Hammerfall Drops The Hammer On 2020’s Top New Live Recordings List

Courtesy: Napalm Records

Live music and live music venues took a big hit this year thanks to the global COVID-19 pandemic.  That goes without saying.  Music acts and venues from the independent level all the way up to the big names were force to put their live music plans on hold indefinitely as a result of the pandemic.  However a glimmer of hope rose this week when Live Nation head Joe Berchtold was quoted by major media outlets as saying that he believed live music would return by summer 2021.  One can only hope that Mr. Berchtold is right, and that when it does return, audiences will welcome its return rather than let the germaphobes control their minds.  Until then, audiences do have lots of live music to enjoy on CD, DVD and Blu-ray that was released this year.  Hammerfall released its latest live recording Live! Against The World this year.  Dream Theater also dropped its new live recording Distant Memories: Live in London.  Metallica even celebrated the anniversary of its landmark S&M show with the release of S&M2.  These are just some of the recordings that made Phil’s Picks 2020 Top 10 New Live Recordings.  They were joined by new live material from the likes of Myrath, The Rolling Stones, and Kamelot.

As with each list from Phil’s Picks, this collection features the Top 10 new titles in the given category and five additional honorable mention titles for a total of 15 titles.  Without any further ado, here is Phil’s Picks 2020 Top 10 New Live Recordings.

PHIL’S PICKS 2020 TOP 10 NEW LIVE RECORDINGS

  1. Hammerfall – Live! Against The World
  2. Jimi Hendrix – Live in Maui
  3. Jazz at Lincoln Center Orchestra – A Swingin’ Sesame Street Celebration
  4. Def Leppard – London to Vegas
  5. The Rolling Stones – Steel Wheels Live
  6. Devin Townsend – Order of Magnitude: Empath Live Volume 1
  7. John Lee Hooker – Live at Montreux 1983 & 1990
  8. Waylon Jennings – The Outlaw Perrformances
  9. Myrath – Live in Carthage
  10. Kamelot – I Am The Empire Live from the 013
  11. Dream Theater – Distant Memories: Live in London
  12. Metallica – S&M2
  13. Delta Rae – Coming Home To Carolina
  14. Bush – Live in Tampa
  15. Dee Snider – For The Love of Metal

Up next from Phil’s Picks is one of the last three music categories of the year, Phil’s Picks 2020 Top 10 New Rock Albums.  After that will be the year’s top new hard rock & metal albums, and then last but not least, the year’s top new albums overall.  From there, it’ll be on to the DVDs and Blu-rays in all of their categories.  Stay tuned for all of that.

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‘Live In Carthage’ Is A Positive Start For Myrath’s Live Catalog

Courtesy: earMusic

The global outbreak of COVID-19 has all but decimated the live music this year.  Stages the world over have gone dark and silent out of an overabundance of caution among promoters and bands alike.  As a result, audiences have been scrambling, looking for live content anywhere they can find it, whether online or otherwise.  Progressive metal outfit Myrath, ironically, released its debut live recording Live in Carthage right around the time that the outbreak really started impacting the United States.  The band’s first live offering is a presentation that fans of the noted genre will appreciate whether waiting for the return of live music on stage or just in general.  That is due in part to the concert’s set list, which will be addressed shortly.  The performance of that set list by the band adds to the recording’s presentation and will be addressed a little later.  The concert’s production and mixing put the finishing touch to its presentation.  Each item noted is important in its own way to the recording’s whole.  All things considered, they make Live in Carthage an impressive live debut from Myrath and a work that is one of this year’s top new live recordings.

Myrath’s debut live recording Live in Carthage is a strong offering from the progressive metal outfit.  That is proven in part through the recording’s set list.  The 17-song set runs just over 90-minutes in length.  While not a career-defining performance, the record still is deserving of its own credit.  It pulls largely from the band’s 2016 album Legacy – a total of seven songs from that album (more than half the album) are featured in the set list) – while four songs from the band’s then forthcoming album Shehili are featured in the set.  The band does not limit its set to those two albums.  Its 2011 album Tales of the Sands is also represented here with five songs from that record.  That is approximately half of that record.  Given, the band’s first three albums – Double Face, Hope, and Desert Call – are not represented here, but considering that at the time of the concert – held allegedly in 2018 at a hometown show of sorts at the Ancient Roman Theater in Carthage, Tunisia – the band was touring mainly in support of Legacy and Shehili, the group can be forgiven for not including nods to those aforementioned records.  Hopefully the band will present a much deeper dive into its catalog in its next live recording, keeping this in mind.  This aside, the fact that audiences get more than half of one of the band’s albums, almost half of another and even a small sampling of yet another ,that in itself is a good start and in itself, makes the recording worth experiencing.  This element is just one of the notable aspects of Myrath’s debut live recording.  The band’s performance of the set list adds to its engagement and enjoyment.

