Megadeth Partners With Century Media For ‘Killing Is My Business…’ Re-Issue

Courtesy: Century Media/ Century Media Label Group/Century Media Records

Megadeth is going back in time…sort of.

The band announced Friday that it will re-issue its 1985 debut album Killing is My Business…and Business Is Good! this summer.  The album is scheduled to be released June 8 via Century Media.

Killing Is My Business…and Business Is GoodThe Final Kill is just the latest re-issue for the album.  It was most recently re-issued in 2015 via Sony/Legacy.  This new re-issue Remixed by veteran mixer Mark Lewis (Trivium, Death Angel, Devildriver, Whiechapel) and remastered by Ted Jensen (Alice in Chains, Hatebreed, Machine Head), includes previously unheard bits and pieces throughout (E.g. a previously unheard drum drum performance found during the mixing sessions).  It also features the original album in its entirety coupled with seven live performances transferred to CD from VHS tapes found in Megadeth frontman and founder Dave Mustaine’s attic.

The extra live tracks are not this re-issue’s only bonuses.  It also includes the band’s 1984 3-track demo as part of its body alongside a previously removed cover of Lee Hazelwood’s ‘These Boots’ and new cover art for the album.  The re-issue’s full track listing is noted below.

“Killing Is My Business…and Business Is Good – The Final Kill”
1. Last Rites / Loved to Deth (Remastered)
2. Killing Is My Business…And Business Is Good! (Remastered)
3. The Skull Beneath the Skin (Remastered)
4. Rattlehead (Remastered)
5. Chosen Ones (Remastered)
6. Looking Down the Cross (Remastered)
7. Mechanix (Remastered)
8. These Boots (Remastered)
9. Last Rites / Loved to Deth (live) (1987 London, UK)
10. Killing Is My Business…And Business Is Good! (live) (1986 Denver, CO)
11. The Skull Beneath the Skin (live) (1990 London, UK)
12. Rattlehead (live) (1987 Bochum, Germany)
13. Chosen Ones (live) (1986 Denver, CO)
14. Looking Down the Cross (live) (1986 Denver, CO)
15. Mechanix (live) (1986 Denver, CO)
16. Last Rites / Loved to Deth (demo) (Remastered)
17. The Skull Beneath the Skin (demo) (Remastered)
18. Mechanix (demo) (Remastered)

In looking at all that this re-issue offers, Mustaine was excited.

“I am just as much amazed at the music we made as I am at the pure fact that we survived at all!,” Mustaine said.

Killing is My Business…and Business Is Good!The Final Kill are open now.  It will be available in stores and online in North American on CD and in four different vinyl pressings.  Details on those releases are noted below.

North America:
CD Digipak (In stores & Online)
Gatefold Red 2LP – Limited to 1500 copies (In stores & Online)
Gatefold Black 2LP (In stores & Online)
Gatefold White 2LP –  Limited to 500 copies (FYE Exclusive)
Gatefold Silver 2LP – Limited to 500 copies (Band Exclusive available on www.megadeth.com)

It will be available on CD and two separate vinyl pressings in Europe.  Information on those releases is noted below.

Europe:
CD Digipak
Gatefold Clear 2LP – Limited to 400 copies
Gatefold Black 2LP

It will be released June 6 in Japan via Sony Japan on BluSpecCD.

Copies can be reserved now at the links noted below.

Reserve your copy today!
Band Exclusive Silver 2LP & More Megadeth Merchandise available at:
Red or Black 2LP & CD Digipak available at Century Media’s US Store:
Clear 2LP & CD digipak:
Digital Pre-orders & Streaming:
Signed Limited Copies Red or Black 2LP & CD Digipak available at Pledge Music:
http://megadeth.pmstores.co

More information on the upcoming re-issue of Killing Is My Business…and Business Is Good! is available online along with all of Megadeth’s latest news and more at:

Website: http://www.megadeth.com

Facebook: http://www.facebook.com/Megadeth

Twitter: http://twitter.com/Megadeth

 

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Ellefson Coffee Company Announces Appearances To Promote New Drink

Courtesy: Ellefson Coffee Company/O’Donnell Media Group

Megadeth bassist Dave Ellfson’s success as an entrepreneur just keeps growing.

