Osbourne Responds To Daisley’s Latest Lawsuit

 

Court_Documents_Graphic

The problems don’t seem to end for Ozzy Osbourne.

The veteran rocker is being sued by former bassist Robert “Bob” Daisley, claiming that Osbourne and Blizzard Music owe him more than $2 million in royalties for songs that he helped craft during his time recording and performing with Osburne. It is not the first time that Daisley has sued Osbourne.  He filed suit numerous times in the 1980s over writing credits and associated royalty payments.

Now Ozzy’s camp has responded to Daisley’s latest suit, comparing the suit to harassment.  The full statement from Osbourne and his representatives is note below.

“For the past 36 years Mr. Daisley has been receiving bi-annual royalty statements and checks from Blizzard Music, totaling in the millions of dollars, which have been routinely cashed. Mr. Daisley has audited Blizzard Music accounts over the years using several different auditing firms who found no discrepancies.   He has previously filed lawsuits in the UK and the US and has lost on each occasion.

We understand that Mr. Daisley is now in retirement and that these funds are his main source of income, so it is his right to be diligent with his money, but after 36 years, this is tantamount to harassment.  We would have hoped that after 36 years that Mr. Daisley would have lost his unhealthy personal obsession and resentment towards Mr. Osbourne’s success.  Blizzard Music and Mr. Osbourne plan to vigorously defend these proceedings.”

More information on this case is available online now along with all of Ozzy’s latest news and more at:

 

 

 

Website: http://www.ozzy.com

Facebook: http://www.facebook.com/ozzyosbourne

Twitter: http://twitter.com/OzzyOsbourne

 

 

 

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Cage9 Set To Enlighten Audiences With Its New Album, ‘Illuminator’

Cage9 has officially been released.

One of the latest additions to Dave Ellefson’s EMP Label Group, the band released its new album Illuminator this past Friday, June 3rd.  The album was released via eOne in the United States and Triple Vision Entertainment in Japan.  It is schedule for release later this year in Europe via SPV.  The band unveiled the video for the album’s lead single ‘Everything You Love Will Someday Die’ earlier this spring.  The video is streaming online now via YouTube.  It features footage of the band’s members and fans singing the song.

 

Courtesy:  EMP Label Group

Courtesy: EMP Label Group

 

Front man Evan Rodaniche discussed the video in a recent interview.  He noted the song’s family roots in the interview and the video’s recording process.  “This song is dedicated to my father, who passed away about a month ago after a two year battle with cancer,” he said.  “But even when I first wrote these lyrics at the onset of his terminal diagnosis as a sort of comforting mantra, in the back of my mind I believed my dad was indestructible.  I never thought I’d be adding an “in loving memory” dedication at the end of this video.  But then he was gone.  And that’s what this is all about.  We spend our modern lives wrapped up in our first world problems, completely disconnected with the natural cycles of the planet around us.”

In discussing the video’s production, Rodaniche noted the cameras that were used and the band’s general approach to making the clip.  We shot the video DIY with a couple Canon DSLR cameras, a black sheet in our rehearsal room and about forty non-actor friends, fans, and family who showed up one sunny Los Angeles afternoon in 2015 to mouth the lyrics to a song they’d never heard.  We aimed to bring home the message that no matter who you are we’re all in this together.”  He went on to not the song’s roots and sound in his discussion, too noting, “As for the song itself, it’s a little bit of old school thrash mixed with something more melodic and a little piano and acoustic guitar wankery to push it over the 6 minute epic-metal-song mark. (Yes, there’s a radio edit.)  He linked this in to a discussion on [Dave] Ellefson discovering Cage 9 through ‘Everything You Love Will Someday Die.’  I was the 14 year old kid running around with a worn out cassette of Peace Sells in his Walkman, he said.  “So having the dude that brought us pretty much THE most recognizable bass riff of my (and half the planet over 30’s) youth dig our band is a huge honor.”  He went on further noting, “Cage 9 originated in Panama where I grew up playing in a band yet having pretty much never experienced famous bands performing live to learn from, not to mention any of our idols like Megadeth or Metallica.  This definitely makes this chance to work with Dave in a mentor/label situation that much more amazing.  Very excited to be releasing our new album Illuminator with EMP this summer.”

