Motor Sister’s Debut Has A Big First Week On The Charts

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

Rock super group Motor Sister’s debut album Ride has made a big impact on Billboard’s latest charts.

Billboard reported this week that Ride debuted at #12 on Billboard’s Hard Music Albums Chart in just its first week of release. It also came in at #40 on Billboard’s Rock Albums Chart and at #27 on the Billboard Independent Albums Chart. The album impressed even more in its first week out by cracking Billboard’s Top 200 Albums Chart, coming in at #163 in its debut.  It also came in at #9 on Billboard’s New Artist (Heatseeker) Chart. The album, the brainchild of Anthrax guitarist Scott Ian, is a collection of classic Mother Superior sons re-worked by Ian and Mother Superior front man Jim Wilson. Joey Vera (Fates Warning, Armored Saint) and John Tempesta (Prong, White Zombie, The Cult, Exodus) joined Ian and Wilson on bass and drums respectively for the recording. Ian’s wife Pearl Aday, who is also the daughter of rock superstar Meatloaf, added backing vocals to the album, too.

Motor Sister has already made available for streaming Ride’s lead single ‘This Song Reminds Me Of You’ and debuted the video for its new single ‘A-Hole.’ ‘This Song Reminds Me Of You’ can be streamed online via Metal Blade Records’ website at http://www.metalblade.com/motorsister. The brand new video for ‘A-Hole’ can be viewed online via YouTube at https://www.youtube.com/watch?v=prvB0DlzLEc.

All of the latest news and updates from Motor Sister are available online now at:

Website: http://www.metalblade.com/motorsister

Facebook: http://www.facebook.com/motorsister

Twitter: http://twitter.com/MotorSister

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

BTBAM Announces New Album Release, Tour Dates

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

There’s big news from prog-metal band Between The Buried and Me this week.

Metal Blade Records and the members of Between The Buried and Me announced this week the release date for the band’s upcoming album and its supporting tour. The band–Dan Briggs (bass), Blake Richardson (drums), Tommy Rogers (vocals, keyboards), Paul Waggoner (guitar), and Dustie Waring (guitar)–announced this week that it will release its next full length studio effort Coma Ecliptic this summer. The album, the band’s seventh, is currently scheduled to be released Tuesday, July 7th via Metal Blade Records. The album’s lead single has not yet been announced. However, it has been announced that it will be released Tuesday, April 3rd. Pre-orders for Coma Ecliptic open the same day.

Along with the announcement of the information for the album and its lead single, it was also announced that the band will launch a tour in support of Coma Ecliptic on the same day of the record’s release. The Contortionist will join Animals as Leaders as support acts for BTBAM’s upcoming tour. The thirty-plus date tour runs through August 15th and includes two dates in its home state of North Carolina. The first of those dates will see the band performing live at Ziggy’s By The Sea in Wilmington, NC on August 9th. The second brings the band to Ziggy’s in Winston-Salem on August 14th.  Before that tour kicks off, BTBAM will hit the road alongside The Atlas Moth beginning April 5th for a twelve-date tour to build excitement around Coma Ecliptic.  The tour’s opening date is at The Orange Peel in Asheville, North Carolina.  BTBAM’s current tour schedule is available online now along with all of the latest updates on Coma Ecliptic at:

Website: http://www.betweentheburiedandme.com

Facebook: http://www.facebook.com/BTBAMofficial

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Motor Sister’s Ride Is A “Superior” Covers Album

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

Covers albums in the music industry’s current age are not what they used to be. At one point many years ago, cover albums were something significant. That’s because they were not churned out as quickly and as effortlessly as they are today. They have today become little more than obligatory space fillers used to fill out contractual agreements for one act or another. It’s very rare in the music industry’s current era to find a covers albums that actually stands out and really catches any listener’s attention. Enter Ride, the debut album from rock super group Motor Sister. The band–Scott Ian (Anthrax), John Tempesta (Prong, White Zombie, The Cult, Exodus), Joey Vera (Fates Warning, Armored Saint), Jim Wilson (Mother Superior)– took on twelve classic Mother Superior tunes on this album. And it wasn’t because of any contractual obligation. It was because of a single, simple birthday wish from Scott Ian for his 50th birthday. Yes, Scott Ian is really that old. Though, he doesn’t look that old. He got his wish and then some as this compilation proves. And in turn, rock purists around the world have gotten a covers album that actually stands out, grabs audiences from its outset and keeps them engaged throughout the entire course of the album’s twelve tracks and forty-four minutes. This is obvious right from the album’s opener ‘A-Hole.’ Ths song is a straight forward, old school rock song both musically and lyrically. The punk style sound of ‘Fork in the Road’ will impress just as much. And the addition of the slower, bluesy ‘Fool Around’ serves to show the influence of Mother Superior on the band’s members as well as the members’ level of respect for Mother Superior. All three songs noted here are but part of the whole that is Ride. The remaining nine tracks that make up this “superior” covers record make this a record that every rock purist should hear at least once despite being a handful of covers instead of new, original material.

