Native Construct Makes A Loud Statement With Its Debut LP

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

Every year, any number of albums is released across the music world’s various genres. The number of albums featuring new material typically ranges somewhere in the hundreds. Of those hundreds of new albums released across the musical universe each year, far too few of those albums really stand out as works that will make listeners stop and want to say, “Hey, come listen to this!” However with the release of its debut album Quiet World, progressive metal band Native Construct has brought just such an album to the world. As a matter of fact, the Boston, Massachusetts-based trio’s debut is one of the most unexpected surprises of the year. It is one of the year’s most unexpected surprises not just within the rock and metal community but in the musical universe in whole. That is meant in the most positive manner possible, too. The main reason for its unexpected enjoyment is its wholly original story. Yes, that’s right. It is a concept album. And boy, what a concept. The album’s story follows a man who creates a world for himself in his mind after the woman he has feelings for makes it clear that she doesn’t have those same feelings for him. That’s just the beginning. It’s also just the beginning of what makes this album stand out so strongly. The album’s vast mix of musical styles makes the album stand out even more. It’s not just another prog rock or prog-metal record. Musically speaking, this album is a work that fans of Native Construct’s label mates Between The Buried and Me will appreciate. Last but hardly least of all that makes this record shine so brightly among the hundreds (if not thousands) of other albums out there already this year is its run time. The album’s seven total tracks bring the album’s run time to forty-eight minutes. For a concept album, that really is not that long. And that has to do largely with the run times of each of the songs that make up the album. That will be discussed at more length later. For now, taking into consideration the record’s relatively short run time along with its original story line and equally original compositions, all three elements come together to show exactly why this record should be on any music critic’s year-end list of the year’s best new hard rock and metal albums.

Metal Blade Records just announced this week that after only its first week in stores and online, Native Construct’s Quiet World has been making *ahem* quite a bit of noise in its own right. The band’s debut album roared into the #56 spot on Billboard’s Hard Music Album’s Chart and the #85 spot on Billboard’s New Artist Chart. Considering that this is the band’s debut album it says a lot about the notice that it’s garnering from critics and audiences alike. It would be no surprise if it ends up on at least some critics’ year-end lists of the best new hard rock and metal albums come December, too. The lack of surprise comes mainly through the record’s concept. As the band notes on its Facebook page, the album centers on the story of a man—a mute—that creates his own “perfect” world inside his mind as a result of unrequited love. The band notes that the unnamed figure had feelings for a woman, but the woman in question didn’t share his feelings. This leads to the creation of his “perfect” world. The problem is that soon after its creation, even his own “perfect” world proves to be anything but perfect. It does have a happy ending of sorts, not to give away too much information. But the real payoff here isn’t necessarily the story’s end but the journey to the end. The story crafted by the band—Robert Edens (vocals), Myles Yang (guitar), and Max Harchik (bass)—is a work that no other band or artist within the prog-rock realm has ever tried. And considering that it is the makeup of the band’s debut album makes it even more interesting. It’s just one reason that anyone thirsting for something original should hear at least once. It’s not the only reason that audiences should pick up this record, either. The album’s equally creative sound is just as worth noting in that avenue.

Native Construct took a huge risk releasing a concept record for its debut record. Even within the world of rock, the concept record is very much a niche format. Considering that the album debuted on not one but two of Billboard’s charts in its debut week shows that the risk paid off quite surprisingly. The surprise showing is obviously thanks at least in part to the album’s original and creative story. On another level, the music that serves as the story’s “soundtrack” shows in its own way why the album has made such an impressive surprise debut. Anyone that is a fan of Dream Theater, Spock’s Beard, or even the band’s label mates in Between The Buried and Me will especially enjoy the multitude of styles presented throughout the record. The Spock’s Beard influence is obvious right off the top in the album’s opener ‘Mute’ which introduces the story’s lead character. The song mixes something of a jazzy style and a more prog-rock sound that in a weird way actually works quite well. Even more interesting here is that it suddenly breaks into a symphonic power metal sound akin to that of perhaps Powerglove or Dragonforce with Edens boasting a powerhouse death metal style growl as he screams, “At last they all hear my voice/And this will make them see/That there is no being/In this world that will dare defy me.” Considering such lyrics, it makes sense that he would utilize such a vocal style. It could be argued to be a stylistic foreshadowing of sorts for what is to come later.