Myrath’s performance of its concert at the Ancient Roman Theater in Carthage, Tunisia is important to note because of the energy in the performance.  As noted, the set list is not career-defining, but at the same time, the songs chosen for the concert are all very high-energy compositions.  Even in the brief moments when the energy does pull back, in the opening bars of some of the featured songs, that pullback is short-lived.  The band members’ performances add to the energy even  more, as is evidenced in part by front man Zaher Zorgati’s commanding presence as he makes his way across the stage.  He engages the audience throughout, getting the most out of the crowd.  Meanwhile drummer Morgan Berthet seems so laid back even as he works through each song with such precision and power.  That contrast of his seeming so relaxed while he performed makes for its own statement.  Meanwhile, the nonstop energy exuded by keyboardist Elyes Bouchoucha, guitarist Malek Ben Arbia and bassist Anis Jouini adds its own impact to the performance.  The group’s performance does the talking for the group, as Zorgati uses only the briefest moments between songs to talk with the audience and introduce most of the set’s songs.  This is where the band’s performance presents its only negative.  Zorgati speaks wholly in French in those moments, in which he, his band mates and the audience collect their breath.  Now we, as Americans get an idea of how overseas fans of our American bands must feel when they experience their shows across the Atlantic and Pacific.  The thing is that Zorgati sings the songs in English, so why sing in one language and speak in another?  That aside, the band’s performance ensures audiences’ engagement and enjoyment from beginning to end of this performance by keeping the energy high and by not wasting too much time between songs on banter. Instead the band lets the music and performance do the talking.  Keeping all of this in mind, the performance put on by the members of Myrath really serves as the foundation for this recording’s presentation.  Together with the set list, the recording’s appeal becomes even more so.  To that end, audiences see even more why Live in Carthage may not be a perfect live debut for Myrath, but at the same time, why it is still a good first live outing for the group.

As much as the set list featured in Live in Carthage and the performance thereof does for this recording’s presentation, they are just two of its most notable items.  The concert’s collective production and mixing put the finishing touch to the recording’s presentation.  The footage itself adds so much to the viewing experience, as the angles, shots and transitions play right alongside with the energy of each composition and performance.  The shots last just long enough and present angles that heighten and translate well, the energy and emotion in each song.  The audio production and mix are deserving of their own share of credit, too.  Zorgati’s vocals are well-balanced with the work of his fellow band mates.  Their own work is well-balanced among themselves, too.  The whole of the group’s sound creates a powerful impact all its own for the concert.  Together with the video production and mixing (and post production editing), the overall experience that audiences get in viewing this concert becomes that much more engaging and entertaining.  Taking all of this into account, the production, mixing and editing that went into the final product puts the finishing touch to this presentation and makes it that much more appealing.  When this aspect of Live in Carthage is considered along with the recording’s overall content, the whole of the concert becomes a presentation that is a good live start for Myrath that leaves room for growth in the band’s next live recording.

Myrath’s debut live recording Live in Carthage is a good first effort from the band, in terms of live recordings.  That is thanks in part to its set list, which despite focusing more on the band’s more recent albums, still gives audiences a rich picture of those records.  The band’s performance of said set list adds more strength to the recording’s presentation.  The recording’s collective production, mixing and editing put the final touch to the presentation.  Each item noted is key in its own way to the whole of this recording.  All things considered, they make Live in Carthage a good way to get one’s live fix while we all wait for a vaccine to be found for COVID-19 and concerts to return.  It is also a good first effort from the band that shows hope for growth on the band’s next live recording.  Live in Carthage is available now on CD/DVD combo pack.  More information on the recording is available along with all of the band’s latest news at:

 

 

 

Website: http://www.myrath.com

Facebook: http://www.facebook.com/myrathband

Twitter: http://twitter.com/myrath

 

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Myrath To Release Its Debut Live Recording Next Month

Courtesy: earMusic

Myrath will release its first-ever live recording next month.

