Motorhead’s Latest Live Recording Will Make Lots Of Noise Among The Band’s Most Devoted Audiences

Courtesy: Silver Linings Music/Motorhead Music

As the impact of the COVID-19 pandemic slowly continues to decrease and live shows   continue to make their return just as gradually, some bands are starting to announce their returns to the road. Others meanwhile continue to wait and see how things go or continue work on new studio material. Others still have simply been doing their part to give audiences their live fix with new live recordings. Motorhead fits into that latter group.  The band is scheduled to release its 14th (yes 14th) live recording Friday through Silver Linings Music, which also handles records for the band’s fellow British heavy metal act Saxon.  The recording, Louder than Noise…Live in Berlin, is a 15-song concert that was originally captured Dec. 5, 2012 at the Berlin Velodrome in Berlin, Germany.  It is a presentation that will appeal primarily to Motorhead’s most devoted audiences.  That is proven in part through the recording’s set list, which will be discussed shortly.  The band’s performance of the set list adds to its appeal, to a point.  It will be discussed a little later.  The recording’s production rounds out its most important elements and will also be discussed later.  Each item noted here is important in its own way to the whole of Louder than Noise…Live in Berlin.  All things considered, they make this latest of Motorhead’s many live recordings another presentation that will appeal to the band’s most devoted audiences.

Louder than Noise…Live in Berlin is an intriguing new offering from Motorhead.  It is a presentation that will appeal largely to the most devoted of the band’s audiences.  That is due in part to its featured set list.  The set list runs 15 songs deep and pulls from much of the band’s early catalog.  It is the same set list that the band performed for much of its shows on its Kings of the Road Tour, which was ironically in support of Motorhead’s then latest album, 2010’s The World is Yours.  Only one song featured in the set list – ‘I Know How to Die’ – is from that album.  The other songs featured in the set list reach farther back.  That includes going all the way back to the band’s 1979 sophomore album Overkill and all the way up to 1992 album, March or Die.  Given, four albums from that stretch are omitted here – Motorhead (1977), On Parole (1979), Iron Fist (1982), Rock ‘n’ Roll (1987) – but that still does not matter.  That the band would treat audiences to so music from nine of its albums covering such a rich portion of its catalog is something special.  Add in a guitar solo that the band dubbed ‘String Theory’ that sounds like it belongs on a Pink Floyd record – which is quite a way to break up the otherwise nonstop energy in this set list – and the noted audiences get a set list that forms a solid starting  point for the recording. The overall set list is anything but unfamiliar.  Much of the set list featured here is composed of songs featured in many of the band’s existing live recordings.  That aside, longtime fans will still enjoy it.  The band’s performance of the set list adds its own touch to the presentation here.

The performance of Lemmy Kilmister, Phil Campbell, and Mikkey Dee throughout the course of its performance here is notable because of its role in keeping audiences engaged and entertained.  As has already been noted, the concert, for the most part, keeps the energy high.  Even in more laid back moments, such as in ‘Metropolis,’ and ‘You Better Run,’ the band still manages to keep the energy flowing through the slower but still heavy arrangements.  Campbell works his way through each song expertly, complimenting Dee’s drumming and Kilmister’s bass work so well.  Kilmister’s confidence as he leads the way is just as entertaining.  Dee meanwhile, deserves his own praise, as he solidly keeps  the time in each high-energy composition. The band keeps the banter between songs to an extreme minimum, instead letting the songs and their energies do the talking.  The power in each song’s performance does much to illustrate the band members’ confidence, making for even more engagement and entertainment for listeners.  When the entertainment and engagement ensured by the band’s performance is considered along with that generated by the concert’s familiar set list, the recording proves even more appealing to the noted fans.  Thee two elements are only a portion of the recording’s presentation.  The recording’s production rounds out its most important elements.

