Tales From Wisconsin Is One Of Teenage Bottlerocket’s Best Records Yet

Courtesy:  Rise Records

Courtesy: Rise Records

Teenage Bottlerocket is one of the best punk rock bands that audiences have never heard. For almost fifteen years, this Laramie, Wyoming-based band has been making its own brand of punk rock and building its audience base. All the while, it has remained just under the mainstream radar. This is actually a good thing. That is because it has kept the band from becoming just another cookie cutter pop punk rock band a la Sum 41, Blink 182, Newfound Glory, etc. Remaining just under that mainstream radar has allowed the band to continue crafting its own brand of music more akin to its counterparts in The Lillingtons, Bowling For Soup, and others of that ilk, all the while building its legions of fans around the world. The band’s latest album Tales From Wisconsin is proof of that. It is a fourteen track, thirty-five minute record that is just as certain to have listeners singing along happily just as much as any of the band’s previous releases. This has already been proven thanks to the album’s lead single, the light-hearted ‘Nothing Else Matters (When I’m With You),’ and its follow-up ‘They Call Me Steve.’ Both songs clearly show that nearly fifteen years after it first formed and roughly thirteen years after the release of its debut album Another Way, Teenage Bottlerocket has not lost a single step. The album’s gentle, acoustic closer ‘First Time’ shows this just as much. What’s more, it shows a certain growth from the members of Teenage Bottlerocket. Sure, the comparison to Dropkick Murphys and Green Day are inescapable here. But considering TBR’s body of work up to this point, it shows a turning point for the band and just as with the album’s first two singles shows yet again why this album is one more success from what is one of the punk realm’s best kept secrets.

TBR’s new album Tales From Wisconsin comes some thirteen years after the release of its debut record Another Way. One would think that considering how long TBR has been making music together, it would have broken through into the mainstream a long time ago when MTV and VH1 were still airing music videos and when they, along with the nation’s mainstream radio stations, were thirsting for the next big name in punk rock. Interestingly enough that never happened. Yet considering what those outlets did to the reputation of punk rock, maybe it’s a good thing that TBR never did break through. It allowed TBR to continue making its own music rather than give in to some A&R rep and other label exec along the way. Because it has manage to avoid those trappings, the band has manage to craft an album in Tales From Wisconsin–its sixth full-length studio effort–that is just as enjoyable as any of its previous recordings. That is evident early on in the record courtesy of its lead single ‘Nothing Else Matters (When I’m With You).’ This fully tongue-in-cheek song pays homage to veteran hard rock/metal act Metallica all while presenting a story of a man who has met a woman who is just as much a fan of the band as him. The song’s standard, melodic punk sound will itself have audiences on their feet, dancing in time as Brandon Carlisle keeps time alongside brother Ray Carlisle and fellow guitarist Kody Templeman. The song’s lyrical side is just as apt to put a smile on audiences faces as Templeman makes reference after reference to Metallica’s body of work throughout the song, singing, “That guy was such a d*******/When we were sticking up for Jason Newstead/That’s when you said you loved …And Justice For All/I didn’t make up with the creeps that night/they were looking for a fight/I was totally right on/The frayed ends of sanity/The shortest straw has been pulled for me/I’ll probably fade to black someday/Unless you hit the lights and escape with me.” The references to Metallica’s extensive catalogue don’t stop here. There is also a reference to ‘The Unforgiven’ and ‘Nothing Else Matters.’ The song’s very title is itself a reference to ‘Nothing Else Matters.’ Such playful use of references coupled with the standard theme of a love found make this one of the most original compositions of its kind to be churned out by a musical act in any genre. Such originality makes clear why this song was chosen as the lead single for TFW. It also makes clear by itself what makes TFW one more wonderful release from one of the rock world’s best kept secrets. Audiences can check out the song’s lyric video online now via YouTube at https://www.youtube.com/watch?v=YdRrN4xQ8zk.

