands up against the stereotypical statements about anger management, showing that the power of aggressive music is just as pivotal in mental health as so many other outlets, if not more so.  Luca sings in the song’s opener, “So first they say to count to 10/Now f*** that/Then they say just take a breath/F*** that/Oh, you can be happy/just take these pills/Now f*** that/We’re done with your pills and your chemi-kills/F*** that/They will no longer control the way we choose to find our peace/We’ll show the world how we get down.”  He goes on to say in the song’s second verse, “If you love standing up for what you believe, say hell yeah/If you love being part of this beautiful scene, say hell yeah/We do what we do/We say what we mean/If you believe/That God believes, say hell yeah.”  Don’t mistake that statement for the band being some Christian rap/rock outfit.  But it is one more positive statement from the band.  When that statement is joined with the rest of the song’s lyrical material, the whole is a statement that will resonate with any listener.  The addition of the song’s musical arrangement adds to that impact even more, showing why this song helps to solidify S.T.F.U.’s appeal with Killset’s fans.  The combination of those two elements makes ‘Killers in the Pit’ just one example of what makes S.T.F.U. in whole a work that will appeal to Killset’s fans.  The brooding yet uplifting ‘Broken Angel’ is another example of what makes this record a work that will appeal to the band’s key demographic.

‘Killers in the Pit’ is a work that shows clearly both musically and lyrically why S.T.F.U. will resonate with Killset’s key fanbase.  That is evidenced through the combination of the song’s infectious, aggro-rock arrangement and its proudly defiant lyrical content.  Even with this in mind, it is not the only song included in this record that serves to show what makes this record appealing to certain audiences.  ‘Broken Angel,’ with its brooding yet powerful musical arrangement and lyrical content, strengthens the album even more.  The song’s piano-centered arrangement starts off gently, eventually building until it reaches its climax in the song’s bridge.  Opinions may vary in comparisons, but this critic’s own comparison leans toward similar works from the likes of Staind, Linkin Park and other (again) aggro-rock acts from the late 90s and early 2000s.  That is not a bad thing, though.  Once more, it shows a very directed aim from the band in crafting the song’s arrangement.  As with ‘Killers in the Pit,’ it is just one part of what makes the song important to discuss.  The song’s lyrical content is just as important to note here.

The lyrical content at the heart of ‘Broken Angel’ is just as important to discuss as its musical arrangement not just because of its content, but the depth that it adds to the song when set alongside that brooding arrangement.  The song’s subject sings through Luca here, “All your perfect imperfections/The chaos in your mind/You’re tortured/Neglected/Beautiful inside/Your heart has a melody/It only speaks to me/Your smile so perfectly hides the pain…I can see your suffering/Your eyes/Angel/Unto me you are the blessing that I would never change…don’t give up/Don’t give into the pain/Before you’ve had the chance to truly spread those wings/So pure/You’re broken just right for me.”  This song is full on teen angst, with one person saying to the emotionally scarred love interest, “I understand you, etc. etc.”  It’s uplifting.  There’s no denying that, but the almost goth style angst expressed lyrically is the kind of thing that will definitely appeal to a very directed audience, especially when it is joined with the song’s equally brooding musical arrangement. The pairing of the two elements makes clear why this song is one more way in which S.T.F.U. will appeal to Killset’s key fans, and is still not the last of the songs included in the record to do so.  ‘Animal’ is yet another of the record’s songs that shows what makes this record appealing to Killset’s key collective fans.

‘Killers in the Pit’ and ‘Broken Angel’ are both key examples of what makes S.T.F.U. a record that will certainly resonate with Killet’s key audiences.  That is thanks to the songs’ musical arrangements and lyrical content.  While both songs are clear highlights in this, the band’s sophomore album, they are not it’s only standout songs.  ‘Animal’ is yet another example of what makes this album another success for Killset.  As with the previously noted songs, that is due in part to the song’s musical arrangement.  The song’s musical arrangement is a straight-forward composition that is driven jointly through the work of guitarist Dave Comer and drummer Jason “Jas” Dillon.  Dillon solidly keeps the song’s up-tempo 4/4 time signature moving even as he works his musical magic.  Comer’s guitar line helps keep the song moving just as much with its straight forward approach.  That partnership creates a solid foundation for the song’s arrangement that is strengthened even more through Luca’s vocal delivery and Baker’s bass line.  All things considered here, the straight forward rock arrangement presented here easily could hold its own with so many arrangements from the band’s mainstream counterparts.  It is only one part of what makes the song stand out.  The song’s lyrical content is just as important to note as its musical arrangement.

