Kelakos’ New Hits Compilation Is One Of 2015’s Top New Music Re-Issues

Courtesy:  Kelakos/EricPHILLIPEdesign

Courtesy: Kelakos/EricPHILLIPEdesign

The 1970s is one of the single greatest decades in the history of popular music. It was during this decade that someof the greatest songs of all time were written. Those songs in question came from bands that were themselves equally great. Among the bands in question that crafted those timeless tunes were the likes of: The Grateful Dead, The Rolling Stones, Lynyrd Skynyrd, and The Allman Brothers Band among so many others. For all of the great songs and acts that came to fame in the 1970s, there were just as many that given the chance could have been just as great and might even have gone on to be equally legendary. One of those bands that could have gone on to be so well-known and respected goes by the name of Kelakos. Named after founding member George Michael Kelakos Haberstroh, the band mixed elements of its more well-known counterparts in the from the era with a distinct jazz flare and even a touch of an R&B influence for a sound that helped it to stand out from those bigger bands, proving that it is just as good as them if not better. That still holds true today. Thanks to the recent release of its new compilation record Uncorked: Rare Tracks From A Vintage 70s Band earlier this year, Kelakos is getting the chance once more to prove that argument.

Kelakos’ new compilation Uncorked: Rare Tracks From A Vintage 70s Band is one of this year’s best new re-issues. If the fifteen tracks that make up its body had never been released until now, it would have just as easily found itself on this critic’s year-end list of the year’s best new albums. Regardless of which list it ends up on, every rock purist will agree in hearing this collection that Kelakos is a band that deserves to be mentioned in the same breath as its more well-known counterparts from the era. This is obvious right off the top in the record’s hybrid jazzy/bluesy tune ‘Boogie Bad Express.’ ‘Boogie Bad Express’ was a great choice for the record’s opener. Interestingly enough it is also one of the record’s shortest songs, clocking in at just under the two-minute mark. Both musically and lyrically it is just a fun, feel-good record that will every listener dancing along as Kelakos Haberstroh sings, “The place is packed and its time to relax/And part hearty with the music/When the perspiration drips and the girls shaking hips/You know you’re in the boogie bad music.” Carl Canedy’s expert work behind the kit adds a certain extra something to these lyrics. His ability to mix his jazz and rock chops without losing himself along the way does so much to make this song so enjoyable. The balance of Haberstroh’s jazzy riffs and Mark Sisson’s more rock oriented riffs adds its own touch to the song, too. Together with the talents of bassist Linc Bloomfield and fellow musician Shane French, the band collectively crafts a sound that is a perfect match for its celebratory lyrics. The combination of those celebratory lyrics and equally upbeat music shows why ‘Boogie Bad Express’ was chosen to open Kelako’s new compilation and why this band deserves a new listen and a new listen again by those that might be at least somewhat familiar with the band. It’s one of so many examples of why Uncorked: Rare Tracks From A Vintage 70s Band is one of this year’s best new re-issues.

‘Big Bad Boogie’ is a great opener for Kelakos’ new compilation record. This is clearly exhibited through the mix of the song’s upbeat music and equally celebratory lyrics. It also shows why this record is one of the year’s best new re-issues and why Kelakos deserves just as much respect as its more well-known counterparts. It isn’t the only song that song on this record that so clearly exhibits why Kelakos and the record in whole are so deserving of respect. The full-on instrumental that is ‘Persephone’s Poison’ is another excellent example of why Kelakos and its new compilation both deserve equal respect. Drummer Carl Canedy shines again in this song. As a matter of fact, it can be argued that he is the star of the song as he displays his talents both on the kit and as a percussionist. It would be a surprise if it turned out Canedy was not a properly trained musician considering his chops and his ability to so solidly keep time with such difficult polyrhythmic patterns. The ability of Kelakos Haberstroh and Mark Sisson to improv so cleanly in their respective guitar lines is just as noteworthy. There’s almost a sort of Frank Zappa feel to their combined sound. Keyboardist Chip Smith even deserves a nod for laying down the song’s non-rhythmic base. All things considered here, the combined talents of Kelakos’ members make ‘Persephone’s Poison’ one more of this collection’s highest points and even more proof of why Uncorked: Rare Tracks From A Vintage 70s Band is such an enjoyable record and one that given the right support could be the start of Kelakos getting the attention that it has so rightly deserved for so many decades.