The hybrid jazz/prog-rock sound established in Quiet World’s opener is only the first example of this record’s musical diversity and how that diversity makes the record in whole well worth the listen. ‘The Spark of the Archon’ boasts its own mix of sounds. The prog-rock influences are there. And so is a sound that one can almost compare to easy listening believe it or not. Again, this is something that not even other prog-rock and prog-metal bands right now are trying. While the influences of the noted bands are there, none of the noted bands have tried mixing all of these styles together. The mix of sounds featured in Quiet World’s opening songs is also presented throughout the remainder of the album, with each element (including Eden’s occasional death metal growls) getting equal time in each song. The end result of that mix of sounds from beginning to end is an album that proves to be just as creative musically as lyrically. It makes for double the reason for rock lovers looking for something original to check out this record. Even with all of its musical and lyrical originality and creativity, there is still more to note that makes the album worth the listen whether listeners are fans of concept records or not.

Quiet World’s original lyrical and musical presentations are both plenty of reason for rock lovers to pick up Native Construct’s debut album. They work together to make this record one that stands out not just within the rock world but more specifically the progressive rock realm, too. Believe it or not, the album’s run time actually plays just as much a part in making the album stand out as its music and lyrics. The album’s run time makes it stand out because it actually breaks that mold, too. Its run time comes in at well under an hour. To be more specific, it comes in at roughly forty-eight minutes. That is not very long for a concept album especially with it consisting of only seven tracks. More often than not, the standard run time of a concept album is an hour at the very least. They can even run easily past that mark and then some depending on the band. Again, Quiet World does the exact opposite. The album’s songs hit a wide swath of run times with the shortest barely topping the two-minute mark and the longest clocking in at nearly thirteen minutes. the rest run between five and eight minutes in length. So even those that aren’t the biggest of concept album fans will appreciate that Native Construct didn’t follow the standard concept album formula even in this aspect. It’s yet one more way that Quiet World, in its own way, makes a big sound and why it more than deserves a spot on any critic’s list of the year’s best new hard rock and metal albums.

Native Construct has made quite a loud statement with its debut album Quiet World. The album is a concept album. But in comparison to so many concept albums that have come before, it breaks the formula used for those albums in every way possible. Its story is wholly original and creative. The same can be said of the songs that serve as the story’s “soundtrack.” And even the album’s run time breaks the concept album mold. It does so both on a micro and macro level. The songs themselves are generally not that long save perhaps for the album’s near thirteen-minute closer and its almost nine-minute opus ‘The Spark of the Archon,’ which comes in early in the album. The rest of the albums hit a variety of run times, each of which are sure to keep listeners’ attention with equal ease. Collectively, the songs’ run times bring the album’s overall run time to a total run time of forty-eight minutes. That is anything but the norm for a concept album. Such nonstandard run times partnered with equally original and creative music and writing proves in the end that this record is fully deserving of being placed on any critic’s list of the year’s best new hard rock and metal albums come December. Quiet World is available now in stores and online. It can be ordered online direct from Metal Blade Records’ online store at http://www.indiemerch.com/metalbladerecords/band/native-construct. More information on Quiet World is available online now along with Native Construct’s latest news and tour updates at:

Website: http://www.metalblade.com/nativeconstruct

Facebook: http://www.facebook.com/NativeConstruct

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

BTBAM Debuts Coma Ecliptic’s First Song

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

Between The Buried And Me has released the first song from its upcoming album Coma Ecliptic.

The band debuted ‘Memory Place’ today online. It can be heard online now at http://www.metalblade.com/btbam. The near-ten minute song builds on the music crafted for the band’s most recent album The Parallax II: Future Sequence (2012). Coma Ecliptic will be available in stores and online on Tuesday, July 7th. The band’s seventh full length studio release, it can be pre-ordered online now at http://www.metalblade.com/btbam.

