Memphis May Fire Debuts Linkin Park Cover; Announces New Live Dates

Courtesy: Rise Records

Memphis May Fire is paying tribute to Linkin Park and its late front man Chester Bennington.

The band debuted its cover of the band’s hit song ‘Fade‘ Friday.  The song stays very close to its source material with the lyrics staying the same and the musical arrangement giving Linkin Park’s original a slight change in its presentation.  Even with the variance in the musical arrangement, the song still stays very close to its source material.

MMF front may Matty Mullins talked about covering the song in a recent interview.

“A lot of times, when covering a song, you’re doing it for fun or to showcase your skills as an artist,” Mullins said.  “But this specific opportunity was a chance for us to honor a band that has had a profound impact on us.  There will never be another Linkin Park and there will never be another Chester Bennington.  We are forever grateful for the music they made and we hope this will encourage our younger fans to dive into the Linkin Park discography and discover the same inspiration that we did years ago.”

In other news, Memphis May Fire will tour this summer on the inaugural Disrupt Festival.  The band’s tour, which is in support of its latest album Broken (2018) is scheduled to launch June 21 in Dallas, TX and to run through July 28 in Albuquerque, NM.  It features performances in cities, such as Noblesville, IN; Mansfield, MA and Tinly Park, IL.

The band’s current tour schedule is noted below.  Broken spawned the singles ‘The Old Me,’ ‘Heavy is the Weight (ft. Andy Mineo)‘ and ‘You and Me.’

MEMPHIS MAY FIRE ON TOUR:
2019 DISRUPT FESTIVAL:

6/21 — Dallas, TX — Dos Equis Pavilion
6/22 — Austin, TX — Austin 360 Amphitheater
6/23 — The Woodlands, TX — Cynthia Woods Mitchell Pavilion Presented by Huntsman
6/25 — West Palm Beach, FL — Coral Sky Amphitheatre
6/28 —Atlanta, GA — Lakewood Amphitheater
6/30 — Atlantic City, NJ — The Beach at Atlantic City*
7/2 — Syracuse, NY — Lakeview Amphitheater — Syracuse
7/3 — Toronto, ON — Budweiser Stage
7/5 — Mansfield, MA — Xfinity Center
7/6 — Holmdel, NJ — PNC Bank Arts Center
7/7 — Hartford, CT — The XFINITY Theatre
7/9 — Bristow, VA — Jiffy Lube Live
7/12 — Tinley Park, IL — Hollywood Casino Amphitheatre
7/14 — Noblesville, IN — Ruoff Home Mortgage Music Center
7/15 — Maryland Heights, MO — Hollywood Casino Amphitheatre
7/17 — Denver, CO — Pepsi Center
7/20 — Irvine, CA — Five Point Amphitheater
7/21 — Mountain View, CA — Shoreline Amphitheater*
7/23 — Auburn, WA — White River Amphitheatre
7/24 — Nampa (Boise), ID — Ford Idaho Center Amphitheater
7/26 — Chula Vista, CA — North Island Credit Union Amphitheatre
7/27 — Phoenix, AZ — Ak-Chin Pavilion
7/28 — Albuquerque, NM — Isleta Amphitheater
*Warped Tour Weekend Date

More information on Memphis May Fire’s upcoming tour is available online now at:

 

Facebook: http://www.facebook.com/MemphisMayFire

Twitter: http://twitter.com/MemphisMayFire

 

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A Life To Live Debuts Tribute To Chester Bennington With ‘One More Light’ Cover, Video

Courtesy: O’Donnell Media Group

It’s hard to believe, but it’s almost a year has already passed since one-time Linkin Park front man Chester Bennington’s death.  No doubt, tributes will start pouring in as it gets even closer.  Independent rock band A Life To Live recently paid its tribute to Bennington with a cover of Linkin Park’s heart-wrenching single ‘One More Light’ and a video to boot.  That video is streaming online now here.