Motor Sister’s debut LP Ride may not be a collection of new, original material. That aside it still proves over the course of its twelve tracks and forty-four minutes to be a covers album unlike so many others. It isn’t just another space filler recording put out to fulfill contractual obligations. It was just a dream project for Anthrax guitarist Scott Ian. Because it was just a simple dream, it led to the album having an overall feeling that feels completely unlike almost every other obligatory space filler covers record currently cluttering store shelves and online retailers. There is a certain energy present throughout the album that doesn’t exist on those other covers albums. And it makes the album one that every rock purist should hear at least once. That is clear right from the album’s opener ‘A-Hole.’ On its musical side, ‘A-Hole’s’ pure, old school rock sound instantly grabs audiences by the ear thanks to [John] Tempesta’s timekeeping and Scott Ian’s guitar work. Its full-on driving energy is sure to have every listener on his or her feet dancing along. Lyrically, Jim Wilson adds to that energy in his delivery, singing “The venom of a rattlesnake ratting through my veins like a curse/If I live or die/Well I don’t know which one’s worse/Well I’m diggin’ a hole they can bury me in/Waste of a lifetime living in sin/Red lights flash as I ride right past.” The rebellious vibe of the song’s lyrics coupled with its full-on old-school rock and roll sound make the song the perfect choice with which to open the album. It is just one of the many positive additions to the album, too. The inclusion of the decidedly punk rock style song ‘Fork in the Road’ is another positive that every rock purist will appreciate about this compilation. Audiences can check out the song online now via Youtube at https://www.youtube.com/watch?v=prvB0DlzLEc as the band recently debuted the video for the song.

‘A-Hole’ is a great first impression for Motor Sister on its debut album. The raw, almost garage rock vibe exuded by the song both musically and lyrically shows clearly why it was chosen to open the album’s twelve-track run. It isn’t the only part of the whole that listeners will like about the record, either. The punk rock sound of ‘Fork in the Road’ is just as much a positive n its own right. One could even argue that while it is a cover of a Mother Superior song, there is even a hint of Motorhead in this song, too. Again, Tempesta leads the song with his solid 2/4 time keeping and wild fills. Ian’s guitar work on this cover is just as tight in the song’s verses as in its slower yet just as hard rocking bridge. And coupled with Wilson’s powerhouse vocals, the song proves just as solidly yet in a different fashion why Ride is an album that despite being a covers collection, is one that every rock purist should hear. Wilson sings in this song, “thanks to my losing streak/ I never feel too lucky/There’s lots of strangers on the dark side of town/And if you’re seein’ ghosts/But ever get a picture/It’s a fact that candles never burn and let you down/The truth is the truth/And a lie is just a lie/Fork in the road/which way to go.” The whole thing comes across as Wilson singing in metaphors. It seems to say that we have to make choices all the time in life and that for the outcome in each situation, there are more decisions that must be made along the way. This is of course just this critic’s own interpretation of these words. It could be a wholly incorrect interpretation. Interpretation aside, one thing on which every listener will agree is that being so different from the likes of the album’s opener and its other tracks, it is another prime example of why this is a record that every rock purist should add to his or her own music library.

