Visual Effects, Pacing Save Disney/Lucasfilm’s Finale To The ‘Star Wars’ Skywalker Saga

Courtesy: Lucasfilm/Disney

So this is how it ends.  Not with a bang, but with a whimper.  Such is the case of Lucasfilm and Disney’s finale to the Star Wars universe’s Skywalker saga, The Rise of Skywalker.  Originally released in theaters Dec. 20 and to DVD/BD on March 31, this finale to the Skywalker saga is one of those presentations that is no better in its home release than its theatrical premiere.  It is not a total loss, though.  As has already been noted by various critics and audiences, the movie’s writing makes it near unwatchable, so it won’t be rehashed here.  What does deserve to be noted is the bonus content featured with the movie’s home release.  It does its own share of damage to the presentation as the movie’s script, and will be addressed a little later.  For all of the damage that the bonus content does, it doesn’t render the presentation completely unwatchable.  The movie’s visual effects make it worth at least one watch.  They will be discussed shortly.  For all of the problems that the movie poses with its bonus content and writing, one other positive that can be noted is the story’s pacing.  Together with the visual effects, the two elements collectively make Star Wars: The Rise of Skywalker a movie that despite being hardly the best entry in the franchise, still worth at least an occasional watch.

Disney and Lucasfilm’s final entry in the decades-spanning Star Wars Skywalker franchise is a difficult end to the saga.  It is not a complete loss, though.  Despite the problems posed by its plot hole-filled script, it does have at least a couple of positives, one of which is its visual effects.  The visual effects (special effects) incorporated into the Rise of Skywalker are to be applauded.  Given, a lot of CG content was used, just as much real sets were tied into that digital content.  One key instance in which the two elements were so well-balanced was in the final battle scene on Exegol.  A large physical set was actually constructed for that scene, and dozens of extras were used along with the main cast for that moment.  The precision in the look of that set, when placed along with its digital counterpart actually is surprisingly seamless.  The same applies with a situation, such as the Death Star battle scenes.  Again, there was a significant amount of digital presentation in this expansive scene, but it was also well balanced in its own right with the physical Death Star set that was created specifically for that crucial moment in the story.  Audiences will be just as pleasantly surprised by other physical sets created for the movie, such as Palpatine’s throne room, the miniatures of the sand people’s vehicle, D-O’s ship and the sand planet scene involving the massive “dance” number, complete with all of its various costumes.  The only downside to that scene is the speeder chase scene.  It looks like something right out of one of the Mad Max movies, just with a more “upped” sci-fi flare.  Of course all the CG content is not to be ignored.  Between the laser blasts, the massive fleet of star destroyers and the other minor details, they add their own touch to the movie’s presentation, too.  All things considered, audiences will be impressed by the dedication by those behind the lens to minimize the use of digital effects and make the movie look as real as possible throughout its nearly two-and-a-half-hour run time.  That balance of real and digital elements is surprisingly positive and does its share to make the presentation worth experiencing at least once.  Of course for all of the good that the visual effects do to make the movie worth watching, its bonus content counters that positive impact.

The bonus content featured with the home release of Star Wars: The Rise of Skywalker detracts from the movie’s presentation because it is so targeted in its own presentation.  Given, the main feature, “The Skywalker Legacy” does give audiences a background in how the visual effects were created for this final chapter in the Shywalker saga.  The problem is that that’s all it does.  The feature’s title is “The Skywalker Legacy” but does next to nothing to actually discuss the legacy of Luke Skywalker and his sister Princess/General Leia Organa.  That name in itself brings about its own problems.  If she’s Luke’s sister (and Han Solo’s wife), why is her last name Organa?  That’s yet another writing matter that this critic will leave for others to discuss.  The fact that the feature, which runs well over an hour in time, is titled “The Skywalker Legacy” but focuses solely on the special/visual effects instead of the very story that led to this point is self-defeating.  Making matters worse is the fact that the featurette tries to justify itself (and the movie) by linking its own special effects to the special effects used in the original Star Wars trilogy.  It is a blithe approach for this presentation all the way around.  By comparison, MVD Entertainment Group’s surprisingly entertaining documentary Elstree 1976 does far more to honor the legacy of the original Star Wars trilogy, including its special effects.  Had “The Skywalker Legacy” had a different title that was more in line with its content, the outcome might have been different, but that wasn’t the case.  Making matters worse is that all of the movie’s other bonus features focus solely on its special effects, too.  Ironically, there is one mention by stars Jon Boyega and Naomi Ackie that they were the first African-American stars to lead a cavalry in such an epic final scene near the movie’s end.  That actually could have been used as a starting point for a much deeper discussion on diversity in the cinematic realm, but Disney and Lucasfilm officials completely missed the mark on this matter.  It’s just one more way in which the movie’s bonus content proves itself a detriment to the home release of The Rise of Skywalker.  Sure, the bonus content will appeal to those who have a love of and interest in movie production, but those viewers make up the only audience that will deeply appreciate its presentation.  To that end, the bonus content does little to help the movie, proving once more that while sometimes bonus features can make a bad movie better, other times, said content does little to nothing for a movie.  Luckily, for all of the impact that the movie’s bonus content has (and doesn’t have) on the movie’s overall presentation, it still does offer at least a tiny bit of appeal, if any.