Just announced Thursday, Ellefson has announced some new in-person appearances alongside The Ron Keel Band to promote the growth of Ellefson’s beverage offerings and the release of The Ron Keel Band’s album Metal Cowboy Reloaded.  Ellefson, who will be on hand at each of the four currently scheduled appearances — March 16 – March 18 — will be promoting Ellefson Coffee Company’s new Urban Legend Coffee Stout alcoholic drink alongside Sioux Falls microbrewery Hydra Beer Company.

The forthcoming debut of the new drink come on the heels of the successful January debut of Combat Blood and Bullets Cabernet, a 2015 California cabernet, and Combat Hard Cider.  The cider is infused with Ellefson Coffee Company’s coffee.  Both drinks were cellared and bottled by Scottsdale, AZ’s Desert Rock Winery.  Both drinks are also available online at http://www.combatwines.com.

As noted already, The Ron Keel Band will also be on hand at some of the currently scheduled appearances.  The band’s performances at the dates, listed below, are in promotion for the upcoming release of its album Metal Cowboy Reloaded.  It will be available in stores and online March 23 via EMP Outlaw, the outlaw country arm of EMP Label Group.

Meet David at the following locations:
Friday 3/16 7 PM
HYDRA BEER COMPANY, SIOUX FALLS, SD
URBAND LEGEND COFFEE STOUT LAUNCH/
RON KEEL METAL COWBOY RELOADED CD RELEASE

Saturday 3/17 2 PM
DOWN IN THE VALLEY, MINNEAPOLIS, MN
MEET AND GREET WITH DAVID ELLEFSON
8020 OLSON MEMORIAL HWY
GOLDEN VALLEY MN 55427

SATURDAY 3/17 7 PM
WHATSUP LOUNGE – MANKATO, MN
RON KEEL METAL COWBOY RELOADED CD RELEASE
WITH MEET AND GREET WITH DAVID ELLEFSON

SUNDAY 3/18 2 PM
KNOW NAME RECORDS, MINNEAPOLIS, MN
MEET AND GREET WITH DAVID ELLEFSON
6009 PORTLAND AVE. SO. MINNEAPOLIS, MN

More information on the upcoming scheduled appearances is available online now along with more Ellefson Coffe Company and Combat Wines news at:

Website: https://ellefsoncoffeeco.comhttps://desertrockindustries.ecwid.com/#!/Special-Bottles/c/20355002

Facebook: http://www.facebook.com/ellefsoncoffeeco

More information on Hydra Beer Company is available online now at:

Website: http://www.hydrabeercompany.com

Facebook: http://www.facebook.com/hydrabeer

Twitter: http://twitter.com/HydraBeerCo

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Combat Records To Rise Again

Courtesy: Combat Records/EMP Label Group/O’Donnell Media Group

Combat Records is coming back.

EMP Label Group head Dave Ellefson announced this week that the label, which was one of the seminal punk and thrash labels from the 1980s, has been resurrected and will be part of the EMP Label Group family. The one-time powerhouse label shuttered its doors in the mid-2000s after its catalogue was absorbed by Sony Music.

The label’s official re-launch will happen in 2018, with its first release being British hard rock act Raven’s next, as yet untitled album. It will also re-issue a number of classic thrash and metal albums from various acts once it officially opens as well as a new compilation piece from Helstar and new recordings from Dead By Wednesday and 80s progressive thrash outfit Wrath.

Ellefson said in a recent interview about the label’s re-launch that he was optimistic about its new life.

“Today is a really exciting day, as after over a year, it was finally announced that we will be re-launching the legendary Combat Records as a new label through EMP Label Group,” Ellefson said. “We are so excited and honored to be able to revive such an iconic brand that was so instrumental to my history. Even though we signed to Capitol after Killing is My Business, Combat’s logo was on all the Megadeth releases through Countdown to Extinction, and it was and is one of the most iconic metal labels of all time, even being home to some of the other artists who would end up on the EMP roster, like Helstar. The same independent spirit that drove Combat in those early days, is truly the same spirit that drives what we do with EMP, and we are honored to launch another amazing conduit to support new and established metal artists, with great respect to the legacy of the past.”

Ellefson added with Combat’s resurrection, it will only handle new material because Sony has control of the label’s back catalog.