Both ‘Big Bad Boogie’ and ‘Persephone’s Poison’ display in their own way why Uncorked: Rare Tracks From A Vintage 70s Band is such an enjoyable collection of songs. They both show the band’s versatility, musically and lyrically speaking. One is a full on jazz-fusion style piece while the other has a definitive southern rock sound. They are just a couple of examples of the band’s talents, too. Each of the record’s fifteen total tracks displays a different side of the band and its musical reach. There is even a hybrid southern rock/R&B-influenced piece in the form of ‘Lovin’ So Fine.’ Kelakos Haberstroh’s laid back guitar work set alongside Chip Smith’s piano line and Carl Canedy’s expert timekeeping make for a song that musically is one of this record’s highest of points. It is just as interesting in its lyrical content, with Kelakos Haberstroh singing, “You may have seen me blowin’ past Mars/Or caught me floatin’ in space/One thing’s for sure now baby/You were watching’, feelin’ my face/It was sending love to you/Messages all the time/Now here’s your chance to receive me/All at one time.” He goes on to sing in the song’s chorus, “With lovin’ so fine/I think I’m gonna lose my mind,” The band leaves little doubt as to what is being said here. It would be quite the surprise to find out the subject of the song isn’t quite what one might think, too. But more than likely it is. Considering this and the song’s musical content, the combination of both elements proves shows exactly why this song stands out so brightly among the record’s other songs and why it stands among them as one more part of the whole that makes the record so enjoyable for any listener.

Uncorked: Rare Tracks From A Vintage 70s Band is an apt title for Kelakos’ newly re-issued compilation of songs as evidenced by the songs presented here. The songs noted here are just part of the whole that makes this record so enjoyable for listeners, too. There are a dozen other tracks that prove the album’s value and enjoyment just as much thanks to the talents of the band’s members and the songs’ lyrical content. In hearing those other tracks, every listener that gives this compilation a chance will agree with this critic that this record could be just what Kelakos needed to finally earn the acclaim that it has so rightly deserved for so long. With the right support, that could finally happen. Uncorked: Rare Tracks From A Vintage 70s Band is available now and can be ordered via CD Baby via the band’s official website at http://www.kelakosband.com. More information on Kelakos’ new album is available online now along with all of the latest news from the band at:

Website: http://www.kelakosband.com

Facebook: http://www.facebook.com/KelakosUncorked

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Lynyrd Skynyrd To Release Classic Concert Recording This Summer

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

This summer, veteran southern rock band Lynyrd Skynyrd will release a new archived live recording to its fans via the leader in live recordings, Eagle Rock Entertainment.

Lynyrd Skynyrd will release Sweet Home Alabama on Tuesday, June 2nd.  The double-disc CD set features the band’s classic Rockpalast concert from 1996.  It marks the first time that the recording has ever been released for purchase.  The show’s set list includes some of the band’s biggest hits including: ‘Freebird,’ ‘Working For MCA,’ ‘Saturday Night Special, ‘Gimme Three Steps,’ ‘I Ain’t The One,’ and of course the recording’s title track and fan favorite ‘Sweet Home Alabama’ among many other songs.

The show’s set list is a big part of this recording’s success.  But it isn’t all that make the recording great.  As a bonus for true fans, Eagle Rock Entertainment has included a handful of rare performances featuring the original Lynyrd Skynyrd lineup of Ronnie Van Zant, Gary Rossington, Allen Collins, Ed King, Billy Powell, Leon Wilkeson, Owen Hale, and Bob Burns.  The lineup for the 1996 show features Ronnie’s brother Johnny on vocals.  He is joined by many of Ronnie’s old band mates and some new members including: Rickey Medlocke, Hughie Thomasson, Dale Krantz-Rossington, and Carol Chase.  The complete track listing for Sweet Home Alabama is listed below.