While the impact of the bonus content featured in the home release of Star Wars: The Rise of Skywalker is minimal at best, one other item, the movie’s pacing can be said to be a definite positive.  Considering that the movie’s run time is just shy of two-and-a-half-hours (which seems to be the norm nowadays with major blockbusters), it actually moves at a surprisingly quick pace.  From the opening scenes to Ray continuing her training to the buildup to the final battle to that big moment, the movie’s scrip wastes little time on unnecessary items.  That’s not to say that the script doesn’t find some slow moments.  That desert planet scene does drag on a bit more than maybe it should have.  Also, the wait for re-enforcements in that final battle takes its time.  There is also the moment in which the Ray and company have to travel to one of the star destroyers to save Chewbacca, which is of note.  This sequence slows things down a bit in its own right, as doe the scene in which the rebels have to find a certain character who can help dive into C3PO’s data memory to get the location of one of the devices that will lead to another key moment.  This whole segment not only slows things down, but it also brings about the discussion on another of the plot holes, the very fact that C3PO’s memory could be wiped, but then later conveniently recovered by his longtime bot buddy R2-D2.  Luckily for viewers, such moments are rare and don’t do too much damage to the pacing.  To that end, the pacing actually is just enough to keep viewers watching from beginning to end, even with all of the plot holes and other problems that pose issues for the movie.  Keeping those issues in mind along with everything else mentioned here, the noted elements collectively make Star Wars: The Rise of Skywalker a work that while hardly a winning finale for this franchise, is not a complete loss.

Disney and Lucasfilm’s finale to Star Wars’ Skywalker franchise is an intriguing closer for the franchise that started out with such a bang more than four decades ago.  It is a work that is clearly hindered greatly by its writing, but is also saved at least somewhat by its visual effects.  The bonus content that is featured with the movie’s home release will appeal to a very targeted audience.  The primary bonus feature, “The Skywalker Legacy” is a completely improperly titled presentation, considering its content, detracting from its appeal even more.  There is also a missed opportunity in the opening for a discussion on the role of race in cinema, as has already been noted here.  The story’s pacing works with its visual effects to make up at least a little bit for the problems created by the story’s script and bonus content.  All things considered, this finale to the Star Wars Skywalker saga is a disappointing finish to the current leg of the franchise, but is not a complete loss.  It is worth at least one watch.  More information on the movie and all things Lucasfilm is available at:

 

 

 

Website: http://lucasfilm.com

Facebook: http://www.facebook.com/lucasfilm

Twitter: http://twitter.com/jointheforce

 

 

 

More information on the home release of Star Wars: The Rise of Skywalker is available at:

 

 

 

Website: http://www.starwars.com/films/star-wars-episode-ix-the-rise-of-skywalker

Facebook: http://www.facebook.com/starwars

Twitter: http://twitter.com/starwars

 

 

 

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The Story Changes Debuts ‘Golden Age’ Video

Courtesy: Earshot Media/Magnaphone Records

Emo-punk outfit The Story Changes debuted the video for its latest single last week.