The lyrical content presented in ‘Animal’ is just as important to note as the song’s musical arrangement because it comes across as taking on one’s inner proverbial demons.  That is inferred as Luca sings in the song’s lead verse, “All these voices/Play in my head/So much noise/I’m coming unglued/Just ignore them/That’s what they said/But if only they could hear them, too/I’m so sick I’m about to freak out…can’t get ‘em out now.”  This contemplation continues in similar fashion in the song’s second verse with the subject admitting seemingly to a love interest that he has some serious issues to deal with.  It almost comes across as a song that, in its own way, takes on the issue of domestic violence.  That is, of course, just this critic’s own interpretation, so it should not be taken as the only interpretation.  When this is set against the song’s driving arrangement, it shows even more why this song is another important addition to S.T.F.U.’s body.  When the whole of the song is joined with the previously discussed works and the other songs not noted here, the whole of the album proves to be a solid new effort that is certain to leave listeners making their own noise.

Killset’s sophomore album is a very directed effort, with musical arrangements and lyrical content that is certain to resonate with the band’s targeted audiences.  That is evident  in the defiant, fist-pumping anthem ‘Killers in the Pit,’ the more brooding yet uplifting ‘Broken Angel’ and the powerful seeming commentary on domestic violence of ‘Animal.’  All three songs show three very distinct arrangements separate of one another but that are still very much within a specific musical continuum. That is evidenced just as much in the likes of the album’s defiant opener ‘Get Up’ and its equally powerful anti-bullying follow-up, ‘Bully.’  Even in the band’s playful take on Kris Kross’ classic hit ‘Jump.’ The band sticks to a certain musical era and audience here and in the rest of the songs not noted here.  Each work shows in its own way to be important to the record’s whole.  All things considered, they show, once more, that S.T.F.U. is certain to leave listeners making plenty of noise beginning July 7.  More information on S.T.F.U. is available online now along with all of the band’s latest news and more at:

 

 

 

Facebook: http://www.facebook.com/killsetofficial

Twitter: http://twitter.com/_KillSET_

 

 

 

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Performance Times Released For Annual Festival

Courtesy:  Ashton-Magnuson Media

Courtesy: Ashton-Magnuson Media

Organizers of the annual “Welcome To Rockville” Festival presented by Monster Energy have released more information on this year’s festival.  2013 is the festival’s third year being held.  Performance times for bands on each stage have officially been released.  The “Monster Energy Main Stage East” opens with a performance by Pop Evil at 12:40pm.  Pop Evil will be followed by All That Remains, Halestorm, Papa Roach, Stone Sour, and headliners Alice in Chains.  Alice in Chains takes the “Monster Energy Main Stage East” at 9:45pm.  The “Monster Energy Main Stage West” is just one of the many stages from which audiences have to choose during the festival.  A full listing of bands and performance times is available below.

Saturday, April 27

Monster Energy Main Stage East

12:40 PM         Pop Evil

2:05 PM           All That Remains

3:35 PM           Halestorm

5:25 PM           Papa Roach

7:25 PM           Stone Sour

9:45 PM           Alice In Chains

 

Monster Energy Main Stage West

12:05 PM         Young Guns

1:20 PM           In This Moment

2:50 PM           Asking Alexandria

4:30 PM           Bullet For My Valentine

6:20 PM           Three Days Grace

8:30 PM           Limp Bizkit

 

Emerging Artist Stage

Noon                Rockville Rumble Winner

1:00 PM           Hell Or Highwater

2:10 PM           Gemini Syndrome

3:20 PM           Whitechapel

4:45 PM           Otherwise

6:20 PM           Escape The Fate

 

Jax Live Stage

11:30 AM         Rockville Rumble Winner

12:30 PM         Edens Fill       

1:40 PM           Rockville Rumble Winner

2:50 PM           Rockville Rumble Winner

4:05 PM           Stars In Stereo

5:35 PM           MonstrO

7:25 PM           Rockville Rumble Winner

 

Sunday, April 28

Monster Energy Main Stage East

11:45 AM         Red

12:55 PM         Saving Abel

2:30 PM           Filter

4:10 PM           Skillet

6:05 PM           3 Doors Down

8:35 PM           Lynyrd Skynyrd

 

Monster Energy Main Stage West

11:15 AM         Farewell 2 Fear

12:20 PM         Nonpoint

1:40 PM           Steel Panther

3:20 PM           Hollywood Undead

5:05 PM           Buckcherry

7:15 PM           Shinedown

 

Emerging Artist Stage

11:20 AM         Nebraska Bricks

12:20 PM         Soulswitch

1:25 PM           Girl On Fire

2:35 PM           Saliva

3:45 PM           Motionless In White

5:10 PM           Device

6:50 PM           Nothing More

 

