Motorhead’s Latest Live Recording Impresses On CD Despite Audio Issues

Courtesy:  UDR Music/Motorhead Music

Courtesy: UDR Music/Motorhead Music

2016 has not been kind to the entertainment industry.  Legendary actor Gene Wilder just passed away this week as did Mexican music star Juan Gabriel.  Noel Neill, who played Lois Lane in The Adventures of Superman opposite George Reeves, also passed away this year along with hockey star Gordie Howe and boxing legend Muhammad Ali and so many others.  That list also includes Motorhead front man and rock legend Lemmy Kilmister.  Not long after Kilmister died, UDR music released one of the final concerts that the band held as a way to pay tribute to Motorhead and to Kilmister’s legacy.  The recording, Clean Your Clock, released June 24th, is an interesting effort.  That is because while it is enjoyable in its own right, it is not exactly a perfect recording.  Even with that in consideration it is still a recording that any diehard Motorhead fan will appreciate.

UDR’s recently released live Motorhead recording Clean Your Clock is an enjoyable tribute to both Motorhead and while it is not perfect it is still a recording that any diehard Motorhead fan will appreciate.  That is due in part to the concert’s set list.  The concert’s sixteen song set list takes listeners all the way back to the band’s 1979 sophomore album Overkill and reaches all the way up to the band’s final album, 2015’s Bad Magic.  There are also bits and pieces of the band’s early albums peppered throughout the performance, too including the title track from the band’s 1979 album Bomber, ‘Rock It,’ from the band’s 1983 album Another Perfect Day, ‘Doctor Rock,’ from the band’s 1986 album Orgasmatron, and a number of other hits.  Considering the fact that the band released some twenty-two albums over its life, there was no way that one single performance could cover all of that ground.  Keeping that in mind, the sixteen songs that are included in the album are still a good snapshot of the band’s body of work if only that.  One can only hope that more live recordings are to come; recordings that have an even bigger amount of the band’s material if not at least another swath of the band’s catalogue.  While the set list presented in this recording is a clear positive for the recording’s presentation, that presentation also suffers from at least one con.  The con in question is the concert’s audio mix.

The set list that makes up the body of Clean Your Clock is a major high point to the recording’s presentation.  It isn’t the concert’s only positive either.  That will be discussed later.  While the concert’s presentation does have one more positive, it sadly does have at least one con.  The con in question is the recording’s audio mix.  Hopefully this only applies with the recording’s CD presentation since the recording is presented in multiple platforms.  The audio mix presented in the concert’s CD platform is “muddy” to say the absolute least.  Kilmister’s vocals sound almost completely overpowered by his own bass line and by band mates Mikkey Dee and Phil Campbell.  The only times during which he can be clearly understood is those moments between songs in which Kilmister takes time to interact with the audience.  Other than that, Kilmister’s vocals sound completely muffled throughout the majority of the set’s songs.  Again, this seems to be the case at least on the concert’s CD platform.  Hopefully that isn’t the case with the concert’s other platforms.  Speaking of those other platforms, they are the recording’s other major positive.  They collectively more than make up for the one con of the issues with the recording’s audio mix.

The set list that is featured in Clean Your Clock and the audio mix throughout the concert are both key elements to consider in examining the recordings overall presentation.  That is because they show at least in terms of the recording’s CD platform, it isn’t perfect. Though, it is still enjoyable.  While the concert’s audio mix is clearly an issue in terms of the recording’s CD platform, hopefully that is not the case in its other platforms.  Those other platforms are the recording’s other major bright spot.  Along with its availability on CD, the concert is also available on double vinyl gatefold presentation as well as CD/DVD combo pack, a digital download, Blu-ray/CD combo set, and two separate limited edition box sets.  This means that Motorhead fans have plenty of options from which to choose in terms of taking in the concert.  More often than not, most live recordings’ video presentations far outshine their audio only counterparts.  So it’s very possible that the DVD and Blu-ray combo packs present much more impressive audio mixes as well as their own impressive video mix.  Keeping that in mind, the fact that the concert is available in a number of platforms makes the concert’s overall presentation that much better.  That is because it offers audiences more options from which to choose, and in turn, better odds of a presentation with a better audio mix (as well as an impressive video mix).  When this is set against the positive of the concert’s set list and the one con of its troubled audio mix, the combination of all three elements still leaves Clean Your Clock one more welcome addition to any Motorhead fan’s collection.