The band debuted the video for its new single ‘Golden Age‘ March 25. The video pays tribute to George Lucas’ original Star Wars trilogy while also presenting the song, which is featured on the band’s 2019 album To Hell With This Delicate Equation.

Front man Marc McMillon talked about the video in a recent interview.

“We grew up enamored with a galaxy far, far away, and had a great time working with our friend Chris from Punchline to put together this animated parody video,” he said.  “Hopefully this can provide some laughs right now when I’m sure everyone could use a little distraction while staying at home.”

The Story Changes features members of Hawthorne Heights and The stereo in its lineup.

More information on The Story Changes’ new video, its latest album and more is available online at:

 

Websitehttp://www.theStoryChanges.com

Facebookhttp://www.facebook.com/thestorychanges

Twitterhttp://twitter.com/thestorychanges

 

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Disney Announces Home Release Dates For ‘Star Wars: The Rise Of Skywalker’

Courtesy: Lucasfilm/Disney

The final chapter in Star Wars‘ “Skywalker Saga” ended last year, and now has a home release date.

Star WarsThe Rise of Skywalker is scheduled for release March 17 on digital and March 31 on Blu-ray and 4KUHD.  Earning more than $1 billion worldwide during its theatrical run, the finale of the “Skywalker Saga”  brings to a climax, the battle between the Resistance and the New Order.  Kylo Ren and Rey also face off one more time to bring the battle between the light and dark side to its supposed end.

The forthcoming home release of Star WarsThe Phantom Menace will feature a variety of extras, such as a profile of legendary composer John Williams’ work on the movie’s soundtrack (which is exclusive to the movie’s digital-only release), a making-of featurette, the creation of the Pasaana desert scenes and a profile of the creatures in Star Wars: The Rise of Skywalker.

The full list of the movie’s bonus content is noted below.

Bonus features include*:
  • The Skywalker Legacy – The story lives forever in this feature-length documentary that charts the making of Star Wars: The Rise of Skywalker.
  • Pasaana Pursuit: Creating the Speeder Chase – Dive into the making of the movie’s epic landspeeder chase and discover how this spectacular sequence was brought to the screen.
  • Aliens in the Desert – See what it took to create the Pasaana desert scenes, from the sheer scale and complexity of the shoot to its colorful details.
  • D-O: Key to the Past – Explore the ship that connects Rey to the mystery of her missing parents and get to know the galaxy’s newest, irresistible droid.
  • Warwick & Son – Warwick Davis, who played Wicket in Star Wars: Return of the Jedi, dons the Ewok costume once more; this time joined by his son Harrison.
  • Cast of Creatures – The team behind the film’s memorable creatures reveal the puppetry, makeup, prosthetics and digital magic that bring them to life!
Digital Exclusive:
  • The Maestro’s Finale – Composer John Williams reflects on his body of work for the Star Wars saga and shares insights on scoring Star Wars: The Rise of Skywalker.
* Digital bonus offerings may vary by retailer.

More information on the home release of Star WarsThe Rise of Skywalker is available online at:

 

Website: http://www.starwars.com/films/star-wars-episode-ix-the-rise-of-skywalker

Facebook: http://www.facebook.com/starwars

Twitter: http://twitter.com/starwars

 

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Galactic Empire Debuts ‘The Rise of Shredi’ Video

Galactic Empire is celebrating the alleged final chapter in the Star Wars Skywalker saga.

The band debuted the video for its Star Wars music compilation ‘The Rise of Shredi‘ Thursday.  The mashup features music taken from both of the theatrical group’s albums  Galactic Empire and its follow-up Episode II.

Courtesy: Rise Records

The completely tongue-in-cheek video for ‘The Rise of Shredi’ opens with one of the band members dressed as everyone’s favorite hated Star Wars character Jar Jar Binks walking up to the center screen, playing his guitar, before being utterly destroyed by Emperor Palpatine and a slew of other characters from the franchise.  At one point, a pair of stormtroopers tries to calm Palpatine down before he decides to run back and continue his wrath against Binks.

