SRCVinyl To Re-Issue Classic Mudvayne Album

Courtesy: SRCVinyl


Courtesy: SRCVinyl









SRCVinyl is celebrating the 15th anniversary of Mudvayne’s sophomore album The End Of All Things To Come with a special vinyl re-issue of the album this summer.

The album, originally released Nov. 19, 2002, will be re-issued Sept. 15, 2017 on two separate limited-edition vinyl releases—a clear with black smoke 180-gram pressing and a red 180-gram vinyl. The prior pressing will be limited to 500 copies and the latter to 1,000 copies.

Each pressing will be presented in a matte gatefold jacket with Spot-UV and 11×22 dull text insert.  Pre-orders for the forthcoming vinyl re-issues will open Aug. 4.  Both pressings will retail for MSRP of $29.99.

More information on the re-issues is available online now here.  The album’s full track listing is noted below.




Trapped In The Wake Of A Dream

Not Falling


(Per)version Of A Truth

Mercy, Severity

World So Cold


The Patient Mental


Solve Et Coagula


Shadow Of A Man


The End Of All Things To Come

A Key To Nothing

More information on this and other titles from SRCVinyl is available online now at:










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Audiotopsy Offers Audiences A Good Effort In Its Debut LP

Courtesy:  Napalm Records

Courtesy: Napalm Records

SRC Vinyl, one of the leading names in the vinyl community, announced last week that it will re-issue Mudvayne’s 2005 full-length studio recording Lost and Found on vinyl next month. The band’s third full-length release, it would be followed up by two more albums over the four years that followed before the band’s split in 2010. Since the band’s breakup, each of its members have gone on to rather successful careers with other acts. Front man Chad Gray went on to front the hard rock favorite Hellyeah alongside Greg Tribbett until Tribbett’s departure from that band in 2014. After his departer from Hellyeah, Tribbett joined up with fellow former Mudvayne member, drummer Matt McDonough, former Skrape front man Billy Keeton, and bassist Perry Stern and formed another band that goes by the name of Audiotopsy. The band released its debut album Natural Causes last week. The album, released via Napalm Records, is a solid slab of hard rock that fans of Mudvayne, Hellyeah, and other acts of their ilk will enjoy from beginning to end. There are hints of both noted bands throughout the course of the record’s dozen total songs. Lyrically, it is just as interesting with a number of topics being covered. The combination of that intriguing musical and lyrical content makes for a forty-nine minute ride that any hard rock fan will enjoy from start to finish.

Audiotopsy’s debut full-length studio recording is a solid start for the hard rock quartet. That is thanks in large part to its mix of familiar musical content and equally interesting musical content. ‘Headshot,’ the album’s opener is a good example of how that mix of musical and lyrical content makes this record a worthwhile listen. Right from the song’s outset the band grabs listeners through Tribbett’s driving guitar riff. McDonough’s equally driving tempo is just as effective in holding listeners’ attention as he keeps time behind the kit. Keeton’s vocal talents are on full display in this song, too as he sings what comes across as an introductory statement of sorts for the band. That message is inferred as Keeton sings, “Now that we’ve rode this far/They know just who we are…Driving this battle cry/Racing with bullets high/Heart pounding/Sweat pouring.” While it and the rest of the song’s lyrics could easily be left to interpretation, those few lines coupled with the knowledge of the band members’ histories with their former bands leaves one thinking that there must be some reference to the band members’ pasts. That’s just this critic’s own interpretation of course. And it’s just one part of what makes this song so interesting for audiences. What’s really interesting here is that if audiences were to hear this song without knowing that it was Audiotopsy, one would almost swear one was hearing Mudvayne. That is because of the similarity between the bands’ musical stylings and just as much for the similarity between Keeton’s vocal style and that of Chad Gray. The two sound so much alike that it is eerie. But in making those connections, the song becomes even more powerful of an intro for this record and an equally good example of what this record has to offer listeners in whole.

