Brian Setzer Orchestra Announces Details For 12th Annual Christmas Rocks! Tour

Courtesy: Surfdog Records

Courtesy: Surfdog Records

Late last month, Brian Setzer announced that he and his band The Brian Setzer Orchestra will release the group’s first full-length holiday album in roughly a decade later this fall. Today, Setzer followed up that announcement with another big announcement for fans. Setzer announced today that it will hit the road this fall and winter for the 12th annual Christmas Rocks! Tour.

The Brian Setzer Orchestra will embark on the 12th annual Christmas Rocks! Tour beginning Saturday, November 14th at the Orpheum Theatre in Minneapolis, Minnesota. The tour will see the group performing a total of thirty-one dates, including one in North Carolina’s “Queen City” on Friday, December 4th at the Ovens Auditorium. Pre-sales for the tour begin Wednesday, August 19th at 10am ET. they can be purchased online via Brian Setzer’s official website at Being that this tour marks the frst time in roughly a decade that Setzer and company will be touring in support of a new holiday album, Setzer has been understandably upbeat about the tour. “It’s always exciting to add new songs,” he said about the tour’s set list. “I’m thinking about opening with ‘Rockin Around the Christmas Tree.’ We have never done that one before.” The complete schedule for the BSO’s upcoming Christmas Rocks! Tour is listed below.

Catch the 2015 “Christmas Rocks! Tour” in the following cities:
Minneapolis, MN
Orpheum Theatre
Omaha, NE
Orpheum Theatre
Waukegan, IL
Genesee Theatre
Detroit, MI
Fox Theatre
Northfield, OH
Hard Rock Live
Atlantic City, NJ
Caesars Atlantic City – Circus Maximus
Buffalo, NY
University of Buffalo – Center for the Arts
Stamford, CT
Palace Theatre
Wilkes Barre, PA
Kirby Center for the Performing Arts
Mashantucket, CT
Foxwoods Resort Casino – Grand Theater
Englewood, NJ
Bergen Perfroming Arts Center
Westbury, NY
Theatre at Westbury
Red Bank, NJ
Count Basie Theatre
Charlotte, NC
Ovens Auditorium
Atlanta, GA
Cobb Energy Performing Arts Centre
Nashville, TN
Ryman Auditorium
New Orleans, LA
Saenger Theatre
Austin, TX
ACL Live at the Moody Theatre
Allen, TX
Allen Event Center
San Antonio, TX
Majestic Theatre
Tucson, AZ
Fox Tucson Theatre
Phoenix, AZ
Celebrity Theatre
Los Angeles, CA
Microsoft Theater
Indio, CA
Fantasy Springs Resort Hotel & Casino – Event Center
Bakersfield, CA
Fox Theater
Santa Rosa, CA
Wells Fargo Center for the Arts
San Francisco, CA
Warfield Theater
Spokane, WA
Martin Woldson Theater at The Fox
Seattle, WA
Benaroya Concert Hall
Calgary, AB
Grey Eagle Resorts and Casino

More information on the 12th annual Christmas Rocks! Tour is available online now along with all of the latest updates on the band’s new holiday album Rockin’ Rudolph at:




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Zodiac’s Road Tapes Volume I Is A Solid Debut Live Recording

Courtesy:  Prosthetic Records

Courtesy: Prosthetic Records

Summertime is here.  Okay, meteorological summer doesn’t officially start until later this month.  But don’t tell that to all of the music acts out there that have already hit the road and that are getting ready to hit the road once again.  Whether one be a fan of pop, country, rock or even EDM, this time of year brings lots of options for audiences.  While audiences do in fact have plenty of options when it comes to the annual live summer concert season, there are also just as many shows that audiences won’t get to see whether for reasons of finance or simply because of said acts’ tour schedules.  So what is one to do when going to a given concert isn’t an option regardless of whether for financial reasons or that of an act’s scheduling?  Answer:  Go pick up the act’s latest live recording.  There are just as many options for audiences when it comes to live recordings as there are actual live concerts.  The options offered this year are just as many as in any year in recent history.  So that leads back to the annual question of which show or shows to take in.  This critic has another new choice for audiences right now.  That choice is Zodiac’s new live digital release Road Tapes Volume I.  This recording is one of 2015’s top new live audio-only recordings.  In other words, if it were to be released on CD, it would be one of this critic’s top new live CD-specific recordings.  As with any live recording, it proves this first and foremost in its set list.  The set list, which clocks in at just under the ninety-minute mark, is a solid representation of the band’s current catalogue.  The recording’s audio mix is just as solid as its set list.  Not once do audiences have to adjust the volume on their MP3 player or radio (for those that burn the recording to CD) in the recording’s seventy-four minute run time.  Last but hardly least noting is the band’s stage presence.  The band doesn’t waste much time in between songs.  Rather it spends most of its time and energy letting the music do the talking.  Even doing so, the performance presented here exhibits a band that is currently at the top of its game.  Audiences that download this recording will agree with that sentiment.  They will also agree that taking into consideration that when coupled with its set list and audio mix, the band’s stage presence translated through its performance rounds out the reasons that Road Tapes Volume I has made this critic’s list of the year’s best new live audio-only/CD recordings.

