Arrow Video Announces ‘Robocop’ 4K UHD/Steelbook and ’12 Monkeys’ 4K UHD Re-Issue Dates

Courtesy: Arrow Video

Arrow Video is scheduled to re-issue Orion Pictures’ 1987 crime/action thriller Robocop again next month, along with a new re-issue of Universal Pictures’ 1995 movie 12 Monkeys.

The company’s re-issue of Robocop is scheduled for release April 12 on 4K UHD steelbook and will come more than two years after the company’s most recent re-issue of the movie. Robocop centers on a Detroit police officer who becomes half-man-half robot, all crime fighter after he is gunned down by members of a notorious gang. Ashe fights crime on the streets of his beloved city, there is also strife within the department, which is owned by an equally notorious group, known as OCP. While not a gang, it still exerts its own influence on the department and city. Arrow Video’s forthcoming 4K UHD steelbook re-issue of Robocop will retail for MSRP of $49.95. A trailer for the movie is streaming here.

Courtesy: Arrow Video

Arrow Video’s 12 Monkeys 4K UHD re-issue is scheduled for release April 26. The movie stars Bruce Willis (Die Hard 1-5) as a convict named James Cole, who has to travel back in time from 2035 to 1990 in order to stop the outbreak of a plague that wiped out most of the human race, but no animals. If Cole can stop the plague and the group associated with the plague, he will win his parole. When Cole is imprisoned in a psychiatric Ward for his warnings, things get even more difficult. 12 Monkeys will retail for MSRP of $49.95. A trailer for the movie is streaming here.

Both titles are available to order here.

More information on these and other titles from Arrow Video is available online now at:




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Arrow Video’s ‘Robocop’ Director’s Cut Re-issue Adds Greatly To The Movie’s Legacy

Courtesy: Arrow Video

Fans of Orion Pictures’ classic science fiction action flick Robocop will get a special treat early next year with the release of the Director’s Cut of the movie on Blu-ray.  Scheduled for release on Feb. 11 through Arrow Video, this latest re-issue of the 1987 classic is a presentation that will appeal to the movie’s most devoted audiences.  That is due in large part to the bonus content featured this time out.  It will be addressed shortly.  The general presentation of the movie adds to that appeal and will be addressed a little later.  The movie’s average price point is money well spent by the noted audiences.  It will be addressed later, too.  Each item noted is crucial in its own way to the whole of Robocop: Director’s Cut.  All things considered, they make this latest presentation of Robocop a must have for the noted audiences.

Arrow Video’s forthcoming Blu-ray re-issue of Robocop is the best treatment of the classic sci-fi action flick to have seen the light of day so far.  It is a presentation that will appeal easily to the movie’s most devoted audiences.  That is due in no small part to the re-issue’s collective bonus content.  Featured in this release are a series of new bonuses focused on the movie’s soundtrack, its creation, the preservation of its props and its cinematography (and other new bonuses) along with archived extras, such as an Easter egg presentation about Director Paul Verhoeven’s appearance in the movie, deleted scenes and more.  The new bonus features give audiences much to appreciate in their own right.  Audiences learn in the new bonus “Creating Robocop” a lot of new information.  One of the most intriguing tidbits that audiences learn through this feature, which finds the movie’s co-writer Michael Miner discussing the movie’s creation, is that the movie originally received an “X” rating from the MPAA.  That was largely because of the excessive blood, gore and violence.  Miner explains that he and the movie’s other creative heads had to make a lot of changes just to get the movie down to an “R” rating.  That would explain the reasoning for presenting this Director’s Cut.  It gives audiences Robocop in its original, unedited format.  Miner also discusses during his feature, the plot elements incorporated into the script, such as predatory capitalism, workers’ unions and the sociological aspect of the story.  As if that is not enough, he also reveals that if not for director Paul Verhoeven’s wife, the movie might never have even become a reality.  That will be left for audiences to discover for themselves.