Between The Buried and Me will launch an early spring tour this Sunday in support of Coma Ecliptic with support from The Atlas Moth. the tour kicks off at The Orange Peel in Asheville, North Carolina and then moves to Charleston, South Carolina next Monday April 6th. From there, the bands will make their way south to Florida before heading to Louisiana and then Texas for a pair of dates on April 10th and 11th. Both of its shows in Texas are festival shows. The second half of the band’s 12-date tour takes them up through the midwest and into the northeast, rounding out on April 19th in Lancaster, PA. The full schedule for BTBAM’s tour with The Atlas Moth is listed below:

BETWEEN THE BURIED AND ME

Tour w/ The Atlas Moth

04/05 Asheville, NC The Orange Peel

04/06 Charleston, SC Music Farm

04/08 Pensacola, FL Vinyl Music Hall

04/09 New Orleans, LA The Howlin Wolf

04/10 Austin, TX Empire Garage Texas Independence Fest

04/11 Dallas, TX The Bomb Factory Atomic Music Festival

04/13 Lawrence, KS The Granada

04/14 St Louis, MO The Ready Room

04/15 Indianapolis, IN Deluxe @ Old National Centre

04/17 Worcester, MA The Palladium New England Metal and Hardcore Fest

04/18 Portland, ME Port City Music Hall

04/19 Lancaster, PA Chameleon Club

After taking some much-needed down time to recharge, BTBAM will head to Manchester, Tennessee for this year’s annual Bonnaroo Music & Arts Festival from June 11th – 14th. The band will take some more time off after Bonnaroo to recharge once more before heading back out on the road on July 7th alongside Animals as Leaders and The Contortionist for a 32-date tour that will take the bands well into September. That tour includes a pair of dates in its home state of North Carolina as it winds down. The first of those dates sees the bands performing at Ziggy’s By The Sea in Wilmington, NC on September 9th and at Ziggy’s in Winston-Salem, NC on September 14th. The full schedule for BTBAM’s tour with Animals as Leaders and The Contortionist is listed below.

Tour w/ Animals As Leaders, The Contortionist

07/07 Athens, GA Georgia Theatre

07/08 Tallahassee, FL Sidebar Theater

07/09 Orlando, FL Venue 578

07/10 Ft. Lauderdale, FL Revolution

07/11 Jacksonville, FL Freebird Live

07/13 Houston, TX Warehouse Live

07/14 Little Rock, AR Juanita’s

07/15 Oklahoma City, OK Diamond Ballroom

07/17 Grand Junction, CO Mesa Theater and Club

07/18 Las Vegas, NV Brooklyn Bowl

07/19 Tucson, AZ Club X’s

07/21 Santa Ana, CA The Observatory

07/22 San Diego, CA Observatory North Park

07/23 Santa Cruz, CA The Catalyst

07/24 Sacramento, CA Ace of Spaces

07/25 Boise, ID Knitting Factory Concert House

07/27 Salt Lake City, UT The Complex

07/29 Des Moines, IA Wooly’s

07/30 Joliet, IL Mojoes

07/31 Columbus, OH Newport Music Hall

08/01 Grand Rapids, MI The Intersection

08/02 Bloomington, IL The Castle Theatre

08/04 London, ON London Music Hall

08/06 Buffalo, NY The Town Ballroom

08/07 Pittsburgh, PA Stage AE

08/08 Norfolk, VA The NorVa

08/09 Wilmington, NC Ziggys by the Sea

08/11 Clifton Park, NY Upstate Concert Hall

08/12 Providence, RI Lupo’s Heartbreak Hotel

08/13 Sayreville, NJ Starland Ballroom

08/14 Winston-Salem, NC Ziggys

08/15 Nashville, TN Marathon Music Works

All of the latest updates on BTBAM’s upcoming album and tour dates is available online now along with the latest news from the band at:

Website: http://www.betweentheburiedandme.com

Facebook: http://www.facebook.com/BTBAMofficial

Twitter: http://twitter.com/btbamofficial

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Motor Sister’s Debut Has A Big First Week On The Charts

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

Rock super group Motor Sister’s debut album Ride has made a big impact on Billboard’s latest charts.