From there, audiences are presented with various shots of the band in full costume performing numbers, such as ‘Kylo Ren Arrives at The Battle,’ ‘The Emperor’s Theme and ‘Rey’s Theme.’  It is during ‘Rey’s Theme’ that audiences get one of the video’s biggest laughs, as a muscle-bound Kylo Ren, clad in only his helmet, tights and gloves, challenges Rey to a “shred-off” before the pair goes toe to toe in front of Palpatine.  The victor will be left for audiences to discover for themselves.  There is even a spoof of NBC’s karaoke contest The Voice incorporated into that scene.

The whole thing ends with a look back at the result of the attack on Binks, with Palpatine attempting (and failing) to play guitar next to Darth Vader as Binks lays lifeless on the ground.

More information on Galactic Empire’s new video is available along with all of the band’s latest news at:

Facebookhttp://www.facebook.com/galacticempireofficial

Instagramhttp://www.instagram.com/galacticempireofficial

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ESPN To Debut New ‘Star Wars: The Last Jedi’ Trailer During ‘Monday Night Football’

Courtesy: ESPN

ESPN is giving audiences extra reason to tune in to Monday Night Football.

The network will debut the first full trailer for the forthcoming Stars Wars movie The Last Jedi during its Oct. 9 broadcast, which will see the Bears and Vikings face off under the lights.  According to a news release from the network, the trailer will debut during halftime.  Game coverage is currently scheduled to start at 8:15 p.m. EDT.

Details have been scant about the movie’s plot ever since the announcement that the movie was being made.  What is known is that it picks up where The Force Awakens left off, with Rey (Daisy Ridley) locating Luke Skywalker.  The trailer that has currently been made available hints that despite Luke’s reluctance, she convinces him to train her while also learning some deeply held secrets about the force and the Jedi.

Mark Hamill returns to reprise his role as Luke Skywalker alongside the now late Carrie Fisher, John Boyega, Oscar Isaac, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, Kelly Marie Tran, Laura Dern and Benecio Del Toro.

Rian Johnson wrote and directed the movie.  Kathleen Kennedy and Ram Bergman produced while J.J. Abrams, Tom Karnowski and Jason McGatlin each served as executive producers.

Star Wars: The Last Jedi will debut in theaters nationwide Dec. 15.  More information on Star Wars: The Last Jedi is available online now at:

 

 

 

Website: http://www.starwars.com

Facebook: http://www.facebook.com/StarWars

Twitter: http://twitter.com/starwars

 

 

 

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‘Rogue One’ Shows Star Wars Fans Should Be Concerned About Franchise’s Direction Under Disney

Courtesy: Disney/Lucasfilm

Disney and Lucasfilm’s latest dive into the Star Wars universe, Rogue One: A Star Wars Story is not the worst of the franchise’s efforts to be released to date.  At the same time, it is hardly the franchise’s best effort, too.  That is because the movie, which had been so highly anticipated by audiences and critics alike, has proven to have more problems than positives.  The problems in question begin with story at the center of the movie.  This will be discussed shortly.  While the movie’s story poses some problems that cannot be ignored, the movie is not a total loss.  The movie’s stylistic approach is deserving of at least some applause.  Next to the movie’s soundtrack, led by legendary composer John Williams, it is the movie’s only other saving grace.  Keeping this in mind, one more key critical point must be addressed here in the form of the movie’s pacing.  This will be discussed later.  Each element is important in its own right to the movie’s overall presentation.  All things considered, they make Rogue One: A Star Wars Story reason for any true Star Wars devotee to be concerned about Disney’s direction with this franchise.

Rogue One: A Star Wars Story was touted by many as the franchise’s best entry to date.  Sadly though, a thorough investigation of the movie’s overall presentation reveals it in fact has just as many problems as positives.  The most obvious of the problems presented within this movie is its story.  More specifically speaking, the story’s setup is its real problem.  The story’s setup focuses on a young female with a checkered past leading a group of rebels to find the plans to the Death Star.  Along the way, an Imperial pilot turned…well…rogue (enhancing the movie’s title even more) helps Jyn and company in their efforts.  If that sounds familiar at all to anyone, it should.  A very similar plot was used for Star Wars: The Force Awakens’ story.  Given the female lead’s circumstances are different in the two stories as are the overall stories.  That does serve to save this movie’s story albeit only slightly.  However, there is no getting around the blatant similarities in the movies’ setups.  Taking that into consideration one can’t help but see there is clearly a lack of effort in regards to the story’s setup; a lack of effort that so many audiences apparently refuse to see.