Zodiac’s new live recording Road Tapes Volume I is one of this year’s best new live audio-only/CD recordings.  The main way in which it shows itself deserving of a spot on that list is the recording’s set list.  The ten song, seventy-four minute recording is a solid representation of the band’s current catalogue.  All three of the band’s current albums are well represented here with Hiding Place being represented three times over with ‘Free,’ ‘Moonshine,’ and ‘Cortez The Killer.’  Sonic Child, the band’s most recent release is represented via ‘Swinging on the Run,’ ‘Holding On,’ ‘Rock Bottom Blues,’ and ‘A Penny and A Dead Horse.’  A Bit of Devil, the band’s 2012 Prosthetic Records debut release, is represented by ”Diamond Shoes,’ ‘Coming Home,’ and its title track.  That is, again, a relatively healthy sampling of the band’s work.  Such a healthy sampling of the band’s sound means that audiences that perhaps might not be so familiar with Zodiac’s body of work get a clear introduction to the band and its sound here.  The sequencing of the set’s songs makes the songs even more important to the whole of the recording.  From beginning to end, the band consistently balances its more up-tempo pieces expertly with its slower numbers.  The end result is a near ninety-minute set that will keep audiences completely entertained from beginning to end with every listen.  Being that it can so easily keep audiences engaged and that it represents the band’s body of work so well, Road Tapes Volume I’s set list shows within itself plenty of reason for audiences to download this recording regardless of their familiarity with Zodiac and its body of work.  It’s just one reason that audiences will want to download it, too.  The recording’s audio mix makes it just as enjoyable.

The work of those manning the audio boards for the concert presented in Road Tapes Volume I is just as notable as the set list that makes up the body of the recording.  At no one point does any one member of the band overpower the other.  This includes the balance of front man Nick van Delft’s vocal talents with those of his band mates and that of his band mates with one another.  The audio levels are so well balanced that van Delft’s vocals cut through like a knife from the concert’s opener to its final number.  That is a tribute to the person(s) charged with working the mics for the concert.  Believe it or not there are still audio engineers out there that struggle with that balance to this day.  That wasn’t the case with the work of this recording’s engineer(s).  It’s just one part of the way that the audio mix presented in this recording makes it so enjoyable.  The balance of the audio within the band’s performance to its rather short interludes is just as impressive.  Even though audiences do find themselves having to adjust the levels in these moments, those adjustments are minute at best.  Yet again that is a tribute to the work of the person(s) behind the boards for the recording.  Speaking of the band’s interludes they are very short to say the least.  This means again that any volume adjustments that audiences have to make are minor at worst.  It also means that the band doesn’t waste much time between songs.  Instead it lets the music do the talking and in turn present its stage presence.  That presence is the final aspect of Road Tapes Volume I that makes it so enjoyable.

Zodiac’s stage presence is the final element of its new live recording that makes it such an enjoyable listen.  The band’s stage presence is especially worth the note because it doesn’t waste any time either between songs or even within the course of its performance.  Its stage presence is defined largely by the performance of its songs.  The band’s performance is a direct throwback to the veteran jam bands that remain the foundation of the rock community to this day.  That is exhibited by the extended jam session-esque moments. The band is fully focused throughout those moments and through the rest of each song, too. That focus leads to a performance by the band that in whole will keep listeners completely engaged from start to finish within each song and from song to song. Simply put, the fact that the band’s presence can be so well-defined by its performance rather than by other elements is a tribute to the band and its talent. It shows that a band doesn’t need all the extras that so many acts use to maintain a solid presence and in turn entertain audiences. All it needs is a love for its craft and for its fans, and of course a certain level of talent. Luckily both for Zodiac and its fans, Zodiac displays every one of those elements in this recording making for one more positive to a recording that is again easily deserving of a spot on any critic’s list of the year’s best new live audio-only/CD recordings.