The discussion on the movie’s soundtrack, another new addition to this release, finds a variety of figures discussing the attention that composer Basil Poledouris gave to the movie’s soundtrack.  Audiences learn that Poledouris went to painstaking efforts to make sure that the movie’s orchestral composition worked not just as an extra to the story, but as part of the story. It is explained that he made sure the music would rise and fall precisely with the story’s action right down to the second.  The respect shown to Poledouris for his work on the movie’s soundtrack, coupled with the explanations of the time and effort put in to the soundtrack’s creation gives audiences a whole new appreciation for this aspect of the movie.

The discussion by Robocop “super-fan” Julien Dumont on his reasoning for collection adds its own share of interest in that it is not just another profile of a movie’s super-fan.  Dumont points out in his interview that he collected the props not just from Robocop, but its sequels, too, and that he collected them not for himself, but to preserve the legacy of those who took part in the trilogy’s creation.  He even points out that some of the items he has collected reside today, in a cinema museum in France for everyone to see.  That is proof positive that he is not just a super-fan.  Rather, it shows that he is a super-fan who wants to share his love of the Robocop trilogy with everyone.  That shows a real love and respect for the work put in by those responsible for the creation of Robocop and its sequels.  He even has the script from Robocop, and points out the final scene that is presented in the final product is not the original ending.  The original ending is actually featured as one of the deleted scenes, which are also featured in this release.

The original final scene of Robocop actually finds Murphy’s partner, Officer Lewis, recovering from her wounds in a hospital bed, being interviewed by the press.  That scene cuts to the news anchors who are used throughout the movie, offering support to law enforcement.  It’s just one of the deleted scenes featured with the movie’s re-issue.  It adds a new touch to the movie’s presentation.  When the deleted scenes, which are previously released, are coupled with the rest of the movie’s new and archived extras, the whole of the bonus content makes this re-issue more than worth the money paid for the presentation.  That item – the re-issue’s price point – will be addressed later.  Before touching on that item, the actual presentation in the Director’s Cut of Robocop will be addressed.

As noted previously, audiences learn through one of the new bonus features included with the re-issue, Robocop actually received an “X” rating because of its blood and gore.  One of the deleted scenes shows there was actually some female nudity, too.  One scene was one of the media breaks, this time featuring two topless women making pizza in an advertisement, and the host even taking advantage of both women.  That scene obviously is not in the final cut, but the blood and gore incorporated into the original cut is here, complete with Murphy’s hand being shot off, a bullet being shot through his head in the “torture killing” scene.  There is also a scene with one person being run over and killed late in the movie, as well as lots more blood, gore and violence.  Simply put, the presentation of Robocop that audiences get here is the original vision for the movie.  That means audiences get in this cut, Robocop as it was originally meant to be seen, explicit content and all.  Keeping that in mind along with the expansive bonus content featured with the re-issue, the collection of all that content gives audiences that much more to appreciate.

The collective primary and secondary content featured in the forthcoming Director’s Cut of Robocop goes a long way toward making this latest re-issue of Robocop a positive addition to the home library of any of the movie’s fans.  Keeping in mind how much content the Director’s Cut of the movie offers the noted audiences, it makes the presentation’s average price point relatively affordable.

The average price point of Robocop: Director’s Cut is $31.75.  That price was obtained by averaging prices listed at Amazon, Walmart, Target, Best Buy and Books-A-Million.  It was not listed at Barnes & Noble Booksellers at the time of this review’s posting.  The least expensive of the listings — $26.42 – was at Amazon and Walmart while the most expensive listing was at Books-A-Million.  That retailer’s price listing for the product was $49.95. Best Buy and Target each listed the movie’s Director’s Cut at $27.99.  While Best Buy and Target might not have had the lowest of the price listing, they still came in below the average price range.  Books-A-Million’s price listing proved to be the only listing the topped that number.  To that end, separate listings of less than $30 and an average listing of just over $30 is still relatively affordable and money well spent by those who are true devotees of Robocop.  Keeping this in mind, the average price point of Robocop: Director’s Cut proves to be its own positive within the bigger picture of the re-issue’s presentation.  To that end, that price point and content come together to make the whole of this re-issue a positive for any longtime fan of Robocop.