The setup that is used in Rogue One’s story is an item that cannot be ignored in examining this movie’s overall presentation.  That is especially the case since the movies’ writing teams were separate from one another.  While the story’s setup is clearly a problematic issue, the movie is not a total loss.  The movie’s stylistic approach is deserving of its own share of applause.  That is because it exhibits an obvious (and applause worthy) attempt to throw back to the stylistic approach of the franchise’s original trilogy. From the costumes to the scene transitions, it is clear that those behind the lens wanted to pay tribute to the original trilogy and those who grew up with those movies.  That is just the tip of the proverbial iceberg that makes the movie’s stylistic approach so impressive.  The final climactic battle scenes throw back to the franchise’s originally movies in their own right, too.  That is exhibited as the X-Wings fly around the imperial attach vehicles and take them out and as the rebels on the ground fight imperial troops on foot.  Of course some of the scene’s bigger, over-the-top moments throw back to similar scenes from so many WWII-era flicks.  This takes away from the moment’s seriousness to a certain point.  That, however, is a minor issue at most.  Overall, the stylistic approach taken to this Star Wars story must be applauded. It shows an effort to bring back the look and feel of the franchise’s original installments while also pointing toward the franchise’s future.  Hopefully that balance (which was visibly missing from The Force Awakens) will be more visible in the franchise’s next effort.

The stylistic approach of Rogue One: A Star Wars Story is the movie’s one saving grace.  It shows a valid attempt to pay homage to the Star Wars franchise’s past and fans while also pointing to the franchise’s future.  It does so in a balanced fashion, too.  Sadly though, it is the only element that makes sitting through this 2-hour, 5-minute movie worth the effort.  Speaking of the movie’s run time, that run time feels far longer than it actually is.  That is due to the pacing established in the movie’s story.  As noted, the movie runs just over two hours.  The majority of that time—about 1 hour, 20-minutes—is spent building up to the eventual attack on the imperial facility containing the death star plans.  On the positive side, it doesn’t waste too much of that time setting up Jyn’s story.  It just spends most of that time sending her here, there and everywhere as she tries to find out her father’s message and then convince the rebels to go after the plans.  Things move just as slowly as ever in the story’s final act after Jyn convinces Cassian and company to join the cause.  Jyn and Cassian’s attempt to reach the plans, and the outcome thereof, seems to drag on almost endlessly especially as the battle outside the facility rages.  Even after Jyn and Cassian finally get the plans (the climax), things don’t pick up much, leaving observant audiences scratching their heads, wondering when and if the story will finally end.  It was as if the movie’s writing team couldn’t just leave well-enough alone.  That continued slow boil right up to the movie’s way-over-the-top and overly cheesy final scene makes one wonder how one kept from fast forwarding through the movie well before then. When these pacing issues are taken into consideration with the obviously problematic setup to the movie’s story, they take greatly detract from the movie’s overall presentation.  They take away so much from this movie that the movie’s stylistic approach becomes the only reason to give it a chance.  All things considered, there is so much negative to Rogue One: A Star Wars Story that true Star Wars devotees should be very concerned about the direction that Disney is potentially forcing Lucasfilm to take with their favorite franchise.

True Star Wars devotees should be genuinely concerned about the direction that their favorite franchise could potentially be taking after watching Rogue One: A Star Wars Story.  Though its stylistic approach throws back to the franchise’s original trilogy, its pacing and the undeniably unoriginal setup to the movie’s story do plenty to take away from the movie’s overall viewing experience.  The story’s pacing makes its run time, which barely tops two hours feel far longer.  The story’s setup is a near mirror image to the setup used in The Force Awakens.  Keeping all of this in mind, Rogue One: A Star Wars Story proves to be a story worth one watch, but honestly not much more.  More information on this and other entries in the Star Wars universe is available online now at:

 

 

 

Website: http://www.starwars.com

Facebook: http://www.facebook.com/StarWars

Twitter: http://twitter.com/starwars

 

 

 

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‘Elstree 1976’ Broadens The ‘Star Wars’ Universe More Than Ever Before