‘Nothing Else Matters (When I’m With You) is one of the most original compositions about a relationship that has ever been crafted by any act in any of the music world’s many genres. The playful references to Metallica’s biggest hits as the basis for the song’s story coupled with the song’s catchy hooks and chorus makes it obvious why the song was chosen as TFW’s lead single. It also stands as just one clear example of why TBR remains today one of the best kept secrets in both the world of punk and rock in general. The song’s follow-up ‘They Call Me Steve’ shows just as clearly how much TBR has to offer on its latest release. The song’s musical side boasts even more infectious hooks and choruses throughout its two-minute, twenty-one second run time. Looking at the song from a lyrical standpoint, it is just as intriguing as Templeman sings, “I knocked down a tree with my bare hands/And I’ve been to all four corners of this land/I killed a giant spider with an iron sword/And I ran ten miles being chased by a zombie horde/They call me Steve/I’ll do anything you want me to/They call me Steve/I’ll dig a hole to Hell and back for you.” If not for the song’s companion video, which can be viewed online now, the song alone would definitely have had audiences talking. The song’s companion video is a Minecraft themed creation that perfectly complements the song’s lyrical content. It’s a love story in a video game world. The video can be viewed online via YouTube at https://www.youtube.com/watch?v=IqLAkjRyiJU. In viewing the video, audiences will agree that it perfectly illustrates the story presented in the song and in turn makes the song even more enjoyable than it is on its own musical merits. The combination of the song’s musical and lyrical sides, and its companion video makes clear once again why TBR remains one of the best names in the punk realm and one of rock’s best kept secrets. Alongside ‘Nothing Else Matters (Without You),’ it shows even more clearly whyTFW is such an enjoyable record.

‘Nothing Else Matters (Without You)’ and ‘They Call Me Steve’ are both clear examples of what makes TFW such an enjoyable record both for fans that are new to the band’s material and to those that are more familiar with the band’s body of work. As much enjoyment as those songs offer audiences, there is one more song on this record that stands out even more than them as one of the album’s highest of points. That song is the album’s string-laden acoustic closer ‘First Time.’ Both musically and lyrically it presents the band’s much more rarely exhibited softer side. The comparison to Green Day and Dropkick Murphys among others is inescapable here because of that combination of music and lyrics. But being one of those truly rare times that the band has gotten to display its softer side, it makes this moment something special. It shows the band a little more willing to grow and show a more mature side from the band in comparison to what audiences have become accustomed to hearing. There is almost a certain desperation in Templeman’s voice as he sings I’m falling apart with a broken heart for the first time/I’m starting to doubt what this feeling’s about/For the first time/I stare at the wall/I’m beginning to fall…For the first time/spinning out of control/With nowhere left to go.” It’s not the standard oh, woe is me sort of delivery musically or lyrically that audiences have become all too familiar with from so many punk and emo bands. It has its own identity. Because of that, it proves yet again what makes TFW just as enjoyable as TBR’s previous records and why this veteran punk rock band remains today one of the best kept secrets of the rock world in whole. Together with ‘Nothing Else Matters (When I’m With You)’ and ‘They Call Me Steve,’ all three songs together exhibit why this record is just as enjoyable for first time listeners and for those that are more familiar with the band’s body of work. That is not to discount the other dozen tracks that make up this record, either. Each of those tracks not noted here makes its own argument in favor of TFW, too. The whole of those tracks and those more fully noted here show clearly why every punk rock fan should hear this record regardless of their familiarity with TBR.

TBR is currently out on tour in support of its new album. It will wrap up the U.S. leg of its tour this Sunday, April 19th in Denver, Colorado before taking a few days off to recharge and prep for the European leg of its tour. That leg kicks off next Thursday, April 24th in Lindau, Germany. Fans will be able to pick up TFW at either of those shows or any of its upcoming shows, too. Fans that can’t make it to the band’s shows can also pick up TFWin stores and online. Fans can check out TBR’s latest tour dates and get more information on TFW, and where they can purchase it online now at:

Website: http://www.teenagebottlerocket.com

Facebook: http://www.facebook.com/teenagebottlerocketofficial

Twitter: http://twitter.com/teenbottlerock

Instagram: http://instagram.com/teenagebottlerocket

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Paramount’s Ninja Turtles Reboot Proves To Be One Of 2014’s Worst New Movies