Ellefson shared his thoughts on the band and its song in a discussion of his own even echoing the Megadeth/Metallica influence in the band’s new single noted by Rodaniche.  “Cage9 is definitely the real deal,” he said.  When I first heard ‘Everything You Love Will One Day Die,’ it instantly struck me as the closest I’ve heard to a song with a true Metallica/Megadeth core, with the radio accessibility to really connect with a modern rock audience.  And with the band’s history, and everything they’ve accomplished, they were a perfect fit for what we were doing at EMP.”

Since moving to Los Angeles the band has released a total of six albums and more than one hundred songs.  One of those albums was completely in Spanish.  The band has sold 25,000 copies of its albums worldwide in that time and played over 50 dates across America just last year.  It has also toured Japan and Central America as direct opener for Ozzy Osbourne, Bad Religion, Seether, and In This Moment.  The band has also shared stage time with the likes of Sevendust, Hellyeah, Karnivool, and others.  Even Rodaniche himself spent some time in the past as a member of Powerman 5000.  He also helped to co-write, record, and mix some of PM5K’s most recent albums.  That isn’t Rodaniche’s only production credit.  He also worked on ex-Flyleaf singer Lacey Sturm’s new album and work from Boy Hits Car, and others.  As if all of this isn’t enough credit to Cage9, the band has also received glowing reviews from its much more well-known counterparts including: Pop Evil, Korn, Saving Abel, Asking Alexandria, Devil You Know, and 9Electric just to name a handful of acts.

More information on Cage9’s new album is available online now along with all of the band’s latest news and more at:

 

 

Website: http://www.cage9.com

Facebook: http://www.facebook.com/Cage9

Twitter: http://twitter.com/cage9

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Ozzfest Meets Knotfest Tickets On Sale Today

Courtesy:  Adrenaline PR

Courtesy: Adrenaline PR

Earlier this week it was announced that Ozzfest was coming back.  And it was joining forces with Slipknot’s now famous Knotfest.  Now beginning this morning audiences can begin purchasing tickets for the mega-metal festival.

Tickets for Ozzfest Meets Knotfest (as it is being billed) go on sale this morning at 10am PT/1pm ET.  They can be purchased both via the Ozzfest website and Knotfest website.  It will all take place at the San Manuel Amphitheatre and Festival Grounds in San Bernardino, California.  Weekend passes begin at $40.  The inaugural edition of the double bill festival will offer audiences a variety of ticketing and camping options.  The full listing for tickets and VIP options is noted below.

 

 

Ticketing package details are as follows:

 

VIP ULTIMATE WEEKEND PASS

$499

VIP LOUNGE WEEKEND PASS, SATURDAY AND SUNDAY VIP W/ GREAT SEATS OR PIT

  • SATURDAY AND SUNDAY PIT ticket -or- Rows 15-20 Seated- SAME PIT OR SEAT BOTH DAYS
  • VIP Commemorative Laminate
  • VIP ‘fast lane’ entrance into the festival SATURDAY & SUNDAY (skip the lines and get in fast!)
  • Preferred parking space SATURDAY 9/24 & SUNDAY 9/25 (one per order)
  • Access into the VIP LOUNGE on Saturday and Sunday which includes:
  • Cash Bar
  • Exclusive Food Truck in VIP Lounge
  • VIP Restrooms
  • Photobooth with keep-sake Photos
  • On-site VIP host

 

VIP HOT SEAT PACKAGE

$295

*SATURDAY ONLY

  • One premium reserved ticket in row 18 – 24
  • Collectible 2016 Beginning and End VIP gift item (exclusive to VIPs)
  • Commemorative concert ticket
  • On-site VIP host