The progressive-metal outfit is scheduled to release Live in Carthage April 17 through earMusic.  The expansive set list featured in the CD/DVD combo pack includes a variety of the band’s latest hits and songs from its previous recordings.  Among the songs included in the set list are the like of ‘Believer,’ ‘Dance,’ ‘Get Your Freedom Back’ and ‘Endure The Silence.’

Deep Purple’s own Don Airey made a guest appearance during the band’s performance of ‘Believer,’ offering his talents on the song’s keyboard line.

Pre-orders are open now for Live in Carthage.  The recording’s track listing is noted below.

 

LIVE IN CARTHAGE TRACK LISTING:
CD:
“Believer” (Feat. Don Airey)*
“Asl”
” Born To Survive”
“Storm Of Lies”
“Dance”
“Wide Shut”
“Merciless Times”
“Get Your Freedom Back”
“Endure The Silence”
“Nobody’s Lives”
“Duat”
“The Unburnt”
“Sour Sigh”
“Tales Of The Sands”
“Madness”**
“Believer”
“No Holding Back”
“Drum Solo”**
“Beyond The Stars”
“Outro”**

BONUS:
Making-Of**

*Only on CD
**Only on DVD

 

More information on Myrath’s forthcoming debut live recording is available online now along with all of the band’s latest news and more at:

 

Website: http://www.myrath.com

Facebook: http://www.facebook.com/myrathband

Twitter: http://twitter.com/myrath

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

American Idol Star’s Latest LP Takes Top Honors In Phil’s Picks 2019 Top New Rock Albums List

Courtesy: Big Johnson Records

Rock fans had a lot of reason this year to raise their horns.  From January right up to this month, rock music fans received lots of strong new offerings this year.  That includes both mainstream and independent acts.  Buckcherry’s new album Warpaint, which came out early this year, proved to be everything that audiences have come to expect from the band.  DuG Pinnick’s King’s X side band KXM also released a new record this year — Circle of Dolls — that was a step up from its predecessor.  80s rockers L.A. Guns even produced its own strong new effort in The Devil You Know while prog rock star Neil Morse’s Jesus ChristThe Exorcist developed its own fans, too.  Between those albums and so many others, rock fans had a lot to be happy about.  It made creating the list of this year’s top new rock records quite difficult to arrange.

This year’s list, like others from Phil’s Picks, features the Top 10 picks as well as five honorable mention titles for a total of 15 titles.  The list was compiled from consideration of the titles’ overall musical and lyrical content.  That content taken into consideration made this list anything but easy.  No offense was meant to any of the band featured on this list.  With that in mind, here is Phil’s Picks 2019 Top 10 New Rock Albums.

 

PHIL’S PICKS 2019 TOP 10 NEW ROCK ALBUMS

  1. Caleb Johnson — Born From Southern Ground
  2. Set It Off — Midnight
  3. Neal Morse — Jesus ChristThe Exorcist
  4. KXM — Circle of Dolls
  5. Buckcherry — Warpaint
  6. Collective Soul — Blood
  7. Aree & The Pure Hearts — Never Gonna Die
  8. The Sh-Booms — The Blurred Odyssey
  9. Lullwater — Voodoo
  10. The Magpie Salute — Highwater II
  11. Queensryche — The Verdict
  12. L.A. Guns — The Devil You Know
  13. Them Guns — From The Shadows
  14. Myrath — Shehili
  15. Stone Leaders — Stone Leaders

 

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‘Shehili’ Is A Solid Return For Myrath

Courtesy: earMusic

Prog-metal band Myrath is gearing up to head back out on the road next month.  The band’s upcoming European tour schedule – set to launch Oct. 29 in Oslo, Norway – is in support of the band’s fifth full-length studio recording Shehili.  The album is a presentation that is certain to appeal to a wide range of audiences, not the least of which being the band’s own longtime fans.  It will appeal just as much to prog-metal fans in general as to Myrath’s own fans.  This is evident early on in the form of ‘Born To Survive.’  It will be discussed shortly.  ‘Wicked Dice,’ which comes almost halfway through the album’s run is another of the album’s most notable entries that proves the album’s far-reaching appeal.  The album’s title track, which is also  the album’s finale, is yet another of the most notable additions that serves to show the album’s wide appeal among prog-metal fans.  It will also be addressed later.  When it is considered alongside the other two songs noted here and the likes of ‘You’ve Lost Yourself,’ ‘Monster in My Closet’ and ‘Mersal,’ that grouping – along with the rest of the album’s offerings – makes the album in whole a work that is one of this  year’s most notable new prog-metal offerings.

