Jamieson’s New Comedy Album Is Another Reminder Of Why He Is Still One Of Today’s Top Comics

Courtesy: Metal Blade Records

Comedian and television personality Don Jamieson will release his fourth comedy album next week.  Jamieson, known for his time as co-host of VH1 Classic’s hit series That Metal Show and as host of SportsNet NY’s game show Beer Money, will release his new comedy album Denim and Laughter Feb. 21.  The album’s title and cover art is a direct tribute to Saxon’s 1981 album Denim and Leather.  The performance, captured Oct. 19, 2019 at an undisclosed location, is another example of why he is one of this generation’s top comic talents.  That is due in part to the content that makes up the body of his set.  This will be discussed shortly.  The pacing of the set is also important to note in examining the recording’s overall presentation.  It will be discussed a little later.  Jamieson’s stage presence rounds out the most important of the performance’s factors.  It will also be addressed later.  Each item noted here is key in its own way to the whole of Denim and Laughter.  All things considered, they make this latest stand-up offering from Jamieson another work that will bring any listener to tears of joy well beyond its first listen.

Don Jamieson is one of the elite comedians of this era. The three stand-up albums that he has already released – Live & Hilarious, Hell Bent For Laughter and Communication Breakdown – more than do their share to prove that statement.  His latest album Denim and Laughter cements that reputation even more.  That is proven in part through the material that makes up the body of the presented set.  Jamieson takes on a variety of topics,  including political correctness, bands who claim they are reuniting “for the fans,” and even VH1 Classic’s placement on most cable providers’ lineup and how that played into the show’s eventual demise.  As if that isn’t enough, he also takes on a familiar topic in the division between craft beer and original beer.  This bit immediately lends itself to comparisons to Denis Leary’s bit about beer.  It would be interesting to know if that bit played any part in Jamieson’s own bit about the topic.  Along with those topics, Jamieson also takes opportunities to poke fun at Sebastian Bach and  very famous song from 80s rock band Warrant among so much more.  Put simply, Jamie’s set runs the gamut from start to finish, even taking on media bias and politics, hinting that he might be a Trump supporter.  Hopefully he isn’t, but that aside, the hint alone that he might be is enough to warrant a notice for audiences.  Even with that in mind, Jamieson, again, presents a wide range of content throughout his set, most of which will still generate plenty of laughs from audiences.  To that end, the content alone makes this performance well worth experiencing.  It is just one of the aspects of the performance that makes it worth taking in.  The set’s pacing adds its own engagement and entertainment to the performance.

Jamieson’s set in this recording runs a total of 44 minutes.  Throughout the course of that run time, He never once goes too fast or too slow.  Rather, he finds just the right moments throughout the give audiences moments to take in the various punch lines and to prepare for the next bit.  That ability of the audience to prepare for the next bit is controlled by Jamieson himself as he works through each transition on his own time.  Case in point is his transition from his bit about tea tree shampoo to his jokes about the National Football League  and how it has changed over the years for the worse.  The two topics are completely unrelated, so Jamieson gives just enough time between the topics to make sure audiences make the transition with him.  As he makes his way through his ruminations about the NFL’s negative changes, the transitions from topic to topic are themselves just as smooth.  Another good example of the success of the pacing in Jamieson’s set comes as he transitioned from an anecdote about touring with Zakk Wylde to jokes about Black Sabbath, Gwar and how a Gwar concert tied into an alleged experience on a flight.  Jamieson’s timing and pacing throughout the roughly seven-minute-plus span is seamless, ensuring audiences’ engagement and entertainment in its own right.  In yet another example, Jamieson transitions just as easily from his joke about the impact of a celebrity roast involving Sebastian Bach to an equally funny bit about a well-known song from Warrant.  That bit, by the way, really leaves one wondering and laughing in hindsight.  It really is timely in a weird way.  Getting back on track, the examples presented here, when considered along with the rest of the show, make clear why the pacing of the set is just as important to its presentation as the set’s material.  It is not the last of the recording’s most notable items, either.  Jamieson’s stage presence throughout the performance rounds out its most important elements.

From start to finish, Jamieson’s presence in his performance is just as solid as his pacing.  He presents a certain confident swagger, even connecting with certain audience members directly.  On the surface, that doesn’t seem overly important.  However, on a deeper level, this is important to note because it says to the rest of the audience that Jamieson wants to make sure his audiences knows that he cares what the audience thinks.  He does so by acknowledging those specific audience members.  That interaction, in its own way, translates to the rest of the audience, letting them know that he is not just up on stage, but on stage and really interacting on a personal level, as if the audience members were his best friends.  That personalization of the set, of sorts, reflects back on Jamieson, encouraging his confidence that much more.  The end result is a presence that, again, throughout the set never falters.  That confidence plays back into his pacing, and in turn, makes the performance that much more entertaining.  When this is considered alongside the overall content, the whole of the noted elements makes Denim & Laughter a presentation that ensures laughter from audiences.