Jax Live Stage

11:50 AM         (N)ception

12:55 PM         The Apprehended

2:05 PM           Rockville Rumble Winner

3:15 PM           Rockville Rumble Winner

4:40 PM           Rockville Rumble Winner

6:15 PM           Rockville Rumble Winner

 

The whole party will be preceded by the “Rockville Downtown Experience presented by Corona Light” pre-party on Friday, April 26th.  Two post-show parties will be held Saturday, April 27th.  Admission to these parties is FREE.  Friday’s show will feature Saliva, Evergreen Terrace, and Victr as entertainment.  The bands will perform live at the Underbelly in Jacksonville, FL.  More information on this party is available online at http://www.jaxunderbelly.com.  Saturday’s after-parties will feature performances by DJ Monk and Robert Goodman at 1904 Music Hall in Jacksonville, FL (http://www.facebook.com/1904MusicHall, http://www.1904MusicHall.com) and Icey at the Underbelly.

Fans that attend the festival will have plenty of opportunities to get their CDs, shirts, and more signed by their favorite band(s) at the f.y.e. tent and other onsite locations.  There will also be interactive experiences such as a gaming area and Dave’s Crazy Music Experience.  This experience lets fans find out for themselves what it’s like to make music in a studio environment.  It includes actual guitars, drums, basses, and all the gear used by today’s top acts.

Tickets are still available for this year’s festival.  Prices are listed below.

Single Day General Admission – $59.50 plus fees

Single Day VIP – $134.50 plus fees
2-Day General Admission – $107 plus fees
2-Day VIP – $219 plus fees
2-Day Party Pack (4 weekend tickets) – $357 plus fees

Along with the listed ticket prices, “no service fee tickets” are available at specific Metro PCS locations.  More information on this is available online at http://www.welcometorockvillefestival.com/tickets.html.  A limited number of VIP tickets and hotel packages are still available.  They can be purchased online at http://www.WelcomeToRockvilleFestival.com.  VIP tickets include entrance to all concerts through a VIP entrance, access to VIP lounge featuring dedicated bar, beverage and food service, viewing of the Monster Main Stage (both seated and standing areas), a seated area with shade for dining, private bathrooms and laminated VIP guest pass.    

More information on the “Welcome to Rockville” Festival is available online at http://www.WelcomeToRockvilleFestival.com, http://www.facebook.com/welcometorockville, and on Twitter at @RockvilleFest.

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Carolina Rebellion Festival Expands In Its Third Year

Courtesy:  Ashton-Magnuson Media

Courtesy: Ashton-Magnuson Media

The Carolina Rebellion Festival is coming back this Spring.  The annual festival returns to the Rock City Campgrounds at Charlotte Motor Speedway on Saturday and Sunday may 4th and 5th.  The Charlotte Motor Speedway is in Concord, just outside of Charlotte.  Now in its third year, this year’s festival marks the first time that it will fill a full weekend.  There will be three stages for this year’s festival:  The Monster Energy ‘Carolina Stage, the Monster Energy ‘Rebellion Stage, and the Jagermeister Stage.  This year’s band lineup is going to be big one.  It’s all set to kick off with performance on Saturday by:  Alice in Chains, Limp Bizkit, Deftones, Three Days Grace, Papa Roach, Bullet for my Valentine, Halestorm, Asking Alexandria, Sick Puppies, In This Moment, Device (with David Draiman), Young Guns, Otherwise, Aranda, Tracer, and Monstro.

Things won’t let up much on Sunday, May 5th.  The current lineup slated for the festival’s second day includes:  Soundgarden, Rise Against, Bush, 3 Doors Down, Buckcherry, Volbeat, Hollywood Undead, All That Remains, Steel Panther, Pop Evil, Escape The Fate, Nonpoint, Thousand Foot Krutch, Red Line Chemistry, Heaven’s Basement, and American Fangs.

Full weekend general admission tickets and single day general admission tickets for the Carolina Rebellion Festival go on sale Friday, February 8th at 10amEST.  Full weekend tickets start at $99/person plus fees.  Single day admission tickets start at $59.50 plus fees.  Parking cost is included with all tickets.  For more information on tickets and the festival, audiences can go online to http://www.CarolinaRebellion.com and http://www.facebook.com/CRebellion.  Anyone that signs up for the Carolina Rebellion Newsletter can pre-order full weekend tickets for a discounted price of $89 plus fees.  This applies only during the pre-sale period, which runs from Wednesday February 6th to Thursday, February 7th.

Fans can also go online to http://www.CarolinaRebellion to get information on camping, hotel and VIP packages as well as military discounts, which will also be available for all active duty military personnel.

To get the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.