“…And to clarify, we do not own any rights to the Combat Records back catalog,” Ellefson stressed. “That is owned and controlled by Sony, and they have done a great job of curating it through other imprints. Combat Records will solely focus on nre releases under the Combat banner. As always, thank you for your support and stay tuned for more details!”

Combat Records will be distributed through EMP Label Group via Amped Distribution domestically and via SPV in Europe.

More information on Combat Records, along with its latest news, is available online now at:

Website: http://www.combatrecs.com

Facebook: http://www.facebook.com/combatrecordsofficial

Twitter: http://twitter.com/combatrecs

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Ellefson Coffee Company To Mark Its Expansion Next Month With Hometown Party

Courtesy: O’Donnell Media Group

Ellefson Coffee Company is expanding its presence in its hometown, and its founder will be on hand to help mark the occasion.  .

Dave Ellefson, the company’s founder (and Megadeth bassist) will return to his hometown (and his company’s home town) Nov. 18 to celebrate the birthday of Kat’s Hog Heaven, the latest of the town’s local retailers to carry the company’s coffee.  The special birthday/end-of-year celebration will feature a display of various memorabilia from Ellefson’s Museum of Deth, which includes items from throughout Ellefson’s career.

The Ron Keel Band, who recently signed to EMP Label Group’s new Southern Rock/Outlaw Country imprint EMP Outlaw will provide musical entertainment for the event.  As an added touch, the celebration will also feature the debut of Ellefson Coffee Company’s new Jackson House Blend line.

Ellefson said in a recent interview that he was looking forward to the forthcoming event.

“I am so excited to return to Jackson and welcome our newest ECC retailer, Kat’s Hog Heaven, and unveil the Jackson House Blend!,” Ellefson said.  “Since we started ECC we have scoured the world to find a reasonably priced coffee that will adhere to the high quality standards we have set for ECC, and we are sure we have hit the jackpot with the Jackson House Blend.  I am also extremely excited to welcome my old friend Ron Keel to Jackson and showcase the latest addition to the EMP family!”

Ellefson Coffee Company Marketing/Operations Director Thom Hazaert agreed.

“The last time we went to Jackson, it was an absolute blast,” Hazert said.  “We’re so stoked to go back and introduce our new blend that pays homage to David’s hometown, and the great people of Minnesota!  And this time we’re dragging Ron Keel along for the ride!  We’ll also have tons of giveaways and surprises, so definitely get down and see us at Kat’s!!! (And try some of Donnie’s amazing BBQ).”

More information on Ellefson Coffee Company is available online now at:

 

 

 

Website: http://Ellefsoncoffeecompany.com

Facebook: http://www.facebook.com/ellefsoncoffeeco

 

 

 

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‘The Grinding Wheel’ Shows Overkill Is Still “Grinding” It Out Successfully

Courtesy: Nuclear Blast Records

The countdown to the year’s end is officially on, and that means for the music industry, the push is officially on to start assembling those annual year-end “Best Of” lists.  One of the lists that this critic in particular has seen overflowing with impressive titles is that of the year’s top new hard rock and metal albums.  New releases from the likes of Prong, The Haunted, Dragonforce and so many others have easily proven themselves deserving of a spot on that list by any critic.  No critic’s list of the year’s top new hard rock and metal albums would be complete without the inclusion of Overkill’s latest album the Grinding Wheel.  Released this past February, this 11-song, 64-minute album is an offering that reminds audiences once again why even after more than 30 years, Overkill is still one of the elite acts in the hard rock and metal realms even.  That is even as the band continues to embrace the mantra of if it’s not broken, don’t fix it.  The old school thrash riffs that have made the band a constant fan favorite throughout its life combine with equally interesting lyrical content here to prove why this record is one more of the year’s top new hard rock and metal offerings.

Anytime that Overkill releases a new album, it will find its way onto critics’ lists of the year’s best new hard rock and metal albums.  The New Jersey-based thrash outfit’s 18th (yes, 18th) full-length studio recording The Grinding Wheel is no exception to that rule.  That is proven right from the album’s outset in ‘Mean, Green Killing Machine.’ The song’s arrangement boasts riffs in its verses that easily lend themselves to some of the greatest classic thrash works from fellow thrashers Exodus, Metallica, Megadeth and others of that ilk.  In the same breath, the combination of front man Bobby “Blitz” Ellsworth’s vocal delivery with those riffs also conjures thoughts of so many classic Judas Priest songs.  The inclusion of the song’s more blues-based hard rock arrangement in its bridge adds even more interest to the song.  The sudden change between those two wholly separate styles is, needless to say, stark.  Yet at the same time, it still is not enough to ruin the song, musically speaking.  It only makes it that much more interesting.  Keeping that in mind, it is only one part of what makes this song proof of what makes The Grinding Wheel yet another standout record from Overkill.  The song’s lyrical content is just as important to discuss as its musical arrangement.