Courtesy:  Paramount Pictures

Courtesy: Paramount Pictures

Paramount Pictures’ updated take on Teenage Mutant Ninja Turtles is one of the worst new movies of 2014. There is no way to sugarcoat it. Simply put, it is one more example of why Hollywood’s (and audiences’) seemingly insatiable appetite for prequels, sequels, and remakes can only mean a bleak future for the industry’s “Power Five” studios. The central reason for the failure of Teenage Mutant Ninja Turtles is its writing. While the movie’s writers and the studio did back down on the original idea for the Turtles’ origin story, the story incorporated into the story proves to be just as bad. There is also the issue of the plot. While it can be said that the movie’s plot is not necessarily as cheesy as some of the plot lines from the animated series, there is still something about this movie’s plot that makes it unbearable. And dangling the proverbial carrot in front of old school audiences in the form of references to the original animated series (and movie) hurts the movie even more in terms of the movie’s writing. It’s one more example of why having multiple people working on a single script serves only to hurt said script. This has been proven time and again in a number of works before this one. TMNT is just the latest. Just as noteworthy is the acting. Credit should e given where credit is due. The actors behind the turtles are deserving of their due respect. However, the acting on the part of lead Meghan Fox and the movie’s supporting cast falls flat. Even actor Will Arnett comes up short as April’s photog Vernon Fenwick. He had the look. And he did make a valiant effort at his portrayal. But it still came up short in the end. Those issues with the cast’s acting coupled with the issues raised in the movie’s script hurt TMNT in a major way. They still are not all that hurt the movie. Last but hardly least of all that goes against the movie is its collective look and production values. Michael Bay wasn’t at the helm of TMNT. But in watching the movie, one may as well say that he was. That is because the movie’s look and its production values are quite similar to the much maligned Transformers franchise that he previously helmed. It is the final nail in the movie’s coffin, sealing the movie’s fate and proving once more why this movie is one of the worst of 2014.

Teenage Mutant Ninja Turtles was and is one of the best movies to leap from the pages of comic books. That is the original live action movie that debuted in 1990. This year’s new update on that modern classic is the polar opposite of that incarnation. It’s painfully obvious from start to finish, too beginning with the movie’s overall writing. The movie’s plot by itself does plenty to hurt the movie. And it all begins with the Turtles’ much mailgned origin story. Those that followed this movie from the days even before its pre-production started will recall that the origin story was going to have Leo, Raph, Don, and Mikey come in as aliens from another planet. Thankfully that didn’t happen. However, the origin story that took its place is just as problematic. That story won’t be revealed here for the sake of those that have yet to watch the movie. But it directly involves April O’Neil. And to a point, it takes a page from Sony’s latest incarnation of Spiderman. April’s revelation at her link to the Turtles’ origin story is cheesy enough. But the acting on the part of actress Megan Fox, who plays April, only serves to make that revelation even more unbelievable. The acting on the part of the cast will be discussed in more depth at a later point. For now, the focus will remain on the movie’s writing.

The origin story crafted for Teenage Mutant Ninja Turtles is but one part of the writing that hurts this big screen reboot bust. The movie’s very plot plays its own role in the movie’s failure. The movie’s plot sees Shredder and the Foot Clan–which is made more into a pseudo militia group here instead of the old school, evil ninja group from the original movie and animated series–trying to spread a virus through New York City. In turn, they and Eric Sacks (William Fitchner) can use the mutagen that created the Turtles for their own financial gain. Yes, it’s true. In defense of this plot, those that are familiar with the original animated series, there was an episode in which Shreddder sent up a satellite-like device the changed the weather around the world as a means for him and Krang to take over the world. So keeeping that in consideration it isn’t too cheesy of a plot. There’s still something about it in the script’s writing though, that makes it not entirely believable. Speaking of the comparison between this incarnation of the Teenage Mutant Ninja Turtles and the original animated series (and the franchise’s original movie), that is yet another issue in the writing that hurts this movie.

The issues raised through the origin story and plot incorporated into Paramount’s new take on Teenage Mutant Ninja Turtles both make the movie’s writing rather problematic in their own way. One can’t ignore the fact that Applebaum, Nemec and Daugherty did try to please the fans of the franchise’s original animated series and 1990 movie with constant throwback references to both. They even made sure to include the skateboards used in both properties. The issue at hand with making such references is that through the script’s previously noted problems, adding in those references essentially becomes a slap in the face to the fans that grew up with those originals. It’s the same as dangling the carrot in front of a donkey (or rabbit) only to have it pulled away for lack of better wording. Simply put, it is disrespectful to said audiences.

The writing behind the script for Paramount’s new incarnation of the Teenage Mutant Ninja Turtles is a big part of what has made this movie one of the worst of this year’s new releases. While the writing proves to be quite problematic, it is only the beginning of the movie’s problems. The work of the movie’s cast is just as problematic. Actress Megan Fox plays April O’Neil in this version of TMNT. Her reaction at discovering her role in the origin of the Turtles is awful. It is so over the top and hammy that one can only shake one’s hand. While Will Arnett deserves at least some credit for trying to properly portray Vernon Fenwick, even he comes up short. He is hit and miss at best. To the cast’s credit, the men behind the mean green machine–Johnny Knoxville (Bad Grampa, Men in Black 2, Jackass), Pete Ploszek (Parks & Rec, Shameless), Jeremy Howard (Men in Black 2, Galaxy Quest, How The Grinch Stole Christmas), Noel Fisher (Final Destination 2, Red, Battle Los Angeles), and Alan Ritchson (Fired Up, Blue Mountain State, The Hunger Games: Catching Fire) are to be commended for their work. They did quite the job of establishing the attitude and comic element for which the Turtles have been known for decades in their protrayals. Sadly the same can’t be said for the duo of Tony Shahoub (Monk, Wings, Men in Black 1 – 3) and Danny Woodburn (Mirror Mirror, Employee of the Month, Death to Smoochy). The duo partnered to bring Splinter to life. Whether it is their own work (or lack thereof) or because of how Splinter was written into the story, their portrayals did little to make Splinter really stand out at any one point in the story. So simply put, the only positives that can be pointed out in terms of the acting in Teenage Mutant Ninja Turtles is the acting of the men that brought Leo, Don, Raph and Mikey to life. other than that, not much positive can be said of the rest of the cast’s work. It’s yet another example of why Teenage Mutant Ninja Turtles comes up far short of its potential and proves in the end to be one of this year’s worst new releases.