Zodiac’s new live recording Road Tapes Volume I is one of this year’s best new live audio-only/CD recordings. It uses a handful of evidence to prove this. That includes its extensive set list, its solid audio mix and the band’s very stage presence. Each element shows on its own just what makes Road Tapes Volume I such a worthwhile listen regardless of audiences’ familiarity with Zodiac and its body of work. Collectively they show why this recording is a solid first effort from the band in regards to live recordings and why it is also one of this year’s nest new live audio-only/CD recordings. It can be downloaded now digitally via iTunes at and via Amazon at It is also available in a very limited number of physical copies online via Zodiac’s online store at More information on this latest release from Zodiac is available online now along with the band’s latest tour updates and news at:



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Saxon Announces Dates For U.S. Leg Of Its “Warriors Of The Road” Tour

Courtesy: UDR/Adrenaline PR/MEtal Blade Records/Chipster PR

Courtesy: UDR/Adrenaline PR/MEtal Blade Records/Chipster PR

Legendary British metal band Saxon is gearing up to hit the road in the U.S. this spring.

The members of Saxon announced this week that the band will embark on the “Warriors of the Road” U.S. Tour in May. The tour is in support of the band’s recently re-issued recordings Heavy Metal Thunder and The Saxon Chronicles. Both recordings were re-issued February 24th. Heavy Metal Thunder included a bonus live recording titled Live at Bloodstock. The double-disc DVD The Saxon Chronicles was accompanied by a bonus live recording titled Rock ‘n’ Roll Gypsies 1989 Live.

Saxon’s upcoming tour kicks off on Tuesday, May 12th at BB King’s in New York City and will run through Saturday, May 30th in Los Angeles, California. One of the scheduled dates is a performance at the annual Rock on the Range Festival on Saturday, May 16th in Columbus, Ohio. Saxon will be joined by Armored Saint for the majority of the tour’s scheduled dates. Judas Priest will join the band on a four-date string of shows from May 17th to May 21st. The complete “Warriors of the Road” tour schedule is listed below.

SAXON “Warriors of the Road” U.S. Tour w/ Armored Saint:

5/12 – New York City, NY @ BB Kings w/ Armored Saint

5/13 – Worcester, MA @ The Palladium w/ Armored Saint

5/16 – Columbus, OH @ MAPFRE Stadium (formerly Crew Stadium) @ Rock On The Range

5/17 – Cincinnati, OH @ The Shoe w/ Judas Priest

5/19 – St. Charles, MO @ Family Area w/ Judas Priest

5/20 – Council Bluffs, IA @ Harrah’s Casino-Stir Cove w/ Judas Priest

5/21 – Rosemont, IL @ Rosemont Theater w/ Judas Priest

5/23 – San Antonio, TX @ 210 Kapone’s Live w/ Armored Saint

5/24 – Dallas, TX @ Gas Monkey Live w/ Armored Saint

5/26 – Mesa, AZ @ Club Red

5/27 – Las Vegas, NV @ Vinyl at Hard Rock

5/29 – San Jose, CA @ Rock Bar w/ Armored Saint

5/30 – Los Angeles, CA @ House of Blues w/ Armored Saint

More information on the “Warriors of the Road” tour and all of the latest news from Saxon is available online at:





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One Way Mirror’s New Album Will Capture Any Rock Fan’s Attention

Courtesy:  Pavement Entertainment

Courtesy: Pavement Entertainment

Late last year this critic introduced audiences to a four-man band from Lyon, France called The Amsterdam Red Light District. The band’s new album Gone For A While proved to be an album that will keep the band around for quite a while. Now with the old year gone and a new year started, this critic has another band from France to introduce to the world. The band’s name is One-Way Mirror. The five-piece will release its second American release and fourth overall album next week in the form of Capture. The band’s latest LP is a solid record for anyone that might be new to the music of One-Way Mirror. That is thanks in large part to the approach taken by the band on this record. The twelve-track, fifty-one minute record utilizes a melodic hard rock sound that makes it a good fit for any mainstream American rock radio station considering the current climate of mainstream rock. One way that it proves this is through the electro-rock sound of ‘Warnings.’ The song starts with a keyboard line that conjures thoughts of Nine Inch Nails circa 2007. From there it builds into a full-on opus that is sure to have any listener singing along. The string arrangements and keyboards that are incorporated into the album’s closer ‘We Love To Complain’ make it stand out just as much in its own way. And the band’s rocked out take on ‘Lady Marmalade’ will entertain audiences just as much. One of the elements of this cover that makes it so intriguing is the similarity in sound to the likes of Saliva and Fozzy. Front man Guillaume Bideau even sounds like Fozzy front man Chris Jericho at points while the song’s overall musical side hints clearly at influence from both Fozzy and Saliva if not other bands. It’s just one more of the album’s dozen total tracks that makes the record in whole well worth the listen and worth the play by radio programmers across the country.