UDR’s presentation of Motorhead’s new live recording Clean Your Clock is not a perfect recording.  That is clear in listening to the concert’s audio mix in its CD platform.  The concert’s set list and the variety of platforms in which it is available partner to make up for the CD’s one con.  Even with that one con, the CD presentation of Clean Your Clock is still a welcome addition to any Motorhead fan’s collection.  One can only hope that when Motorhead’s next live recording is released, its CD platform will have a better audio mix so that it can be said that it is a perfect recording.  In the meantime the CD presentation of Clean Your Clock still passes the test even if it isn’t perfect.  It is available now in stores and online.  More information on Clean Your Clock is available online now along with more Motorhead news at:

 

 

 

Website: http://www.imotorhead.com

Facebook: http://www.facebook.com/OfficialMotorhead

Twitter: http://twitter.com/myMotorhead

 

 

 

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Conquest’s ‘Under The Influence’ Is Not Just Another Covers Album

Courtesy:  Dark Star Records

Courtesy: Dark Star Records

Early this past April St. Louis, Missouri-based metal outfit Conquest released its latest album Under The Influence.  The forty-three-minute covers album presents eleven songs from some of the band members’ favorite bands.  The songs themselves are, collectively, their own important part of the record’s presentation.  That will be discussed shortly.  They are not the album’s only key element.  The band’s take on the featured songs is just as important to note in this record’s presentation as the songs themselves.  That will be discussed later.  The album’s overall sequencing rounds out the record’s most important elements.  Each element is important in its own right to the album’s whole.  Altogether all three elements Under The Influence a covers album that any rock fan should hear at least once.  This applies regardless of audiences’ familiarity with Conquest’s body of work.

Covers albums are a dime a dozen nowadays in the music industry.  Nine times out of ten, they are space fillers used between new albums to tide over fans and fulfill contractual obligations for record labels.  Even worse, said albums are commonly thrown together rather haphazardly, much like all of the “hits” albums that are out there.  The end result in both cases are albums (if one even wants to call them albums—note the sarcasm) that are anything but memorable or even worth having in one’s personal music collection.  Enter Under The Influence, the new covers collection from St. Louis, Missouri’s hard rock outfit Conquest.  Unlike all of the covers (and “hits”—technically singles) collections out there on the market today this eleven-song compilation record is one that every rock fan should head at least once.  This applies regardless of audiences’ familiarity with Conquest and its body of work.  The record’s featured covers are in themselves just one of the elements that make this record worth hearing.  That is the case because the songs don’t just come from one of rock’s many sub-genres or another.  Rather it crosses those genres from beginning to end.  It also spans rock’s rich modern history with its presented songs.  It all kicks off with a pair of Judas Priest covers in the form of ‘Metal Gods’ and ‘The Ripper.’  That pair of songs is followed by a cover of Iron Maiden’s beloved ‘Wraith Child.’ The band gets even heavier from there with its own take on Metallica’s ‘For Whom The Bell Tolls.’  Things change even more dramatically in the band’s next offering, a cover of Motorhead’s ‘Ace of Spades.’  This one comes at just the right moment, too, as it is essentially the album’s midway point.  It isn’t even the album’s most interesting of the record’s inclusions either.  The album’s second half features covers of songs from Bon Jovi, Anthrax, Pantera, Black Sabbath, Motley Crue, and even UFO.  To say that that is a broad swath of bands (and songs) would be an understatement.  Simply put, the eleven songs (and bands) that are featured in this covers collection is extremely wide.  The songs are just as diverse in their stylistic approaches as the bands are within their own rock sub-genres.  Keeping that in mind, it becomes clear as to why the songs featured in this record are so important to its presentation.  They don’t subject listeners to just one style of rock.  Rather, they cover so many different styles from so many ages of rock’s rich history.  They make up just one of the record’s most important elements.  The band’s take on each of the featured songs is just as important to note here as the songs themselves.