TRACK LISTING:
Disc 1: 
  1.  Workin’ For MCA
  2.  I Ain’t The One
  3.  Down South Junkin’
  4.  Double Trouble
  5.  I Know A Little   
  6.  Saturday Night Special**   
  7.  Swamp Music   
  8.  What’s Your Name   
  9. That Smell   
  10. Simple Man***   
  11. Gimme Three Steps   
  12. Call Me The Breeze
Disc 2:
  1. Sweet Home Alabama****   
  2. Free Bird
CD Bonus Tracks From Hamburg 1974: 
3) Workin’ For MCA
4) Free Bird
5) Sweet Home Alabama

Sweet Home Alabama will be available Tuesday, June 2nd in a double-disc presentation and will retail for MSRP of $17.98. A 2-LP is also scheduled for release later this year. More information on this and other titles from Eagle Rock Entertainment is available online at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

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Blues Virtuoso’s Debut EP One Of The Year’s Best

Courtesy:  Swing House Quality Recordings

Courtesy: Swing House Quality Recordings

Jared James Nichols’ new EP, Old Glory and the Wild Revival, is one of the best new EPS of the year, and one of the best rock records of the year overall.  It only boasts five tracks.  But if those five tracks are any hint, then the future is very bright for this young guitar virtuoso.  The EP’s opener, ‘Blackfoot’, is a powerful first impression for Nichols and his band mates.  This blues-rock infused song will have any listener moving right from the first notes.  Nichols himself sounds almost like fellow blues guitarist Johnny Lang in his vocal style on this song.  The solos are blistering to say the least.  And considering that Nichols is only in his twenties and is able to smoke the strings in such impressive fashion is mind blowing.  Together with his band mates, Nichols will have audiences instantly comparing him not just to Johnny Lang, but even to the likes of Kenny Wayne Shepherd and even Derek Trucks if not the master himself, Stevie Ray Vaughn.

The fun bluesy guitar licks don’t end with the EP’s opener.  Listeners will instant get thoughts of Foghat, Ted Nugent and so many other famed guitarists of days gone by when Nichols and company launch into ‘Can You Feel It.’  This up-tempo rocker is just as certain as ‘Blackfoot’ to get audiences moving whether in their homes or even in their cars.  It’s a nice piece for those Summer road trips.  It’s just as great for a weekend party in the warmer months of the year.  Its energy is evident not just in the musical side of things, but also in the lyrical side.  Nichols and company come across as singing about a woman here.  The chorus singing together late in the song, “Don’t you need it/Babe can’t you feel it” will most certainly have listeners singing along happily.  It would be so easy to see this song being performed live if only because of that.  And that’s a good thing.  It’s one more element that makes it such a fun song.

Things let up only slightly after ‘Can You Feel It’ in the EP’s penultimate song, ‘Sometimes.’  This song is slower than ‘Can You Feel It’ or ‘Blackfoot.’ But it is still another nice, heavy blues based rock song that is just as certain to become a favorite with its solid musicianship from Nichols and his band mates.  It is a straight up blues influenced song all the way through, from its music to its lyrics.  Nichols writes about overcoming life’s tough times as he writes, “Take the backseat baby/Cause I found my way/Gonna ride into/A brand new day/Gotta  hold on tight/to the things I love/Kiss the ground/And thank the lord above/Don’t think you’re the only one/Your day don’t end/When darkness comes/ Sometimes you cry/Sometimes you lie/Sometimes you gotta reach up for the sky/And look for the full moon/To carry you home.”  That positive sentiment mixed with the influences from the likes of Kenny Wayne Shepherd and Lynyrd Skynyrd makes this one more impressive piece of the overall puzzle that is Nichols’ new EP.