 

OZZFEST VIP LOUNGE – SATURDAY ONLY

$299

VIP LOUNGE SATURDAY (ONE DAY ONLY)

  • One PIT ticket or Rows 15-20 Seated, for Saturday
  • VIP Commemorative Laminate
  • VIP ‘fast lane’ entrance into the festival (skip the lines and get in fast!)
  • Access into the VIP LOUNGE on Saturday which includes:
  • Cash Bar
  • Exclusive Food Truck in VIP Lounge
  • VIP Restrooms
  • Photobooth with keep-sake Photos
  • On-site VIP host

 

OFFICIAL BLACK SABBATH MEET & GREET PACKAGE

$1250

*SATURDAY ONLY

  • Personal photo opportunity with Ozzy, Tony & Geezer
  • One VIP parking space per order (where available)
  • Collectible 2016 Beginning and End VIP gift item (exclusive to VIPs)
  • Official Meet & Greet laminate
  • Commemorative concert ticket
  • Crowd – free merchandise shopping opportunity
  • On-site VIP host

 

THE ULTIMATE EXPERIENCE

$2250

*SATURDAY ONLY

  • One reserved ticket in the front row!
  • Personal photo opportunity with Ozzy, Tony & Geezer
  • Go behind the scenes and ASK ANYTHING at the very intimate VIP Q&A session with Ozzy Osbourne… in his dressing room! (small cameras allowed)
  • One VIP parking space per order (where available)
  • Collectible 2016 Beginning and End VIP gift item (exclusive to VIPs)
  • Official Meet & Greet laminate
  • Commemorative concert ticket
  • Crowd – free merchandise shopping opportunity
  • On-site VIP host

 

KNOTFEST VIP LOUNGE – SUNDAY ONLY

$249

VIP LOUNGE SUNDAY (ONE DAY ONLY)

  • One PIT ticket or Rows 15-20 Seated, for Sunday
  • VIP Commemorative Laminate
  • VIP ‘fast lane’ entrance into the festival (skip the lines and get in fast!)
  • Access into the VIP LOUNGE on Sunday which includes:
  • Cash Bar
  • Exclusive Food Truck in VIP Lounge
  • VIP Restrooms
  • Photobooth with keep-sake Photos
  • On-site VIP host

 

SLIPKNOT MEET & GREET VIP

$449

*SUNDAY ONLY

  • One PIT ticket or One Reserved seat in Rows 1-10 for Sunday only
  • Designated VIP “Fast Lane” entry into the festival
  • VIP Meet & Greet Laminate
  • Preferred Parking Space (one per order) on SUN
  • Access to VIP Lounge on SUN, which includes:
  • Cash Bar
  • Exclusive Food Truck in VIP Lounge
  • VIP Restrooms
  • Photobooth with keep-sake photos
  • On-Site VIP Host
  • Meet and Greet with SLIPKNOT
  • Photo Op with SLIPKNOT
  • Pre-signed Poster

 

ULTIMATE SLIPKNOT VIP EXPERIENCE

$1,000

*SUNDAY ONLY

  • One PIT ticket or One Reserved seat in Rows 1-10 for Sunday only
  • Designated VIP “Fast Lane” entry into the festival
  • VIP Meet & Greet Laminate
  • Preferred Parking Space (one per order) on SUN
  • Access to VIP Lounge on SUN, which includes:
  • Cash Bar
  • Exclusive Food Truck in VIP Lounge
  • VIP Restrooms
  • Photobooth with keep-sake photos
  • On-Site VIP Host
  • Meet and Greet with SLIPKNOT
  • Photo Op with SLIPKNOT
  • Pre-signed Poster
  • VIP “Behind the Scenes” Tour with CLOWN from SLIPKNOT
  • Exclusive Q&A Session with Corey Taylor from SLIPKNOT

 

 

Phoo Credit: Andrew Stuart

Phoo Credit: Andrew Stuart

The festival’s band lineup includes but is not limited to: Black Sabbath, Whitechapel, Hatebreed, Devildriver, Slipknot, Slayer, Butcher Babies, Amon AMarth, Anthrax, and many others.  The full festival lineup is listed below.