The songs (and bands) that are featured in Conquest’s new covers collection are collectively their own important part of the record’s presentation.  That is because they lift liberally from rock’s rich modern history.  The songs present a wide range of bands and rock styles from beginning to end.  That is just one part of what makes this record a rare covers collection that is actually worth hearing.  The band’s actual performance of the record’s featured songs is just as important as the songs themselves.  The band’s take on Metallica’s ‘For Whom The Bell Tolls’ is one of the band’s best performances in this record.  If one were to hear this take on the classic heavy metal tune without knowing it was Conquest, one would actually think that it was Metallica.  The band performed the song verbatim both lyrically and stylistically.  And front man Derrick Brumley may not sound just like James Hetfield circa 1984.  But listeners will be surprised at the similarity in the sound of the singers’ vocals.  The band’s take on ‘Ace of Spades’ is just as impressive.  One could argue in fact, that Conquest’s take on the classic rock anthem is just as good as Motorhead’s original recording.  It doesn’t bear the grittier, garage rock sound presented in Motorhead’s original composition.  But even with that taken into consideration it still pays honor stylistically to the original right down to the song’s familiar up-tempo bass line (handled here by bassist Rob Boyer).  One of the song’s biggest surprises is Brumley’s vocal delivery.  It’s not certain as to whether or not Brumley set out to emulate Lemmy Kilmister in this cover.  But interestingly enough listeners will note that there is a certain element of that gritty sound made so familiar by the late rock legend in Brumley’s own vocal delivery here.  It is a nice touch to the, and especially so if Brumley did not set out to try to sound like Kilmister.  The band’s take on UFO’s ‘Lights Out In London’ is another example of the importance of the band’s performances in this record.  It could actually be argued here that Conquest’s cover is even better than the original.  That is thanks to the bombastic guitar solos, Bruley’s powerhouse vocal delivery, and Tim Fleetwood’s equally solid work behind the kit.  Of course Boyer’s work on the bass here shouldn’t be ignored either.  The whole of the band’s work here makes the band’s take on the song a song that will have make every rocker out there proud.  It is just one more example of what makes the band’s performance of each of the record’s featured songs is just as important as the songs themselves.  They are hardly the record’s only key examples of that importance.  Audiences will take just as much notice of the band’s take on ‘Dead Or Alive’ ‘Wraithchild’ and ‘Cowboys From Hell.’  The prior pair of covers is much more bombastic here in the case of the original songs.  ‘Cowboys From Hell’ on the other hand is a relatively close take on the original.  All three will hold listeners’ ears and have them talking afterward just as much as the other noted covers and those covers not noted here.  All in all, the band’s take on each of the songs featured proves just as pivotal to the record’s presentation as the songs themselves.  They are not the record’s only important elements, though.  The album’s sequencing is just as important to its presentation as the songs and their performances.

The songs that are featured in Conquest’s new covers collection and the band’s take on each song are equally important to the album’s presentation.  The songs are so important to note because of the broad range of influences presented throughout the record’s forty-three minute run time.  The band’s performance of the songs is just as important to note as the songs themselves because of the similarities and differences between the originals and the band’s updated take on each song.  Those similarities and differences are certain to create their own share of interest and discussion among audiences.  As important as each element proves to the record’s whole they are not its only key elements.  The record’s sequencing is just as important to its presentation as those noted elements.  Audiences that pay close attention to the record’s sequencing will note that for the most part the record maintains a relatively solid energy level from beginning to end.  Though, the energy does pick up just enough at given points, so as to maintain listeners’ engagement.  It picks up first just past the record’s halfway point in the form of Motorhead’s ‘Ace of Spades’ before puling back just a little bit as the record transitions into its second half.  As the album nears its end the band picks things up once more in the covers of ‘Red Hot’ and ‘Cowboys From Hell’ before finishing off with the slightly slower (slightly at best) but no less heavy ‘Children of the Grave.’  Simply put, the band has balanced the record’s energy and even its varied musical styles from beginning to end thanks to its expert sequencing.  This ensures listeners’ maintained engagement, and in turn, entertainment.  Keeping this in mind, the record’s sequencing shows in the end why it is just as important to its presentation as its songs and performances thereof.  Each element is important in its own way to the whole of the record.  All things considered, Under The Influence shows in the end to be a rarity of a covers album.  It doesn’t come across as just some contractually obligated space filler.  Rather it proves to be a collection of classic rock songs that Conquest’s fans will enjoy just as much as those of the bands featured throughout the record.  It is a record that succeeds at presenting a solid introduction to rock’s rich modern history all while entertaining rock fans of all ages.  It is a covers collection that is actually worth hearing at least once regardless of audiences’ familiarity with Conquest or its body of work.