Ellsworth sings here, “Somewhere out where no one knows/Rusts a cool revolution fight/Way out there where no one goes/And it’s got to keep moving/Got to keep getting it right/So here’s to the piston charged/Combustible delight/The single-minded supercharged/That’s got to keep moving/Got to keep getting it/A call to arms/A call right through the dream/A call to action/Blow up the in-between/Feed, feed your engine/Feed, feed the wolverine/Feed, feed the tension/Mean green/Killing machine/C’mon, C’mon say what my name is/Mean green killing machine.”  Ellsworth goes on in the song’s further verses to deliver what seems like commentary perhaps about the world’s religious and business leaders, leading to the belief that perhaps while not a politically charged song, it is a lyrical worked aimed at reminding listeners to not just give in to the things being force-fed to them.  That is just this critic’s own take and should not be taken as the only interpretation.  Ellsworth could easily have been making a wholly different statement.  That ability of these lyrics to create so much discussion in itself is even more proof of the importance of the song’s lyrical content.  When that content is joined with the song’s rich musical arrangement, the end result is a song that clearly exhibits what makes The Grinding Wheel yet another solid offering from Overkill.  It is hardly the only of the album’s songs to support that statement.  The album’s title track is one more example of what makes The Grinding Wheel another standout album from one of metal’s true elite acts.

‘The Grinding Wheel’ proves just as much as ‘Mean Green Killing Machine’ what makes Overkill’s latest album so enjoyable in part to its musical arrangement.  As with the previously discussed song, this composition also boasts an arrangement that is pure thrash at its finest.  It lends itself just as easily to comparisons to works from Judas Priest as the album’s opener, too.  Considering this, it goes without saying that this song’s musical arrangement is just as solid as those presented in the rest of the album’s songs.  That being the case, the next sensible step here would be to examine the song’s lyrical content.  This song’s lyrical content is just as intriguing as that in the album’s opener and the record’s other songs.  Ellsworth sings here, “A bed of nails/Cold, dark, deep refrigeration/I hear it calling me/A broken rail as he drools over the congregation/I hear it calling me/Now I won’t tell you how to live your life/I never saw the point in thinking twice/I turn the wheel by day, by night/Raise your flag/Here’s to the liberation.”  The song goes on in similar fashion with equally cryptic statements throughout that are just as certain to leave listeners talking and thinking as the song’s lead verse.  Again, that ability to so easily engage listeners, even just through its lyrical content, is another way in which the song proves an important part of the record’s whole.  When it is joined with the song’s musical arrangement, the two elements in whole support that statement even more.  Even considering this, it still is not the last of the songs included in this record that shows what makes the album stand out.  ‘Shine On,’ which comes early in the album’s run is one more example of what makes the record stand out.

‘Shine On’ is another key example of what makes The Grinding Wheel stand out, as with the previously discussed songs, in part due to its arrangement.  The up-tempo, guitar-driven arrangement.  The arrangement presented here is a polished composition that lends itself directly to comparisons to some of Metallica’s greatest thrash style works.  Even as the song turns more doom-sounding bridge, that slower–yet no less heavy–section is a perfect fit that gives listeners just enough time to catch their collective breaths without losing them.  It is only one part of what makes this song another key addition to The Grinding Wheel.  The song’s lyrical content is just as important to discuss as its musical arrangement.

