Starcrazy Offers Infectious Guitar Rock, Engaging Lyrics In Its New EP

Courtesy: C Squared PR

Independent rock band Starcrazy is scheduled to release its EP, Another Day, Another Squalor Friday.  The six-song record is one of the true hidden gems of the rock community this year.  That is proven through its musical and lyrical content alike.  The singles that the record has already spawned – ‘Hysterical,’ ‘The Open Sea’ and ‘Eggin’ Me On’ – both do well to make that clear.  The other trio of songs featured along with those works – ‘Galaxy O Luv,’ ‘The Big Time’ and ‘Monday Morning (Prayer For Tony’ – also do their own share to engage and entertain audiences.  When these three songs are considered along with the trio of songs already released, the whole makes Another Day, Another Squalor a presentation that shows promise for Starcrazy’s future.  Whatever that future may be, the EP in whole proves to be among the best of this year’s top new EPs.

Another Day, Another Squalor, the new EP from Starcrazy, is a strong new offering from the up-and-coming independent rock band.  It is yet more proof that despite what some still want to believe, rock is still alive and well.  Its musical and lyrical content alike do well to prove that.  The record’s opener, ‘Galaxy O Luv’ is just one of the songs featured in the record that serves to support that statement.  The song immediately grabs listeners with its neo-classic rock infused arrangement, led by guitarist Odin Wolf.  His bluesy riffs and front man Marcus Fraser’s vocal delivery fully immerse listeners in the song. Bassist Jack Barratt’s low-end compliments the pair’s work just as well while also serving expertly as a companion to the work of drummer Jack Farmer.  That funky bass line is right there with Farmer, accenting Farmer’s bass drum line so well while adding just enough touch to the whole.  The collective work of all four musicians makes for so much enjoyment here and really lends itself to comparison to works from the likes of Poison, Motley Crue, and others of that ilk while still managing successfully to maintain its own identity.

The energy in the song’s musical arrangement works with the song’s lyrical theme to make for even more engagement and entertainment.  That is because the song’s lyrical theme is meant to be just as uplifting as its musical content.  The inferred theme here is one of reminding one’s self of the positives in life even among all the difficult days.  This is inferred in the song’s lead verse and chorus, which state, “Giving it all you’ve got now/But you’ve got to give it more/Breaking your back for a living/Shocks your system to the core/Just take a look outside/Look into the sky/Can you feel it/Sent for the universe/ A little message…/Straight for the galaxy of love.”  The song’s second verse seems to hint at that inferred theme just as much as it states, “Everyone’s got their pants on/Everyone’s feeling just alright/We’re gonna break out baby/We’re gonna do it up tonight.”  As it is worded here, this all just seems to be meant as an uplifting message of having good times to offset all the hard work that brings us down each day.  This is all just this critic’s interpretation, of course.  If it is in fact somewhere in the proverbial ballpark, then it is a message that plenty of listeners will appreciate, especially considering how much motivation people need each day, especially nowadays.  When that seeming positive message is paired with the song’s equally uplifting musical arrangement, the whole makes clear how much of a role this song plays in the EP’s bigger picture.  It is just one of the songs that serves to show the EP’s strength, too.  ‘Big Time’ is another example of how much this new EP has to offer.

The musical arrangement featured in ‘Big Time’ is just part of what makes the song stand out.  The work of the band in whole makes this arrangement work.  The funky guitar and bass lines and polyrhythmic patterns in the drumming pair with the vocals here to make for quite the unique arrangement.  On the one hand, the collective performances of the band members make the song comparable to works from the likes of The Rolling Stones and oddly enough, The Bangles.  It sounds like a weird combination of influences, but it is there at least in this critic’s ears, and it works, too, as it creates its own unique musical identity.  That catchy musical content is just the foundation for this song.  Its lyrical content adds its own touch to the presentation here.