Jared James Nichols takes his listeners on quite the trip with his ne EP over the course of the record’s first four songs.  It ends just as solidly as it began on ‘Take My Hand.’  The song starts off slow and gentle with just Nichols singing and picking a steel guitar.  That slow open eventually builds into another blues based song that rocks just as hard as the other songs on this record.  The control that he and his band mates have throughout the song absolutely demands this song be part of Nichols’ live set.  One need only close one’s eyes, and one can see the lights shining bright on stage, highlighting every single note as audiences pump their fists in the air.  Simply put, this song could not have been better placed in this record.  It leaves audiences wanting more in the best possible fashion by the time it hits its final notes. Nichols’ new EP is available now, and it can be ordered online at http://www.facebook.com/jaredjamesnichols and http://www.reverbation.com/jaredjamesnichols.  Fans can also check out both websites to check out Jared James Nichols’ latest tour dates.  Audiences will have their chance to experience this outstanding new EP live as Nichols will be performing live tonight in Sturgis South Dakota at the Sturgis Buffalo Chip Festival.  And then on the 8th and 9th, he will be in Salt Lake City, Utah before moving on to Boise, ID on his way to the West Coast.

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Performance Times Released For Annual Festival

Courtesy:  Ashton-Magnuson Media

Courtesy: Ashton-Magnuson Media

Organizers of the annual “Welcome To Rockville” Festival presented by Monster Energy have released more information on this year’s festival.  2013 is the festival’s third year being held.  Performance times for bands on each stage have officially been released.  The “Monster Energy Main Stage East” opens with a performance by Pop Evil at 12:40pm.  Pop Evil will be followed by All That Remains, Halestorm, Papa Roach, Stone Sour, and headliners Alice in Chains.  Alice in Chains takes the “Monster Energy Main Stage East” at 9:45pm.  The “Monster Energy Main Stage West” is just one of the many stages from which audiences have to choose during the festival.  A full listing of bands and performance times is available below.

Saturday, April 27

Monster Energy Main Stage East

12:40 PM         Pop Evil

2:05 PM           All That Remains

3:35 PM           Halestorm

5:25 PM           Papa Roach

7:25 PM           Stone Sour

9:45 PM           Alice In Chains

 

Monster Energy Main Stage West

12:05 PM         Young Guns

1:20 PM           In This Moment

2:50 PM           Asking Alexandria

4:30 PM           Bullet For My Valentine

6:20 PM           Three Days Grace

8:30 PM           Limp Bizkit

 

Emerging Artist Stage

Noon                Rockville Rumble Winner

1:00 PM           Hell Or Highwater

2:10 PM           Gemini Syndrome

3:20 PM           Whitechapel

4:45 PM           Otherwise

6:20 PM           Escape The Fate

 

Jax Live Stage

11:30 AM         Rockville Rumble Winner

12:30 PM         Edens Fill       

1:40 PM           Rockville Rumble Winner

2:50 PM           Rockville Rumble Winner

4:05 PM           Stars In Stereo

5:35 PM           MonstrO

7:25 PM           Rockville Rumble Winner

 

Sunday, April 28

Monster Energy Main Stage East

11:45 AM         Red

12:55 PM         Saving Abel

2:30 PM           Filter

4:10 PM           Skillet

6:05 PM           3 Doors Down

8:35 PM           Lynyrd Skynyrd

 

Monster Energy Main Stage West

11:15 AM         Farewell 2 Fear

12:20 PM         Nonpoint

1:40 PM           Steel Panther

3:20 PM           Hollywood Undead

5:05 PM           Buckcherry

7:15 PM           Shinedown

 

Emerging Artist Stage

11:20 AM         Nebraska Bricks

12:20 PM         Soulswitch

1:25 PM           Girl On Fire

2:35 PM           Saliva

3:45 PM           Motionless In White

5:10 PM           Device

6:50 PM           Nothing More

 

Jax Live Stage

11:50 AM         (N)ception

12:55 PM         The Apprehended

2:05 PM           Rockville Rumble Winner

3:15 PM           Rockville Rumble Winner

4:40 PM           Rockville Rumble Winner

6:15 PM           Rockville Rumble Winner

 

The whole party will be preceded by the “Rockville Downtown Experience presented by Corona Light” pre-party on Friday, April 26th.  Two post-show parties will be held Saturday, April 27th.  Admission to these parties is FREE.  Friday’s show will feature Saliva, Evergreen Terrace, and Victr as entertainment.  The bands will perform live at the Underbelly in Jacksonville, FL.  More information on this party is available online at http://www.jaxunderbelly.com.  Saturday’s after-parties will feature performances by DJ Monk and Robert Goodman at 1904 Music Hall in Jacksonville, FL (http://www.facebook.com/1904MusicHall, http://www.1904MusicHall.com) and Icey at the Underbelly.