Work on the video started this past January, but the band said it held off releasing the video until now because it wanted to wait for the right time.  That right time was this week as it is so close to the one year anniversary of the release of the song’s namesake album — May 19.  Band front man Chris Musser and his band mates — Tim Donofrio (drums) and Branden Kreider (bass, lead guitar) — released a collective statement about the song’s release, saying they were looking forward to the songs release.

“We are incredibly excited and proud to release this long overdue tribute to Chester,” the statement reads.  “We wanted to take this opportunity to not only pay our respects to such an immeasurable influence on us personally and the rock world at large, but also do our part to raise awareness for mental health.  I have been open about my struggles with depression in the past in hopes of letting others know it’s okay to talk about it because you are not in this alone.  Any and all proceeds made from our rendition of ‘One More Light’ will be going to charity in support of mental health awareness.”

More information on A Life To Live, whose members are all former members of the rap/rock band Ashes To New, is available online now along with all of the band’s latest news and more at:

 

Facebook: http://www.facebook.com/ALifeToLiveOfficial

Twitter: http://twitter.com/alifetoliveband

 

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Silent Theory Unveils ‘Watch Me Burn’ Video

Courtesy: TAG Publicity

Independent hard rock outfit Silent Theory is giving audiences another taste of its latest full-length album.

The Idaho-based band unveiled this week the video for its latest single, ‘Watch Me Burn.’  The song is the second single from its 2016 sophomore album Delusions.  For those unfamiliar with the band, this latest single will appeal greatly to fans of Breaking Benjamin, Linkin Park and other similar acts.

The band noted in a press statement that while the song and video are fully open to interpretation, the song’s central message is positive.

“Given the state of the world right now, with the natural disasters and political turmoil, we opted for a video that mirrored the current state, though we’d never consider ourselves a political band,” the band stated in the release.  “While we want people to interpret our song and video for themselves, it was written with the premise in mind that we are all in this together, and that music can be what binds us all together.”

The band’s new video was directed by Jon Kuritz in Moscow, Idaho.  Five separate projectors were used in the video’s recording; projectors which ran footage taken from various news stations of varied tense stories to illustrate the noted central message.

Delusions is available now.  Its track listing is noted below.

Track List:
1. Leave Alone
2. Fragile Minds
3. Boogeyman
4. Watch Me Burn
5. Lost Forever
6. Anyways
7. Alice
8. Sever
9. Faceless
10. Outta My Head
11. One Over the Other
12. Fragile Minds (Radio Edit)

More information on Delusions is available along with more on its new single, video and latest news at:

 

 

 

Website: http://www.silenttheorymusic.com

Facebook: http://www.facebook.com/silenttheorymusic

Twitter: http://twitter.com/silenttheory1

 

 

 

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Steve Aoki, Linkin Park Partner To Release New Benefit Single

Courtesy: Dim Mak Records

Famed EDM artist Steve Aoki has released a new song to pay tribute to the late Linkin Park front man Chester Bennington.

Aoki debuted Friday ‘Darker Than The Light That Never Bleeds (Chester Forever Steve Aoki Remix).  He made the announcement Friday via his official Instagram account. Audiences can hear the song online now here through a number of sources.  A short 30-second preview clip of the song is streaming at the link, too.

The song is a mashup of two songs that Aoki composed with Linkin Park—‘Darker Than Blood’ and ‘A Light That Never Comes.’  Net proceeds of the song’s sale will benefit Music for Relief’s One More Light fund in Bennington’s name.

Aoki praised Bennington in a recent interview, calling him a friend as he expressed his sadness over Bennington’s passing.

“Chester Bennington was my favorite singer of all time,” Aoki said.  “I feel so incredibly honored to not only have worked with him on these songs, but am so deeply touched to have gotten to know him as a friend.  I’m still shattered by this tragic loss.  It’s hard to realize that he is not coming back.  Chester was such an invaluable human being that bled out the pain and passion through Linkin Park, touching so many people’s lives.  He helped so many people that have felt these similar feelings around the world scream out and feel like they are not alone.  Life can be incredibly trying and tough.  Nothing can bring more consolation than knowing that there are others going through this same pain.  Chester was such a beautiful human being.  I will never forget our conversations and moments shared together in the studio, on the stage and in life.  We now have Chester in our hearts and minds forever.  Keep his inspiration and passion alive and play Linkin Park f***ing loud.  Scream the lyrics f***ing loud.  Live in these moments f***ing loud.  I miss you dear friend.  You are in our hearts and minds forever.  Chester forever.”