The lyrical theme featured here hints at being about making the most of life, especially for those who want to make something of themselves.  This is inferred in the song’s lead verse and chorus, which state, “Here we are/In the same old jam going nowhere/Daytime TV has got me losing my hair/I gotta get myself together now/I gotta bend my money/Put it down…”  The last part of the chorus is tough to decipher sans lyrics to reference, but enough of the verse and chorus is understandable to the point that the seeming message becomes clear.  The song’s second verse adds more to that seeming theme as it states, “Living the dream in a magazine/Such a good time/I said get yourself together for the big time/I have got to get myself together now/I gotta bet my money/Put it down/Because I want it all and I want it now/You can have it all/It’s up to you/Because there is nothing left for you to learn.”  This, again seems to hint at a person reminding himself/herself that he/she controls his/her future and fate.  If in fact this is the message in the lyrical content here, then it works on a level that should resonate just as much with listeners.  That is because we do in fact control what happens with us at least to a point.  If this theme is what is here, then it and the song’s mid-tempo arrangement pair to make for even more engagement and entertainment here.  They collectively show even more, why the song and EP are worth hearing, just like ‘Galaxy O Luv.’  To that end, it is just one more example of what makes this record worth hearing.  The EP’s finale, ‘Monday Morning (Prayer For Tony)’ is one more example of what makes this EP interesting.

‘Monday Morning (Prayer For Tony)’ is a stark contrast to the rest of the record’s entries in terms of its musical arrangement.  That is because unlike those songs, this composition is so much heavier in its sound and body.  The richness is due in large part to the blending of its guitar and bass lines.  The classic rock influences are still on display here, but they play more of a supporting role to the primary portion of the arrangement, which is something of a rock/hard rock style composition that bridged that period between the late 80s and early 90s.  The whole is a presentation that is easily content for a single.  The song’s lyrical content makes for even more interest.

According to information provided about Another Day, Another Squalor, the lyrical side of this song centers on Fraser’s neighbor.  As the information states, his neighbor frequently got death threats from his roommate, who allegedly was a drug addict.  Knowing this is the theme, there is little reason to delve too much into the lyrics here, though the statement at the end of the lead verse that “you’d better watch your back” and the later statement in the song’s second verse that “he’s gonna die here” would seem to lay a certain tone about that roommate.  To that end, the message becomes clear about what type of person his neighbor’s roommate was.  Keeping that in mind, the pairing of that unique story with the song’s catchy musical arrangement makes it yet another song that will engage and entertain audiences.  In turn, it proves once more why Another Day, Another Squalor is so worth hearing.  When it is considered along with the other songs examined here and with the song’s other trio of songs, which have served as its singles, the whole makes this EP a work that offers promise for Starcrazy’s future.

Another Day, Another Squalor, the new EP from Starcrazy, is an applause-worthy presentation from the up-and-coming independent rock act.  That is proven through the record’s musical and lyrical content alike.  The songs examined here serve as proof of those statements.  When they are considered alongside the record’s three singles, the whole makes the EP a positive sign of hope for Starcrazy’s future and at the same time, is another of this year’s definite top new EPs. 

Another Day, Another Squalor is scheduled for release Friday.  More information on the record is available along with all of Starcrazy’s latest news at:

Facebookhttps://www.facebook.com/starcrazyband

Twitterhttps://twitter.com/starcrazy_band

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

80s Hair Rock, Metal Fans Will Find Appeal In The Guitar & Whiskey Club’s Debut Self-Titled EP

Courtesy: Head First Entertainment

Early last month, independent rock band The Guitar & Whiskey Club released its debut studio recording in the form of its self-titled EP.  Released Nov. 7, the five-song record will appeal easily to any fan of the rock and hard rock sounds of the 80s.  The record’s musical arrangements and lyrical themes are sure to keep fans of that era and musical genre engaged and entertained from the start of the 23-minute record to its end.  ‘Sleazy,’ the EP’s second entry, clearly supports the noted statements, as does ‘I know,’ which immediately follows.  Both songs will be examined here.  ‘Lone Cowboy,’ the EP’s closer, is yet another notable addition to the record.  It will also be examined later.  When it is considered alongside the other two songs noted here and with the record’s two other songs, the whole makes The Guitar & Whiskey Club an intriguing addition to this year’s field of new EPs.

The Guitar & Whiskey Club, the debut self-titled EP from its namesake band, is a presentation that will find appeal among most fans of the rock and hard rock sounds and acts from the 80s.  This is proven through the record’s musical and lyrical content alike.  ‘Sleazy,’ which comes early in the EP, is just one of the songs that serves to support that statement.  The song’s musical arrangement is full on sleaze rock in the vein of L.A. Guns and Motley Crue.  That is evident from the bombast of the guitar work and drumming to the vocals of front man Jeffrey Donovan.  The whole is a mid-tempo composition that is an easy single to represent this first outing from The Guitar & Whiskey Club.