Billboard reported this week that Ride debuted at #12 on Billboard’s Hard Music Albums Chart in just its first week of release. It also came in at #40 on Billboard’s Rock Albums Chart and at #27 on the Billboard Independent Albums Chart. The album impressed even more in its first week out by cracking Billboard’s Top 200 Albums Chart, coming in at #163 in its debut.  It also came in at #9 on Billboard’s New Artist (Heatseeker) Chart. The album, the brainchild of Anthrax guitarist Scott Ian, is a collection of classic Mother Superior sons re-worked by Ian and Mother Superior front man Jim Wilson. Joey Vera (Fates Warning, Armored Saint) and John Tempesta (Prong, White Zombie, The Cult, Exodus) joined Ian and Wilson on bass and drums respectively for the recording. Ian’s wife Pearl Aday, who is also the daughter of rock superstar Meatloaf, added backing vocals to the album, too.

Motor Sister has already made available for streaming Ride’s lead single ‘This Song Reminds Me Of You’ and debuted the video for its new single ‘A-Hole.’ ‘This Song Reminds Me Of You’ can be streamed online via Metal Blade Records’ website at http://www.metalblade.com/motorsister. The brand new video for ‘A-Hole’ can be viewed online via YouTube at https://www.youtube.com/watch?v=prvB0DlzLEc.

All of the latest news and updates from Motor Sister are available online now at:

Website: http://www.metalblade.com/motorsister

Facebook: http://www.facebook.com/motorsister

Twitter: http://twitter.com/MotorSister

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

BTBAM Announces New Album Release, Tour Dates

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

There’s big news from prog-metal band Between The Buried and Me this week.

Metal Blade Records and the members of Between The Buried and Me announced this week the release date for the band’s upcoming album and its supporting tour. The band–Dan Briggs (bass), Blake Richardson (drums), Tommy Rogers (vocals, keyboards), Paul Waggoner (guitar), and Dustie Waring (guitar)–announced this week that it will release its next full length studio effort Coma Ecliptic this summer. The album, the band’s seventh, is currently scheduled to be released Tuesday, July 7th via Metal Blade Records. The album’s lead single has not yet been announced. However, it has been announced that it will be released Tuesday, April 3rd. Pre-orders for Coma Ecliptic open the same day.

Along with the announcement of the information for the album and its lead single, it was also announced that the band will launch a tour in support of Coma Ecliptic on the same day of the record’s release. The Contortionist will join Animals as Leaders as support acts for BTBAM’s upcoming tour. The thirty-plus date tour runs through August 15th and includes two dates in its home state of North Carolina. The first of those dates will see the band performing live at Ziggy’s By The Sea in Wilmington, NC on August 9th. The second brings the band to Ziggy’s in Winston-Salem on August 14th.  Before that tour kicks off, BTBAM will hit the road alongside The Atlas Moth beginning April 5th for a twelve-date tour to build excitement around Coma Ecliptic.  The tour’s opening date is at The Orange Peel in Asheville, North Carolina.  BTBAM’s current tour schedule is available online now along with all of the latest updates on Coma Ecliptic at:

Website: http://www.betweentheburiedandme.com

Facebook: http://www.facebook.com/BTBAMofficial

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Motor Sister’s Ride Is A “Superior” Covers Album

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

Covers albums in the music industry’s current age are not what they used to be. At one point many years ago, cover albums were something significant. That’s because they were not churned out as quickly and as effortlessly as they are today. They have today become little more than obligatory space fillers used to fill out contractual agreements for one act or another. It’s very rare in the music industry’s current era to find a covers albums that actually stands out and really catches any listener’s attention. Enter Ride, the debut album from rock super group Motor Sister. The band–Scott Ian (Anthrax), John Tempesta (Prong, White Zombie, The Cult, Exodus), Joey Vera (Fates Warning, Armored Saint), Jim Wilson (Mother Superior)– took on twelve classic Mother Superior tunes on this album. And it wasn’t because of any contractual obligation. It was because of a single, simple birthday wish from Scott Ian for his 50th birthday. Yes, Scott Ian is really that old. Though, he doesn’t look that old. He got his wish and then some as this compilation proves. And in turn, rock purists around the world have gotten a covers album that actually stands out, grabs audiences from its outset and keeps them engaged throughout the entire course of the album’s twelve tracks and forty-four minutes. This is obvious right from the album’s opener ‘A-Hole.’ Ths song is a straight forward, old school rock song both musically and lyrically. The punk style sound of ‘Fork in the Road’ will impress just as much. And the addition of the slower, bluesy ‘Fool Around’ serves to show the influence of Mother Superior on the band’s members as well as the members’ level of respect for Mother Superior. All three songs noted here are but part of the whole that is Ride. The remaining nine tracks that make up this “superior” covers record make this a record that every rock purist should hear at least once despite being a handful of covers instead of new, original material.