 

OZZFEST Line-up

Saturday, September 24

 

MAIN STAGE:  Black Sabbath, Disturbed, Megadeth, Opeth, Black Label Society, and Rival Sons.

 

LEMMY STAGE:  Children of Bodom, Hatebreed, DevilDriver, Goatwhore, Huntress, and Dead Cross.

 

NUCLEAR BLAST STAGE: Municipal Waste, Kataklysm, Nails, The Shrine, and Still Rebel.

 

KNOTFEST Line-up

Sunday, September 25

 

MAIN STAGE:  Slipknot, Slayer, Amon Amarth, Anthrax, and Trivium.

 

LEMMY STAGE:  Sabaton, Suicide Silence, Overkill, Emmure, Butcher Babies, and Man with A Mission.

 

NUCLEAR BLAST STAGE:  Whitechapel, Combichrist, Death Angel, Carnifex, Loathe, SIM, and ONI.

 

Photo Credit: Andrew Stuart

Photo Credit: Andrew Stuart

More information on this year’s edition of Ozzfest Meets Knotfest is available online now at:

 

 

Website: http://www.Ozzfest.com

Facebook: http://www.facebook.com/ozzfestofficial

Twitter: http://twitter.com/theozzfest

 

 

Information is also available online at:

 

 

Website: http://www.knotfest.com

Facebook: http://www.facebook.com/KNOTFEST

Twitter: http://twitter.com/knotfest

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Rocker’s Debut LP “Hard To Bleed” Is Hard To Hate

Courtesy:  Phill Rocker

Courtesy: Phill Rocker

Late last month Phill Rocker (yes, that’s really his name) released his debut album Hard To Bleed. The independently released album boasts fifteen tracks all of which are a good fit for any fan of big riffs and even bigger hair. From start to finish Rocker exhibits influences from the likes of Judas Priest, Poison, Ozzy Osbourne, and so many others from that bygone era of rock. There are even some old school style power ballads thrown in for good measure to round out the record. The combination of those ballads and the album’s more up-tempo pieces makes Hard To Bleed a record that is hard to hate.

Phill Rocker’s debut album Hard To Bleed is a record that is hard to hate. Yes, that bad pun was fully intended. The fifteen-song record (there is also a deluxe edition that includes two bonus songs) is so hard to hate because over the course of its roughly sixty-seven minute run time it offers rock purists plenty to appreciate what with its classic rock sound and equally interesting lyrical content. The album is anchored by the album’s up-tempo, near mid-point ‘Burning in the Fire.’ It has already been noted that the songs featured in this record boast a noticeably old school rock sound. The sound in question takes listeners back to the days of big riffs and even bigger hair. That is no different in the case of ‘Burning in the Fire.’ Rocker and company waste no time getting things moving in this song. They jump into it right from its opening measures. Drummer Brian Tichy (Something Unto Nothing, Velvet Revolver, Ozzy Osbourne) is on point in his time keeping here. The dual guitar attack of Ricardo Fernandes and Miguel Aguiar adds even more impact to the song. That is because it instantly conjures thoughts of classic Ozzy Osbourne, Scorpions, and even Judas Priest. Rocker’s own vocal delivery here boasts just as much power as those that have come before. The song’s musical side is just one part of what makes the song a solid anchor for Rocker’s new album. Rocker wrote the song’s lyrics as well as handling vocal duties. Rocker’s lyrics come across as a commentary of sorts as he sings in the song’s lead verse, “Can somebody hear this scream of mine/Is the world goin’ blind/Hard to carry on/Without wiseman guidance/Can’t see/Nothing but dreams of foregone times/Facing the final frontier/I’ve faced this road before/Innocence calms down/Before the storm/The hurt I know is true.” Later in the song’s run Rocker asks, “Will I/Who else can I call/What’s done is done/It’s written in the stars.” In examining the song in whole Rocker comes across as making a statement about staying strong even in the most uncertain times with such lyrics. Of course that is just this critic’s own interpretation. It could be completely off the mark. Hopefully it isn’t. but the possibility is there. When that possibility is coupled with the song’s forward-driving musical content, the two together really build their own fire that will spread to listeners when they hear the song for themselves. Keeping that in mind, it is clear in the end why ‘Burning in the Fire’ is this record’s anchor. It is just one of the many songs in this album that can be cited as an example of what makes Rocker’s debut album hard to hate. The ballads that are included in this album do just as much to make it worth at least one listen. That is exemplified even later in the album’s run in the form of the bass-driven ballad ‘How Does It Feel.’