Both ‘A-Hole’ and ‘Fork in the Road’ are both prime examples of why every rock purist should have Ride in his or her personal music collection. The full-on, old-school rock sound of the prior coupled with the decidedly punk vibe of ‘Fork in the Road’ alongside both songs’ lyrical content shows a certain amount of variety among the album’s track listing. It would have been simple for the members of Motor Sister to just take one specific song and run it through the course of the album’s dozen tracks. But they didn’t do that. The two songs by themselves show that the band set out to really give listeners something worth hearing. Again this is totally apart from all of the obligatory covers albums released by other acts over the years. ‘Fool Around’ proves this just as much with its more reserved, blues-infused feel and thoughtful lyrics. It isn’t just another classic, old-school ballad. Rather, it is a song that will move listeners without the sappy element of those over-the-top ballads from rock’s past. Wilson sings alongside his band mates, “Sorry/I’m confused/You said some things/While we were drinkin’/Don’t get me wrong/It doesn’t bother me/Actually/I’m quite flattered/But you’re blind…get that gun away from your head/Do you want a fool around/do you really want a fool around/Do you really want this fool around?” It’s not exactly the standard blues piece by any means. But it also isn’t the stereotypical ballad, either. And that’s a good thing. It maintains its own identity. And together with both the likes of ‘A-Hole’ and ‘Fork in the Road’–along with the songs not noted here–it is one more piece that proves Ride as a whole truly is an album that every rock purist should have in his or her own music library.

‘A-Hole,’ ‘Fork in the Road,’ and ‘Fool Around’ are all excellent examples of what makes Ride such an impressive recording even for a covers album. They’re just part of the whole that makes it such a musically rich recording. ‘Doghouse’ boasts its own bluesy yet heavier sound that is sure to impress any fan of both rock and the blues. ‘This Song Reminds Me Of You’ and ‘Beg, Borrow, Steal’ both offer their own equally enjoyable blues-infused rock sound that audiences will enjoy. And then there’s the infectious groove of ‘Get That Girl’ that will have listeners moving just as much as any of the album’s other tracks. Whether for these tracks, the pieces previously noted or the remaining six pieces not discussed, every track on this record plays its own part in making Ride a must have for any rock purist. It is available in stores and online now. More information on Ride and all of the latest updates from Motor Sister is available online now at:

Website: http://www.metalblade.com/motorsister

Facebook: http://www.facebook.com/motorsister

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Dragonforce Releasing First-Ever Live Recording This Summer, Celebrating With Special Contest For Fans

Courtesy:  Metal Blade Records/Revolver Magazine

Courtesy: Metal Blade Records/Revolver Magazine

Dragonforce will release its first ever full-length live DVD this summer. And in anticipation of its release, the band is holding a special contest for fans.

Dragonforce will release its first-ever full-length live recording this summer. The band will release In The Line of Fire on Tuesday, July 14th through its label Metal Blade Records. It will be available on Blu-ray and 2DVD/CD combo pack. The footage for the recording was shot during the band’s Ultimate Stage headline show at the 2014 Loud Park Festival in the Saitama Super Arena in Tokyo, Japan. One of the songs included on the band’s upcoming recording is the hit song ‘Three Hammers.’ Audiences can check out that performance online now via YouTube at https://www.youtube.com/watch?v=OIv3cmvZRTI. When asked why the band waited until this point to release its first live recording, guitarist Herman Li responded, explaning that the band didn’t just want to toss out some random, tossed-together recording. The band wanted it done “right” as Li noted. He went on to explain that the band felt that it had enough material at that point to put out a recording that really represented the band in terms of its body of work. “We always held the opinion that if we ever did a DVD we wanted to do it properly,” he said. Now, having released six studio albums we thought we had a great cross section of material to pick from and we knew the facilities at Loud Park made it a great place to film a show. Everything just came together and we’re very pleased with the results and hope the fans will be also”.

In celebration of the DVD’s upcoming release, the band has teamed up with its label and Revolver magazine to win a mega-prize pack of swag from Dragonforce, Ibanez, Metal Blade Records, and Razer. The prize pack includes: a signed, stage-played Ibanez guitar from Herman Li, a signed drum head, t-shirts, One (1) pair of Razer Kraken Forged headphones, Razer keyboards and more. Fans can enter the contest now online at http://www.revolvermag.com/news/enter-to-win-the-ultimate-dragonforce-prize-pack.html.

Dragonforce is currently touring in support of its latest full-length album Maximum Overload, its sixth full-length recording. The band is currently scheduled to perform live this Tuesday, February 17th in Christchurch, New Zealand. Tuesday night’s performance will be followed by performances in Wellington, New Zealand and Auckland, New Zealand on February 18th and 19th respectively. From there, the band is schedule for a six-date string of performances across Australia before heading to South America beginning March 4th. A North American tour with Kalemot is also planned for this spring. That tour is expected to kick off April 27th in Baltimore, Maryland and run through May 23rd in Lake Buena Vista, Florida. The band’s current North American tour schedule is listed below.