Teenage Mutant Ninja Turtles comes up short in so many ways. its writing is the biggest offender when examining why the movie falls short. The acting on the part of the movie’s cast is another issue. Last but hardly least of note that damaged TMNT is the collective look and production values incorporated into the movie. Michael Bay did not helm this reboot of the classic franchise. But even as a producer, his influence is blatantly obvious throughout the movie. The fast-paced shots, the giant explosions, and of course Shredder’s Transformers-esque look show just how much influence he obviously had in this movie. The only positive to it all is April’s look. The use of a yellow jacket in place of a cheesy full body jumpsuit is the only fully acceptable update to the whole thing. Other than that one positive, one might as well just say that this was another Michael Bay film despite the fact that he was only a producer instead of director. And that considered along with all of the movie’s other negatives is the final nail in the movie’s coffin. One can only hope that whenever the already-in-the-works sequel debuts, it will make up for everything that this movie got wrong. Regardless, this reboot will remain among the worst new major motion pictures of 2014.

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ACL Celebrates 40 Years Is A Wonderful Celebration Of A Show And Of Music Itself

Courtesy:  PBS

Courtesy: PBS

PBS and its hit concert series Austin City Limits celebrated two major landmarks for the series this fall. This past October Austin City Limits celebrated forty years on the air. That landmark makes the concert series the longest-running concert series on television to date. Making the anniversary even more special is the fact that this October, the show’s original studio was added to the Rock and Roll Hall of Fame’s tenth Rock and Roll landmark. Both of these marks are big honors for ACL and for PBS. In honor of these honors, PBS released on DVD today the brand new concert recording Austin City Limits 40 Years. There is a lot to like about this concert recording starting with the show’s all-star lineup. Featured in the concert is a who’s who of the music industry. It features legendary names such as: Willie Nelson, Buddy guy, Bonnie Raitt, Kenny Wayne Shepherd, Foo Fighters, and even the original members of Double Trouble among so many others. There are even performances from up-and-coming blues/rock band Alabama Shakes. It’s a display in its own way of how many generations this series has reached over the course of its four decades on the air. Making the set even better is the concert’s set list. Emmylou Harris covers Willie Nelson’s hit ‘Crazy.’ There’s also an all-star tribute to Sam & Dave with a performance of ‘Wrap It Up.’ And just as enjoyable is the multi-song, all-star tribute to blues legend and Austin native, the late great Stevie Ray Vaughan. These are just some of the examples of what makes the show’s set list so important to the presentation in whole. Last but hardly least noteworthy regarding the recording’s success is its bonus material. Included as bonus material, is forty-five minutes of bonus performances. There is also a bonus behind-the-scenes look at the work that went in to making Austin City Limits Celebrates 40 Years a reality. It’s all set against a great performance of SRV’s hit song ‘Texas Flood.’ These bonuses, partnered with the show’s all-star list of performers and its equally wonderful set list, serve to help make Austin City Limits Celebrates 40 Years one of this year’s surprise best new live recordings of 2014. It also serves to show yet again why PBS is the last bastion of worthwhile programming on television today.