‘Burning in the Fire’ is a solid anchor for Phil Rocker’s debut album. That is thanks to the combination of its classic rock-influenced sound and its equally thought-provoking lyrical content. As solid as it is in the grand scheme of the record it is only one example of what makes it a *rock* solid record. ‘How Does It Feel’ is another good example of what makes Rocker’s new album worth hearing. Unlike ‘Burning in the Fire’ this song is a classic ballad style composition. From Rocker’s own vocal delivery to Ricardo Fernandes’ gentler melody to [Brian] Tichy’s own work behind the kit, this song is a direct throw back to the power ballads of the late 80s and early 90s. In regards to its lyrical content, the song’s lyrics will have listeners just as engaged. Rocker writes in this song, “This conspiracy doesn’t help to see my destiny/Fighting this battle/I’m more than you can be/Psycho maniacs/Rule what you can/Ask for what you need/That’s where I begin/Straight to the unknown.” This comes across as someone dealing with some inner personal issues. And the song’s chorus would seem to hint even more at that as Rocker writes, “Paranoia/In a troubled mind/Agonized by a wounded heart/Self-inflicted victim/In this unfair world/Is it real/What’s going on/How does it feel to walk away/How does it feel to taste the pain/How does it feel to go away/One more day.” The song’s final verse is just as intriguing as Rocker writes about a figure suffering from a number of emotional issues that have essentially crippled said figure. It is definitely an interesting piece that is certain to leave listeners talking just as much as ‘Burning in the Fire.’ Audiences can hear the song for themselves now via Rocker’s official website at http://www.phillrocker.com. It’s just one more example of what makes this record a record worth hearing at least once. It still is not the final example of what makes the album stand out. The album’s opener, ‘Wasted Generation (In Me) is one more example of what makes Hard To Bleed hard to hate.

Phil Rocker offers quite a bit for rock purists in his debut album; so much so that the album proves rather hard to hate. That is obvious in the album’s hard rock anchor ‘Burning in the Fire’ and its polar opposite ‘How Does It Feel.’ While both songs are clear examples of what makes this record worth hearing they are not the only songs that could be cited as examples of the record’s strengths. ‘Wasted Generation (In Me),’ the album’s opener, is one more of the album’s strengths. Much like ‘Burning in the Fire’ Rocker and his fellow musicians waste little time getting things going here. There is a little bit more set up here but very little at the most. Luckily for listeners it isn’t one of those “slow boil” setups that takes its time building up to the song’s real body. Far too many bands today take that route. And it is anything but original or enjoyable. Keeping that in mind, the overall musical composition of ‘Wasted Generation (In Me),’ by itself makes the song both an enjoyable work in itself and an equally solid first impression for Rocker. The song’s lyrical content is just as important to its overall composition as its musical side. Rocker writes in the song’s second verse, “Confused and alone/Left on my own/I can’t find a place to rest/My mind’s so stressed/In between now and then/Yeah, here I am/I feel that I am always somewhere.” He goes on to write, “Come and have a look/Seek what you want/Come and have a look/Seek what you need/Come and have a look/You will find/A wasted generation in me.” The song feels, at least in regards to its lyrical content, as if it comes from the point of someone in a difficult emotional spot. It is almost as if the figure in this song is looking back on certain events of the past and comparing those events to the present, thus leading to the revelations presented here. What is really interesting about all of this is that when set against the song’s musical content there is quite a separation between the two. One would expect considering the song’s lyrical content that this song’s musical content would not have as much fire as it does. Yet somehow in its own way it proves to work just as well alongside that content. Because it does (and surprisingly so) it proves in the end why it is yet another solid first impression for Rocker and another example of what makes his debut worth the listen. Together with the previously noted songs, all three offerings show collectively that not only is this record just worth the listen but they also make this record hard to hate. They are not the only songs that could be used to prove that argument either. There are twelve other songs include in this record that could be cited in making both arguments. Audiences can hear every one of those songs for themselves when they order Hard To Bleed for themselves.

