Moock’s New Album Is All Kinds Of Enjoyable

Courtesy: Moockshake Music

Courtesy: Moockshake Music

2015 has been quite the fruitful year for the world of children’s music. New releases from veteran acts such as Recess Monkey, Lucky Diaz and the Family Jam Band, and Josh and the Jamtones have joined releases from others such as Jazzy Ash, The Bazillions, and fellow veteran performers Cathy Fink and Marcy Marxer among others to form a field that has offered up quite the selection of music for audiences of all ages. Now another veteran artist by the name of Alastair Moock has added yet another new release to this year’s field, making things even more interesting for those keeping track. The album in question, All Kinds of You And Me, comes only a few months after fellow veteran entertainers Cathy Fink and Marcy Marxer released a similar album in the form of Dancin’ in the Kitchen: Songs For All Families. While the two acts’ new albums are similar in their lyrical topics, it can be said that Moock’s new album manages to maintain its own identity apart from that of Frink and Marxer’s new album thanks to the fact that it takes the foundation established by Fink and Marxer’s lyrics and builds on it with even more interesting topics. It also builds on the pair’s foundation with its mix of musical styles. That is the second reason that audiences will enjoy this album. Last but hardly least of note of this album is its run time. The album doesn’t even hit the one-hour mark. Rather it clocks in at forty-five minutes. The album’s longest track, its closer ‘This Land Is Your Land,’ comes in at just over five minutes. And the shortest comes in at just under the three-minute mark. That each of the album’s songs runs at a relatively normal time makes each one all the more apt to keep listeners of all ages locked in from the album’s opener to its end. Moock’s lyrical and musical approach to each number does just as much to keep listeners engaged. All three elements considered together show All Kinds of You and Me to be one of this year’s bravest and most confident children’s records. What’s more that confidence and bravery pay off in spades, proving it to be one more of this year’s best new children’s albums.

Veteran singer/songwriter Alastair Moock’s latest full-length studio recording All Kinds of You and Me is one of this year’s best new children’s albums. The twelve-track, forty-five minute recording is not the first of its kind to be released this year. Fellow veteran performers Cathy Fink and Marcy Marxer released an album in Dancin’ in the Kitchen: Songs For All Families only months before this album’s release. While the two albums are similar in regards to their lyrical content, they are also quite different. That is proven first through the fact that Moock doesn’t stick to just the concept of the different kinds of families that make up America’s population. He does cover this topic. That can’t be ignored. However, he doesn’t stop there. Instead he branches out paying tribute to Malala Yousefzai in ‘I Am Malala’ and even to Woody Guthrie in his cover of ‘This Land is Your Land’ and its narrative intro ‘You and Me.’ There’s even a playful little piece about the different holidays in the simply titled ‘Every Day’s A Holiday.’ While those songs each help to make Moock’s new album stand out among this year’s field of new children’s releases, the songs about families and America’s social norms do just as much to help it stand out. Moock tackles the rigid social norms and gender roles that dominate American families in the album’s opener ‘It Takes All Kinds,’ and in the two songs that follow, ‘PEOPLE’ and ‘You Might Be A Girl.’ These songs are brave to say the least. They take a similar track as that taken by Fink and Marxer. But unlike them he takes more of stand against those norms established by American culture in these songs. Every one of the songs noted here shows in its own way to play an important part in what makes All Kinds of You and Me a standout recording. While each of the noted songs plays its own role, that is not to say that the others don’t play a role, too. Quite the opposite actually. Each one of the album’s twelve total tracks plays its own part in the whole of the album’s impact with all twelve showing clearly why the lyrical approach to this album makes it one that every family should take in together. Any family that does will be glad that it did. That is because of the foundation for discussion that each song’s lyrical content forms. It’s just the starting point of what makes this record such an interesting listen. The musical approach taken by Moock throughout the record is just as important to its success and enjoyment.