It should be disclosed here that this critic was only provided a streaming audio presentation of Louder than Noise…Live in Berlin, rather than a streaming video link.  To that end, this discussion will focus solely on the recording’s audio production.  If a streaming video link is provided at some time, then this discussion will include a focus on that aspect.  Having noted all of this, the audio production that went into the audio-only presentation of Motorhead’s new recording is positive in its own right.  It is rich and fully immersive.  Kilmister’s semi-mumbling vocal delivery style is just as present here as on any of Motorhead’s studio recordings.  Campbell’s guitar cuts through in each song, including the deeply moving ‘String Theory’ guitar solo.  Dee’s cymbal crashes, snare hits, etc. are just as well-balanced against Campbell’s guitar and Kilmister’s vocals and bass.  At no point in the concert is any one part overpowering against the others.  The effect is that it makes the recording’s general effect just as appealing for audiences as the concert’s content.  When that content and the presentation thereof is considered together, the result is a presentation (at least in terms of the concert’s audio presentation) that Motorhead’s most devoted audiences will appreciate.

The audio-only presentation of Motorhead’s new live recording, Louder than Noise…Live in Berlin will appeal to any of the band’s most devoted, longtime audiences.  that is proven in part through its set list.  While clearly familiar, featuring a number of songs that are also featured in many of the band’s existing live recordings, the set list does well in its presentation of the band’s early catalog.  That is despite the fact that the concert was part of a tour that was meant to support then far more recent studio recording.  It celebrates Motorhead’s developmental years, which will itself appeal to the noted audiences.  The band’s performance of the recording’s featured set list will keep audiences engaged and entertained what with the energy exuded by each musician as the group makes its way through the set.  The recording’s production rounds out its most important elements.  Even considering that solely of the audio presentation, every level is expertly balanced throughout.  That is a tribute to the work of those who recorded the concert on site and those who handled the production in post.  Each item noted here is important in its own way to the whole of this recording.  All things considered, they make Louder than Noise…Live in Berlin a presentation about which Motorhead’s most devoted fans will make plenty of noise.  Louder than Noise…Live in Berlin is scheduled for release Friday through Silver Linings Music and Motorhead Music.

More information on Motorhead’s new live recording is available along with all of the latest Motorhead news at:

Websitehttps://www.motorhead.com

Facebookhttps://www.facebook.com/OfficialMotorhead

Twitterhttps://twitter.com/myMotorhead

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Motorhead Live More Than Just A Concert, It’s An Experience

Courtesy: UDR/Motorhead Music/EMI

“We are Motorhead.  We play rock and roll!”  Whenever audiences hear those words, they know that they are about to be part of not just a concert, but an experience.  Even if a person can’t be there in person, hearing those words on DVD and CD will make home audiences feel as if they’re experiencing Motorhead first hand with the people who were there when the band recorded the shows for its live release, The World is Ours Vol. 1: Everywhere Further than Everywhere Else

Along with the recent release of The World is Ours Vol. 2:  Anyplace Crazy as Anywhere Else, Motorhead has proven that it has one of the best live shows of any rock band out there.  So many bands out there still rely so much on pyro and other showmanship.  Motorhead on the other hand shows on this release that the old adage of less is more is true.  On this first half of its live release, this group of old dogs continues to show it doesn’t need new tricks to impress its audiences.  Lemmy, Mickey, and Phil rock crowds of thousands with little more than their music.  That is the power of music.  That is the importance of music.  That is the importance of Motorhead. 

The World is Ours Vol. 1: Everywhere Further than Everywhere Else stands out as one of the year’s best live releases first and foremost because of its shooting.  The entire DVD portion of the package was shot in black and white.  There are those who would criticize film makers who present any live concert, movie, etc. in black and white.  They would argue that the style has become overdone among other arguments.  However, in the case of Motorhead live, the black and white adds the band’s minimalist on stage presence.  It gives an equally impressive feeling when viewers are taken out among the fans.  It’s a feeling that can’t be put into words.  Rather, it’s something that has to be experienced for one’s own self.  The crowd’s frenetic energy set against the band’s on stage presence is an amazing dichotomy.  That energy translates quite well on screen and will get any viewer’s energy up, too.

The energy translated through the visual portion of this package is just one part of what makes it one of the year’s best live recordings.  It also comes with a double disc CD set.  The pair of CD’s included in the overall triple-disc set present all three recorded performances from the set’s DVD portion.  To sweeten the deal both discs present the performances in exactly the same order as what is presented on the DVD.  What does this have to do with the price of tea in China one might ask?  This is something important in that so many live recordings presented in similar fashion will either mix up the performance order or will even omit songs here and there on one portion of their presentation or another.  So having the entire set of performances presented in exactly the same order both on CD and DVD maintains the set’s full integrity.  Everyone at UDR, Motorhead Music and EMI are to be commended for this.