More information on Steve Aoki’s new tribute to Bennington is available online now along with all of his latest news and more at:

 

 

 

Website: http://www.steveaoki.com

Facebook: http://www.facebook.com/steveaoki

Twitter: http://twitter.com/steveaoki

 

 

 

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Killset’s Sophomore Album Will Leave Aggro-Rock Fans Making Plenty Of Noise

Courtesy: Scratched Records

The wait is almost over.

After nearly two years of touring and crafting new songs, Killset will soon release its sophomore album S.T.F.U.  The ten-song, 43-minute record is a solid new effort from the independent Southern California-based band.  That is evidenced through arrangements that will appeal to fans of Limp Bizkit, Taproot, Staind and other agro-rock acts from the late 90s and early 2000s and through lyrical content that will move listeners just as much as the songs’ musical arrangements.  The album’s lead single ‘Killers in the Pit’ is just one of the songs included in this record that supports that statement.  The brooding yet uplifting ‘Broken Angel’ supports that statement in its own way, too.  ‘Animal,’ with its fiery arrangement and equally powerful lyrical content, also supports that statement, and is hardly the last song to support that statement, too.  The album’s proudly defiant opener ‘Get Up’ and its follow-up ‘Bully’ are two more examples of what makes this album a success for its targeted audiences along with the rather interesting cover of Kris Kross’ ‘Jump’ and the brooding ‘Not A Love Song,’ which comes late in the record’s sequence.  Between these songs and the pieces not noted here, the whole of this record is sure to have its target audiences *ahem* making plenty of noise.  Yes, that awful pun was fully intended.

Killset’s sophomore album S.T.F.U. is a work that is certain to leave its target audiences making plenty of noise.  That is due to musical arrangements and lyrical content that echo influences of so many of its aggro-rock ancestors.  This is evidenced in part through the album’s lead single ‘Killers in the Pit.’  This song’s musical arrangement is full on aggro-rock and will appeal directly to Limp Bizkit fans from start to finish.  That is thanks to a guitar and drum line that clearly echo influences from Wes Borland and John Otto and a vocal delivery from front man Luca that just as quickly conjures thoughts of Limp Bizkit front man Fred Durst.  Bassist Mark Baker can’t be ignored here either as he provides an equally infectious low-end line, adding even more impact to the song’s musical arrangement.  Whether one openly admits to being a Limp Bizkit fan or keeps the band as a guilty pleasure, that overall infectious arrangement is in itself proof of what makes the song and the album a success for Killset’s key audiences.  The same can be said of the song’s lyrical content, which delivers a boldly defiant message about music’s power to heal.

The lyrical content of ‘Killers in the Pit’ delivers a powerful 1-2 punch that hits listeners just as hard as the song’s musical arrangement.  That is because it stands up against the stereotypical statements about anger management, showing that the power of aggressive music is just as pivotal in mental health as so many other outlets, if not more so.  Luca sings in the song’s opener, “So first they say to count to 10/Now f*** that/Then they say just take a breath/F*** that/Oh, you can be happy/just take these pills/Now f*** that/We’re done with your pills and your chemi-kills/F*** that/They will no longer control the way we choose to find our peace/We’ll show the world how we get down.”  He goes on to say in the song’s second verse, “If you love standing up for what you believe, say hell yeah/If you love being part of this beautiful scene, say hell yeah/We do what we do/We say what we mean/If you believe/That God believes, say hell yeah.”  Don’t mistake that statement for the band being some Christian rap/rock outfit.  But it is one more positive statement from the band.  When that statement is joined with the rest of the song’s lyrical material, the whole is a statement that will resonate with any listener.  The addition of the song’s musical arrangement adds to that impact even more, showing why this song helps to solidify S.T.F.U.’s appeal with Killset’s fans.  The combination of those two elements makes ‘Killers in the Pit’ just one example of what makes S.T.F.U. in whole a work that will appeal to Killset’s fans.  The brooding yet uplifting ‘Broken Angel’ is another example of what makes this record a work that will appeal to the band’s key demographic.