Arrow Video’s forthcoming Director’s Cut reissue of Robocop is a presentation that succeeds greatly in its effort to entertain the most devoted fans of this classic action flick.  That is due in large part to the bonus content featured with the movie.  Between the new content and the archived interviews and other items, the expansive bonus content offers audiences much to appreciate.  The content is also available on the standard Blu-ray re-issue that was released Nov. 26, also through Arrow Video.  The full, unedited cut of the movie, which is far more explicit in its content than the theatrical version adds to the appeal for the noted audiences.  That collective primary and secondary content comes together to make the movie’s average price point, which is in itself affordable, that much more appealing to audiences.  Each item noted here is important to the whole of Robocop: Director’s Cut.  All things considered, they make the movie’s presentation a strong new offering from Arrow Video that will certainly appeal to plenty of Robocop fans.  Robocop: Director’s Cut is scheduled for release on Feb. 11, 2020 through Arrow Video.  More information on this and other titles from Arrow Video is available online now at:










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Arrow Video To Re-Issue ‘Robocop’ Next Month

Courtesy: Arrow Video

Arrow Video will re-issue Orion Pictures’ classic science fiction crime thriller Robocop next month.

The movie, which made its theatrical debut in 1987, follows Detroit Police Officer Alex Murphy (Peter Weller — Robocop 2Longmire24) as he becomes the future of law enforcement after being gunned down by a group of criminals.  Murphy is turned into a half-human/half-machine crime fighter and ends up uncovering corruption at the city’s highest levels as he combats crime throughout the city.

The movie’s upcoming re-issue will feature the original theatrical version and its director’s cut.  They are accompanied by a variety of bonus features,  such as archived commentary by the movie’s director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier; newly filmed interviews with the movie’s casting director and second unit director Julie Selzer and Mark Goldblatt, and retrospective on the movie’s soundtrack composer Basil Poledouris.

The bonus content featured in the Blu-ray presentation and steelbook presentation is the same.  The complete list of the movie’s bonus content is featured below.

Bonus Materials

  • 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven
  • Newly commissioned artwork by Paul Shipper
  • Director’s Cut and Theatrical Cut of the film on two High Definition (1080p) Blu-ray™ discs
  • Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 surround sound option on both cuts
  • Optional English subtitles for the deaf and hard of hearing on both cuts
  • Six collector’s postcards (Limited Edition exclusive)
  • Double-sided, fold-out poster (Limited Edition exclusive)
  • Reversible sleeve featuring original and newly commissioned artwork
  • Limited edition collector’s booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth, a 1987 Fangoria interview with Rob Bottin, and archive publicity materials (some contents exclusive to Limited Edition)
  • Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director’s Cut)
  • New commentary by film historian Paul M. Sammon
  • New commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen
  • The Future of Law Enforcement: Creating RoboCop, a newly filmed interview with co-writer Michael Miner
  • RoboTalk, a newly filmed conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nick McCarthy (director of Orion Pictures’ The Prodigy)
  • Truth of Character, a newly filmed interview with star Nancy Allen on her role as Lewis
  • Casting Old Detroit, a newly filmed interview with casting director Julie Selzer on how the film’s ensemble cast was assembled
  • Connecting the Shots, a newly filmed interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt
  • Composing RoboCop, a new tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson
  • RoboProps, a newly filmed tour of super-fan Julien Dumont’s collection of original props and memorabilia
  • 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett
  • RoboCop: Creating a Legend, Villains of Old Detroit and Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew
  • Paul Verhoeven Easter Egg
  • Four deleted scenes
  • The Boardroom: Storyboard with Commentary by Phil Tippett
  • Director’s Cut Production Footage, raw dailies from the filming of the unrated gore scenes
  • Two theatrical trailers and three TV spots
  • Extensive image galleries
  • Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for Theatrical version of the film)
  • Two Isolated Score tracks (Composer’s Original Mix and Final Theatrical Mix) in lossless stereo
  • Edited-for-television version of the film, featuring alternate dubs, takes and edits of several scenes (95 mins, SD only)
  • Split screen comparison of Theatrical and Director’s Cuts
  • RoboCop: Edited For Television, a compilation of alternate scenes from two edited-for-television versions, newly transferred in HD from recently-unearthed 35mm elements