DRAGONFORCE
Tour w/ Kamelot

04/27 Baltimore, MD Soundstage

04/28 Philadelphia, PA The Trocadero

04/29 New York, NY Webster Hall

05/01 Worcester, MA The Palladium

05/02 Montreal, QC Metropolis

05/03 Toronto, ON Phoenix Concert Theater

05/05 Columbus, OH Newport Music Hall

05/06 Joliet, IL Mojoes

05/07 Minneapolis, MN Mill City Nights

05/09 Winnipeg, MB Garrick Centre

05/10 Saskatoon, SK Louis Pub

05/11 Calgary, AB MacEwan Hall Ballroom

05/12 Edmonton, AB Union Hall

05/14 San Francisco, CA The Grand Ballroom at the Regency

05/15 Anaheim, CA The Grove

05/16 Tempe, AZ Marquee Theater

05/18 Denver, CO Ogden Theater

05/20 Austin, TX Emos

05/21 Birmingham, AL Iron City Live

05/22 New Orleans, LA New Orleans Civic Theatre

05/23 Lake Buena Vista, FL House of Blues (Orlando)

Fans can check out the band’s full tour schedule and all of its latest updates online at:

Website: https://www.dragonforce.com

Facebook: https://www.facebook.com/dragonforce

To keep up with the latest sports and entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Destrage Staying Busy This Fall And Winter

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

Destrage will hit the road next Friday, November 14th in support of its latest full length studio effort Are You Kidding Me? No.  The fifteen-date tour will take the band across Europe and winds up Saturday, December 13th.  The band’s members announced that they will document their travels and performances as the tour progresses.  The band has partnered with Bode Music Gear to produce the tour videos, which will run on the company’s YouTube channel at http://www.youtube.com/bodesrl.  The band’s videos will feature the band taking part in various fun and pointless challenges including: who can put the most of something in their mouth, who can do the most push-ups, who can do the most shots, jumping over cars, who can break the most guitar strings, and more.  Destrage will joined by Protest The Hero, The Faceless, and The Contortionist for its upcoming tour.  The complete schedule for the bands’ tour is listed below.

DESTRAGE

Tour w/ Protest The Hero, The Faceless, The Contortionist

11/14 Leipzig, DE Conne Island

11/15 Pilsen, CZ Pod Lampou

11/16 Berlin, DE Bi Nuu

11/21 Enschede, NL Atak

11/22 Köln, DE Essigfabrik

11/24 Antwerpen, BE Trix

12/04 Paris, FR Trabendo

12/05 Karlsruhe, DE Substage

12/06 Milano, IT Live Forum

12/07 Rome, IT Traffic Club

12/08 München, DE Backstage

12/09 Wien, AT Arena

12/10 Geneve, CH L’Usine

12/12 Winterthur, CH Gaswerk

12/13 Lyon, FR Warmaudio

Along with the upcoming tour videos, Destrage has also announced the release of its new guitar transcription book Are You Kidding Me? No: The Complete Guitar Transcription.  The book is expected to be released this month while the band is touring.  The book will be released in partnership with Sheet Happens Publishing.  Fans can pick up the book at the band’s merchandise booth at its live shows and online via the Sheet Happens Publishing website at http://www.sheethappenspublishing.com.  Those wanting the physical book can order it online at http://www.sheethappenspublishing.com/product-499/destrage-are-you-kidding-me?-no-%7C-printed-guitarbook.

If the band’s new guitar transcription book isn’t enough for fans, guitarists Matteo Di Gioia and Ralph Salati have released a brand new in-depth guitar tutorial for the song ‘My Green Neighbor,’ which is taken from the band’s Metal Blade Records’ debut record.  The tutorial is available online now at YouTube.  The official video for the song is also available now on YouTube.

Audiences can keep track of the band’s tour and keep up with all of the latest updates from the band online at:

Website: http://www.destrage.com

Facebook: http://www.facebook.com/destrage

Twitter: http://twitter.com/destrage

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Wovenwar Announces New Slate Of Live Dates

Courtesy;  Metal Blade Records

Courtesy; Metal Blade Records

Wovenwar will return to the road in 2015.

Metal Blade Records and the members of Wovenwar announced this week that the band will kick off 2015 alongside Nothing More and Thank You Scientists! on the Juggernaut tour. The bands will serve as support acts for headlining act Periphery. The tour kicks off Saturday, January 10th and will run for five weeks, ending February 14th in Philadelphia, PA. Tickets for the tour go on sale tomorrow, Friday, November 7th.   VIP packages will be available online via Soundrink.com.