One-Way Mirror’s latest full-length studio release Capture is a rather aptly titled record. That is because thanks to the mix of musical stylings from one song to the next, the record is certain to (bad pun fully intended here) capture the attention of any rock devotee. There is a hint of rap-rock at random points throughout the record. There is also a throwback to the days of big hair and even bigger riffs at another. And as is evident in ‘Warnings,’ there is even a semi-industrial element thrown in for good measure. Speaking of ‘Warnings’ it is one of the strongest of the album’s songs. The song starts off with a keyboard line that sounds like it was lifted right from Nine Inch Nails’ 2007 album Year Zero. The vocal harmonies that are laid over the keyboard line are similar stylistically speaking to so many other acts being played on any mainstream radio station across America. Lyrically, if the song is to be properly interpreted, it comes across as being something of an introspective opus with Bideau singing, “Why in the hell did we turn into this/It’s not always easy to be yourself/Not easy to be yourself/Could we change/Could we change ourselves/Let’s close our eyes/When we’re frightened by ourselves/We’re frightened by ourselves/So many warnings…so many feelings I’ve hidden inside…” He goes on to ask “how much are ?” It almost comes across as a song questioning a person’s feelings toward himself or herself. That could be entirely wrong, of course. It is merely the interpretation of this critic. It would be interesting to find out the true meaning behind the song’s lyrics. That aside, the song’s musical side makes for enough reason to listen to the song. That it could create such discussion on its lyrics only serves to make it all the stronger of an anchor for Capture. It isn’t the only song that makes Capture worth the listen, either. The band’s rocked up take of ‘Lady Marmalade’ adds even more reason to listen to this record.

‘Warnings’ is one of the most notable moments offered by One-Way Mirror on its upcoming album Capture. The song’s seemingly Nine Inch Nails-influenced sound and deep, thoughtful lyrics together make the song a solid anchor for the album. It isn’t the album’s only solid moment, either. The album’s closer ‘We Love To Complain’ is another of the album’s high points. It starts off gently just as with ‘Warnings’ before launching into a sound similar to that of so many radio friendly bands from the 90s and from music’s current era. The string arrangements that are used to introduce the song expertly set the mood for the song thanks to the notes’ staccato approach and minor key. It is so easy to see this song becoming a favorite among fans both on record and in a live setting. Lyrically, the song comes across as a piece that takes on those people who never seem to be happy about life no matter the situation. The argument can be made as Bideau sings, “Cause we have all that we want/Cause we have all that we need/But it’s never enough and we’re wasting it all/We can be anything we want…but we can never get enough.” As the song progresses, it displays increasingly a Euro-metal sound akin to Lacuna Coil and others of its ilk complete with huge keyboard and string arrangements that soar alongside the band’s own lines. As with ‘Warnings’ the coupling of that musical and lyrical depth makes it just as solid and strong an anchor for the album.