Conquest’s latest studio recording Under The Influence is a record that every rock fan should hear at least once.  This applies regardless of listeners’ familiarity with the band or its body of work.  That is because it isn’t just a random, contractually obligated space filler record.  Its eleven songs present a solid introduction to rocks rich modern history.  That is thanks to the broad array of bands and songs that is presented here.  The band’s performance of each song is just as important to the record’s presentation as the songs themselves.  That is because they present new and familiar takes on the classic songs; takes that will keep listeners engaged and generate their own share of discussion among audiences.  The album’s sequencing rounds out its presentation.  Over the course of its forty-three minutes, the records sequencing expertly balances the record’s energy from beginning to end.  This ensures just as much listeners’ engagement.  Each element plays its own important part in the record’s presentation.  Altogether they make Under The Influence a record that very rock fan should hear at least once regardless of one’s familiarity with Conquest or its body of work.  It is available now in stores and online.  It can be ordered online direct via Dark Star Records’ online store.  More information on this and other titles from Conquest is available online now at:

 

 

 

Website: http://conquestmetal.com

Facebook: http://www.facebook.com/conuestrocks

 

 

 

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Suicidal Tendencies Added To Ozzfest Meets Knotfest Lineup

Courtesy:  Adrenaline PR

Courtesy: Adrenaline PR

Organizers with the 2016 Ozzfest Meets Knotfest have added another band to the mega-festival’s lineup.

Veteran hard rock band Suicidal Tendencies has been added to the lineup for the inaugural Ozzfest Meets Knotfest.  It marks the first time that the band has ever taken the stage at Ozzfest in any capacity.  The band will take the place of Children of Bodom, which was originally scheduled to perform on the first day of the double-header festival. The updated lineup for the festival is noted below. Audiences will note that there is even a stage dedicated to late Motorhead front man Lemmy Kilmister at this year’s festival.

 

OZZFEST Line-up

Saturday, September 24

 

MAIN STAGE:  Black Sabbath, Disturbed, Megadeth, Opeth, Black Label Society, and Rival Sons.

LEMMY STAGE:  Suicidal Tendencies, Hatebreed, DevilDriver, Goatwhore, Huntress, and Dead Cross.

NUCLEAR BLAST STAGE: Municipal Waste, Kataklysm, Nails, The Shrine, and Still Rebel.

KNOTFEST Line-up

Sunday, September 25

 

MAIN STAGE:  Slipknot, Slayer, Amon Amarth, Anthrax, and Trivium.

LEMMY STAGE:  Sabaton, Suicide Silence, Overkill, Emmure, Butcher Babies, and Man with A Mission.

NUCLEAR BLAST STAGE:  Whitechapel, Combichrist, Carnifex, Loathe, SIM, and ONI.

 

Ozzfest Meets Knotfest is currently scheduled to be held Saturday, September 24th and Sunday, September 25th at San Manuel Amphitheater and Festival Grounds in San Bernardino California.  As a special holiday celebration, fans can purchase single 4-day ticket packs for $84.  The limited-time special is going on now and ends July 4th at 11:59pm PT.  Tickets can be purchased online at http://www.ozzfest.com and http://www.knotfest.com.  More information on the inaugural Ozzfest Meets Knotfest is available online at:

 

 

OZZFEST

 

Website: http://www.Ozzfest.com

Facebook: http://www.facebook.com/ozzfestofficial

Twitter: http://twitter.com/theozzfest

 

 

 

KNOTFEST

 

Website: http://www.knotfest.com

Facebook: http://www.facebook.com/KNOTFEST

Twitter: http://twitter.com/knotfest

 

 

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Conquest Offering Free Song Download

Courtesy: Dark Star Records

Courtesy: Dark Star Records

Independent metal act Conquest is making some of its music available to the masses.