The lyrical theme content that accompanies the song’s musical arrangement will find just as much appeal among the noted audiences as the song’s musical content.  That is because, as with so many 80s hair rock songs, this work centers on a woman.  In this woman’s case, she is nothing but trouble, though.  She keeps leading the song’s subject down the wrong path.  This is made clear as Donovan sings in the song’s lead verse and chorus, “Woke up on the wrong side of town this morning/Got out of the wrong side of bed/Don’t know what I did to deserve this feelin’/Of a thunderbolt inside my head/But I’m suspectin’ that I neglected/To draw the line when it comes to you/Now I’m feelin so sleazy/Every time you tease me/You make that feelin’ come easy/Starin’ at the lumps in the sheets next to me/Wonderin’, ‘Oh My God is that you?’/All I see is tangled bed hair/Naked dirty feet/And now I’m thinkin’/What did I do/So I’m stressin’/Scratchin’ my head, guessin’/And lookin’ for some kind of clue.”  The song’s subject continues on in similar fashion from here, noting that this woman just keeps leading him down the noted path he’s on.  He even says he doesn’t hate the woman for it.  In fact, he seems to say that he welcomes having that side of himself brought out by the woman. That almost misogynistic tone here is, again, something that is so commonplace in so much 80s hair rock and metal.  So to that end, this and the song’s musical content collectively make for plenty of appeal for the band’s audiences and those of its more well-known counterparts.

‘I Know’ is the polar opposite of ‘Sleazy’ in terms of its musical arrangement and lyrical theme, but at the same time is still classic 80s rock in its own right.  In the case of ‘I Know,’ the song’s arrangement is right in line with the power ballads that rose to fame in the 80s hair rock and metal scene.  That melancholy, flowing solo guitar line in the song’s opening bars that is eventually paired with an equally mournful electric guitar line and vocal delivery from Donovan immediately takes listeners back in time, thinking of ballads from so many 80s hair rock bands.  The schmaltz is on full display here and is sure to appeal just as much to the noted audiences.

The lyrical content featured alongside the song’s musical arrangement adds even more to the appeal for the noted audiences.  In the case of this song, it comes across pretty clearly as a song about a breakup.  This is evidenced as Donovan sings, “I know/What you said/Can’t escape the words/Trapped in my head/You know/How I am/From the time we shared/Inside your bed/One on one and high on the feeling/Two lovers share each other’s reaction/Me on you and you on top/Let it rain/You knew when he came/Your spirit left me/In the cold again/I know/You felt pain/For what you did to me/There’s no escape/One looks back and says to the other/Can we go back and savor each other/It’s just too hard to go any further.”  Again, this is obviously that mournful, melancholy about a relationship that went south because of one partner’s infidelity.  It is another familiar theme among the 80s rock scene, and just as familiar here as in the songs of that era.  The emotional impact of the lyrics is heightened through the noted musical arrangement that pulls at listeners’ heart strings just as much as the lyrics.  To that end, it is another example of what makes this record appealing to a very specific audience base.

‘Lone Cowboy,’ which closes out the record, is yet another example of what makes The Guitar & Whiskey Club appealing to 80s hair rock and metal fans.  The country rock approach taken in the song’s arrangement is just as familiar as so many other similar style songs from days gone by.  At the same time, audiences could just as easily make comparison to certain works from Black Label Society, considering the overall arrangement.  At the same time, listeners could also make a slight comparison to work from Pink Floyd (of all bands) here, too.  It really is an intriguing combination of sounds and influences, and works surprisingly, all things considered.

The lyrical theme that accompanies the song’s mournful musical arrangement comes across as another all too familiar topic.  In the case of this work, it comes across as being that theme of being out on the road.  This is inferred as Donovan sings here, “Man walks softly/When his horse has died/In bad country no man can hide/Man gets lonely, Heaven knows/On the prairie all alone/Days are blazing/Nights are cold/Trail tells of another wrangler alone/Memories haunt him of his life at home/The journey back shouldn’t take so long.”  This is, again, an all too familiar theme that has been tackled by so many bands that have come before, but is still a great guilty pleasure work.  The use of the melancholy musical arrangement here adds to the song’s impact.  All things considered the song becomes yet another example of what makes The Guitar & Whiskey Club appealing to this band’s fans and to those of the hair metal and rock sounds of the 80s.  When it and the other songs examined here are considered along with the EP’s other two remaining works, the whole makes the record one more intriguing addition to 2022’s field of new EPs.