The lyrical content presented in ‘Shine On’ is important to discuss because of its seemingly anthemic nature.  That anthemic nature is inferred, at least to this critic as Ellsworth sings in the song’s chorus, “We got no patience, but we get through/We got no patience, but we got you/All of the paraders shout no fear/All of the hurricaners with their fists up in the air/Someone else gave the order to the band/Someone else ignored us/Left the cat out in the rain/One more fire before I die/One more fire, get me high/Climb on down to the fire/Climb on down to the flame/Leave your battles behind you/Shine on Doomsday/Shine on Doomsday.”  This all comes across as the band paying tribute, lyrically, to its fans, inspiring audiences to never give up on anything in life as they thank their fans for their dedication.  Again, this is only this critic’s own interpretation and should not be taken as the only interpretation.  Either way, this song’s lyrical content comes across as a loud, proud statement from the band.  When that seemingly loud, proud statement is joined with the song’s equally heavy, driving musical arrangement, the whole of the song shows why it is an important addition to the album’s whole.  When the song is joined with the other songs noted here (and those not noted), the album in whole shows clearly why it is another powerhouse offering from Overkill, and an easy candidate for any critic’s list of the year’s top new hard rock and metal albums.

Overkills’ 18th full-length studio recording The Grinding Wheel is a presentation of a band that more than 30 years into its life is still successfully grinding it out.  Yes, that awful pun was fully intended.  That is due to the solid, heavy musical arrangements presented throughout the course of the album’s 64-minute run time.  The record’s arrangements are everything that the band’s legions of fans have come to expect from its records throughout the years.  What’s interesting about them here is how polished they sound in each case.  The album’s collective lyrical content will have listeners thinking and talking just as much as its musical arrangements. From seeming commentaries (of sorts) to fist-pumping anthems and points in-between, the songs’ lyrical content gives listeners plenty to be happy about, too.  Keeping thin in mind, The album in whole proves to be a work that any Overkill fan will appreciate and agree deserves a spot on any critic’s list of the year’s top new hard rock and metal albums.  It is available now in stores and online.  More information on The Grinding Wheel is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://www.wreckingcrew.com

Facebook: http://www.facebook.com/OverkillWreckingCrew

Twitter: http://twitter.com/OverkillBand

 

 

 

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TesseracT Debuts New Single, Video; Launches New Live Schedule

Tesseract is back.

The U.K.-based progressive metal outfit unveiled its new single ‘Smile’ and its companion lyric video this week.  The previously unreleased song was recorded at 4D Studios in Brighton and Celestial Sound Studios in Notts, UK, and produed by Acle Kahney early this spring.

Tesseract Smile Video Grab

The band described the new song as “its most collaborative track in recent years,” with its vocals playing an integral part in bringing it to life. The band’s members added the song’s bass line strengthened the song even more by serving as the backbone for its chorus.

Vocalist Daniel Tompkins explained the lyrical concept behind the song is somewhat metaphysical.

“Lyrically, ‘Smile’ carries a strong and forward sense of irony as we explore the darkest side of the human condition,” Tompkins said.  “The song will witness the manifestation of an ‘entity.’ Consciousness survives through constant manipulation only to propagate pessimism and hopelessness.  Our entity observes, consumes and evolves, bearing witness to human existence, mimicking our presence in colossal form.”

Bassist Amos Williams expanded on Tompkins’ thoughts, saying the song, in its current form, is just one example of what audiences can expect from the band’s next, in-the-works album.

“We chose this track as although it is part of a greater theme, and is in fact toward the end of a story arc, it stands alone very well,” Williams said.  “We have a solid idea of where we would like to take this track on the next album as it is no way finished.  It is merely one step in a journey.”

Williams went on to discuss his own part in the song’s creation, saying a lot of time and thought was put into the bass’ line as it worked with the rest of the song.

“The verses and choruses stand very far apart from each other,” Williams said.  “There is a tension we wished to build through a minimalist approach, with small phrases that repeat against accompanying parts of different lengths.  These undulate, seemingly getting lost against the non-conventional phrasing of the drums.  All this is nothing new to TesseracT fans, but this time we have really looked to align the lyrical and musical messages.”

Courtesy: Atom Splitter PR

The band’s release this week of ‘Smile’ and its companion video was intentionally timed, as the band has hit the road on a new string of live dates with Megadeth and Meshuggah.  The bands’ tour launched June 23 in Big Flats, NY, and currently runs through July 11 in Pittsburg, PA.  TesseracT also has its own string of headlining dates lined up from July 1 to July 13.  TesseracT’s current live schedule is noted below.