The video and audio play a major role in the success of The World is Ours Vol. 1: Everywhere Further than Everywhere Else.  There’s at least one more element that makes it an impressive multi-disc set.  That factor is the set’s packaging.  So often, record labels release live recordings separately on their own audio and video formats.  But as with the second volume of the band’s tour presentation, the packaging here includes both the audio and video presentation in one.  Sure it may be a bit more costly than other sets.  But the price is worth it considering that the full live experience is included in one set.  For that matter, the set is presented in an easily manageable gatefold package.  It would have been easy to just place the set into a standard case with double sided insert.  But that style of case can be problematic.  Trying to get the insert to swing out can lead to it breaking to even the case itself getting cracked.  Using a gatefold presentation allows audiences to simply unfold the case and pick the disc of their own choice.  Vol. 2 is packaged in exactly the same fashion, making the entire seven-disc set that much more impressive.  Again, those involved with making this portion of the set happen are also to be commended.  The packaging combined with the equally enjoyable audio and video make The World is Ours Vol. 1: Everywhere Further than Everywhere Else one of the year’s top two best live recordings.  It’s available in stores and online now.  It can be ordered direct via UDR’s website at http://www.udr-music.com/index.php/en/motorhead-products

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Motorhead Moves To The Front Of The Live Class With New Release

COurtesy: UDR Music/Motorhead Music/EMI Label Services

Motorhead fans put those horns high.  The band has returned with the accompanying piece to its 2011 release, The World Is Ours Vol. 1 – Everywhere Further Than Everyplace Else.  This second half of the band continues to cover highlights of its 2011 tour in support of its most recent album, The World Is Yours.  It picks right back up where Vol. 1 left off with just as much metal mayhem as that aforementioned release.

What Motorhead has shown yet again here is that a band doesn’t have to have pyro and loads of special effects to put on a great stage show.  All this hard rocking three piece needs is a huge set of its greatest hits and nothing more.  From the opening moments of ‘Iron Fist’ to the mega-drum solo of drummer Mikey Dee on ‘In The Name of Tragedy’ to the final number from the band’s performance at Rock in Rio, Motorhead’s loyal legions will love every second of this live box set.  Dee’s solo is without a doubt one of the most incredible moments from the band’s Wacken performance.  And the angles by which the camera crew catches his solo make his solo that much more intense.  For someone of his age, it is absolutely incredible to see up close and personal his talent and ability on the drums.  A moment such as that is exactly why fans flock to live shows every year.  It’s one thing to hear a band on a record.  But to experience such a sight in person is what makes an average fan into a mega fan.

Speaking of the camera angles used to capture Dee’s drum solo, those are angles are just a tiny piece of what makes the DVD and BD pieces to this four-piece set such a wonderful addition.  The cameras capture the band’s performance from every possible angle as it performs.  They even get into the depths of the audiences to capture the show from the audience’s point of view.  There are also shots taken from high above the crowd that expertly capture the intense devotion of the fans to this legendary band’s performance, along with the sheer magnitude of the audience’s numbers.  Being able to capture this show from the comfort of one’s own home will make audiences feel as if they’re still right there at the show, just with the ability to control the volume.  But then again, someone once said, if it’s too loud, you’re too old!  So anyone with a surround sound system will get even more of a full-on concert experience.

The recordings of the band’s performances at Sonisphere and Rock in Rio are just as strong as at Wacken.  Considering the band has been making music for nearly four decades, and that it is still being invited to perform at some of the world’s top concert festivals shows the respect that the music world has for this band.  And seeing that fans continue to flock to see this band perform shows the love and respect that audiences have for the band, too.  For those who haven’t had the opportunity just yet to see the band live, this four disc set is an excellent chance to catch the band live without ever having to leave the comfort of one’s own home.  No worries about concert tickets.  No worries about lodging, food, etc.  Just you, your TV (or CD player) and Motorhead.  What more does a true metal head need?  The World Is Ours Vol. 2 – Anyplace Crazy As Anywhere Else is available now in stores and online.  It can be ordered online at http://www.udr-music.com.

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