The Guitar & Whiskey Club, the eponymous debut EP from the independent Guitar & Whiskey Club, is a work that is sure to appeal to anyone that is a fan of 80s hair rock and metal.  Its musical and lyrical content alike makes that clear, as is evidenced here.  From the familiar musical sounds to the equally familiar lyrical themes, the whole of this record is very targeted in its presentation.  That presentation makes the record a work that while targeted, is still worth hearing at least once.

The Guitar & Whiskey Club is available now. More information on the EP is available along with all of the band’s latest news at:

Websitehttps://guitarandwhiskeyclub.com

Facebookhttps://www.facebook.com/Guitarandwhiskeyclub

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Testarossa Debuts New Single, ‘Welcome To The Show,’ Companion Video

Courtesy: INgrooves/The Label Group

Independent rock band Testarossa premiered its latest single and video this week.

The band kicked off the weekend by premiering its new single, ‘Welcome To the Show‘ and its companion video Friday through INgrooves/The Label Group. The song features a guest appearance by Steven Adler (Guns N’ Roses, Road Crew, Bullet Boys, Adler’s Appetite).

The musical arrangement featured in the band’s new single is, fittingly, a throwback to the sounds that made Guns N’ Roses popular and continues to make it a fan favorite. Comparisons to works from the likes of Ratt and Motley Crue are just as easy to make, considering the bombastic guitar riffs, powerhouse drumming and equally distinct vocal delivery style.

Drummer Buddy Radford talked about the song’s musical arrangement in a prepared statement.

“We are here to put the piss and vinegar back into rock-n-roll, Radford said. “‘Welcome to the Show’ is essentially a catchy chorus wrapped with simple verses and soaked with copious amounts of guitar wankery. It oozes attitude and harkens back to the day when people weren’t so soft and rock music was hard. It’s only Rock-N-Roll but we like it.”

No information was provided about the lyrical theme presented in the song. However, a simple listen revels the theme is simply about enjoying and celebrating the excesses of rock and roll.

More information on Testarossa’s new single and video is available along with all of the band’s latest news at https://www.facebook.com/Testarossarocks.

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Nova Rex Debuts ‘Time Is Up For You’ Video

Courtesy: O’Donnell Media Group

Hair metal band Nova Rex debuted the video for its latest single this week.

The band premiered the video for its new single, ‘Time Is Up For You’ Tuesday. The song is featured in the new documentary, It Ain’t Easy Being Cheesy.

The video is a straight forward, familiar style presentation. It features the band performing its new single in a forested setting at night, a large bonfire burning behind the group as it sings.

The musical arrangement featured in the band’s new single is full on 80s hair metal. Comparisons can easily be made to vintage music from the likes of Ozzy Osbourne, Poison, and Motley Crue throughout the arrangement. That is evidenced through the rich, bass and guitar-driven composition.

No information was provided about the song’s lyrical theme. No lyrics are provided with the video, either. A close listen to the song adds even more to that vintage hair metal sense. That is because the whole thing is heavy with so much lyrical tough guy bravado that is so common from that era.

More information on Nova Rex’s new single and video is available along with all of the band’s latest news at:

Website: https://novarox.com

Facebook: https://www.facebook.com/NovaRexRocks

Twitter: https://twitter.com/NovaRexRocks

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Ratchet Dolls Plans New EP Release, Debuts Record’s Lead Single

Courtesy: Cowgirlzen Entertainment

Independent rock band Ratchet Dolls will release its first new record in more than five years this summer in the form of a new EP.

The band is set to release its new EP, Bring The Noize this summer. An exact release date is under consideration. In anticipation of what will be the band’s second studio release, the band premiered the record’s lead single, ‘Modern Mistake‘ March 20.

The musical arrangement featured in ‘Modern Mistake’ is a high-energy, guitar-driven composition. Its big riffs and energy will impress any guitar rock purist. The incorporation of the piano as a backing element alongside the bass and rums adds even more to the arrangement’s overall impact. The whole lends itself to comparison to works from the likes of Motley Crue and Poison. Audiences could even argue that there is a touch of Buckcherry influence here, too.