The St. Louis, Missouri-based band, which is signed to Dark Star Records, has made available for free download its cover of Black Sabbath’s ‘Children of the Grave.’  It is available here.  But it is only available for a limited time.  It will be available only until next Monday, June 20th.  The band’s cover of the classic tune is included in the band’s album Under The Influence.  Front man Derrick Brumley explained recently where his love for both the song and for Black Sabbbath comes from noting, “These guys started it all. When I was 7 or 8 my brother’s girlfriend brought over their first album and I was completely blown away! She ended up leaving it at our house and it became mine. “Children ..” is the one song that has stuck with me over the years.”

Under The Influence is the tenth full-length studio recording from Conquest and its third for Dark Star Records.  It was released April 8th.  The album is a collection of covers of music from bands that influenced the band’s own members including: Judas Priest, Metallica, Motorhead, Pantera, and (believe it or not) Bon Jovi among many others.  It can be ordered online now direct via Dark Star Records’ online store.  More information on Conquest, it’s new album, free download, live dates, and more is available online now at:

 

 

Website: http://conquestmetal.com

Facebook: http://www.facebook.com/conquestrocks

 

 

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UDR Music Releasing New Live Motorhead Recording

Courtesy:  UDR Music/Motorhead Music

Courtesy: UDR Music/Motorhead Music

Earlier this year the rock community and the music community lost a legend when Lemmy Kilmister passed away.  His passing was a surprise to most.  Though, he had battled ongoing health issues in the last year or so of his life.  This understanding helped to reduce the shock of the Motorhead front man’s passing.  Now as a tribute of sorts to both Kilmister and to Motorhead UDR Music has announced that it will release a new live Motorhead recording next month.

UDR Music will release Clean Your Clock Friday, June 10th.  The concert presented within the recording is one of the band’s final live performances by the band before Kilmister’s untimely passing earlier this year.  It was recorded during a performance by the band in Munich, Germany in 2015.  The performance was recorded during the band’s two-night stand in Munich from November 20th and 21st, 2015.  In anticipation of the recording’s release, audiences can check out the band’s performance of the recording’s title song online now here.  Those that might be prone to epileptic seizures are cautioned about the video due to the continuous flashing lights used during the performance.

 

Courtesy:  UDR Music/Motorhead Music

Courtesy: UDR Music/Motorhead Music

 

Audiences can also check out the new live video for ‘Bomber’ here.

 

Courtesy:  UDR Music/Motorhead Music

Courtesy: UDR Music/Motorhead Music

 

Clean Your Clock will be available on a number of platforms including: standalone CD, Vinyl, CD/DVD combo pack, Blu-ray/CD combo pack, and Digital Download.  It will also be available in two exclusive limited edition box sets.  The first, a Limited Edition zinc allow Motorhead Forever edition, can be pre-ordered here.  The second, a Limited Edition Silver/Gold Pin edition will be available exclusively via UDR here.  The recording’s track listing is noted below.

Clean Your Clock Tracklisting:

Bomber / Stay Clean / Metropolis / When The Sky Comes Looking For You / Over The Top / (Guitar Solo) The Chase Is Better Than The Catch / Lost Woman Blues/ Rock It / Orgasmatron / Doctor Rock / Just ‘Cos You Got The Power/ No Class/ Ace Of Spades/ Whorehouse Blues / Overkill

 

More information on Clean Your Clock is available online now along with all of the latest Morothead news at:

 

 

Website: http://www.udr-music.com, http://www.motorhead.com

Facebook: http://www.facebook.com/UDR.Music,                  http://www.facebook.com/OfficialMotorhead

Twitter: http://twitter.com/UdrMusic, http://twitter.com/myMotorhead

 

 

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Slayer Reclaims The Metal Throne In 2015