‘Killers in the Pit’ is a work that shows clearly both musically and lyrically why S.T.F.U. will resonate with Killset’s key fanbase.  That is evidenced through the combination of the song’s infectious, aggro-rock arrangement and its proudly defiant lyrical content.  Even with this in mind, it is not the only song included in this record that serves to show what makes this record appealing to certain audiences.  ‘Broken Angel,’ with its brooding yet powerful musical arrangement and lyrical content, strengthens the album even more.  The song’s piano-centered arrangement starts off gently, eventually building until it reaches its climax in the song’s bridge.  Opinions may vary in comparisons, but this critic’s own comparison leans toward similar works from the likes of Staind, Linkin Park and other (again) aggro-rock acts from the late 90s and early 2000s.  That is not a bad thing, though.  Once more, it shows a very directed aim from the band in crafting the song’s arrangement.  As with ‘Killers in the Pit,’ it is just one part of what makes the song important to discuss.  The song’s lyrical content is just as important to note here.

The lyrical content at the heart of ‘Broken Angel’ is just as important to discuss as its musical arrangement not just because of its content, but the depth that it adds to the song when set alongside that brooding arrangement.  The song’s subject sings through Luca here, “All your perfect imperfections/The chaos in your mind/You’re tortured/Neglected/Beautiful inside/Your heart has a melody/It only speaks to me/Your smile so perfectly hides the pain…I can see your suffering/Your eyes/Angel/Unto me you are the blessing that I would never change…don’t give up/Don’t give into the pain/Before you’ve had the chance to truly spread those wings/So pure/You’re broken just right for me.”  This song is full on teen angst, with one person saying to the emotionally scarred love interest, “I understand you, etc. etc.”  It’s uplifting.  There’s no denying that, but the almost goth style angst expressed lyrically is the kind of thing that will definitely appeal to a very directed audience, especially when it is joined with the song’s equally brooding musical arrangement. The pairing of the two elements makes clear why this song is one more way in which S.T.F.U. will appeal to Killset’s key fans, and is still not the last of the songs included in the record to do so.  ‘Animal’ is yet another of the record’s songs that shows what makes this record appealing to Killset’s key collective fans.

‘Killers in the Pit’ and ‘Broken Angel’ are both key examples of what makes S.T.F.U. a record that will certainly resonate with Killet’s key audiences.  That is thanks to the songs’ musical arrangements and lyrical content.  While both songs are clear highlights in this, the band’s sophomore album, they are not it’s only standout songs.  ‘Animal’ is yet another example of what makes this album another success for Killset.  As with the previously noted songs, that is due in part to the song’s musical arrangement.  The song’s musical arrangement is a straight-forward composition that is driven jointly through the work of guitarist Dave Comer and drummer Jason “Jas” Dillon.  Dillon solidly keeps the song’s up-tempo 4/4 time signature moving even as he works his musical magic.  Comer’s guitar line helps keep the song moving just as much with its straight forward approach.  That partnership creates a solid foundation for the song’s arrangement that is strengthened even more through Luca’s vocal delivery and Baker’s bass line.  All things considered here, the straight forward rock arrangement presented here easily could hold its own with so many arrangements from the band’s mainstream counterparts.  It is only one part of what makes the song stand out.  The song’s lyrical content is just as important to note as its musical arrangement.

The lyrical content presented in ‘Animal’ is just as important to note as the song’s musical arrangement because it comes across as taking on one’s inner proverbial demons.  That is inferred as Luca sings in the song’s lead verse, “All these voices/Play in my head/So much noise/I’m coming unglued/Just ignore them/That’s what they said/But if only they could hear them, too/I’m so sick I’m about to freak out…can’t get ‘em out now.”  This contemplation continues in similar fashion in the song’s second verse with the subject admitting seemingly to a love interest that he has some serious issues to deal with.  It almost comes across as a song that, in its own way, takes on the issue of domestic violence.  That is, of course, just this critic’s own interpretation, so it should not be taken as the only interpretation.  When this is set against the song’s driving arrangement, it shows even more why this song is another important addition to S.T.F.U.’s body.  When the whole of the song is joined with the previously discussed works and the other songs not noted here, the whole of the album proves to be a solid new effort that is certain to leave listeners making their own noise.