Austin City Limits has been on television for forty years this year. That is a huge landmark for PBS’ concert series. It has outlived MTV’s Unplugged Series. It has also outlived VH1’s Storytellers and CMT’s Crossroads. In the four decades since it made its debut, ACL has gone from focusing on just one or two genres of music to being one of the preeminent destinations for some of the music industry’s biggest names. Elvis Costello has been on the show. Kings of Leon appeared just last year. And even none other than Nine Inch Nails appeared this year. It just goes to show how much this show has grown since its earliest days as has its importance in the music industry. That is shown just as much in the list of performers tapped to appear on Austin City Limits Celebrates 40 Years. The list of performers tapped to appear on this recording is a who’s who of the music industry from past, present, and even the future. It includes the likes of Willie Nelson, Bonnie Raitt, Buddy Guy, Foo Fighters, Sheryl Crow, Guy Clarke, Jr., Kenny Wayne Shepherd, Emmylou Harris, and up-and-coming blues/rock band Alabama Shakes and so many others. With such a wide swatch of performers, that list becomes for all intents and purposes a music history lesson live on stage. It shows not only where ACL has been and where it is going but where music itself started and to where it has come today. And every act tapped to perform is an excellent example of both histories. It’s just one of plenty of reasons that audiences will enjoy this DVD.

The list of performers tapped to perform on Austin City Limits Celebrates 40 Years is itself plenty of reason for audiences to pick up this brand new release from PBS. That list is itself a music history lesson and a lesson on the history of ACL. The performers themselves serve as plenty of reason for any music lover to check out this DVD. The songs that they perform make the recording just as enjoyable if not more so. Audiences will love Willie Nelson’s performance of the classic song ‘On The Road Again,’ and Emmylou Harris’ cover of Willie Nelson’s ‘Crazy.’ If that’s not enough, there is a star-studded, multi-song tribute to Austin, Texas’ own Stevie Ray Vaughan. That tribute features performances from Buddy Guy, Kenny Wayne Shepherd, and almost every member of the a-list cast of performers. There is also a special tribute to Sam & Dave in the performance of ‘Wrap It Up.’ That song is handled by Bonnie Raitt, Jimmie Vaughan, Gary Clark, Jr. and Brittany Howard from Alabama Shakes. As if all of that wasn’t enough, the star-studded tribute to SRV is complemented with an equally gran tribute to Buddy Holly. These are just some of the performances included in the concert that audiences will enjoy in watching this recording. There are plenty of other great performances along the way that audiences will enjoy just as much. Collectively, all of those performances make for yet another wonderful reason for every music lover to see this concert.

If the who’s who list of performers tapped for this concert and their performances aren’t enough for audiences, the bonus material included on the DVD will convince audiences. PBS has included forty-five minutes of performance footage as bonus material on this DVD. That forty-five minutes includes a performance of ‘Roll Me Up and Smoke Me When I Die’ from Willie Nelson and ‘Freight Train’ from Gary Clark, Jr. and Sheryl Crow among the bonus performances. Robert Earl Keen handles ‘I Gotta Go’ and Joe Ely covers ‘All Just To Get To You’ as part of the bonus performances, too. Partnered with that is a special behind-the-scenes look at the concert set against a performance of SRV’s hit song ‘Texas Flood’ by Buddy Guy, Willie Nelson, Lyle Lovett, Robert Randolph, and others. It’s a double whammy for audiences. Not only does it give audiences a behind-the-scenes look at the concert from pre-pro to show but it also offers audiences a bonus performance. Audiences are given another bonus performance by Bonnie Raitt and company in their rehearsal for their performance of ‘Wrap it Up.’ It’s a nice finisher to a concert recording has already more than proven itself one of this year’s best. Together with the aforementioned list of performers and set list, it pushes this recording over the top, once again proving why ACL has run so successfully for forty years and why its original studio is now part of music history thanks to the Rock and Roll Hall of Fame. It shows once more why PBS is the last bastion of truly worthwhile programming.

So much can be said of what makes Austin City Limits Celebrates 40 Years a success and a total enjoyment. And so much has been said, obviously. It goes without saying that the show’s production values are just as impressive as everything else already noted here. Whether one is taking in the concert on a regular TV or one with a high-priced surround sound home theater system, every viewer will agree that all of the other positives noted here would be nothing without those top notch production values. The concert looks and sounds just as good as other performances recorded over the years. It is that proverbial cherry on top of the musical sundae that is this recording. It is that last part that makes this recording well worth the listen by music lovers of every age.

Austin City Limits Celebrates 40 Years is available now on DVD. It can be ordered direct online via PBS’ online store at http://www.shoppbs.org/product/index.jsp?productId=50214636&cp=&sr=1&kw=austin+city+limits&origkw=Austin+City+Limits&parentPage=search. More information on this and other recordings from Austin City Limits over the years is available online at:

Website: http://acltv.com

Facebook: http://www.facebook.com/austincitylimitstv

Twitter: http://twitter.com/acltv

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

PBS Celebrates Four Decades Of ACL With Special Anniversary Concert

Courtesy:  PBS

Courtesy: PBS

PBS’ Austin City Limits hit a major milestone this year.  The network’s hit music series celebrated forty-years with PBS.  In celebration, PBS is releasing a special DVD celebrating the long-running series next month.