The lyrical content of Alastair Moock’s latest LP is within itself plenty of reason for audiences of all ages to hear this record. That is because of the number of topics covered by Moock throughout the course of the album’s twelve tracks and forty-five minutes. He tackles the strict gender roles and social norms established within American culture in the album’s first three songs before going a little more playful as the album advanced. He even pays tribute to human rights and women’s rights activist Malala Yousafzai and to folk legend Woody Guthrie in the album’s closer among much more content. It is just one portion of what makes this record so enjoyable, though. The album’s musical content makes it just as enjoyable. By and large, Moock presents a folksy, bluegrass style sound throughout the record. Though, he does break off at a few random points. The album’s opener presents a fun, rockabilly sound while ‘PEOPLE’ boasts a lighthearted Dixieland style sound. ‘You Might Be A Girl’ is just as enjoyable in regards to its music as it boasts something of an old school R&B influence. That is of course this critic’s own interpretation. And then there’s the dreamy, dulcet tones of ‘My Life(Is A Lot Like Yours)’ that will conjure thoughts of Allison Kraus and Norah Jones. That is a tribute to vocalist Jennifer Kimball’s extraordinary talents. ‘All In A Day’ also boasts that old school R&B influence. It conjures thoughts of Otis Redding. For all of the interest that the noted songs generates, the most intriguing of the album’s songs (in terms of their musical content) is ‘I Am Malala.’ The song largely boasts a gentle, beachy sound that conjures thoughts of Jimmy Buffett by and large. Though, interestingly enough the song switches things up in its final bars, sounding more like the opening bars of ‘The Lion Sleeps Tonight’ than that beachy sound that makes up the rest of its body. All of these examples together paint a rich musical picture that is just as certain to keep listeners engaged as that painted by the album’s lyrical content. The album’s musical and lyrical content taken jointly into consideration, they give listeners of all ages plenty of reason to hear this brave, enjoyable record.

Both the lyrical and musical content presented throughout the course of Alastair Moock’s new album make for plenty of reason for families to hear this record. While both elements are equally important to the whole of the record’s success and enjoyment, there is still one last element that should be examined in the whole of its presentation. That element is the record’s overall run time. The album clocks in at forty-five minutes. That is actually a relatively standard length both in regards to the realm of children’s music and that of music for adults. The album’s longest song is its closer, the cover of Woody Guthrie’s ‘This Land is Your Land.’ It comes in at five minutes and three seconds. The album’s shortest song is its second track ‘PEOPLE.’ That song comes in at two minutes and twenty-two seconds. Some might ask what significance any of this plays in the grand scheme of the album. It significance is that when set against the songs’ musical and lyrical content together, it can help to determine just how long the songs (and the album in whole) are likely to keep listeners engaged. Being that the songs’ musical and lyrical content is not over the heads of its intended audiences and the songs themselves are in fact really standard length, it means a greater chance of keeping audiences’ ears from beginning to end. Sure, five minutes for a song–especially a children’s album–might seem like a lot. But the simple redundancy of the song’s chorus makes it (‘This Land is Your Land’) one that will definitely keep young listeners’ ears for the full length of its run time. That, friends, is the importance of the album’s run time. And on a smaller scale the run time of each of the album’s songs. Those run times, set against the songs’ musical and lyrical content, make one whole record that stands out against its counterparts within the realm of children’s music this year. In turn, the combination of all three elements makes this record one of this year’s best new children’s records.

All Kinds of You and Me is a record that can be said to be all kinds of enjoyable from beginning to end. That is thanks to the album’s mix of musical stylings and lyrical themes. The run times of each of the album’s twelve total songs makes a total run time that together with the album’s musical and lyrical content is sure to keep listeners fully engaged regardless of their ages. All things considered, All Kinds of You and Me proves in the end to be all kinds of enjoyable for listeners of all ages and in turn one of this year’s best new children’s records. It is available now in stores and online and can be ordered direct via Alastair Moock’s official website at http://www.moockmusic.com. More information on All Kinds of You and Me is available online now along with all of the latest news from Alastair himself at:

Website: http://www.moockmusic.com

Facebook: https://www.facebook.com/pages/Alastair-Moock-Music/43677062968

Twitter: http://twitter.com/AlastairMoock 

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Sam Cooke To Be Honored At Annual SHOF Ceremony

Courtesy:  ABKCO Records/merlis for hire

Courtesy: ABKCO Records/merlis for hire

Sam Cooke is set to receive a very special honor.  His song, ‘A Change is Gonna Come’ is one of a small handful of songs to receive the “2013 Songwriters Hall of Fame Towering Song Award.”  The presentation will be made at the 44th annual Induction and Awards Dinner on Thursday, June 13th.  The dinner and awards ceremony will be held at the Marriott Marquis Hotel in New York City. 