The lyrical theme featured in the band’s new single is about a woman. More specifically, it is a familiar theme about a man who is crazy for a woman that he knows is bad for him. That is evidenced as founder/front man Kevin Sauceda sings, ‘It hurts like hell, but I enjoy the pain” about what the woman puts the song’s subject through. The very statement that the song’s subject “can’t resist” adds even more to that noted theme. It is an all too familiar matter that will resonate with a wide range of audiences, especially when it is paired with the song’s infectious musical arrangement.

‘Modern Mistake’ is just the latest of Ratchet Dolls’ singles. The band released its then most recent single, ‘Parasite‘ in 2020. That song’s arrangement also boasts a clear Buckcherry influence. Its release was preceded by that of the single, ‘Out Of Control‘ in 2019. The band released its debut album, Damaged, two years prior in 2017.

In other news, the band is on tour in support of its new EP. The next date on the band’s tour is scheduled for Thursday in Asheville, NC. From there, the tour will gradually wind down through the first two weeks of April. The band is also scheduled to perform at this year’s annual Rockfest Festival, which is scheduled to take place July 14-16 in Cabot, WI.

More information on Ratchet Dolls’ new single and tour is available along with all of its latest news at:

Websitehttp://www.ratchetdolls.com

Facebookhttp://www.facebook.com/RatchetDolls

Twitterhttp://twitter.com/ratchetdolls

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Angeles’ Latest LP Will Appeal To A Very Targeted Audience

Courtesy: Courtesy: Dark Star Records/Sony/Universal

Veteran rock band Angeles returned this week with its latest album, Running Like An Outlaw.  Independently released Friday, the record is the band’s 14th and came less then two years after the release of the band’s then latest album, Hell on High Heels.  The eight-song record will appeal primarily to the band’s established audiences, as has already been proven by the album’s current singles, ‘Nothing But Love’ and ‘Witch Hunter.’  Each song will be discussed here.  When they are considered along with the likes of ‘She’s On Fire,’ the album’s closer, and with the rest of the album’s entries, the whole makes Running Like An Outlaw a record that Angeles’ most devoted audiences will find engaging and entertaining.

Running Like An Outlaw, the latest album from veteran rock band Angeles is a presentation that will find appeal among a very targeted audience.  That is evidenced through the album’s musical and lyrical content.  The record’s lead single, ‘Witch Hunter,’ is just one of the songs that serves to support the noted statement.  The musical arrangement featured in ‘Witch Hunter’ is a mostly driving composition. The combination of the vocals alongside bassist Cal Shelton’s performance, Dale Lytle’s work on guitar, and the time keeping gives the song a sound and stylistic approach that will appeal to any classic rock fan. The whole shows an interesting mix of influence from the likes of Judas Priest, Motley Crue, and Ozzy Osbourne. Yes, it sounds like quite the eccentric mix, but it works here.

No information was provided about the song’s lyrics. In listening to the song, listeners are left to infer that this song’s lyrics center on…well…a witch hunter. That would match up with lyrics of so much music from that era.

‘Nothing But Love’ shows how Angeles’ new album also through its musical arrangement.  The arrangement in this case is another upbeat, guitar-driven composition.  The combination of the vocals and the distinct vintage guitar rock approach and sound will take audiences back to that eera of big hair and even bigger riffs.  Influences from the likes of Motley Crue and Poison are evident throughout the four minute-plus composition. 

The lyrical content featured alongside the song’s musical arrangement is just as familiar as the musical content.  It focuses on the all too familiar topic of a broken relationship.  New front man Mason Oliver (who replaced Louis Collins) last year, makes that clear when he sings here about seeing that love interest everywhere he goes. He sings, “There’s nothing but love for you/No matter where I go…I still see you.”  Again, the theme here is clear. Whether intended or not, Oliver also makes references to songs from Metallica, and Marvin Gaye & Tammi Terrell in the lyrical content.  That makes for its own interest.  All these considered, the song’s lyrical and musical content collectively just one more example of what makes this album appealing for the band’s noted audiences.  ‘She’s On Fire,’ the album’s finale, is yet one more way in which the noted statement is supported.

‘She’s On Fire’ stands out musically because while the vintage rock sound is just as present as in any of the album’s other songs, the overall arrangement takes the band more in a Led Zeppelin direction.  Even the vocal delivery here is comparable to that of Robert Plant while the guitar riff sounds so much like that of Led Zeppelin’s ‘Black Dog Mountain’ at points.  Even the drums sound so rich, thanks to the production that went into the song.  The whole of the arrangement makes the song appealing in its own right.  The energy in the arrangement works well with the song’s lyrical content, which once again focuses on a woman.