Both ‘Warnings’ and ‘We Love To Complain’ prove to be solid points for Capture. While both songs prove important additions to the album’s body, they are hardly the album’s only songs that listeners will like. The band’s take on ‘Lady Maramlade’ is just as certain to entertain listeners. One wouldn’t think that amping up a classic pop song such as ‘Lady Marmalade’ and would work. But somehow One-Way Mirror made it work. And it did so quite impressively, too. Musically speaking, the song mixes elements of hard rock with classic arena rock from the days of big hair and even bigger riffs to make a song that will, again, capture any listener’s attention. At times Bideau himself sounds like Fozzy front man and superstar wrestler Chris Jericho. If audiences were listening to this song and didn’t know it was Fozzy, that factor alone would make them think that they were listening to Fozzy. At other times, there is a southern sludge-rock feel about the song. Once again, it sounds like an odd combination to have a song such as ‘Lady Marmalade’ handled in such fashion considering that this song is commonly sung by female artists. But it works here nonetheless. As a matter of fact it works so surprisingly well that it would be no surprise if this song also becomes a live favorite. If for no other reason than this cover, audiences will want to check out this album when it is released next week. Who knows, maybe after hearing this song, audiences will give a chance to the others noted here and to those not noted including the full throttle ‘F*** Your Autotune,’ the radio ready riffs in ‘Cliffs,’ and the aggro-rock sound of the album’s opener ‘Stinkin’ of Gold.’ Whether it be for any of those songs or the remaining six works not noted, audiences will find plenty of reason to take in One-Way Mirror’s new album and let it *ahem* capture them.
Capture is currently scheduled to be released next Tuesday, January 27th via Pavement Entertainment. The band currently has no tour dates scheduled. When the band announces its latest tour dates, audiences can find them and all of the latest updates from the band online at:





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10 Years Announces Tour In Support Of New Album

Courtesy:  Street Smart Marketing

Courtesy: Street Smart Marketing

Hard Rock band 10 Years will debut its latest full-length studio recording this spring. The album, From Birth To Burial, is the band’s sixth full-length studio effort . The band released its debut album Into The Half Moon in 2001. In anticipation of the upcoming album the band announced this week that it will hit the road in support of its new record beginning Tuesday, February 10th on the “From Birth To Burial Tour” presented by Revolver Magazine.

The “From Birth To Burial” tour kicks off Tuesday, February 10th in Sauget, IL and runs for a total of five weeks. It winds down March 21st in Fort Wayne, Indiana. Las Vegas, Nevada’s Otherwise has been tapped as one of the supporting acts for the tour along with Glorious Sons and 10 Years’ fellow Knoxville, TN-based band Luminoth. Otherwise’s addition to the tour is part of the band’s continued push in support of its latest release Peace At All Costs. Peace At All Costs was released last year via Century Media’s “sister” label Another Century. The complete schedule for the “From Birth To Burial” tour is listed below.



10 Sauget, IL – Pop’s Nightclub

11 Omaha, NE – Sokol Auditorium

13 Denver, CO – Marquis Theatre

14 Colorado Springs, CO – The Black Sheep

15 Salt Lake City, UT – In The Venue

17 San Francisco, CA – DNA Lounge

18 Las Vegas, NV – Vinyl

19 San Diego, CA – Brick By Brick

20 Tempe, AZ – The Marquee

22 Lubbock, TX – Jake’s Ballroom

24 Abilene, TX – The Silo

25 San Antonio, TX – 210 Kapones Live

26 Dallas, TX – Trees

27 Houston, TX – Scout Bar

28 Baton Rouge, LA – Varsity Theatre


02 Destin, FL – Club LA

03 Birmingham, AL – Iron Horse

04 Nashville, TN – Mercy Lounge

06 Louisville, KY – Expo Five

07 Atlanta, GA – Masquerade (10 Years Fan Summit)

08 Newport, KY – Thompson House

10 Lancaster, PA – Chameleon Club

11 Allston, MA – Brighton Music Hall

13 Baltimore, MD – Rams Head Live

14 Pittsburgh, PA – Mr. Smalls Theatre

15 Flint, MI – The Machine Shop

17 Battle Creek, MI – Music Factory

18 Arlington Heights, IL – Home Bar

19 Spring Lake Park, MN – POVS

20 Ringle, WI – Q  and Z Expo Center

21 Ft. Wayne, IN – Piere’s Entertainment Center

All of the latest updates from 10 Years on its upcoming album and tour is available online at:




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Datsik Announces Additions To Schedule For Upcoming “Ninja Nation Tour”

Courtesy:  MSO PR

Courtesy: MSO PR


Dubstep artist Datsik announced last week new additions to his current “Ninja Nation Tour.”

Datsik announced additional dates in Chattanooga, TN, Urbana, IL, Iowa City, IA, Lincoln, NE, Milwaukee, WI, San Diego, CA, Los Angeles, CA, Riverside, CA, Asheville, NC, Raleigh, NC and Murfreesboro, TN. The tour kicks off Thursday, January 22nd at the House of Blues in Boston, MA. It is in support of Datsik’s recently released EP Down 4 My Ninjas. Audiences can stream the EP now online via Soundcloud at It should be noted that there is some explicit language in some of the music. So listener discretion is advised.