Hard To Bleed is a good first effort from Phill Rocker. The album proves this time and again throughout the course of its fifteen songs and sixty-seven minutes. From the hard rocking anchor that is ‘Burning in the Fire’ to the more melodic classic ballad style ‘How Does It Feel’ to the equally solid opener ‘Wasted Generation (In Me)’ there is plenty for any purist rocker to enjoy. That includes the other dozen songs not directly noted here. All things considered Hard To Bleed proves in the end to be a good first effort from Phill Rocker and an album that is both worth hearing at least once and in turn hard to hate. It can be ordered online now via Rocker’s official Bandcamp website at http://phillrocker.bandcamp.com/releases. More information on Hard To Bleed is available online now along with music videos, news, and more at:

Website: http://www.phillrocker.com

Facebook: http://www.facebook.com/PhillRockerMusic

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Black Sabbath Announces Additional Dates For Its Farewell Tour

Courtesy:  Republic Records/Live Nation

Courtesy: Republic Records/Live Nation

It looks like the end is not as close as was previously thought.

Black Sabbath has announced that because of the popularity of its career-ending tour it has extended the tour well into 2016. The band announced Monday that it has added yet another run of North American dates that will see the band performing well into next fall. The new schedule kicks off August 17th at Jones Beach Amphitheater in New York and includes dates in Los Angeles, Chicago, Philadelphia, Toronto, Detroit, and Dallas. The whole thing winds down September 21st at Ak-Chin Pavilion in Phoenix, Arizona. Audiences can check out an updated video announcement about the additional dates online now via YouTube at https://www.youtube.com/watch?v=O6lYClpPGLw&feature=youtu.be.

Courtesy:  Republic Records/Live Nation

Courtesy: Republic Records/Live Nation

The band’s updated tour schedule is listed below complete with its newly announced North American Fall 206 dates.

BLACK SABBATH’s 2016 Tour Dates are as follows:
NORTH AMERICA
 
Wed
1/20
Omaha, NE
CenturyLink Center
Fri
1/22
Chicago, IL
United Center
Mon
1/25
Minneapolis, MN
Target Center
Wed
1/27
Winnipeg MN
MTS Centre
Sat
1/30
Edmonton, AB
Rexall Centre
Mon
2/1
Calgary, AB
Scotiabank Saddledome
Wed
2/3
Vancouver, BC
Rogers Arena
Sat
2/6
Tacoma, WA
Tacoma Dome
Tue
2/9
San Jose, CA
SAP Pavilion
Thu
2/11
Los Angeles, CA
The Forum
Sat
2/13
Las Vegas, NV
Mandalay Bay
Mon
2/15
Denver, CO
Pepsi Center
Wed
2/17
Kansas City, MO
Sprint Center
Fri
2/19
Detroit, MI
The Palace of Auburn Hills
Sun
2/21
Hamilton, ON
First Ontario Centre
Tue
2/23
Montreal, QC
Bell Centre
Thu
2/25
New York, NY
Madison Square Garden
Sat
2/27
New York, NY
Madison Square Garden
 