The steelbook and Blu-ray presentation of Robocop will retail for $49.95.  More information on this and other titles from Arrow Video is available online now at:


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Robot Jox Is One Of 2015’s Top New Reissues

Courtesy/Shout! Factory/Empire Pictures/MGM/Orion Pictures

Courtesy/Shout! Factory/Empire Pictures/MGM/Orion Pictures

The 1980s was one of the movie industry’s best eras and one of its worst. That is because a lot of great classic movies were born in that era. However, just as many really bad movies came out of that decade. There was also a handful of movies that while seemed bad at the time, have since proven to be so far ahead of their time and underappreciated in hindsight. Orion Pictures’ 1989 sci-fi action flick Robot Jox is one of the latter of those movies. And thanks to Shout! Factory, Robot Jox a new generation of moviegoers will see for themselves just how underappreciated the movie has been ever since its debut some twenty-six years ago. That is because Shout! Factory’s horror division Scream Factory re-issued the modern classic b-movie on Blu-ray this summer. Audiences that give this movie a chance will see for themselves that there is a lot that makes this movie well worth the watch, its script being the most important of its elements. The script presents a story that is more than just two men facing off in a pair of giant, fighting robots. Rather it is something deeper. That something deeper will be discussed at more length shortly. Its special effects are, colletively speaking, another important part of the movie’s whole. In comparison to both action movies from that era and from today’s age of big budget special effects blockbusters, Robot Jox boasts special effects that are surprisingly impressive. They are impressive both in themselves and in juxtaposition to the movie’s story. That will be discussed at more length later. Last but hardly least worth noting of the movie’s re-issue is its bevy of bonus material. Audiences get an extensive amount of interviews with those that worked behind the cameras in order to bring the movie to life. It adds plenty of insight and in turn enjoyment to the overall viewing experience. The result of that enjoyment is the agreement that Robot Jox is in fact one of the most underrated movies of its time and perhaps even of its genre and in knowing this, it proves itself to be one of the best of this year’s crop of new re-issues.

Scream Factory’s (Shout! Factory’s horror division) recent re-issue of the classic sci-fi B-flick Robot Jox is one of the best of this year’s crop of new re-issues. The main reason for the honor is the movie’s script. On the surface, it would seem to the untrained eye that the script presents a story that is just another movie about giant, fighting robots. But in reality it is far more than that. The script presents a story with just as much commentary and drama as with enjoyable fight scenes. The commentary in question can be argued to be the product of then Cold War tensions between the U.S. and Russia as Achilles–an American robot jock–faces off against Alexander–who interestingly enough is a Russian character played by an American actor–in a battle for the rights to Alaska and its resources. It is interesting to note that writer/director Stuart Gordon never makes clear which countries are on which side of the two post-WWIII factions. So it can only be assumed from this subtlety and the use of the movie’s two main characters that in fact Stuart was reflecting tensions in the real world as a model for the tensions divisions within the world of Robot Jox. It is just one part of what makes the movie’s script such an important part of the movie’s whole. The human drama element incorporated into the movie makes for even more interest and enjoyment. Achilles’ (Gary Graham–Alien Nation, All The Right Moves, Star Trek: Enterprise) personal drama was nothing new to the world of movies and television then nor is it now. But the fact that Gordon was able to keep that element overtake the story’s other elements or even become too schmaltzy is a tribute to Gordon’s attention to detail. The same can be said of his ability to prevent the action sequences from overpowering the script, too. In comparison to so many of today’s major action flicks, too many of those movies rely more on the quantity of explosions than the quality of the story in whole. Thankfully Gordon’s creation wasn’t and isn’t one of those movies, even having been released in 1989. It balances that element with the movie’s commentary and human drama to make a script that ensures audiences’ engagement from beginning to end. In turn, that balance proves the movie’s script to be one of its most important elements if not its most important.