Killset’s sophomore album is a very directed effort, with musical arrangements and lyrical content that is certain to resonate with the band’s targeted audiences.  That is evident  in the defiant, fist-pumping anthem ‘Killers in the Pit,’ the more brooding yet uplifting ‘Broken Angel’ and the powerful seeming commentary on domestic violence of ‘Animal.’  All three songs show three very distinct arrangements separate of one another but that are still very much within a specific musical continuum. That is evidenced just as much in the likes of the album’s defiant opener ‘Get Up’ and its equally powerful anti-bullying follow-up, ‘Bully.’  Even in the band’s playful take on Kris Kross’ classic hit ‘Jump.’ The band sticks to a certain musical era and audience here and in the rest of the songs not noted here.  Each work shows in its own way to be important to the record’s whole.  All things considered, they show, once more, that S.T.F.U. is certain to leave listeners making plenty of noise beginning July 7.  More information on S.T.F.U. is available online now along with all of the band’s latest news and more at:

 

 

 

Facebook: http://www.facebook.com/killsetofficial

Twitter: http://twitter.com/_KillSET_

 

 

 

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a toi meshen Gets Off To A Good Start With Its Self-Titled Debut LP

Courtesy:  Misery Pill Records

Courtesy: Misery Pill Records

Orange County, California is one of the most historic regions of the country in regards to the modern history of music. It has been home to the likes of Agent Orange, Fu Manchu, Offspring, Aquabats, Thrice, Social Distortion, and so many others. Odds are most music lovers out there have probably not heard of most of those bands save perhaps for the likes of Offspring (no, it’s not THE Offspring, just like it’s not THE Deftones) and Social Distortion at least in terms of that short list. Orange County, California has been home to some of the biggest acts both in the mainstream and the underground. That’s the point of that statement. There are more acts than can be noted in one sitting, plain and simple. One of the region’s bands looking to add its name to that already expansive list goes by the name of, a toi meshen. Yes, that is really the band’s name. It is pronounced A Toy Machine. The band released its self-titled debut album this past October (October 1st to be exact). The ten-track, thirty-seven minute record is an interesting first effort from the band. That is thanks in large part to its sound. The easiest way to define the band’s sound is in its similarity to that of Linkin Park, Breaking Benjamin, and certain other more well-known acts. That is thanks to its balance of rap and rock elements throughout the course of the record. Interestingly enough even with such comparison, the band actually holds its own against the likes of LP and other rap rock acts. One of the best examples of that ability lies in the album’s opener ‘Waste of Time.’ That song will be discussed shortly. ‘Phony People’ is another key example of the band’s famliar sound and its abiilty to use said sound to hold its own against its more well-known counterparts. ‘Tear Down,’ the album’s penultimate is one more example of the band’s sound and its ability to use that sound to hold its own against its more well-known counterparts. All three songs noted here each show in their own way what audiences can expect from the band’s self-titled debut. Together with the other seven songs not noted here, the album in whole proves to be one that is a promising start for the band.