There’s only a week and a half left in 2015 after this week. That means that the days are finally really ticking away. And as they pass by so do the year-ender lists from all of the critics. That includes this critic. So far this month, Phil’s Picks has revealed its top new EPs, World Music albums, County, etc. albums, Rap and Hip-Hop albums, Children’s albums, and Rock albums. There have even been lists for the year’s best new live CD recording and album re-issues. Now we come down to the last two lists of the music universe for this year. Today the first of those lists will be revealed. That list is the list of the year’s best new Hard Rock and Heavy Metal albums. The second and final music list of the year is the year’s best overall albums. That list will come alongside the list of the year’s top new movies later on. So for now, today brings the last of the music year-enders. And it’s quite a doozy. It was anything but easy to assemble. Slayer grabbed the top spot with its new album Repentless. Saxon is there, too as is Annihilator, Gloomball, Between The Buried and Me, and many others. As with every previous list, the Top 10 albums make up the main body of the list. The bottom five are each honorable mention as they simply could not be ignored. That brings the total list to fifteen albums. SO without further ado, here for your reading pleasure, dear readers, are the Phil’s Picks 2015 Top 10 New Hard Rock and Heavy Metal Albums.

 

PHIL’S PICKS 2015 TOP 10 NEW HARD ROCK/METAL ALBUMS

  1. SLAYERREPENTLESS

 

  1. TESSERACT – POLARIS

 

  1. SCALE THE SUMMIT – V

 

  1. BETWEEN THE BURIED AND ME – COMA ECLIPTIC

 

  1. SEVENDUST – KILL THE FLAW

 

  1. GLOOMBALL – THE QUIET MONSTER

 

  1. ARMORED SAINT – WIN HANDS DOWN

 

  1. SAXON – BATTERING RAM

 

  1. LAMB OF GOD – VII: STURM UND DRANG

 

  1. MOTORHEAD – BAD MAGIC

 

  1. ANNIHILATOR – SUICIDE SOCIETY

 

  1. ATREYU – LONG LIVE

 

  1. ACT OF DEFIANCE – BIRTH AND THE BURIAL

 

  1. BATTLECROSS – RISE TO POWER

 

  1. HAMMERCULT – BUILT FOR WAR

 

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Bad Magic Casts A Great New Spell For Fans

Courtesy:  UDR/Motorhead Music

Courtesy: UDR/Motorhead Music

The rock community and the music community in whole suffered a sad loss last week when former Motorhead drummer Phil Taylor passed away.  While Taylor hadn’t been a member of the band since 1992, he was one of the most well-known and beloved, having recorded and performed with the band for a total of fourteen years.  That is second only to current drummer Mikkey Dee.  That means that he had quite the impact both on the lives of his band mates and on the music community in whole.  He will be sorely missed.  While Taylor’s passing this week is reason to mourn, there is still reason to celebrate as the current Motorhead lineup released its latest full-length studio recording late this summer.  The album, Bad Magic, is the band’s twenty-second full-length album.  And it is yet another solid slab of rock from this veteran act.  The trademark hard rock/punk hybrid sound that has made Motorhead a fan favorite for so many years is just as prevalent throughout the course of this record as in any of the band’s previous studio recordings beginning with the album’s full-throttle opener ‘Victory Or Die.’  It is just one example of how much this album has to offer audiences.  For all of the fire and energy exhibited throughout the record, it does have at least a couple of more reserved moments to change things up a little bit.  ‘Til The End’ is one of those moments.  It starts off not necessarily soft, but soft in comparison to most of the album’s other songs.  And even when it does pick up, it is still not the high-energy composition that the album’s other songs are.  Most surprising of all is the album’s other “reserved” song, its cover of The Rolling Stones’ hit song Sympathy For The Devil.’  At first thought, one wouldn’t necessarily associate Lemmy and company with The Rolling Stones.  But the band’s take on the classic tune works in so many ways.  And being the album’s closer, it makes for a perfect counterpoint to the album’s high-energy opener and the rest of its adrenaline-fueled compositions even being a cover.  It is just one more example of just how much this album has to offer audiences.  It is hardly the last example of how much it has to offer audiences, too.  ‘Thunder & Lightning’ comes across with the energy of a bolt of lightning.  ‘Teach Them How To Bleed’ cuts through just as solidly.  Yes, that awful pun was fully intended.  And ‘When The Sky Comes Looking For You’ could just as easily be used for a single—just as much as any of the album’s other song.  Each of those songs set alongside the pieces not directly noted here make Bad Magic an album that will cast its own hard rock spell on Motorhead fans and metal heads alike.