The song—which was originally written by Cooke in 1963 and recorded in 1964—was referenced as recently as the 2008 election by President Barack Obama after winning the election that year.  It was also used as an anthem during the Civil Rights movement.  Since its original release, it has been covered over five hundred times by various artists from the likes of: Aretha Franklin, Al Green, and Otis Redding to more modern artists such as: R. Kelly, Gavin DeGraw, and Seal just to name a few.  These are just a few of the song’s accolades.  It has even been deemed by National Public Radio (NPR) as “the most important ever recorded” and has been selected by the Library of Congress for inclusion into its National Recording Registry.  Cooke himself was posthumously inducted into the Songwriters Hall of Fame in 1987.       

‘A Change is Gonna Come’ will be inducted into the SHOF along with works from Tony Hatch, Mick Jones & Lou Gramm, Holly Knight, JD Souther, and Steven Tyler & Joe Perry.  A full list of inductees and bios is available online via the SHOF’s virtual museum at http://songwritershalloffame.org.

Tickets for the induction ceremony are available now.  They start at $1,000 each.  They are available through Buckley Hall Events by phone at 212-573-6933.

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Music Legends To be Inducted Into Memphis Music Hall Of Fame Thursday

Courtesy: Bob Merlis/M.H.F.

The Memphis Music Hall of Fame will become a reality this week.  After years of talks and work, the very first class of musicians will be inducted into the Hall this Thursday at the Canon Center for Performing Arts.  Among the artist included in the inaugural class of inductees are:  W.C. Handy, Elvis Presley, Jerry Lee Lewis, and Al Green.  Also included in this year’s class are some lesser known but still respected musicians such as:  jazz saxophonist George Coleman, gospel songwriter Lucie Campbell, and W.T. McDaniel, Booker T. Washington High School bandmaster.

The Memphis Music Hall of Fame initiative is part of the Smithsonian-connected Memphis Rock ‘n’ Soul Museum.  Memphis Rock ‘n’ Soul Museum Executive Director John Doyle shared his thoughts on the importance of the Music Hall’s inaugural event.  “We wanted to keep the ticket prices low, in order for the public to be able to come out”, said Doyle.  General admission tickets for the event are available for as little as $30.  Doyle added noting, “A lot of what we want to do with the Hall of Fame is about education both through the website and the gallery, but a lot of it is about paying tribute and really giving tribute to the musicians who put Memphis on a global map.  And we want the public to share in that.”

The inaugural Memphis Music Hall of Fame Induction Ceremony will take place this Thursday at 7pm at the Canon Center for Performing Arts at 225 N. Main in Memphis.  Tickets are available for $30, $50, and $100.  They can be purchased at any Ticketmaster location or online at http://www.ticketmaster.com.  They can also be purchased via phone at 1-800-745-3000.  More information on this Thursday’s even it available online at http://memphisrocknsoul.org

The inaugural class of inductees into the Memphis Music Hall of Fame is as follows:

Estelle Axton and Jim Stewart

Bobby “Blue” Bland

Booker T. and the M.G.’s

Lucie Campbell

George Coleman

Jim Dickinson

Al Green

W.C. Handy

Isaac Hayes

Howlin’ Wolf

B.B. King

Jerry Lee Lewis

Jimmie Lunceford

Professor W.T. McDaniel

Memphis Minnie

Willie Mitchell

Dewey Phillips

Sam Phillips

Elvis Presley

Otis Redding

The Staple Singers

Rufus Thomas

Three 6 Mafia

Nat D. Williams

ZZ Top

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