In the case of this song, the woman in question is one over which the song’s subject is head over heels.  This is made clear as Oliver sings, “Hey, girl/I see the fire in your eyes/Hey, girl/So many times, you tried to hide.”  He goes on later to sing, “She’s on fire” amid everything else.  Again, the whole is a man declaring how crazy he is for said woman.  It’s another classic rock standard that is certain to appeal to the noted audiences and to fans of classic rock in general.  When the song in whole is considered along with the others examined here and with the album’s other songs, the whole of that content ensures that Angeles’ established audiences and casual vintage rock fans alike will enjoy this record.

Angeles’ new album, Running Like An Outlaw, is a presentation that will appeal to avert distinct range of listeners.  That is due to its combined musical and lyrical content (and its production).  The band’s established audiences will find the record appealing just as much as casual classic rock fans because of said content and production.  The songs examined here make that clear.  When they are considered along with the rest of the album’s entries, the whole makes the overall album worth hearing at least once.

Running Like An Outlaw is available now through Dark Star Records/Sony/Universal. More information on Angeles’ new album is available online along with all of the band’s latest news at:

Websitehttps://www.angelesband.com

Facebookhttps://www.facebook.com/TheAngelesBand

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and ‘Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Fifth’s Self-Titled EP Will Appeal To Classic, Guitar Rock Purists Alike

Courtesy: Head First Entertainment

Independent rock band The Fifth is scheduled to independently release its new, self-titled EP Friday.  The five-song record is a positive first outing for the band.  That is especially the case for audiences who are fans of the pure, guitar-driven rock that bridged the late 80s and early 90s.  Each item will be discussed in itself.  The record’s production rounds out its most important elements and will also be discussed later.  Each item noted is important in its own right to the whole of the EP.  All things considered, they make the EP a successful new presentation that The Fifth’s established audiences and targeted listeners will agree deserves high marks.

The Fifth’s forthcoming self-titled EP is a presentation that will find wide appeal among the band’s established audiences and more casual rock purists.  That is proven in part through the record’s featured musical arrangements.  The arrangements in question exhibit the kind of pure, guitar-driven styles and sounds that bridged the late 80s and 90s.  Their collective sound and stylistic approaches lend themselves to comparison to works from the band’s fellow North Carolina-based rock band Faith & Scars.  Right from the record’s outset, audiences get an arrangement in ‘Shake Little Sister’ that is just as comparable to works from the likes of Motley Crue and Poison, what with the operatic vocals, the rich guitar line and just as bombastic drums.  ‘Home,’ with its more subdued approach, is its own familiar style composition that again throws back to days gone by.  Meanwhile, a track, such as ‘Coming to Get You,’ in its blues-based presentation is so similar to so many rock songs that were popular in the early 90s and are still just as popular today.  To that end, it is more proof of the appeal that the record’s musical arrangements generate.  That is even clearer when this and the other arrangements noted here are considered with the two others not directly examined.  All things considered, they leave no doubt that the record’s musical content will engage and entertain audiences.  It is just one part of what makes the record successful.  The lyrical content that accompanies the record’s musical arrangements makes for its own appeal.

The lyrical content that is featured in The Fifth takes on a variety of topics.  The EP’s opener, ‘Shake Little Sister,’ is as the title notes, a song about a man who is admiring a woman.  ‘Calm Before The Storm’ seems to be a commentary about a broken relationship, but in this case not so much romantic, but plutonic.  There is something in the way that front man Roy Cathey sings about people’s paths never crossing again.  The sense of foreboding that Cathey seems to paint in the song’s opening verse paints toward that inference just as much and continues as he sings that “I know things will never be the same.”  There do not seem to be any real allusions here to a romantic relationship, but rather to the impact of the past on the present and future.  This is all this critic’s interpretation, of course.  Regardless, it suffices to say that this song is not about a broken relationship, but something quite opposite.  The contemplative ‘Home’ comes across as one of those familiar themes of someone looking back at life and where life is going.  Reaching back to the musical aspect, the song’s arrangement is one of those over the top hard rock ballads that was so beloved in the 80s, matching the big hair of the age.  Cathey sings here about letting go of those memories from the past and moving forward, again showing the theme of that rumination.  That and the musical approach together is sure to connect with a wide range of audiences.  ‘Coming to Get You’ meanwhile is another song that is about a man who is obsessed with a woman.  Considering that the band has already touched on this topic in the EP’s opener, it is a familiar topic.  It is just presented in a different fashion than in ‘Shake Little Sister.’  On yet another note, ‘Roll The Bones’ (not to be confused with the song made famous by Rush) takes audiences in yet another direction.  This is just a song whose lyrical content is full of swagger and energy.  It’s just a full on celebratory song about going out and having a good time with friends.  Looking back through all of this, it is clear that the band touches on a relatively wide range of items that are still in themselves accessible to audiences.  That overall accessibility along with the arrangements’ accessibility makes the album’s overall content reason enough to hear this EP.  The content is only part of what makes the record worth hearing.  The EP’s production brings everything together and completes the record’s presentation.