Motorhead’s latest full-length studio album Bad Magic is yet another solid slab of rock that will cast its own hard rock spell on everyone that hears it.  That is evident right from the thirteen-track album’s fiery, adrenaline-fueled opener ‘Victory Or Die’ right through to its surprisingly enjoyable cover of The Rolling Stones’ ‘Sympathy For The Devil.’  All things considered, it is a record that every Motorhead fan should have in his or her music library.  Speaking of ‘Victory Or Die,’ it is just one example of how much this record has to offer both Motorhead’s fans and metal heads around the world.  In regards to the song’s musical content, it displays the familiar punk/hard rock hybrid sound that has fueled the band for forty years and maintained its place amongst the rock community’s elite acts.  The band wastes no time launching right into the song with Lemmy singing, “Victory or death!” before he, guitarist Phil Campbell and drummer Mikkey Dee unleash the song’s full aural assault.  Dee’s time keeping is rock solid from start to finish while Campbell and Kilmister instantly get the blood flowing just as much with their respective lines.  The pure energy of the song’s musical content expertly compliments the commentary contained in the song’s lyrical content.  Lemmy sings in this song, “What have you done/What’s in your mind/What do you need/Where shall we go to let it out/What have you seen/We don’t know where you’ve been/Life so often blows your candle out/Believe in what is right/what’s right for you tonight.”  It comes across as a commentary telling listeners to think for themselves.  That argument can be made as he sings later in the song, “Look around and see the soldiers/See them marching off to war/Take a careful look as they swing by/They’re all heroes but they don’t know what they’re fighting for/That’s the spirit/Victory or die.”  He comes across as saying that these men are heroes, but they’re not really thinking for themselves.  All they know is that they are going off to fight.  The seeming concept of thinking for one’s own self is illustrated in this song even more as Lemmy sings, “Look up and see the flying saucers cruising in the sky/I saw one myself it ain’t no lie/Looks down and see the road you’re on/As if you are on a marathon/That’s the spirit victory or die.”  He goes on explaining about how we each have our own experiences and learn different things.  So no matter what we experience and learn, that is our own personal belief.  Of course that is just the interpretation of this critic alone.  As always, it could be completely off the mark.  Hopefully that isn’t the case and this critic is at least somewhere in the proverbial ballpark.  But it seems to be what Kilmister is trying to get across to audiences.  He would seem to be saying to people don’t let anyone tell you what to think.  It is definitely a strong message.  The addition of the song’s driving musical content helps to drive home that message as it helps to enhance the illustrate the feeling that someone should have in realizing that he or she should think for himself or herself.  It is just one example of how much this record has to offer the band’s fans and audiences in general.  ‘Till The End’ is another example of the album’s depth of content.

‘Victory or Die’ is a solid opener for Motorhead in its latest full-length studio album.  The energy generated via the song’s musical content partners with its lyrical content that seemingly promotes individualistic thought to make a song that definitely makes quite the first impression for the band here.  It is of course just one example of just how much Bad Magic has to offer audiences over the course of its thirteen total tracks and forty-two minutes.  ‘Til The End’ is another example of how much this record has to offer listeners.  It shows that the band can have just as much of an impact playing more reserved material as the more upbeat stuff, too.  That is exemplified in the song ‘Till The End.’  In comparison to most of the album’s other material, this song starts off much slower and overall reserved in terms of its musical content.  Even when it does pick up, it is still reserved in comparison to most of the album’s other offerings. The song’s introspective lyrical content makes it stand out even more as Lemmy sings in his gravelly delivery, “In my years my life has changed/I can’t turn back the hands of time/I can’t tell you just what made me change/All I know is who I am/I’ll never let you down/The last one you can trust until the end.” There’s a certain vulnerability in his voice even as he belts out this verse that shows a wholly different side to Lemmy. The song’s musical content set against such contemplative lyrics and powerful vocal delivery makes this song one of the brightest of this record’s moments. If that doesn’t prove said argument then the song’s softer moments definitely will. He sings out about where he has been, and where and who he is. It is really a deep moment and welcome departure from the frantic energy exuded by the rest of the album’s featured compositions. Even as impressive as it is in the bigger picture of the album’s body it still is not the only remaining example of how much this album has to offer audiences. The band’s cover of The Rolling Stones’ ‘Sympathy For The Devil’ can also be cited as another of Bad Magic’s high points.