Wovenwar is currently wrapping up the European leg of its tour in support of its self-titled debut record. That record is available now in stores and online. The last date for the European leg of the band’s tour will be this Saturday, November 8th in Goteborg, Sweden. After that, the band will take some much needed time off for the holidays, recharging and getting ready for the upcoming Juggernaut Tour. The complete schedule for the Juggernaut Tour is listed below.

WOVENWAR
Tour w/ Periphery, Nothing More, Thank You Scientist
January 10 Carrboro, NC Cat’s Cradle
January 11 Charlotte, NC The Fillmore
January 12 Atlanta, GA Masquerade
January 13 Tampa, FL Orpheum
January 14 Ft. Lauderdale, FL Revolution Live
January 16 New Orleans, LA House of Blues
January 17 Houston, TX House of Blues
January 18 Dallas, TX House of Blues
January 20 Albuquerque, NM Sunshine Theatre
January 21 Phoenix, AZ Club Red
January 22 Los Angeles, CA House of Blues
January 23 Anaheim, CA Yost Theater
January 26 San Francisco, CA The Fillmore
January 27 Portland, OR Hawthorne Theater
January 28 Seattle, WA El Corazon
January 31 Denver, CO Summit Music Hall
February 2 Minneapolis, MN Varsity Theater
February 3 Chicago, IL House of Blues
February 4 Detroit, MI St. Andrew’s Hall
February 6 Toronto, ON Opera House
February 7 Montreal, QC Corona Theatre
February 8 Albany, NY Upstate Concert Hall
February 9 Rochester, NY Water Street Music Hall
February 11 Boston, MA Paradise Rock Club
February 12 New York, NY Irving Plaza
February 13 Silver Spring, MD The Fillmore
February 14 Philadelphia, PA District N9ne

Tickets for the bands’ show at Cat’s Cradle are $18 to $22.  Tickets are available online at http://www.ticketfly.com/purchase/event/717347?utm_medium=459899.  Doors open at 6pm with the show starting at 6:30pm.

Those looking to attend the bands’ performance at The Fillmore can purchase tickets online via LiveNation at http://concerts.livenation.com/event/0E004D5ECA765781?dma_id=289&wt.mc_id=aff_BUYAT_97249&camefrom=CFC_BUYAT_97249&REFERRAL_ID=tmfeedbuyat97249.  Tickets start at $27 each.  Doors open at 7pm.

More information on Wovenwar, its new album and all of the latest updates from the band is available online at:

Website: http://www.wovenwar.com

Facebook: http://www.facebook.com/wovenwar

Twitter: http://twitter.com/wovenwar

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

BTBAM’s New Live Release Deserves A Spot On Any Critic’s List Of 2014’s Best New Live Recordings

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

Between the Buried and Me’s 2012 concept album The Parallax IIFuture Sequence is one of the band’s best albums to date.  The follow-up to the band’s 2011 album The ParallaxHypersleep Dialogues, it proved to also be one of the best new metal and hard rock albums of that year.  Earlier this year, the members of BTBAM went into a studio in the band’s home state of North Carolina to record a live in-studio performance of The Parallax IIFuture Sequence.  The end result was the band’s new live recording Future SequenceLive at the FidelitoriumFuture SequenceLive at the Fidelitorium is not the first live recording from BTBAM.  Regardless, it is still a great addition to the collection of any fan of this band.  The central reason for the success of this new release is the very fact that it is a live recording that is live without actually being live in the traditional sense.  Another reason for its success is the recording’s audio and video mix.  It doesn’t leave audiences feel like they are just watching a band record in a studio space.  And last but most definitely not least of all worth noting is the very fact that Metal Blade Records has presented this recording as a bundle pack with both Blu-ray disc and an audio portion only on separate CD.  Of course that isn’t to take away from the recording’s bonus interviews with the band and the “Behind-the-Scenes feature.  The interviews show just how much thought and planning went into the process of recording the presentation here.  The Behind-the-Scenes featurette that accompanies the bonus interviews lets audiences follow the process of recording the performance, from the initial planning process to the final rehearsals before the actual recording began.  These bonuses round out the whole thing, showing why this recording is a dark horse candidate for any critic’s year-end list of the year’s best new live recordings.