The production that went into The Fifth is important to address because of the different sounds and energies in each composition.  As noted, a song, such as ‘Home’ is one of those familiar contemplative rock ballads from the 80s that starts off subdued, but eventually crescendos in its solo.  That means that from beginning to end, full attention had to be paid to each musician’s performance.  The softer moments early on had to have the fullest impact as did the bigger, bombastic solo and finale.  Every bit of it all was expertly balanced throughout, leading the song to be a favorite among any listener.  On another note, the edge of ‘Coming To Get You’ required a different approach in the production.  That is because of the aforementioned swagger that is exhibited through the song.  Particular attention had to be paid not necessarily just to the guitar line here as a result, but just as much to the nuances in the effects used therein to really bring out that edge.  Again, the attention to detail paid off here just as much as in any other song.  It really brings out the confidence in Cathey’s vocals and even in the guitar line.  Much the same can be said of the attention to the bass and drums, too.  Each couldn’t just be a rich presentation, but had to have certain emphasis on specific notes and beats to really enhance the song’s presentation even more.  The attention to that detail paid off just as much.  It is just one more example of what makes the EP’s production stand out.  When the overall production is considered together with the EP’s content, the whole of the record proves to be fully successful.

The Fifth’s forthcoming self-titled EP is a successful new presentation from the independent rock band.  Its success comes in part through its featured musical arrangements.  The arrangements stand out in their distinct 80s and 90s pure guitar rock approach.  From the familiar rock ballad styles of the 80s to the harder edged stuff, and more, there is plenty for audiences of said sounds to enjoy.  The lyrical themes that accompany the EP’s musical arrangements are also of note.  That is because they are just as familiar and accessible as the record’s musical arrangements.  The production that went into the EP’s creation brings everything together and completes the presentation, making sure that its general effect is as pleasing as its content.  Each item examined is important in its own way to the whole of this record.  All things considered, they make the EP a positive new offering from the band.

The Fifth is scheduled for release Friday.  More information on the EP is available along with the band’s latest news at:

Website: https://reverbnation.com/thefifth

Facebook: https://www.facebook.com/thefifthmusic

To keep up with the latest entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.  

John Corabi Debuts New Single, ‘Cosi Bella (So Beautiful),’ Companion Video

Courtesy: New Ocean Media

Former Dead Daisies front man John Corabi opened the new week with a new single and video.

Corabi debuted his new single, ‘Cosi Bella (So Beautiful)‘ and its companion video Monday. The mid-tempo semi-ballad style song was produced and co-written by famed guitarist Marti Frederiksen (Aerosmith, Ozzy Osbourne, Motley Crue) in Nashville, TN.

The lyrical theme featured in the new song is, as Corabi sings right from the song’s outset, about a woman. In other words, it is a love song.

Corabi talked at length about the song during a recent interview.

“‘Cosi Bella’ came about from a writing session I did with Marti for The Dead Daisies’ ‘Burn It Down’ record,” said Corabi. “I had the initial verse idea, and a chorus that didn’t quite work for the tune. I played it for Marti, and he liked the idea but gave me a better idea for the chorus. We recorded the rough idea on my phone, with both of us just scatting the melody.”

Added Corabi, “The Daisies heard the idea but felt it didn’t quite fit their format, so I put it to bed for a bit. After leaving the band in 2019, I started to revisit old ideas I had and sat down and recorded the track. Being new to ProTools, I took the song as far as I could and sent it to Marti to produce. I explained the song was musically inspired to a degree by ‘Penny Lane’ by The Beatles and ‘Killer Queen’ by Queen, so Marti and his son Evan recut the drums and bass, and added some horns, and sprinkled their magical fairy dust on the track to give it that shiny polished sound!”