Motor Sister’s debut LP Ride may not be a collection of new, original material. That aside it still proves over the course of its twelve tracks and forty-four minutes to be a covers album unlike so many others. It isn’t just another space filler recording put out to fulfill contractual obligations. It was just a dream project for Anthrax guitarist Scott Ian. Because it was just a simple dream, it led to the album having an overall feeling that feels completely unlike almost every other obligatory space filler covers record currently cluttering store shelves and online retailers. There is a certain energy present throughout the album that doesn’t exist on those other covers albums. And it makes the album one that every rock purist should hear at least once. That is clear right from the album’s opener ‘A-Hole.’ On its musical side, ‘A-Hole’s’ pure, old school rock sound instantly grabs audiences by the ear thanks to [John] Tempesta’s timekeeping and Scott Ian’s guitar work. Its full-on driving energy is sure to have every listener on his or her feet dancing along. Lyrically, Jim Wilson adds to that energy in his delivery, singing “The venom of a rattlesnake ratting through my veins like a curse/If I live or die/Well I don’t know which one’s worse/Well I’m diggin’ a hole they can bury me in/Waste of a lifetime living in sin/Red lights flash as I ride right past.” The rebellious vibe of the song’s lyrics coupled with its full-on old-school rock and roll sound make the song the perfect choice with which to open the album. It is just one of the many positive additions to the album, too. The inclusion of the decidedly punk rock style song ‘Fork in the Road’ is another positive that every rock purist will appreciate about this compilation. Audiences can check out the song online now via Youtube at https://www.youtube.com/watch?v=prvB0DlzLEc as the band recently debuted the video for the song.

‘A-Hole’ is a great first impression for Motor Sister on its debut album. The raw, almost garage rock vibe exuded by the song both musically and lyrically shows clearly why it was chosen to open the album’s twelve-track run. It isn’t the only part of the whole that listeners will like about the record, either. The punk rock sound of ‘Fork in the Road’ is just as much a positive n its own right. One could even argue that while it is a cover of a Mother Superior song, there is even a hint of Motorhead in this song, too. Again, Tempesta leads the song with his solid 2/4 time keeping and wild fills. Ian’s guitar work on this cover is just as tight in the song’s verses as in its slower yet just as hard rocking bridge. And coupled with Wilson’s powerhouse vocals, the song proves just as solidly yet in a different fashion why Ride is an album that despite being a covers collection, is one that every rock purist should hear. Wilson sings in this song, “thanks to my losing streak/ I never feel too lucky/There’s lots of strangers on the dark side of town/And if you’re seein’ ghosts/But ever get a picture/It’s a fact that candles never burn and let you down/The truth is the truth/And a lie is just a lie/Fork in the road/which way to go.” The whole thing comes across as Wilson singing in metaphors. It seems to say that we have to make choices all the time in life and that for the outcome in each situation, there are more decisions that must be made along the way. This is of course just this critic’s own interpretation of these words. It could be a wholly incorrect interpretation. Interpretation aside, one thing on which every listener will agree is that being so different from the likes of the album’s opener and its other tracks, it is another prime example of why this is a record that every rock purist should add to his or her own music library.