a toi meshen’s self-titled debut album is a good start for the band. Listening through the course of its ten total tracks, it is easy to make a comparison between this five-piece Orange County, CA-based band and the likes of Breaking Benjamin, Linkin Park and to a lesser degree Shinedown among other more well-known counterparts. Even with such comparisons easily made, it can be said of the band and its debut album that both do a good job of proving independent acts (both those signed to indie labels and those that are unsigned) can and in many cases do hold their own against their more well-known counterparts. That is proven right off the top in the album’s opener ‘Waste of Time.’ This rap-rock composition takes the influence of the noted acts to form a song that radio programmers would be just as comfortable adding to their stations’ play lists as any of the songs from said acts. Audiences can hear that mix of sounds for themselves via the band’s bandcamp page at http://atoimeshen.bandcamp.com/releases. In terms of the song’s lyrical content, vocalists Tony Lanza and Daynon Lato don’t come out and say whether the song is referring to a broken romantic relationship or friendship at any point in the song. That is exemplified as Lanza raps over Lato’s own vocals in the song’s lead verse, “At a time/To define/Who we are/Where we at/How it is/It ain’t a prophecy/We relaying/A part of a tragedy/You cannot/Justify/What you do/Cuz I’m not gonna wait/You can never create/You in a blind state/Destroy your fate/Take me back/To the day/When I was never locked in a cage/Easy to rock the spot/Drop/My world is hot/Moving on/Understand where we stand/How we dropping the plan/Looking back at our time/I realize it was never mine.” And that is just the start. In the song’s second verse, the duo’s call and response paints even more of a vivid picture as they sing/rap against one another, “Rising up/From the fall/As I call/Just to weaken you all/Is it making me stronger/I feel the anger within/Begin my ultimate sin/Rah/Said to me/Now the hold that you had is now gone/It’s a twist of reality/Don’t get it twisted/Avoid the fact you missed it/I’m the one/That is breaking you down/Now I see all the madness around/And I’m not gonna take it/So check it out/I’m at the very point/To kill the joint.” Yet again there is some ambiguity in the song’s lyrical content. That ambiguity is maintained in the song’s third and final verse. considering the fact that the band left the song’s interpretation at least somewhat in the air is actually a good thing. The song is clear enough lyrically that listeners know that it comes from a very personal place. Now whether or not the song comes from a romantic or general personal standpoint is another story. And in all honesty regardless of which angle is the correct one, it could be used for both in examining these lyrics. That dual use of the song’s lyrics coupled with the song’s overall musical content makes it a solid example of what makes this record a good first effort from e toi meshen. It’s just one example, too.   ‘Phony People’ is another example of what makes this album a good first effort from the band.

‘Waste of Time’ is a clear example through its musical and lyrical content as to why a toi meshen’s debut album is a good start for the band. The personal, self-assured statement made through the song’s lyrical content set against its solid musical content makes it a song that could easily be the song to break the band on any mainstream rock radio station. It is just one example of what makes this album a good first effort from the band. ‘Phony People’ is another example of what makes this record a good first effort from a toi meshen. Just as with ‘Waste of Time,’ this song’s musical content clearly shows the influence of its more well-known counterparts. It can also be heard via the band’s bandcamp page. In regards to the song’s lyrical content, the song is a sharp indictment of all of the fake people in the world. This could apply to people in our everyday lives, the fake people who line the halls of the entertainment world, and anywhere else. Lanza and Lato make that clear as they rap/sing against one another, “Look at all the phony people out there/They’re the reason that I don’t even care/And now I’m forced to make you tell the truth/And make you realize that you’re full of/Lies.” The pair goes on in the song’s second verse, saying, “And I don’t believe/That you can prove/All the stories that you devise/Cause now I know/That what I see/Is far from perfect.” It’s not the first time that any band has crafted such an indictment of the fake people who fill the world. That is a given. But it is still a solid statement in its presentation here. That being the case, it becomes yet another example of what makes e toi machine’s self-titled debut record a good first effort. And together with ‘Waste of Time,’ both songs together paint an even richer picture of what makes this record a good first outing for the band.