Fans that attend the festival will have plenty of opportunities to get their CDs, shirts, and more signed by their favorite band(s) at the f.y.e. tent and other onsite locations.  There will also be interactive experiences such as a gaming area and Dave’s Crazy Music Experience.  This experience lets fans find out for themselves what it’s like to make music in a studio environment.  It includes actual guitars, drums, basses, and all the gear used by today’s top acts.

Tickets are still available for this year’s festival.  Prices are listed below.

Single Day General Admission – $59.50 plus fees

Single Day VIP – $134.50 plus fees
2-Day General Admission – $107 plus fees
2-Day VIP – $219 plus fees
2-Day Party Pack (4 weekend tickets) – $357 plus fees

Along with the listed ticket prices, “no service fee tickets” are available at specific Metro PCS locations.  More information on this is available online at http://www.welcometorockvillefestival.com/tickets.html.  A limited number of VIP tickets and hotel packages are still available.  They can be purchased online at http://www.WelcomeToRockvilleFestival.com.  VIP tickets include entrance to all concerts through a VIP entrance, access to VIP lounge featuring dedicated bar, beverage and food service, viewing of the Monster Main Stage (both seated and standing areas), a seated area with shade for dining, private bathrooms and laminated VIP guest pass.    

More information on the “Welcome to Rockville” Festival is available online at http://www.WelcomeToRockvilleFestival.com, http://www.facebook.com/welcometorockville, and on Twitter at @RockvilleFest.

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Jennings’ New Album More “Solid Country Gold”

Courtesy:  Entertainment One Music

Courtesy: Entertainment One Music

The year is still young.  But this critic’s list of candidates for the year’s best albums is already beginning to fill up quickly.  The Slide Brothers and Experience Hendrix, Inc. have already made the case to be candidates with their new releases.  Now another album has made the case to be not just on the list of the year’s best albums, but also the year’s best Country Music albums.  It’s Shooter Jennings’ new album, The Other Life

The Other Life is proof that one should never judge a book (or a CD) by its cover.  At first glance, one glance at the artwork for Shooter’s new album might lead some to believe that this album is going to be much like that of Black Ribbons, which he recorded with the members of Hierophant.  The artwork used throughout the album’s packaging is quite similar to images used throughout albums released by Tool.  But one listen through this album reveals something quite different.  What listeners get in this latest release from one of Outlaw Country’s best is eleven radio ready and easily accessible country songs. Every listener will find something especially entertaining from this album’s song list.  Every song carries a familiar vibe from Shooter’s previous LPs.  But they don’t sound like the songs from his previous releases.  In simple terms, each song on this album is an original work similar to his previous songs in feeling only.  One of the album’s brightest shining moments comes halfway through the album in the song, ‘Outlaw You.’ 

‘Outlaw You’ is bound to become a fan favorite both on the record and at live shows.  It is a defiant stance against so much pop country that tries to call itself pure country.  Jennings sings loud and proud in this song, “Hey pretty boy/With the baseball hat/Couldn’t hit country with a baseball bat/Country ain’t just about where you’re at/It’s about being true/To what’s inside of you/You say you’re an outlaw/With the perfect boots/That you got from the record label’s image group/Sing another man’s song/With a big drum loop/Listen, son/You ain’t got a clue/You can’t buy true/I’ll tell you what they should do/They should outlaw you!”  This echoes the sentiment of Jennings’ fellow Outlaw Country artist, Hank III.  Hank III wrote a similar song some time ago about how so much pop country tries to masquerade as real country.  This song is one more that any country purist will surely appreciate and enjoy as it has the exact same true emotion.

While it may not seem like it at first listen, but another high point of this LP is its penultimate track, ’15 Million Light Years Away (featuring Jim Dandy).  Dandy’s vocals are so rich and vibrant here.  They make for an excellent counterpart to that of Jennings.  And the guitar solos thrown in will almost sure lead to thoughts of Lynyrd Skynyrd.  Lyrically, it comes across as a social commentary of sorts, with the duo singing about the legal system being perverted and of everything in the world being in a state contrary to what it should be.  The musical backing helps to set the song’s mood, too with its slower, minor sound.  It stands out unlike anything else on the record.