‘Headshot’ is a solid first impression for Audiotopsy in its debut album. That is thanks to a sound that listeners will find quite familiar as well as for lyrical content that is certain to leave listeners talking. It’s just one example of what makes this album worth at least once listen by the hard rock legions out there. ‘Lylab,’ Natural Causes’ third offering is another example of just how much this record has to offer all the headbangers out there. It is such a solid example of how much the record has to offer thanks to its mix of musical and lyrical content, just as with the album’s opener. This composition doesn’t have the same adrenaline-fueled feel as the album’s opener. However, that is hardly a loss. The heaviness of the song’s musical content does plenty to impress any hard rock fan. It is such an interesting part of the song’s whole because of the attention paid to its use throughout the song. It is used mainly in the song’s chorus to contrast the emotion exuded by Keeton in the song’s verses. Speaking of his delivery, it is a sort of cynical tone, which is in turn accented as he screams in the song’s chorus, “Loved you like a b**** baby/It’s all the same/Love is so strange/Loved you like a b**** baby/Say my name.” One can almost see as much of a sneer on Keeton’s face as he screams these lines and sings through the song’s verses as he does through the choruses. That image, established through the power of the song’s combination of musical and lyrical content, serves to make completely clear why this song is such a welcome addition to Natural Causes. It is just one more of so many welcome additions to the band’s new album, too.

Both ‘Headshot’ and ‘LYLAB’ are good examples of how much Audiotopsy has to offer listeners in its debut full-length studio recording. They are just two examples of what audiences have to expect from this hard rock super group of sorts in its first full-length studio effort. For all of the heaviness exhibited throughout the course of the band’s debut, it also puts on display at least one song that could actually serve as a fitting match with the country’s mainstream rock radio stations in the form of ‘Burn The Sky.’ It has that mainstream feel both in its musical content and that of its lyrics. It is a solid, heavy song in terms of its musical content. But it isn’t so heavy that it wouldn’t be a good fit for any mainstream rock radio station. Its lyrical content will have audiences talking just as much. Keeton sings in the song’s lead verse, “I’ve seen the stains made/I’ve seen the skies change/In came the turnaround/Back to the blackest town/Lost in the dreamscape…Out comes the blackest moon/Holding the hands of doom.” This sounds like a rather nihilistic line, given. But that darkness is immediately as Keeton offers what comes across as a somewhat more optimistic outlook in the song’s chorus. He sings in the chorus, “Starlight/Light up the sky/Black eyes/Blackout comes down/I got a feeling/Light it up/Out shadows back to the wall/Paper souls watch the sun burn it up/Tear it down/Leave ’em right where they fall/And burn the sky/Burn the sky.” It’s almost as if Keeton is saying for all the darkness, there is always a light and there is always hope. That inference can be made even more through the juxtaposition of the song’s second verse and chorus as it is presented in much the same manner. The end result is a song that both musically and lyrically will leave listeners thinking and talking just as much as ‘Headshot,’ ‘LYLAB’ or any of this album’s other offerings. Speaking of those songs they along with the three pieces noted here make Natural Causes a good first effort from Audiotopsy. Fans of Mudvayne, Hellyeah, and other bands of that ilk will agree with that sentiment when they hear this record for themselves. Those listeners that give the album a chance will agree that it is a record that any hard rock fan will enjoy from start to finish even if they hear it only once.

Natural Causes is a good first effort from Audiotopsy. Throughout the course of its twelve total tracks it offers plenty of familiar sounds that will put a smile on the face of any fan of Mudvayne, Hellyeah, and other band of that ilk. The lyrical content of each song makes for just as much interest as the songs’ musical content. Both elements coupled together make Natural Causes a record that any hard rock fan will enjoy from start to finish even if they hear it just once. It is available now in stores and online. More information on Natural Causes is available online now along with all of Audiotopsy’s latest news at:



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Gloomball Impressive On Its Debut Record

Courtesy:  SPV/Steamhammer

Courtesy: SPV/Steamhammer

Most people in the metal community have either heard of heard of Godsmack or heard them.  Mudvayne, Hellyeah, and Five Finger Death Punch are just as well known in the metal world.  So what if one were to take these bands, toss them into a pot and stir them all together?  One would get Gloomball.  This German five-piece is primed to be one of the next big acts in the United States, given the right support from rock radio programmers.  The band’s debut album, The Distance, is a solid mix of all of the aforementioned bands that at the same time it shows their influences, still manages to solidly maintain its own identity.  It goes without saying that this record is one of the year’s best of the hard rock and metal category.

The album’s opener, ‘Burning Gasoline’ is fittingly titled.  It’s a full throttle hard rock song that wastes no time getting listeners’ blood boiling.  The song’s chorus is just as high powered as the music itself from band members Bjorn Daigger (guitars), Danny Joe (drums), Basti Moser (Bass) and Jossi Lenk (Guitars).  Front man Alen Ljubic sings in the song’s chorus, “The more that you throw/I’ll be back for some more/I have told you before/I’ve told you/What I/Feel a-bout you/Just because/I Don’t see/The point/To help you/Anymore/You’re just gonna stay here/Progress/No less/Just like you were before/Overcome/I’m overcome.”  The somewhat syncopated style of the chorus is reminiscent of Godsmack front man Sully Erna’s vocal style from much of that band’s songs.