Corabi concluded, “I wrote the lyrics, and after singing the song, I felt ‘SO BEAUTIFUL’ was kind of an average title, so I looked those words up in a translation app and found it in Italian (Cosi Bella) and felt it had a nice ring to it! It’s not what some people truly expect from me, but I LOVE the way the song turned out, and it’s just a happy little upbeat love song with a twist! I hope you enjoy it as much as I do.”

More information on John Corabi’s new single and video is available along with all of his latest news at:

Website: https://www.johncorabi.com

Facebook: https://www.facebook.com/JohnCorabiMusic

Twitter: https://twitter.com/crablegs59

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Angeles Debuts New Single, ‘Witch Hunter’

Courtesy: Dark Star Records

Angeles returned over the weekend with its latest single.

The band premiered its new single, ‘Witch Hunter‘ Sunday. The new single is featured in the band’s forthcoming album, on which the band is working. The single will release Tuesday on all major digital outlets.

Band founder Dale George talked about the group’s new single and album in a prepared statement.

“This new song is a little darker and heavier than our previous releases,” he said. “Furthermore, our new full-length album is in the works, for now we can reveal that our former singer Clare Diane and Cory Kyle will be joining on it, so stay tuned!“

The premiere of ‘With Hunter’ comes more than a year after the band debuted its then latest single, ‘Start Living.‘ ‘Start Living’ is featured in the band’s latest album, Hell on High Heels. That album also produced the singles, ‘Celebrate,’ ‘Run,’ ‘Heal The Wounds,’ and ‘Rolling Like Thunder.‘

The musical arrangement featured in ‘Witch Hunter’ is a mostly driving composition. The combination of vocalist Cory Kyle’s vocal delivery style, bassist Cal Shelton’s performance, Dale Lytle’s work on guitar, and drummer Danny Basulto’s work behind the kit gives the song a sound and stylistic approach that will appeal to any classic rock fan. The whole shows an interesting mix of influence from the likes of Judas Priest, Motley Crue, and Ozzy Osbourne. Yes, it sounds like quite the eccentric mix, but it works here.

No information was provided about the song’s lyrics, which were crafted by Allen Curtis. In listening to the song, listeners are left to infer that this song’s lyrics center on…well…a witch hunter. That would match up with lyrics of so much music from that era.

In other news, Angeles has three live dates scheduled. Those dates are noted below.

September 5th – Rainbow Bash with Staven Adler at Whisky a Go Go
November 17th with Last in line at Whisky a Go Go
March 20th with Loudness at Whisky a Go Go

**More shows TBA.

More information on Angeles’ new album is available online along with all of the band’s latest news at:

Websitehttps://www.angelesband.com

Facebookhttps://www.facebook.com/TheAngelesBand

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and ‘Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Chimpz Debuts New Video For Classic Single, ‘Corrupt’

Courtesy: The Chimpz

Independent nu-metal band The Chimpz unveiled a new video for one of its classic songs this week.

The band debuted the new video for its single ‘Corrupt’ Tuesday. The song is featured in the band’s 2011 EP, Who Can I Trust?, whose anniversary the band is celebrating with the new video’s premiere.

The new video is the second for the song, following the debut of the song’s original video in 2017. Where the original video was a showcase for extreme motorsports, the new video features the band performing its single. There are some external shots featuring co-front men Artimus Prime and Chuck P on a rocky outcrop, but the video is largely presented in a soundstage setting.

The musical arrangement featured in ‘Corrupt’ features a driving, bombastic guitar riff and steady time keeping that lend themselves to comparisons to works from the likes of Motley Crue. Artimus Prime and Chuck P’s shared vocals meanwhile offer a distinctly different approach. Prime’s vocals present more of a punk rock sensibility while Chuck P’s rhyme flow echoes that of former Stuck Mojo front man Bonz.

The lyrical theme featured in ‘Corrupt’ comes across as a social commentary, what with a line, such as that which reads, “Bad apple cause I’m made that way/Each and every day/It feels natural to say I’m corrupt.”       

More information on The Chimpz’ new video is available along with all of the band’s latest news at:

Website: https://thechmipz.com

Facebook: https://www.facebook.com/chimpznation

Twitter: https://twitter.com/thechimpz

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.