AUSTRALIA/NEW ZEALAND
Fri
4/15
Perth, AU
Perth Arena
Sun
4/17
Adelaide,AU
Entertainment Centre
Tue
4/19
Melbourne,AU
Rod Laver Arena
Sat
4/23
Sydney,AU
Allphones Arena
Mon
4/25
Brisbane, AU
Entertainment Centre
Thurs
4/28
Auckland,NZ
Vector Arena
Sat
4/30
Dunedin,NZ
Forsyth Barr Stadium
 
EUROPE
Wed
6/1
Budapest,Hungary
Groupama Arena
Wed
6/8
Berlin, Germany
Waldebuhne
**Sat
6/11
Donington, UK
Download
Mon
6/13
Verona, IT
Arena Di Verona
Wed
6/15
Zurich, Switzerland
Hallenstadon
**Fri
6/17
Dessel,Belgium
Grasspop
**Thu
6/23
Halden, Norway
Tons of Rock
**Sat
6/25
Copenhagen, DE
Copenhell
Tue
6/28
Vienna, Austria
Stadthalle
Thu
6/30
Prague, Czech Rep.
02 Arena
Sat
7/2
Krakow, Poland
Tauron Arena
Tue
7/5
Riga, Latvia
Riga Arena
**Thu
7/7
Helsinki, Finland
Monsters of Rock
**Sat
7/9
Stockholm, Sweden
Monsters of Rock
Tue
7/12
Moscow, Russia
Olympisky Arena
**Denotes festival appearance
NORTH AMERICA
Wed
8/17
Wantagh, NY
Nikon at Jones Beach Theater
Fri
8/19
Philadelphia, PA
Susquehanna Bank Center
Sun
8/21
Washington DC
Jiffy Lube Live
Tue
8/23
Holmdel, NJ
PNC Bank Arts Center
Thu
8/25
Boston, MA
Xfinity Center
Sat
8/27
Uncasville, CT
Mohegan Sun Arena
Mon
8/29
Toronto, ON
Molson Canadian Amphitheatre
Wed
8/31
Detroit, MI
DTE Energy Music Theater
Fri
9/2
Indianapolis, IN
Klipsch Music Center
Sun
9/4
Chicago, IL
Hollywood Casino Amphitheatre
Wed
9/7
Dallas, TX
Gexa Energy Pavilion
Fri
9/9
Albuquerque, NM
Isleta Ampitheater
Sun
9/11
Salt Lake City, UT
USANA Ampitheater
Tue
9/13
Portland, OR
Sunlight Supply Arena
Thu
9/15
Oakland, CA
Oracle Arena
Sat
9/17
Las Vegas, NV
MGM Grand Garden Arena
Mon
9/19
Hollywood, CA
Hollywood Bowl
Wed
9/21
Phoenix, AZ
AK-Chin Pavilion

Information on tickets, VIP packages and more for the band’s upcoming North American dates is available online now at http://www.Livenation.com. More information on Black Sabbath, its upcoming tour dates, and more is available online now at:

Website: http://www.blacksabbath.com

Facebook: http://www.facebook.com/BlackSabbath

Twitter: http://twitter.com/blacksabbath

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

The End Is Coming…For Black Sabbath

Courtesy:  Republic Records/Live Nation

Courtesy: Republic Records/Live Nation

The end is near. No, not armageddon. Legendary hard rock act Black Sabbath made the announcement today that Black Sabbath will embark on its farewell tour next year.
Black Sabbath–Ozzy Osbourne, Geezer Butler, and Tony Iommi–announced today that it will hit the road next January for its final tour. Audiences can see the announcement for themselves online now via Youtube at https://www.youtube.com/watch?v=FYCvRV5ME3w&feature=youtu.be.