PBS will release Austin City Limits Celebrates 40 Years on Tuesday, December 2nd.  Austin City Limits’ four-decade long run on PBS is especially important to both the network and to music lovers alike.  In the four decades that Austin City Limits has been on PBS, it remains the only TV series to be awarded the Medal of Arts.  Also in that time, MTV’s Unplugged and VH1’s Storytellers have gone by the wayside.  And even CMT’s on Crossroads series has failed to maintain the stability and reputation of ACL.  Throughout its now forty-years on television, ACL has seen and continues to see some of the industry’s biggest names take to the stage.  Those names include the likes of Elvis Costello, Foo Fighters, Nine Inch Nails, and so many others.  Many more names are sure to be added to that list as there appears to be no end to this landmark series.

In honor of the series’ fortieth anniversary, many of those same big names have come on board for this celebratory concert.  Bonnie Raitt joins Jimmie Vaughan, Gary Clark, Jr and Brittany Howard from Alabama Shakes for a performance of the Sam & Dave classic ‘Wrap It Up’ to open the concert.  Howard returns later in the show alongside Gary Clark, Jr. for a special performance.  Willie Nelson, the red-headed stranger himself, joins Emmylou Harris for a performance of Nelson’s ‘Crazy.’  Singer/actor Kris Kristofferson and Sheryl Crow team up for a performance of Kristofferson’s ‘Me and Bobby McGee.  Foo Fighters even make an appearance to perform Roky Erickson’s ‘Two-Headed Dog.’  That performance was recorded at the original ACL television studio especially for the concert.  Actor Jeff Bridges hosts the night’s festivities.  He also performs a special rendition of ‘What A Little Bit Of Love Can Do’ from the late singer-songwriter Stephen Bruton.  Bruton was a big influence on Bridges’ Oscar-winning role in the movie ‘Crazy Heart.’  As if all of this isn’t enough, Joe Ely and fellow local legend Robert Earl Keen make an appearance.  Blues legend Buddy Guy rounds out the show with a performance of ‘Mary Had a Little Lamb.’  And finishing off the whole thing is a star-studded tribute to Buddy Holly and the one and only Stevie Ray Vaughan.  A who’s who of guitarists performs Holly’s ‘Not Fade Away’ and SRV’s ‘Texas Flood’ for the night’s biggest finish.

Austin City Limits Celebrates 40 Years was taped live at the ACL Live at the Moody Theater and the show’s original studio, Austin PBS affiliate KLRU’s Studio 6A.  The complete list of performers is: Alabama Shakes, Doyle Bramhall II, Jeff Bridges, Gary Clark Jr., Sheryl Crow, Double Trouble, Joe Ely, Mike Farris, Foo Fighters, Grupo Fantasma, Buddy Guy, Emmylou Harris, Robert Earl Keen, Kris Kristofferson, Lyle Lovett, Willie Nelson, Bonnie Raitt, Robert Randolph, Kenny Wayne Shepherd and Jimmie Vaughan.

Austin City Limits Celebrates 40 Years will be available Tuesday, December 2nd.  It will retail for MSRP of $24.99.  It can be ordered online direct from PBS’ online store at http://www.shoppbs.org/product/index.jsp?productId=50214636&cp=&sr=1&kw=austin+city+limits&origkw=Austin+City+Limits&parentPage=search.  More information on Austin City Limits is available online at

Website: http://acltv.com

Facebook: http://www.facebook.com/austincitylimitstv

Twitter: http://twitter.com/acltv

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Born To Race Fast Track Keeps Pace With Universal’s Fast And The Furious Franchise

Courtesy:  Anchor Bay Entertainment

Courtesy: Anchor Bay Entertainment

One part The Fast and the Furious, one part Need for Speed and one part Top Gun, the second installment of Anchor Bay Entertainment’s Born to Race franchise is a movie the surprisingly enough holds its own against its bigger-named counterparts.  There’s no getting around the fact that the franchise, which started with Born to Race back in 2011, is not the first of its kind.  Universal beat Anchor Bay to that punch with its massively popular Fast and Furious franchise.  That aside, there is still plenty to enjoy in this latest installment in the Born to Race franchise.  The central point of the movie’s success is its script (I.E. its writing).  Unlike so many other movies backed by major studios out there, the script for this movie rips off neither its predecessor nor its bigger-named brethren.  Another reason that this movie works as well as it does is its pacing.  The movie moves fast.  But it doesn’t move so fast as to leave viewers struggling to keep up with the story.   And last but not least to consider is the movie’s casting.  The movie’s heads wiped the slate clean with this movie, casting a while new list of actors to fill its lead roles.  But those actors still get the job done well enough to keep the movie believable.  These three factors together make Born to Race: Fast Track a movie that despite being an independent release, is a movie that any fan of its genre should see at least once.