Perhaps the most intriguing song on The Other Life is its closer, ‘The Gunslinger.’  What makes it so intriguing is its musical side.  It starts out like any pure country song, with an acoustic guitar and soft, gentle vocals.  From there, it proceeds to crescendo to something totally different with its mix of electronics and sax part eventually ending the song.  Forget the lyrical side here.  This is a song that simply must be experienced solely for its musical side.  It’s an unlikely candidate to be one of the album’s high points.  But because it is also so different from anything else on the record, it is one of those songs that will lead to discussion for its ingenuity.  In turn, the discussions that it is sure to raise will prove why it is one of the so many high points of this album.  Put simply, every song on this album will appeal to country purists and country music fans in general.  There is not one bad moment throughout the course of this record.  Every song creates a wholly different feel within itself and its listeners with every listen.  And that is something rare at this point in the music industry.  The album will be available in stores, Tuesday, March 12th.  Before it drops though, Jennings will hit the road in support of the new album, beginning March 6th in Miami Florida on the Kid Rock Cruise.  From there, he will perform at the annual SXSW Festival in Austin, TX on March 12th and 13th.  Fans in North Carolina will also get their chance to see Shooter live.  He will be performing at Ziggy’s in Winston-Salem on Tuesday, April 16th and on Friday, May 24th at Gus’ Bar in Jacksonville, NC.  Audiences can get a full tour rundown and all the latest news and more from Jennings on Facebook at http://www.facebook.com/ShooterJennings and http://www.ShooterJennings.com

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Gypsyhawk’s Sophomore LP Another Hit For Metal Blade

Courtesy: Metal Blade Records

Guitars, bass, drums, and vocals.  That’s really all rock and roll needs.  And that’s what Pasadena, California’s own Gypsyhawk has brought to the game once again with its new album, “Revelry and Resilience.”  This album is a straight forward hard rocking work that will have every warm blooded rocker out there banging his or her heard, and putting his or her horns high with pride.  “Revelry and Resilience” is an example of everything that is and ever has been right with rock music.

The whole rock party kicks off with fittingly with the song, ‘Overdrive.’   To quote the line, this song is all killer, no filler.  From the killer guitar solos from Andrew Packer and Erik Kluiber, to front man Eric Harris’ Lemmy Kilmister-like vocals, to drummer Ian Brown’s driving beat, this song is a perfect start to the record in every way.  The band barely lets up from here, kicking right into ‘The Fields’ with equal adrenaline.  ‘Hedgeking’ follows in similar fashion, keeping the adrenaline and the blood flowing in its listeners’ veins from start to finish. 

There’s little letting up from there on throughout the remainder of this record.  Gypsyhawk’s sound has obviously evolved from its first album, “Patience and Perseverance.”  The band had a solid old school rock and roll sound on that record.  But the band’s sound seems even more honed this time out.  The band is right up there with the likes of Fireball Ministry, Airbourne, and others of that ilk on this album.  What makes Gypsyhawk better than those bands though, is its ability to cross the rock and roll spectrum, rather than stick to one style.  Airbourne is more closely linked to AC/DC and Fireball Ministry is compared more to classic Ozzy.  In the case of Gypsyhawk, this band has guitar work that pays homage to Lynyrd Skynyrd, Judas Priest, and even Iron Maiden just to name a few.  And as already noted front man Eric Harris’ vocals are weirdly similar to that of Lemmy Kilmister.  All of that being noted, Gypsyhawk’s new album, “Revelry and Resilience” will be a favorite among the fans of true old school guitar driven rock and roll, this reviewer included.  In fact, there is little doubt that by the end of the year, it will find itself on this reviewer’s list of the year’s best hard rock and metal albums.