‘Victory or Die’ and ‘Til The End’ are both key examples of just how much Bad Magic has to offer audiences. That is because both songs show once again the band’s musical and lyrical abilities. The songs’ lyrical content will have any listener thinking. Their dramatically different musical styles show that the band can do more than just play loud and fast. They show that the band can also succeed in crafting something slower so to speak, yet still be heavy in its own right. As impressive as both songs are in the bigger picture of Bad Magic they are just a small part of the picture that makes this album yet another impressive addition to Motorhead’s catalogue. The band’s cover of The Rolling Stones’ ‘Sympathy For The Devil,’ which closes out the album, is one more example of just how much the album has to offer audiences as well as the band itself. While it stays largely true to the Stones’ original song, Motorhead has given it is own identity at the same time here. It really serves to exhibit the band’s blues rock roots and again the breadth of its abilities. Listeners will love Campbell’s soaring guitar solo in the song’s bridge and Dee’s rock solid time keeping. For those that don’t know, trying to keep time in the hi-hat, while executing a poly-rhythmic pattern on the toms is not easy. It requires its own share of concentration. Lemmy’s vocal delivery style gives the song even more of its own identity here in comparison to The Rolling Stones’ original take on the tune. That’s not a bad thing, either. In fact it makes Motorhead’s take that much more interesting to hear. All things considered the song is the perfect counterpoint to the album’s higher-energy opener and the rest of its featured songs. It was the perfect choice with which to close out the album since it could be argued that it sort of sets listeners somewhat gently back down after going through the musical adventure that was the rest of Bad Magic. Together with ‘Victory or Die’ and ‘Til The End’ it shows once more just how much Bad Magic has to offer audiences and how much Motorhead still has to offer audiences. And while all three compositions show in their own unique way just how much Motorhead has to offer audiences (as well as the band’s new album) they are hardly the only pieces in this collection that could be cited as examples of that offering. Any of the songs included in this album could be cited as examples of how much the album has to offer audiences. All things considered Bad Magic proves from beginning to end to be an album that will cast its own spell on Motorhead fans and metal heads alike and will have them agreeing that this album is one more of the best of the year’s new hard rock and metal albums.

Motorhead’s twenty-second full-length studio recording is one of the best of this year’s new hard rock and metal albums. It proves this nonstop throughout the course of its thirteen tracks and forty-two minutes. Whether through the familiar punk/hard rock hybrid sound of the album’s opener, the more reserved tones of the introspective ‘Til The End’ or even for the surprising take on The Rolling Stones’ classic ‘Sympathy For The Devil,’ the band shows from beginning to end just how much it and its new album have to offer audiences. Those songs set against the rest of the numbers featured throughout the album’s body makes the album that much more impressive. The end result is an album that shows why Motorhead remains today one of rock’s elite and why the album in itself is one of the best of the year’s new hard rock and metal offerings. Bad Magic is available now in stores and online. It can be ordered in a variety of bundle packs online via the band’s online store now at https://shop.imotorhead.com/collections/bad-magic. Fans can also pick up Bad Magic now at any of the band’s upcoming live shows as it makes its way across Europe and the UK. More information on the band’s tour and album is available online now along with all of the band’s latest news at:

 

Website: http://www.imotorhead.com

Facebook: http://www.facebook.com/OfficialMotorhead

Twitter: http://twitter.com/mymotorhead

 

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