WITH MEGADETH + MESHUGGAH
6/23 Big Flats, NY – Tags Summerstage
6/25 Boston, MA – House Of Blues
6/27 Philadelphia, PA – The Fillmore
6/28 Portsmouth, VA – Portsmouth Pavillion
6/29 Silver Spring, MD – The Fillmore
6/30 Columbus, OH – Express Live
7/07 Saint Charles, MO – Family Arena
7/08 Oklahoma City, OK – The Zoo Amphitheatre
7/09 Houston, TX – Revention Music Centre
7/11 Pittsburgh, PA – Stage AEHEADLINE:
7/01/17 – Indianapolis IN – The Emerson Theater
7/05/17 – Nashville, TN – Exit / In
7/06/17 – Memphis, TN – Hi Tone
7/12/17 – Buffalo, NY – The Waiting Room

7/13/17 – Amityville, NY – Revolution Bar & Grill

‘Smile’ can be purchased or streamed online now here.  More information on ‘Smile’ is available online now along with all of TesseracT’s latest news and more at:

 

 

 

Website: http://www.tesseractband.co.uk

Facebook: http://www.facebook.com/tesseractband

Twitter: http://twitter.com/tesseractband

 

 

 

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Ellefson Coffee Company Grand Opening Celebration Grows Again

Courtesy: Ellefson Coffee Company/O’Donnell Media Group

Next weekend’s grand opening of Ellefson Coffee Company’s first brick and mortar store keeps growing.

The festivities for next weekend’s grand opening of Ellefson Coffee Company’s Jackson, MN store now include performances by two more acts.  Kik Tracee/Zen From Mars vocalist Stephen Shareaux and Bang Tango/Zen From Mars guitarist Drew Fortier will perform at the store throughout the weekend.  The duo will perform songs from Kik Tracee and Zen From Mars over the weekend.

Also added to the weekend’s festivities is Bryn Arens, front man of beloved local Minneapolis-based band FLIPP.  Arens, Shareaux and Fortier are just the latest additions to next weekend’s grand opening celebration. Local Jackson, MN-based stock car racer Luke Sathoff’s Ellefson Coffee Company-sponsored car will be on display at the store throughout the weekend, too.

The newly noted additions to next weekend’s festivities join already announced celebrities That Metal Show co-host Don Jamieson and paranormal author and investigator Adrian Lee.

Jamieson will be at the store April 8 while Lee will lead Ellefson and others on an exploration of Loon Lake Cemetery, the local Jackson, MN cemetery that inspired Megadeth’s hit song ‘Mary Jane.’

The permanently displayed “Museum of Deth,” which features artifacts and memorabilia from Ellefson’s personal collection. The items that will be on display include Ellefson’s own high school marching band uniform and memorabilia from other acts including Korn, Machine Head, Max Cavalera and Coal Chamber.

Ellefson said in a recent interview he was looking forward to next weekend’s events.

“As the grand opening draws nearer, it’s amazing to see the excitement build and be able to announce some more killer things we have planned for the grand opening and beyond!,” Ellefson said.  “We have people traveling from all over the country to join us in this celebration of all things coffee and metal and we’re going to show them all a great time.”

Ellefson Coffee Company Marking Director Thom Hazaert agreed.

“The Ellefson Coffee Company store has turned out to be an amazing way for David to have a permanent face in his hometown, while being able to tie in EMP, Jackson, Dean, SIT and everything else in our universe,” Hazaert said.  “With the huge sense of Megadeth history in Jackson, we are excited to be able to create a really unique an amazing fan (and coffee) experience that, as predicted, is turning out to not only be a highlight for the people of Jackson, but a destination for Megadeth fans from around the world.”

Ellefson Coffee Company’s new brick and mortar store sells more than just coffee.  It also serves as an outlet for anyone looking to purchase products from Ellefson’s EMP Label Group, Jackson Guitars, SIT Strings, Puck Hcky, Dean Guitars and other companies connected with Ellefson and EMP Label Group.

Ellefson Coffee Company’s grand opening will take place Friday, April 7 – Sunday, April 9 at 404 2nd Street, Jackson, MN.  The store can be contacted by phone at 507-847-4065.  More information on Ellefson Coffee Company is available online now at:

 

 

 

Website: http://www.ellefsoncoffeeco.com

Facebook: http://www.facebook.com/ellefsoncoffeeco

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.