The central point of success in Born to Race: Fast Track is its script (I.E. its writing).  There’s no getting around the fact that it is not the first movie of its kind within the race-based action subgenre.  That aside, it actually holds its own surprisingly well against Need for Speed and Universal Studios’ Fast & Furious franchise.  Unlike so many bigger-named movies out there across the genres, Born to Race: Fast Track doesn’t attempt to rip itself off.  Nor does it try to be just another of the aforementioned bigger-named movies in its genre.  The only movie that one could even begin to say it does copy is Tom Cruise’s hit 1986 fighter jet flick Top Gun.  It goes so far as to put lead actor Brett Davern in a pair of aviator sunglasses alongside co-star Beau Mirchoff late in the movie, in a scene that almost directly mirrors one well-known scene from Top Gun.  Even with that blatant lifting, it doesn’t take away from the movie’s overall enjoyment.  As a matter of fact, one could even go so far as to argue that paying such homage to such a classic film without any sense of hamming it up only gives this movie even more credibility.  It would have been so easy for that moment to go overboard.  But it didn’t.  That combined with the fact that the movie’s writers opted to develop a story that didn’t blatantly rip off the Fast & Furious movies makes the movie’s script all the more enjoyable.

The script behind Born to Race’s latest installment is the central point of the movie’s overall enjoyment.  While it obviously does bear quite the semblance to Top Gun in terms of its plot, it doesn’t go so far as to try and be just another Fast & Furious or Need for Speed.  It does at least try to be its own story to a point.  Adding to the movie’s enjoyment is its pacing.  The writing team behind the movie wastes no time setting up the movie’s plot.  And once the plot is established, the writers keep the story moving.  They do so without missing a beat, too.  Most impressive of all is that as fast as the story progresses, it doesn’t move so fast as to leave viewers in its own proverbial dust (bad pun fully intended), wondering what they experienced by the end of the movie’s roughly ninety-minute run time.  It switches gears at all of the right points and never finds itself idling, either.  And yes, both of those bad puns were fully intended, too.  The end result of that smart pacing is a story that movies fast, but not as fast as the cars that take center stage throughout the movie.  Alongside the movie’s solid script, the pacing helps to make Born to Race: Fast Track that much more enjoyable for any fan of all of the racing movies out there.

The pacing of Born to Race: Fast Track’s story and the story itself work together to make the movie one that fans of fast cars will enjoy even with just one watch.  Both elements are important to the movie’s overall success and enjoyment.  There is still one more factor to consider in the movie’s enjoyment.  That factor is the movie’s casting.  The production’s heads wiped the slate clean with this second installment of the franchise.  None of the actors from the franchise’s first movie returned for this installment.  The reason for this happening is anyone’s guess.  It could have been the movie’s heads.  It could have also been that the cast didn’t want to return for a second movie or simply couldn’t due to other commitments.  Regardless, the cast tapped for this movie does its own part to make the movie work.  The new cast members are all quite young.  And most of the cast members are quite well-known in their own right, too.  Lead actor Brett Davern is best known for his time on MTV’s hit series Awkward alongside co-star Beau Mirchoff.  He also has dramatic experience, having acted in bit parts in CSI: Miami, In Plain Sight, and Cold Case.  Mirchoff has also filled roles on CSI: Miami and CBS’ other hit crime drama CSI: Crime Scene Investigation.  Younger viewers might also recognize him from his work on Disney’s Wizards of Waverly Place TV movie The Wizards Return: Alex vs. Alex.  The movie’s other cast members have their own extensive resumes, too.  That collective experience shows through quite well here.  They are actually quite believable in their roles.  That the cast would take its roles with such seriousness even on a flick from an indie studio shows a great deal of respect both for the studio and for audiences.  It also makes suspension of disbelief that much easier for viewers. And in turn, it makes the movie even more worth at least one watch.