Stuart Gordon’s script is one of the most important elements of Robot Jox’s presentation. It balances each of its elements so well that it will assuredly keep audiences fully engaged. On a side note, considering the amount of foul language peppered throughout the script and Athena’s short scene featuring her bare backside, it is a surprise that this movie got a “PG” rating. Maybe that’s just the sign of changing times. Regardless, the script behind Robot Jox is just one part of what makes the movie such a welcome re-issue. The special effects utilized in Robot Jox are just as important to the whole of the movie as the movie’s script. The special effects are such an important element in that in comparison to action flicks churned out in the 80s, few if any relied on models and stop motion photography in the same fashion or extent of this movie. Rather, most action flicks of the time were beginning to rely on bigger budget special effects including what was then the earliest incarnations of computer generated special effects and other movie magic. To see that those behind the cameras went the low-fi (for lack of better wording) route instead in this case just makes it all the more enjoyable. That is because it throws back to the days of Roger Corman’s classic B-flicks. It shows that such an approach could at the time still result in a movie that looked surprisingly impressive and that movie makers didn’t necessarily have to use the more modern approach to entertain audiences. For that matter moviemakers could probably use such an approach today and it would still look better than most of the explosion-laden action flicks that currently pollute American theaters. That in mind, the special effects used in Robot Jox, which are themselves discussed at more length in the bonus commentary included in the reissue’s bonus material, show just how important they are to the whole of the movie even nearly four decades after the movie’s original debut.

The script behind Robot Jox and its special effects are both equally important in considering what makes this movie such a welcome return. As important as both elements are, they are only a couple of parts of the whole of the movie’s enjoyment. The extensive commentaries from those behind the cameras are just as important as the movie’s script and it special effects in considering its enjoyment. Audiences will note of the movie’s bonus commentaries, that they get to hear from the movie’s writer/director Stuart Gordon as well as others behind the cameras including members of the movie’s special effects and visual effects department. Audiences learn through the interviewees’ discussions about the work that went into assembling the robot models used in the fight scenes, and the work put in to hide the wires on which the miniatures were mounted as well as the very work put in to bring the robots to life per se among so many other topics. Those and all of the other topics tackled along with the bonus gag reel and interview with star Paul Koslo (Joe Kidd, The Omega Man, Vanishing Point) combine to show why the bonus material included in the movie’s new Blu-ray re-issue is just as important to the movie’s script and special effects. It gives an in-depth look at just how much work went in to bringing to life not just the robots, but the movie in whole. According to one of the interviewees, the movie actually took some four years to be completed. That is a lot of time and work; time and work that paid off quite well in the end as the movie’s re-issue reveals. It paid off so well that the result is, again, one of the best of this year’s crop of re-issues.

Scream Factory’s new Blu-ray re-issue of Robot Jox is one of the best of this year’s crop of new re-issues. It is more than just another cheesy 80s action flick. Rather it is a movie with a script that seems to reflect the world’s political climate at the time of its debut and boasts special effects that are surprisingly impressive compared to both those of other 80s action flicks and those released in recent years. The discussions on those special effects and other aspects of the movie’s creation in the reissue’s new bonus commentaries rounds out the movie’s presentation makes for even more appreciation for the movie. In the end, all three elements together show clearly why Scream Factory’s re-issue of Robot Jox is one of the best of the year’s crop of new re-issues. It is available now in stores and online and can be ordered direct via Shout! Factory’s online store at More information on this and other titles from Scream! Factory is available online now at:




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