Courtesy: MVD Visual/FilmRise/British Film Company/Verax Films/Canal Cat Films/The Works

Courtesy: MVD Visual/FilmRise/British Film Company/Verax Films/Canal Cat Films/The Works

Forty years ago a little-known director named George Lucas started work on a movie by the name of Star Wars.  A year after he started work on the movie it made its U.S. debut and has since gone on to be one of the biggest sci-fi movies of all time.  It has also gone on to be one of the biggest movies in Hollywood’s modern history, making superstars of its lead cast, Mark Hamill, Harrison Ford, and Carrie Fisher.  The immediate supporting cast of Sir Alec Guiness, Peter Mahew, Anthony Daniels, Kenny Baker, and David Prowse gained their own notoriety as a result of the movie.  Though, Mahew and company sadly never really became as famous as Hamill, Ford, Fisher, Guiness, or Mahew.  The same obviously applies to the hundreds of extras brought on board to help flesh out the movie’s universe.  Now thanks to MVD Visual, Prowse and a handful of those others finally get to tell their stories in a new documentary titled Elstree 1976.  This documentary feature is a powerful presentation that every Star Wars fan should see.  That is due in part to its overall story.  That will be discussed shortly.  The work of those behind the program is just as important to note as the stories that make up the documentary’s presentation.  Last of note is the documentary’s bonus material.  Each element plays its own part in the documentary’s presentation.  All things considered, they make Elstree 1976 a Star Wars documentary unlike any other to date.  They make it one that every Star Wars fan should see.

Elstree 1976 is a Star Wars documentary unlike any other released to date.  It is a presentation that every Star Wars fan should see.  That is due in part to its overall story.  The story in question is one of the now legendary movie’s lesser-known cast members.  It is a story of actors who regardless of their roles, have never really gotten the credit that they deserve.  It is powerful in its own right.  That is because of the stark contrast of their lives to that of the movie’s famed lead cast.  It will move viewers to laughter at some points, and emotional pain at others, believe it or not.  The emotional pain is the result of the revelation of the stark contrast in the lives of the featured cast members to that of Hamill, Ford, and Fisher.  One of the program’s most intriguing revelations is that of the hierarchy even among its supporting cast and extras.  As audiences learn through the various stories, there is actually a divide among the movie’s supporting cast and extras involving who deserves to be at the Star Wars conventions and who doesn’t.  It all depends on the place of said cast members in that hierarchy.  The frustration felt between those cast members as a result of the noted hierarchy is interesting to say the very least.  One would never have suspected its existence.  But it is there.  In an even bigger picture, the contrast of the lives of those behind some of the movie’s most iconic characters to those of Hamill, Ford, and Fisher is just as eye-opening.  David Prowse is a prime example of the shocking nature of that contrast.  Prowse was the man behind Darth Vader, not James Earl Jones.  All that Jones did was read the lines originally assigned to Prowse in the movie’s production.  According to Prowse’s own words, he didn’t even know until after the fact that his lines–that he had recited–were replaced by Jones in post production.  He goes so far as to note that he thought his voice would still be the one behind the mask and was surprised by what had been done.  And now decades later, Prowse is not even invited to a number of annual Star Wars conventions.  He even notes that he doesn’t know why.  So he has had to live life largely anonymously.  His isn’t the only intriguing story.  Paul Blake’s story is another interesting part of the documentary’s overall story.  He is the man behind Greedo, the green alien shot by Han Solo in the cantina.  Yet even as iconic as the scene has become, Blake’s name is hardly known in connection to Greedo.  It is only thanks to the conventions that he has managed to build his fan base.  Again, his story is a prime example of the contrast of the cast’s notoriety and lives.  There are plenty of other stories shared throughout the program that serve to illustrate the stark contrast in the lives and fame of the movie’s cast.  Altogether those stories make the documentary’s overall story one that will both surprise and move Star Wars fans of any age.  It is a story that will put the movie into a whole new light for those fans and hopefully give fans a whole new respect for the movie’s lesser-known cast members.  It is just one of the documentary’s most important elements.  The work of those charged with bringing Elstree 1976 to life is just as important to note in its presentation as those interviewed to make up its story.