Future SequenceLive at the Fidelitorium is, as noted, a dark horse candidate for a spot on any critic’s year-end list of the best new live recordings.  The main reason for that is that the members of BTBAM have crafted in this recording a presentation that is live without being live in the traditional sense of the term.  It is a live in-studio recording rather than being a live recording in front of thousands of fans.  Bassist and founding member Dan Briggs explains in the bonus interview segments that the band consciously made the decision to take this route instead of the traditional live route as it would give a different feel.  He could not be more correct in that evaluation.  BTBAM isn’t the first band to ever record a live recording in studio verses at an actual live venue.  However, the number of music acts that put out releases in this format is not as large as some might think.  Keeping that in mind, it makes this performance all the more enjoyable.  Adding even more enjoyment to the performance is that fact that it also isn’t just some run-of-the-mill making of the album presentation.  It’s better than those all too often used featurettes used to sell records.  What audiences get in this recording is the band in studio performing its hit album in its entirety.  It is like seeing the band record the album without all of the constant stop-start process and useless banter.  Keeping that in mind, the recording itself is made that much more wonderful of an experience for viewers.  It shows even more why this recording stands out in this year’s crop of live recordings as a must see.

The performance recorded by BTBAM in Future SequenceLive at the Fidelitorium is central to the success of the recording’s presentation overall.  It isn’t just some run-of-the-mill in studio piece that documents the making of a band’s album.  It is actually a full performance of the band’s album The Parallax II.  The performance just happens to be held in a studio space rather than a live venue.  Being that the performance was recorded in a studio space, the initial thought pattern among audiences might be that the audio will be hollow and that the video might be recorded in somewhat guerilla style.  The reason for that is that so many in-studio documentaries end up presenting exactly such audio and video.  Luckily for viewers the audio and video mix in this recording are collectively and completely unlike those more raw presentations.  The audio in this recording sounds just as good as that of the originally released album.  And the quality of the recording’s video is just as laudable.  What’s really interesting about the recording’s video is that while presented on Blu-ray, it presents a certain grainy quality.   It’s obvious that said effect was used intentionally.  It adds a certain depth of emotion to the presentation especially when taken into consideration with the music itself.  That wise use of video effects and equally impressive audio mix works in combination with the rather creative format of the recording to make Future Sequence: Live at the Fidelitorium even more enjoyable for the band’s fans.

The format of Future Sequence: Live at the Fidelitorium along with its production values (its audio and video) both play pivotal roles in the success and enjoyment of the recording.  Having examined both of these factors, audiences are left with one more factor to examine in this recording.  That factor is the presentation’s packaging.  The recording is presented to fans both on Blu-ray and CD in one package.  Combining both the audio-only and the AV presentation together in one package presents audiences with a complete musical experience.  As noted previously, the audio portion of the performance is just as solid as that of the original album on which this performance is based.  So listening to the performance on CD whether in the car or at home will leave listeners feel like they are actually listening to the album in question.  The inclusion of the Blu-ray disc is the center of the experience.  It brings everything full circle.  It reminds audiences that they are taking in the album in full and that they are experiencing it in a setting that is rarely used by any musical act when releasing live recordings.  Together with the other previously noted aspects of the performance, it rounds out the recording proving once more just why this recording deserves to be not just a dark horse candidate but a viable candidate for any critic’s year-ender list of the best new live recordings.  It isn’t to discount the bonus material included on the Blu-ray, either.  The bonus interviews show the members of BTBAM as not just another group of metallers, but a group of talented musicians.  The companion bonus “Behind-the-Scenes” featurette  follows the band from pre-planning to final rehearsals before taking on the performance presented in the final product.  It runs just shy of the thirty-minute mark.  Throughout that time, audiences see that preparing for a live in-studio performance takes nearly as much work as prepping for a performance in a traditional live venue.  It makes for even more appreciation of this recording and proves to be the proverbial icing on the cake or the show.  Together with everything else noted, everything noted here collectively makes Future Sequence: Live at the Fidelitorium a must see by any member of the Metal Nation worldwide.

Future Sequence: Live at the Fidelitorium is available now on Blu-ray/CD combo pack in stores and online.  It can be ordered direct online via Metal Blade Records’ website at http://www.metalblade.com/us/releases/between-the-buried-and-me-fidelitorium/.  More information on this and other releases from BTBAM and all of the latest news from the band is available online at:

 

Website: http://betweentheburiedandme

Facebook: http://www.facebook.com/BTBAMofficial

Twitter: http://twitter.com/btbamofficial

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.   Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.