ETC! ETC!, Kennedy Jones, Trolley Snatcha, Truth, Barely Alive, Bear Grillz, Fox Stevenson and Twine have all been tapped to join Datsik as special guests on select dates throughout his tour. Loudpvck will also be on the bill beginning with the tour’s opening night performance. From there Loudpvck will serve as support act in Washington, D.C. on February 6th and in New York City on January 24th.

The current listing of dates for the “Ninja Nation Tour” is noted below.

Dates for DATSIK’s Ninja Nation Tour thus far are:

Thu 1/22 Boston, MA House of Blues
Fri 1/23 Montreal, QC Metropolis
Sat 1/24 New York City, NY Terminal 5
Sun 1/25 Burlington, VT Higher Ground
Wed 1/28 Buffalo, NY Town Ballroom
Thu 1/29 Syracuse, NY F Shed at The Market
Fri 1/30 Hartford, CT The Dome
Sat 1/31 Philadelphia, PA Electric Factory
Wed 2/4 Knoxville, TN The International
Thu 2/5 Norfolk, VA Norva
Fri 2/6 Washington, DC Echostage
Sat 2/7 Richmond, VA National
Sun 2/8 Pittsburgh, PA The Altar Bar
Mon 2/9 Pittsburgh, PA The Altar Bar
Wed 2/11 Cleveland, OH House Of Blues
Thu 2/12 Cincinnati, OH Bogart’s
Fri 2/13 Atlanta, GA Opera
Sat 2/14 Detroit, MI Royal Oak Music Theatre
Tue 2/17 Chattanooga, TN Track 29
Wed 2/18 Urbana, IL Canopy Club
Thu 2/19 Indianapolis, IN Egyptian Room
Fri 2/20 Chicago, IL Concord
Sat 2/21 Chicago, IL Concord
Tue 2/24 Iowa City, IA Blue Moose
Wed 2/25 Lincoln, NE Bourbon Theatre
Thu 2/26 Milwaukee, WI Miramar Theatre
Wed 3/4 Aspen, CO Belly Up
Thu 3/5 Grand Junction, CO Mesa Theater
Fri 3/6 Denver, CO Ogden
Sat 3/7 Denver, CO Ogden
Wed 3/11 San Diego, CA Soma
Thu 3/12 Los Angeles, CA Exchange
Fri 3/13 Riverside, CA Riverside Auditorium
Sat 3/14 San Francisco, CA Warfield
Sun 3/15 Reno, NV The Knitting Factory
Wed 3/18 Victoria, BC Distrikt
Thu 3/19 Edmonton, AB Encore
Fri 3/20 Vancouver, BC Commodore
Sat 3/21 Calgary, AB Flames Central
Fri 3/27 Seattle, WA Showbox Sodo
Sat 3/28 Portland, OR Roseland Ballroom
Wed 4/1 Lubbock, TX Wild West
Thu 4/2 San Marcos, TX The Marc
Fri 4/3 Houston, TX Stereo Live
Sat 4/4 El Paso, TX Tricky Falls
Wed 4/8 Asheville, NC The Orange Peel
Thu 4/9 Raleigh, NC The Ritz
Fri 4/10 Charlotte, NC Fillmore
Sat 4/11 Murfreesboro, TN Tempt

Audiences can join Datsik’s fanclub online now at Once there, audiences can purchase a limited number of specialty-priced $20 tickets to the “Ninja Nation Tour.” Fans can also win special prizes after joining Datsik’s fan club and get in on all the events going on around each show. Tickets to the shows are available online now at

More information on Datsik’s upcoming “Ninja Nation Tour” and all of the latest updates from Datsik is available online at:





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(hed) p.e. Kicking Off 2015 With New Slate Of Live Dates

Courtesy:  Pavement Entertainment

Courtesy: Pavement Entertainment

(hed) p.e. will spend the first part of 2015 on the road.

The members of (hed) p.e. announced Monday a new slate of tour dates. The band’s latest tour schedule kicks off Friday, January 9th in Colorado Springs, Colorado and runs winds down Friday, February 6th in Lincoln, Nebraska. The latest tour schedule is in continued support of the band’s latest full length studio release Evolution.

Powerman 5000 has been tapped to join (hed) p.e. for its upcoming twenty-four date tour. It is also touring in support of its own new full-length studio effort Builders of the Future.

More information on (hed) p.e. and its tour is available online at:





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