“Revelry and Resilience” will be available in stores and online next Tuesday, August 28th.  It can be ordered direct through Metal Blade’s website at http://www.indiemerch.com/metalbladerecords/band/gypsyhawk.  The band will be performing a handful of live dates this Fall and Winter to support the album.  Fans can check out those dates and all the latest from the band online at http://www.facebook.com/Gypsyhawkusa, http://gyspsyhawk.bandcamp.com, and http://gypsyhawkusa.blogspot.com.  

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The Outlaws Have Plenty Of Reason To Be “Proud” Of Their New LP

Courtesy: Rocket Science Ventures

The Outlaws is coming!  Get it?  It’s a movie reference for those who might not have known.  The movie in question is The Three Stooges’ 1965 movie by the same name.  Of course that movie was anything but good, thanks to one Curly Joe DeRita.  It isn’t the focus of today’s review.  The Outlaws in question getting the focus today is the Tampa Bay, Florida based Southern Rock band.  The Outlaws has been making music for four decades.  This band has been there through thick and thin during the entire course of its career.  And next month, The Outlaws will release its eleventh full length studio album, titled, “It’s About Pride.”

“It’s About Pride” is a fitting title for the band’s new album as it’s an album of which the band’s fans new and old will be proud.  The album opens strongly with the song, ‘Tomorrow’s Another Night.’  It’s a straight forward country rock style song with a hopeful chorus that in its own way outlines everything that this band has been through in its career.  The band sings in the chorus, “Tomorrow’s another night/Maybe the light will shine on me/I’ll take what I’m given/And I’ll hold on tight/Win or lose/it’s gonna be alright/But tomorrow’s another night.”  The song drives, musically speaking, through its entire four and a half minute run time, keeping listeners’ ears the whole time.  The multi-guitar “attack” and guitar solos add their own flare to the song, too.

The band follows up ‘Tomorrow’s Another Night’ with an equally driving song in ‘Hidin’ Out in Tennessee.’  It’s basically another song about life on the road for a band.  This type of song is nothing new to the music business.  It crosses the border from rock to country.  But rather than taking the Bon Jovi or Kid Rock route, The Outlaws take a more positive outlook here, singing, “Nobody knows where an outlaw goes/and they d*** sure don’t wanna be found/If you’re lookin’ for me/I’ll be hiding out in Tennessee.”  The song breaks down into a mini jam session from the last chorus that will get any pure blood country fan on his or her feet.  It’s a great way to finish off this song and segue into the next.

That next song is the album’s title track.  And it’s bound to be one of the album’s biggest hits.  For that matter it could very well become one of the band’s biggest hits in its entire four decade long career.  Front man Henry Paul sings of the band’s roots, and its pride in those roots.  As noted in the band’s bio, this song tells the story of how the band has endured so much and has still come back for more.  As with ‘Hidin’ Out In Tennessee’, the multi-guitar attack adds its own touch.  The music in general really catches the vibe of the song’s lyrics, too.  It helps to convey the band’s early history and everything that it has faced to get where it is today.   

The album’s opening trio of tracks is a great way to start off what is a great return for a band that’s been away for quite some time.  They are only part of the overall success of the album, though.  Fans will also enjoy the George Thorogood style ‘Born To Be Bad’ and the Neil Young/Lynyrd Skynyrd styled ‘Trouble Rides A Fast Horse.’  Fans of fellow southern rock acts such as the Eagles and Tom Petty will like ‘Trail of Tears’ and ‘Right Where I Belong.’  ‘Trail of Tears’ is a touching story of what happened to the Native American community as a result of the Indian Removal Act of 1830.  Whether these songs or any others, fans will all have more than their share of favorite songs.  They all combine to make for an album that any fan of southern rock and/or country will enjoy.

“It’s About Pride” hits stores Tuesday, September 25th via Rocket Science Ventures.  While fans wait for the album’s release, they can see them live on tour.  The band will be in Vernal, Utah next Friday, August 17th for the annual Country Explosion.  To see more tour dates and keep up with all the latest from The Outlaws, fans can check them out online at http://www.outlawsmusic.com, http://www.facebook.com/outlawsmusic, http://twitter.com/outlawsmusic, and on the band’s official YouTube channel, http://www.youtube.com/outlawsmusic.

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