The casting of a group of up-and-coming stars for Born to Race: Fast Track and the cast’s seriousness with its roles goes a long way toward making the movie worth at least one watch.  The movie’s script and by connection its pacing add even more value to the overall presentation.  All three factors together make Born to Race: Fast Track a movie that while being an indie release, is one that any fan of movies with fast cars and young stars will enjoy even with just one watch.  It is available now in stores and online.  It can be ordered direct from Anchor Bay Entertainment’s online store at http://www.anchorbayent.com/detail.aspx?ProjectId=d3c94bf6-38e7-e311-877b-d4ae527c3b65.  More information on this and other releases from Anchor Bay Entertainment is available online at

Website: http://www.anchorbayent.com
Facebook: http://www.facebook.com/AnchorBay
Twitter: http://twitter.com/Anchor_Bay

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Rhino Records Re-Issuing R.E.M. MTV Unplugged Vinyls

Curtesy:  Rhino Records

Curtesy: Rhino Records

Rhino Records will re-issue R.E.M.’s classic MTV Unplugged performances this Tuesday.

R.E.M. is gone.  But the landmark Georgia-based band is certainly not forgotten.  That is evident in the upcoming re-issues of the band’s 1991 and 2001 performances on MTV’s live acoustic performance series.  The performances were originally released earlier this year on Record Store Day as a limited four-LP vinyl set.  That set sold out almost instantly.  Now R.E.M. fans that weren’t lucky enough to get their hands on a copy of the recordings this Tuesday, September 2nd via Rhino Records.

Unlike the previously released 4-LP set released earlier this year, this re-issue of the performances will make the 1991 show and the band’s 2001 performance available on two separate 2-LP sets.  Each set will retail for SRP of $39.98.  The complete track listing for both performances is noted below.

             Track Listing

1991 Unplugged

Side One

1.”Half A World Away”

2.”Disturbance at the Heron House”

3.”Radio Song”

4.”Low”

Side Two

1.”Perfect Circle”

2.”Fall on Me”

3.”Belong”

4.”Love Is All Around”

Side Three

1.”Its The End Of The World As We Know It (And I Feel Fine)”

2.”Losing My Religion”

3.”Pop Song 89″

4.”Endgame”

Side Four

1.”Fretless”*

2.”Swan Swan H”*

3.”Rotary 11″*

4.”Get Up”*

5.”World Leader Pretend”*

2001 Unplugged

Side One

1.”All The Way To Reno (You’re Gonna Be a Star)”

2.”Electrolite”

3.”At My Most Beautiful”

4.”Daysleeper”

Side Two

1.”So. Central Rain (I’m Sorry)”

2.”Losing My Religion”

3.”Country Feedback”

4.”Cuyahoga”

Side Three

1.”Imitation of Life”

2.”Find the River”

3.”The One I Love”*

4.”Disappear”*

Side Four

1.”Beat a Drum”*

2.”I’ve Been High”*

3.”I’ll Take the Rain”*

4.”Sad Professor”*

* Not included in original television broadcast

 

This week’s vinyl re-issues are not the only new R.E.M. releases due out this year.  Another landmark R.E.M. recording tied in to MTV will be released before the year is out.  Audiences can keep up with news on the release and more news from the band online at http://www.remhq.com and http://www.facebook.com/REMhq.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebok.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Anchor Bay’s Born To Race Franchise Revs Up Again This Summer

Courtesy:  Anchor Bay Entertainment

Courtesy: Anchor Bay Entertainment

Born To Race: Fast Track, the latest movie in Anchor Bay Entertainment’s Born To Race franchise, will be released this summer. The movie stars Brett Davern and Beau Mirchoff, both of MTV’s Awkward. The pair star as small-town racing rivals Danny and Jake. The pair ends up being partnered together after summer scholarship to a top tier racing school. Danny also finds himself in a relationship with love interest played by Tiffany DuPont (Greek). Veteran actor Corben Bernsen (Psych, L.A. Law, Major League) co-stars along with Diogo Morgado (The Messenger, The Bible, Son of God), Grant Show (Devious Maids, Melrose Place, Private Practice, Big Love), and Sharon Lawrence (Rizzoli & Isles).

Director Alex Ranarivelo returns to helm this latest installment of the Born To Race franchise. He also directed the franchise’s previous film. He is joined by screenwriter Steve Sarno, who also crafted the script for the franchise’s previous film, and producer Ali Afshar. Afshar also produced the previous Born to Race film. He is also a professional race car driver.

Born To Race: Fast Track will be available for digital download via iTunes August 29th. It will be available on DVD, Blu-ray and OnDemand Tuesday, September 9th. The DVD will retail for SRP of $22.98 while the Blu-ray will retail for SRP of $26.99. More information on Born to Race: Fast Track is available online via Facebook and Twitter at http://www.facebook.com/BornToRaceMovie and http://twitter.com/borntoracemovie. More information on this and other releases from Anchor Bay Entertainment is available online at http://www.facebook.com/AnchorBay, http://www.anchorbayent.com and http://twitter.com/Anchor_Bay. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.