The ability of Ljubic to change his vocal style from one song to another on this album is interesting to say the least.  The same can be said of the band’s sound overall.  On the album’s title track, the band has gone from a heavy, up-tempo adrenaline racer to a more controlled piece that still has a certain heavy element.  It’s something more akin to something one might hear from Five Finger Death Punch.  The song’s lyrical side shows a very deeply emotional topic.  Ljubic sings in an almost mournful style, “This will be difficult/We all want things we cannot have/Don’t drown in disbelief/Control yourself/You learn it’s a lie/Don’t betray yourself/It’s just not there/Absence makes the heart grow fonder.” He goes on to sing “This distance makes the heart grow colder.”  This song’s subject is pretty obvious.  And the talent of Ljubic’s band mates to interpret the lyrics makes this one more piece of the whole that will make any rocker proud.

Save for the album’s closer—a cover of ‘Living Within My Tender Pain (from the Rocky IV soundtrack)—the album’s energy picks right back up after the title track from Gloomball’s debut record.  It carries listeners straight through to that much more subdued closer, leaving audiences completely breathless, even after this much more gentle moment.  As gentle as it is, its proof of Black Label Society front man Zakk Wylde’s statement long ago that a song can be heavy lyrically and musically without heavy guitars.  The strains of the piano set against Ljubic singing, “I, I’m the only thing that’s real/Deep inside is where I bleed/Living with my tender pain/Ever since you’ve gone away/Why/Does it still feel like a dream/All my pain feels so unreal/And your shadow it will stay/Right beside me every day.”  Yet again, Ljubic has shown his talent with this piece.  Unlike so many other songs of love lost, the combination of his vocal tone expertly comes together with the sad sounds echoing from the piano to truly catch the pain one must feel in having lost someone close to one’s self.  Of course as already noted, its only one of two moments when the album slows down.  Those wanting something with more energy have plenty to choose from throughout the heart of The Distance.  And by the time that audiences have finished their musical journey with the band, they just might find themselves wanting to travel “The Distance” with this band again.  The Distance is available now in Europe and will be available in the United States on Tuesday, May 7th.  The band’s only current planned performance in support of the record is a release show in Mannheim, Germany on Friday May 17th.  Fans can check in on the band’s Facebook page and official website for all of the latest updates on its tour and more at and

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“Band of Brothers” officially takes the top in 2012’s best metal list

Courtesy: Eleven Seven Music

Hellyeah has officially returned.  And the fire hasn’t burned out even in the slightest for this hard rock supergroup.  The band–Vinnie Paul, Chad Gray, Greg Tribbett, Tom Maxwell, and Bob Zilla–picks up with the same intensity shown on its 2010 sophomore release, “Stampede.”  

“Band of Brothers”, whcih hits stores July 17th, opens with ‘War in Me.’  ‘War in Me’ is an automatic headbanger that has enough energy to leave listeners breathless after that one track alone.  From there, the band kicks into something of a Pantera-esque tribute in the album’s title track.  It doesn’t let up in the least from ‘War in Me.’  Frontman Chad Gray even seems to channel Phil Anselmo in some of his delivery all while maintaining the sound that he has honed with his other band, Mudvayne.  Listeners are given just enough time to catch their breaths at the end of ‘Band of Brothers’ so as to get ready to take in the next piece of sharp as a knife metal in ‘Rage_Burn.’

“Band of Brothers” barely lets off after its first trio of tracks.  The softest that the album gets is on the contemplative ballad, ‘Between You and Now.’  After that, the band kicks the adrenaline right back into high gear with ‘Call It.’  The band barely lets off from here on out to the end of what can only be described as a full on musical metal assault.  When it’s all said and done, “Band of Brothers” will leave its fans satisfied, yet hoping for even more reason to be yelling, “HellYeah” many more times in the future.

Hellyeah is currently touring in support of its upcoming album.  The band will be in Spokane, WA this Thursday.  And it will follow that show with performances in Boise, Idaho, Reno, Nevada and San Francisco to close out the week.  Fans can get all the latest tour dates and news from HellYeah online at, on Facebook at, on Myspace at, and on Twitter at

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