Courtesy:  Republic Records/Live Nation

Courtesy: Republic Records/Live Nation

The band’s current schedule sees it opening its tour on January 20th in Omaha, Nebraska and running through February 25th at New York’s famed Madison Square Gardens. From there the band will take some time off to recharge before hitting the road again down under beginning April 15th in Perth, Australia. The band’s current slate of dates is listed below. It is only the current schedule. More dates will be announced next month.

Photo Credit: Mark Weiss

Photo Credit: Mark Weiss

North American Tour Dates
1/20 Omaha, NE CenturyLink Center
1/22 Chicago, IL United Center
1/25 Minneapolis, MN Target Center
1/28 Saskatoon, SK Sasktel Centre
1/30 Edmonton, AB Rexall Centre
2/1 Calgary, ON Scotiabank Saddledome
2/3 Vancouver, BC Rogers Arena
2/6 Tacoma, WA Tacoma Dome
2/9 San Jose, CA SAP Center
2/11 Los Angeles, CA The Forum
2/13 Las Vegas, NV Mandalay Bay Events Center
2/15 Denver, CO Pepsi Center
2/17 Kansas City, MO Sprint Center
2/19 Detroit, MI The Palace of Auburn Hills
2/21 Hamilton, ON FirstOntario Centre
2/23 Montreal, QB Bell Centre
2/25 New York City, NY Madison Square Garden
Australia/New Zealand Tour Dates

4/15
Perth
Perth Arena
4/17
Adelaide
Entertainment Centre
4/19
Melbourne
Rod Laver Arena
4/23
Sydney
Allphones Arena
4/25
Brisbane
Entertainment Centre
4/28
Auckland
Vector Arena
4/30
Dunedin
Forsyth Barr Stadium

Fans can get information on tickets, VIP packages, and more for the North American leg of the upcoming tour online now via Live Nation’s official website at http://www.Livenation.com. More information on Black Sabbath’s tour is available online now along with all of the band’s latest news at:

Website: http://www.blacksabbath.com

Facebook: http://www.facebook.com/BlackSabbath

Twitter: http://twitter.com/blacksabbath

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Devil City Angels Debuts New Single

Courtesy:  Century Media Records

Courtesy: Century Media Records

Rock and roll super group Devil City Angels will release its self-titled debut album this fall. In anticipation of its release, the collective of veteran talents—Rikki Rocket (Poison), Tracii Guns (L.A. Guns), Rudy Sarzo (Quiet Riot, Ozzy Osbourne, Whitesnake), and Brandon Gibbs (Cheap Thrill)—has debuted the latest single from its upcoming album.

Devil City Angels debuted its latest single ‘All I Need’ this week and is currently streaming the single online via Revolver Magazine. Audiences can hear the song now at Revolver’s website at http://www.revolvermag.com/news/devil-city-angels-premiere-new-song-all-i-need.html. Audiences that are fans of the rock sound of the late 80s and early 90s will enjoy this song with its lighthearted sound. Its debut follows the premiere of the video for the album’s lead single ‘Boneyard,’ which can be seen online now via YouTube at https://www.youtube.com/watch?v=UjrB0N6aBvY&feature=youtu.be. The video is a direct throwback to the classic rock videos of the 80s complete with footage of the band performing and of course the mandatory female dancer.

Devil City Angels will be available in stores and online on Friday, September 18th via Century Media Records in a variety of bundle packages as well as by itself. Pre-orders for the album begin tomorrow via iTunes and Century Media’s online store. Those choosing to pre-order the album via Century Media’s online store can do so online at http://www.indiemerch.com/cmrecords/brand/devil-city-angels. Those that pre-order the album via iTunes will get both ‘All I Need’ and ‘Boneyard’ as instant grat racks. It can also be pre-ordered via Amazon at http://www.amazon.com/Devil-City-Angels/dp/B01169B5NY.

More information on Devil City Angels is available online now along with all of the band’s latest news and more at http://www.facebook.com/DevilCityAngels. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.