Myrath’s fifth full-length studio album is one of this year’s top new prog-metal albums.  It is a work that will appeal not just to Myath’s longtime fans but prog-metal fans in general who might not be so versed in the band’s catalog.  That is proven in part through the album’s first full song, ‘Born To  Survive.’  The song’s musical arrangement continues to cross the band’s familiar Middle Eastern musical roots, that have been incorporated into each of its past four albums, with its equally familiar heavy prog-metal sound for a whole that gives the album a solid start.  What is most notable about that prog-metal sound is that it can easily be likened to the sounds of some of Dream Theater’s greatest compositions.  It is important to note here that while the Dream Theater influence is obvious here, the band does not just rip off Dream Theater’s music and claim it as its own.  Rather, the band takes that influence and uses it to create its own equally powerful composition that will keep audiences engaged and entertained throughout its three-and-a-half-minute run time.  That heavy arrangement is just one part of what makes the song stand out.  Its lyrical content, which seems to focus on the issue of someone overcoming the people who set out to ruin others’ lives, is just as important to its whole.

Front man Zaher Zorgati sings in the song’s lead verse, “I have been deceived/Those I believed/Vultures and thieves/You are just liars/In my eyes/For envy and lust/You broke my soul/Took all of me/I faced betrayal/You evil liars/I stumbled on the way/You’ve rattled all my faith/Now I am whole again/I turn the page today.”  He continues in the song’s second verse, “Come bring it on/Give all you’ve got/When we’ll be done/You’ll get to know/I’m stronger than you thought/Way over, I will survive you/Judas outshine you.”  Zorgati leaves little doubt here as to the song’s lyrical message, which is a very good thing.  This is someone who has dealt far too long with some very bad people, but has not let those people get the better of him/her.  That is another aspect that makes this song’s lyrical content so important.  Gender is not  noted, so it can relate to males and females alike.  Sure, it is not the first time that any band/singer has ever crafted a song about overcoming the adversity of such people, but it is still a subject matter that is welcome any time it is presented.  That is because every listener can always benefit from such a reminder.  When this is all considered alongside the power in the song’s musical arrangement, the whole of the content serves to show why the song is such an important addition to Shehili.  While the song by itself goes a long way toward proving the album’s place among this year’s field of new prog rock  and metal albums, it is just one of the songs that serves that purpose.  ‘Wicked Dice’ is another of the album’s entries that serves that purpose.

‘Wicked Dice’ comes almost halfway through Shehili’s run.  The song’s musical arrangement forms its foundation, once again demonstrating the already noted Dream Theater influence.  Again, that influence, while there, is just that.  The band has taken said influence and used it to create yet another heavy work with its own identity.  The use of the strings and Middle Eastern elements creates a symphonic sound that couples with the arrangement’s heavier elements for a whole that makes the song easily comparable to some of the works from the band’s most recent album, Legacy (2016).  That comparison is made in the best way possible, too.  The arrangement does a lot to make the song widely appealing in its own way to the noted prog-metal audiences, and is just one part of what makes the song stand out.  Its lyrical content plays its own part in the the song’s presentation, too.

Zorgati sings in the song’s lead verse, “How can’t I see/The glow in your eyes/Flowing on the shape of your lies/Wake up to be/More than a dream/Fall into my trap/Let us roll the dice/Who knows when we will die/let it be/Let me catch your signs/Holding on, on and on/Faking the silence/Let me see underneath your eyes/Holding on, on and on/I’m breaking your laws.”  He continues in the song’s second verse, “I’m breaking your mind/Don’t knock it until you have tried it for a night/You won’t be cast aside/Let us play, yeah.”  This one is a little more difficult to decipher than the album’s opener.  It would seem this is someone addressing another subject, trying to figure out who that second subject really is.  This is inferred as Zorgati sings, “How can’t I see/The glow in your eyes/Flowing on the shape of your lies.”  It is almost as if the song’s main subject is saying, ‘why can’t I see the real you?’  That is inferred even more in the song’s chorus as he sings, “Let me catch your signs/Holding on/Faking the silence/Let me see underneath your eyes.”  He seems to be saying to the second subject, ‘Let me see who you really are. Let me in.”  This, as always, is just this critic’s own interpretation and could be incorrect.  Hopefully it is somewhere close to being right if not being right.  With that in mind, the song’s lyrical content here would seem to be another situation to which plenty of listeners can relate.  That is if in fact, this critic’s interpretation is right.  Who has not been in that situation of trying to figure out who someone really is, regardless of the relationship?  The tone in the song’s musical arrangement builds on that seeming story, making the song that much more impacting.  When that impact is considered along with the impact of  ‘Born To Survive,’ the two songs together show even more why Shehili is an important addition to this year’s field of prog-metal offerings.  The songs are not the album’s only key additions.  The album’s finale/title track also serves, in its own way, to show why Shehili is one of this year’s most notable prog-metal albums.