Both ‘A-Hole’ and ‘Fork in the Road’ are both prime examples of why every rock purist should have Ride in his or her personal music collection. The full-on, old-school rock sound of the prior coupled with the decidedly punk vibe of ‘Fork in the Road’ alongside both songs’ lyrical content shows a certain amount of variety among the album’s track listing. It would have been simple for the members of Motor Sister to just take one specific song and run it through the course of the album’s dozen tracks. But they didn’t do that. The two songs by themselves show that the band set out to really give listeners something worth hearing. Again this is totally apart from all of the obligatory covers albums released by other acts over the years. ‘Fool Around’ proves this just as much with its more reserved, blues-infused feel and thoughtful lyrics. It isn’t just another classic, old-school ballad. Rather, it is a song that will move listeners without the sappy element of those over-the-top ballads from rock’s past. Wilson sings alongside his band mates, “Sorry/I’m confused/You said some things/While we were drinkin’/Don’t get me wrong/It doesn’t bother me/Actually/I’m quite flattered/But you’re blind…get that gun away from your head/Do you want a fool around/do you really want a fool around/Do you really want this fool around?” It’s not exactly the standard blues piece by any means. But it also isn’t the stereotypical ballad, either. And that’s a good thing. It maintains its own identity. And together with both the likes of ‘A-Hole’ and ‘Fork in the Road’–along with the songs not noted here–it is one more piece that proves Ride as a whole truly is an album that every rock purist should have in his or her own music library.

‘A-Hole,’ ‘Fork in the Road,’ and ‘Fool Around’ are all excellent examples of what makes Ride such an impressive recording even for a covers album. They’re just part of the whole that makes it such a musically rich recording. ‘Doghouse’ boasts its own bluesy yet heavier sound that is sure to impress any fan of both rock and the blues. ‘This Song Reminds Me Of You’ and ‘Beg, Borrow, Steal’ both offer their own equally enjoyable blues-infused rock sound that audiences will enjoy. And then there’s the infectious groove of ‘Get That Girl’ that will have listeners moving just as much as any of the album’s other tracks. Whether for these tracks, the pieces previously noted or the remaining six pieces not discussed, every track on this record plays its own part in making Ride a must have for any rock purist. It is available in stores and online now. More information on Ride and all of the latest updates from Motor Sister is available online now at:

Website: http://www.metalblade.com/motorsister

Facebook: http://www.facebook.com/motorsister

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Dragonforce Releasing First-Ever Live Recording This Summer, Celebrating With Special Contest For Fans

Courtesy:  Metal Blade Records/Revolver Magazine

Courtesy: Metal Blade Records/Revolver Magazine

Dragonforce will release its first ever full-length live DVD this summer. And in anticipation of its release, the band is holding a special contest for fans.

Dragonforce will release its first-ever full-length live recording this summer. The band will release In The Line of Fire on Tuesday, July 14th through its label Metal Blade Records. It will be available on Blu-ray and 2DVD/CD combo pack. The footage for the recording was shot during the band’s Ultimate Stage headline show at the 2014 Loud Park Festival in the Saitama Super Arena in Tokyo, Japan. One of the songs included on the band’s upcoming recording is the hit song ‘Three Hammers.’ Audiences can check out that performance online now via YouTube at https://www.youtube.com/watch?v=OIv3cmvZRTI. When asked why the band waited until this point to release its first live recording, guitarist Herman Li responded, explaning that the band didn’t just want to toss out some random, tossed-together recording. The band wanted it done “right” as Li noted. He went on to explain that the band felt that it had enough material at that point to put out a recording that really represented the band in terms of its body of work. “We always held the opinion that if we ever did a DVD we wanted to do it properly,” he said. Now, having released six studio albums we thought we had a great cross section of material to pick from and we knew the facilities at Loud Park made it a great place to film a show. Everything just came together and we’re very pleased with the results and hope the fans will be also”.

In celebration of the DVD’s upcoming release, the band has teamed up with its label and Revolver magazine to win a mega-prize pack of swag from Dragonforce, Ibanez, Metal Blade Records, and Razer. The prize pack includes: a signed, stage-played Ibanez guitar from Herman Li, a signed drum head, t-shirts, One (1) pair of Razer Kraken Forged headphones, Razer keyboards and more. Fans can enter the contest now online at http://www.revolvermag.com/news/enter-to-win-the-ultimate-dragonforce-prize-pack.html.

Dragonforce is currently touring in support of its latest full-length album Maximum Overload, its sixth full-length recording. The band is currently scheduled to perform live this Tuesday, February 17th in Christchurch, New Zealand. Tuesday night’s performance will be followed by performances in Wellington, New Zealand and Auckland, New Zealand on February 18th and 19th respectively. From there, the band is schedule for a six-date string of performances across Australia before heading to South America beginning March 4th. A North American tour with Kalemot is also planned for this spring. That tour is expected to kick off April 27th in Baltimore, Maryland and run through May 23rd in Lake Buena Vista, Florida. The band’s current North American tour schedule is listed below.