‘Waste of Time’ and ‘Phony People’ are both clear examples of what makes a toi meshen’s self-titled debut a good first effort from the band. While both songs are good examples of what the album has to offer they are also not the only examples. ‘Tear Down’ is one more example of just what a toi meshen has to offer in its debut record. Much as with ‘Waste of Time’ this song is another radio-ready composition. That is exhibited through its up-tempo musical content. The balance of the song’s guitar and keyboard line throughout the course of the driving tempo will keep listeners fully engaged. The song’s lyrical content will keep listeners just as engaged as Lanza takes the lead, rapping “On the inside where it all began/Pressing on my mind for the right plan/And it feels out of time/And it feels like an SOS/From the outside as I’m looking in/Trying to make new in my old skin/And I don’t understand/Why you treat me the way you do/Yeah I don’t like it/I think twice/I won’t pay the ultimate price/Now I’m walking backwards/Falling from the weight of you/So here I am again/And I’m standing.” Lanza comes across as addressing a figure that aims to…well…tear down others emotionally and psychologically. That is made clear in the song’s chorus in which Lanza and Layto write, “Is this what you’re looking for/Tear down/You tear me down/And I’m about to break/I think I’m breaking/Tear down/You wear me own/I just can’t sit and take it/I’m just about to break/On the front side/Seeing crystal clear/Never too far from a lost tear.” No matter how much said figure tries to tear down the song’s speaker, that speaker never lets that happen, thus the line, “So here I am again/And I’m standing.” it comes across as a solid message of inner strength and self-confidence for listeners. That is just this critic’s own take on the song of course. It could very well be wholly wrong. If however it is somewhere in the proverbial ballpark then it shows even more why a toi meshen’s self-titled debut is a good first effort from the band. Of course it is not the only other song that could be cited as an example of what makes this record worth at least one listen. Any of the other seven songs that make up the rest of the album’s body could be cited just as easily. That being the case, all ten tracks featured in this record come together to show why this new record is a good effort in whole.

a toi meshen’s self-titled debut record is a good first effort from the band. This is exhibited from start to finish in the album’s ten-track, thirty-seven-minute run time. Musically speaking, the album presents a band that holds its own against the likes of Linkin Park, Breaking Benjamin, Shinedown and other more well-known counterparts to the band. Lyrically, its personal stories and social commentary make it even more worth hearing. The combination of its musical and lyrical content together makes a toi meshen a solid start for the band. a toi meshen is available now and can be ordered direct via the band’s website at http://www.atoimeshen.com and the band’s official bandcamp page at http://atoimeshen.bandcamp.com. More information on a toi meshen is available online along with the band’s latest news at:

Website: http://www.atoimeshen.com

Facebook: http://www.facebook.com/atoimeshen

Twitter: http://twitter.com/AToiMeshen

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Rise Against Opening New Year With New Tour Dates

Courtesy:  Interscope Records

Courtesy: Interscope Records

Rise Against announced two big pieces of news this week.

The band announced this week that it will kick off the New Year with a whole new slate of tour dates. It also announced the debut of the video for its new single ‘Tragedy + Time.’ Rise Against will join Linkin Park for the North American leg of its “Hunting Party Tour,” which kicks off Thursday, January 15th in Orlando, Florida. Both bands are currently touring in support of their respective new albums The Hunting Party and The Black Market. Of Mice and Men will serve as support act. It is touring in support of its latest full length studio effort Restoring Force. That album was released on January 28th of this year. Rise Against front man/guitarist Tim Mcllrath discussed the bands’ pairing in an interview. He noted that he is looking forward to the tour both for the bands and for their fans. “After crossing paths with these guys at festivals around the world over the past decade, we’re excited to finally share the road with Linkin Park,” he said. “We think this will be a great experience for all our collective fans.” Tickets can be purchased now for the tour via Ticketmaster. The full schedule for the tour is listed below. It includes a performance at the Greensboro Coliseum in Greensboro, NC on January 28th.

Rise Against-Linkin Park Hunting Party Tour Schedule

Courtesy: Reybee, Inc.

Along with the announcement of its tour with Linkin Park, Rise Against also announced this week the premiere of the video for its new single ‘Tragedy + Time.’ The video, which can be viewed online now via Vimeo, was co-directed by Wed Kandel and Casey Hupke. The concept behind the video was meant to illustrate the song’s lyrical message of a person moving from a difficult and dark emotional place to a much brighter place; a journey from dark to light so to speak.

Fans can keep up with all of the latest news and more from Rise Against online at

Website: http://www.riseagainst.com

Facebook: http://www.facebook.com/riseagainst

MySpace: http://www.myspace.com/riseagainst

Twitter: http://twitter.com/riseagainst

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