‘Shehili’ is a fitting finale accent to this record with the intense dynamic changes throughout the course of its nearly four-and-a-half-minute run time.  The song opens powerfully with a full-on orchestra/hard rock combination that eventually gives way to the more subdued verse.  That subdued sound is offset with the heavier sound of the song’s choruses.  The juxtaposition of those moods makes the song’s musical arrangement in whole, engaging and entertaining in its own right.  It is just a part of what makes the song stand out, too.  The song’s lyrical content is just as important to the song’s whole as its musical arrangement.

This song’s lyrical story seems to come across as a love letter to the band’s homeland. That is inferred from the song’s very title, ‘Shehili,’ which is supposedly a dry, warm Saharan wind.  Given, Tunisia is not a Saharan or even sub-Saharan nation (it actually sits along the northern coast of Africa along the Mediterranean Sea), however, what is known as the Saharan Air Layer does cover large portions of North Africa.  Research shows the Saharan Air Layer is a collection of sand, dirt and dust that is lifted into the air above the North African desert region.  Tunisia is within that region.  Keeping all of this in mind, it makes even stronger ,the argument that perhaps this song is a love letter to Myrath’s home nation.  This is inferred as Zorgati sings in the song’s lead verse, “Open your sail for me/Like a soul searching to flee/In all that silence, be free/I’d like you to hear my plea/My face in the hot dry wind/On and on/And on and on/I’ll never be/Ever misled again/On my way home.”  The mention of the hot, dry wind seems to coincide with the natural phenomenon that is the Saharan Air Layer.  The added mention of never being misled again “On my way home” would seem to address that love for the nation.  He continues on even stronger, in the song’s second verse, “It’s like a gale to me/Don’t wanna lie to me/Walking alone to the sea/It’s my homeland that I need.”  There in itself is even more proof that this song seems to be a love letter to Myrath’s home nation, the very statement, “Walking to the sea/It’s my homeland that I need.”  Again, Tunisia is bordered on the north by the Mediterranean Sea.  It would seem that is what he is referencing.  The song’s chorus continues from here with the mention of the hot, dry wind and being “on my way home.”  Considering this and everything else noted, it would seem that lyrically speaking, ‘Shehili’ is really a love letter to Myrath’s home.  There is nothing wrong with that.  When this seeming message is coupled with the song’s powerful musical arrangement, the whole of those two elements makes the song a strong finish for Shehili and yet another example of why the album is one of this year’s most notable prog-metal albums.  The songs, considered along with the likes of ‘You’ve Lost Yourself,’ ‘Monster in My Closet’ and ‘Mersal,’ and the rest of the album’s entries strengthens that argument even more.  All things considered, the album proves itself another impressive release for longtime Myrath fans and for prog-metal fans in general.

Myrath’s fifth full-length studio recording Shehili is a strong contender for a spot on any critic’s list of the year’s top new prog-metal albums.  It is a presentation that will appeal just as much to Myrath’s established fan base as it will to prog-metal fans in general.  That is due to a full grouping of prog-metal arrangements and to lyrical content that is just as powerful as its musical counterparts.  All three of the songs noted  here, and the rest of the album’s offerings, show that in their own way.  All things considered, they make Shehili just as appealing for those who are new to Myrath and its works as it will be to the band’s established fan base.  More information on the album is available online now along with all of the band’s latest tour news and more at:

 

 

 

Website: http://www.myrath.com

Facebook: http://www.facebook.com/myrathband

Twitter: http://twitter.com/myrath

 

 

 

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