DRAGONFORCE
Tour w/ Kamelot

04/27 Baltimore, MD Soundstage

04/28 Philadelphia, PA The Trocadero

04/29 New York, NY Webster Hall

05/01 Worcester, MA The Palladium

05/02 Montreal, QC Metropolis

05/03 Toronto, ON Phoenix Concert Theater

05/05 Columbus, OH Newport Music Hall

05/06 Joliet, IL Mojoes

05/07 Minneapolis, MN Mill City Nights

05/09 Winnipeg, MB Garrick Centre

05/10 Saskatoon, SK Louis Pub

05/11 Calgary, AB MacEwan Hall Ballroom

05/12 Edmonton, AB Union Hall

05/14 San Francisco, CA The Grand Ballroom at the Regency

05/15 Anaheim, CA The Grove

05/16 Tempe, AZ Marquee Theater

05/18 Denver, CO Ogden Theater

05/20 Austin, TX Emos

05/21 Birmingham, AL Iron City Live

05/22 New Orleans, LA New Orleans Civic Theatre

05/23 Lake Buena Vista, FL House of Blues (Orlando)

Fans can check out the band’s full tour schedule and all of its latest updates online at:

Website: https://www.dragonforce.com

Facebook: https://www.facebook.com/dragonforce

To keep up with the latest sports and entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Destrage Staying Busy This Fall And Winter

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

Destrage will hit the road next Friday, November 14th in support of its latest full length studio effort Are You Kidding Me? No.  The fifteen-date tour will take the band across Europe and winds up Saturday, December 13th.  The band’s members announced that they will document their travels and performances as the tour progresses.  The band has partnered with Bode Music Gear to produce the tour videos, which will run on the company’s YouTube channel at http://www.youtube.com/bodesrl.  The band’s videos will feature the band taking part in various fun and pointless challenges including: who can put the most of something in their mouth, who can do the most push-ups, who can do the most shots, jumping over cars, who can break the most guitar strings, and more.  Destrage will joined by Protest The Hero, The Faceless, and The Contortionist for its upcoming tour.  The complete schedule for the bands’ tour is listed below.

DESTRAGE

Tour w/ Protest The Hero, The Faceless, The Contortionist

11/14 Leipzig, DE Conne Island

11/15 Pilsen, CZ Pod Lampou

11/16 Berlin, DE Bi Nuu

11/21 Enschede, NL Atak

11/22 Köln, DE Essigfabrik

11/24 Antwerpen, BE Trix

12/04 Paris, FR Trabendo

12/05 Karlsruhe, DE Substage

12/06 Milano, IT Live Forum

12/07 Rome, IT Traffic Club

12/08 München, DE Backstage

12/09 Wien, AT Arena

12/10 Geneve, CH L’Usine

12/12 Winterthur, CH Gaswerk

12/13 Lyon, FR Warmaudio

Along with the upcoming tour videos, Destrage has also announced the release of its new guitar transcription book Are You Kidding Me? No: The Complete Guitar Transcription.  The book is expected to be released this month while the band is touring.  The book will be released in partnership with Sheet Happens Publishing.  Fans can pick up the book at the band’s merchandise booth at its live shows and online via the Sheet Happens Publishing website at http://www.sheethappenspublishing.com.  Those wanting the physical book can order it online at http://www.sheethappenspublishing.com/product-499/destrage-are-you-kidding-me?-no-%7C-printed-guitarbook.

If the band’s new guitar transcription book isn’t enough for fans, guitarists Matteo Di Gioia and Ralph Salati have released a brand new in-depth guitar tutorial for the song ‘My Green Neighbor,’ which is taken from the band’s Metal Blade Records’ debut record.  The tutorial is available online now at YouTube.  The official video for the song is also available now on YouTube.

Audiences can keep track of the band’s tour and keep up with all of the latest updates from the band online at:

Website: http://www.destrage.com

Facebook: http://www.facebook.com/destrage

Twitter: http://twitter.com/destrage

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.