The stories that make up the overall body of Elstree 19976 are in their own right hugely important to the documentary’s presentation.  That is because of the new light that they shed on the movie’s legacy.  It also sheds a whole new light on the movie’s cast.  That new light is certain to create a whole new respect among audiences for the movie’s lesser-known cast.  It is just one part of what makes Elstree 1976 such an interesting program for Star Wars fans.  The work that went into bringing the documentary to life is just as important to note as the program’s stories.  That is because it is their work that audiences are really experiencing, not just the cast’s stories.  The program starts a little bit slow, at first providing some background bio information on each of the featured actors.  It seems unnecessary at first.  But as the program progresses, audiences begin to see in hindsight the importance of all of the background information that is provided.  Viewers are eventually taken behind the scenes of the movie’s production before eventually into the lives of those actors post Star Wars.  The program’s editing plays its own role in the story, too.  As each actor introduces his or her character, the editors present key footage from the movie that aligns with the actors’ main appearances.  It serves to help viewers make a connection, especially if viewers are visual learners.  Even the footage of the conventions is well placed within the related discussions by the actors in question.  The whole thing comes full circle in the end with the return of the actors’ action figures with the actors discussing the legacy that they helped to create right along with that footage.  It is a great way to complete the program and remind viewers that while these actors may not have the notoriety of Star Wars lead cast, they are still just as important to the movie as Hamill, Ford, and Fisher.  There are plenty of other pieces that could be cited in explaining the importance of the documentary’s actual production.  These are just some of the examples that can be cited in explaining its production.  All in all, every element of the program’s production shows why it (the production) is as important to its presentation as its stories.  Even as important as both elements are to this documentary’s presentation they are not its only important elements.  The documentary also comes with bonus material in its special Blu-ray director’s cut.  It rounds out the documentary’s presentation.

Both the stories that make up the body of Elstree 1976 and its production are important in their own right to the documentary’s presentation.  The stories give a whole new angle to the bigger story of the movie’s creation and a new respect for the movie’s lesser-known cast.  The production ensures just as much viewers’ engagement.  As important as both elements prove to be in the bigger picture of the program they are not its only important elements.  The program’s special Director’s Cut edition is available only on Blu-ray.  It comes with a number of bonus features that are not available in the program’s DVD presentation.  Why this is the case is anyone’s guess.  It honestly would have been nice to see all of the bonuses included in the Blu-ray presentation also included in its DVD presentation.  But that’s a moot point by now.  The bonus material in question includes feature-length commentary from filmmaker John Spira, extended interviews with the cast members, and best of all a tour of Elstree Studios (thus the program’s title) where Star Wars was filmed.  Each extra is fully deserving of being called a bonus in its own right.  Altogether they give an even deeper look at the Star Wars legacy.  They couple with the program’s stories and overall production to make the program in whole one that, again, every Star Wars fan should see at least once.  It may not take fans to a galaxy far, far away.  But it will definitely broaden the horizons of the Star Wars galaxy.

Elstree 1976 is hardly the first Star Wars documentary to ever be released.  It is however a documentary unlike any ever released about the legendary sci-fi flick.  That is because as its stories make clear, it is focused not on the movie’s celebrity cast but those that brought some of the movie’s most beloved characters to life, yet were hardly as acclaimed as Hamill, Ford, or Fisher.  The stories presented in this documentary will leave fans seeing the movie and its cast in a whole new light.  They will keep viewers engaged, entertained, and enlightened.  The program’s production ensures viewers’ engagement just as much as its stories.  This includes its pacing, editing and even writing.  The bonus material included in the program’s limited edition Director’s Cut Blu-ray presentation brings everything full circle.  It would have been nice to have that material included in the program’s DVD presentation, too.  But that just wasn’t to be.  So that aside, the bonus commentary, Elstree Studios tour, and extended interviews prove to be just as engaging for fans as the program’s main material.  It comes together to bring the program in whole and complete its presentation.  Each element is important in its own right.  There is no denying this.  Collectively though, they make Elstree 1976 a presentation that will definitely broaden the horizons of the Star Wars galaxy.  It will be available Tuesday, June 28th and can be ordered online direct via MVD Visual’s online store.  More information on this and other titles from MVD Visual is available online now at:

 

 

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