Don Jamieson’s new comedy recording Denim & Laughter is an enjoyable new offering from the veteran entertainer and television personality.  That is proven in part through the material that makes up the body of Jamieson’s set.  It ranges from the timeless to the random and riotous to even some more dated material.  That whole provides plenty for audiences to enjoy.  Jamieson’s pacing throughout the course of the nearly 50-minute set does its own share to ensure audiences’ engagement and entertainment.  The same can be said of Jamieson’s stage presence throughout his performance.  Each item noted is important in its own way to the whole of this recording.  All things considered, they make Denim & Laughter another positive performance from one of this generation’s top comic talents.  It will be available Feb. 21 through Metal Blade Records.  More information on the recording is available online along with all of Jamieson’s latest news at:

 

 

 

Website: http://www.donjamieson.com

Facebook: http://www.facebook.com/donjamiesonofficial

Twitter: http://twitter.com/realdonjamieson

 

 

 

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Ozzy Announces Farewell Tour

Courtesy: MSO PR

Ozzy is officially calling it a career.

The Grammy Award ®-winning veteran performer, famed television personality and Rock & Roll Hall of Fame inductee announced Monday that he is retiring, and will celebrate his impending retirement with an extensive farewell tour.  The tour is currently scheduled to open May 5, 2018 in Mexico City, Mexico and to run through July 7, 2018 in Lisbon, Portgual.

While the upcoming farewell tour, which will run through 2020, is OSbourne’s last big outing, he stressed in a recent interview that the tour likely won’t be his absolute last time performing live.

“People keep asking me when I’m retiring,” Osbourne said.  “This will be my final world tour, but I can’t say I won’t do some shows here and there.

Included in the upcoming tour is a mix of solo and festival shows that will see Osbourne performing alongside long time friend and Black Label Society front man Zakk Wylde (guitar), Blasko (bass), Tommy Cluefetos (drums) and Adam Wakeman (keyboards).  The North American leg of Ozzy’s farewell tour, which will be revealed in 2018, will be produced by Live Nation.

The current schedule for the European leg of Ozzy’s farewell tour is noted below.

DATE
COUNTRY/CITY
VENUE
Sat
5/5
Mexico
TBA
Tue
5/8
Santiago, Chile
TBA
Fri
5/11
Buenos Aires, Argentina
TBA
Sun
5/13
São Paulo, Brazil
TBA
Wed
5/16
Curitiba, Brazil
TBA
Fri
5/18
Belo Horizonte, Brazil
TBA
Sun
5/20
Rio de Janeiro, Brazil
TBA
Fri
6/1
Moscow, Russia
Olympiisky
Sun
6/3
St. Petersburg, Russia
Ice Palace (Ledovi Dvorets)
Wed
6/6
Finland
TBA
Fri
6/8
Solvesborg, Sweden*
Sweden Rock Festival
Sun
6/10
Donington, UK*
Download Festival
Wed
6/13
Prague, Czech Republic*
Airport Letnany
Fri
6/15
Paris, France*
Download Festival
Sun
6/17
Italy*
TBA
Wed
6/20
Halden, Norway*
Tons of Rock Festival
Fri
6/22
Copenhagen, Denmark*
Copenhell Festival
Sun
6/24
Dessel, Belgium*
Graspop Metal Meeting
Tue
6/26
Krakow, Poland*
Impact Festival
Thu
6/28
Oberhausen, Germany*
König-Pilsnet Arena
Fri
6/30
Madrid, Spain*
Download Festival
Mon
7/2
Lisbon, Portugal
Meo Arena
*Produced by Live Nation

 

More information on Ozzy’s upcoming farewell tour is available online now along with all of his latest news and more at:

 

 

 

Website: http://www.ozzy.com

Facebook: http://www.facebook.com/ozzyosbourne

Twitter: http://twitter.com/OzzyOsbourne

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘Under Cover’ Will Appeal To Motorhead, Rock Fans Alike

Courtesy: Motorhead Music

Almost two years ago, the rock world lost one of its great icons when Motorhead front man Lemmy Kilmister died from cancer.  When he died, that effectively put an end to one of the musical universe’s greatest acts.  That meant no more new Motorhead music.  Earlier this month though, Motorhead Music–the band’s own label–released a new collection of covers from the band to satiate audiences in the form of Under Cover. The 11-song record presents a rarely heard side of Motorhead that itself is certain to entertain listeners.  This is just one of the compilation’s key elements and will be discussed later.  The acts whose songs are featured here are collectively just as important to discuss as the songs themselves and will be discussed later.  The album’s sequencing rounds out its most important elements.  Each element is important in its own right to this compilation’s overall presentation.  All things considered, Under Cover proves to be a record that is an entertaining new offering for Motorhead’s most devout fans.

Motorhead, with the passing of front man Lemmy Kilmister almost two years ago, may not be actively recording new music anymore.  With the release earlier this month of the band’s new covers compilation Under Cover, the band’s most devout fans were given an entertaining new release from Motorhead even if it is not a collection of new Motorhead music.  That statement is supported in part through the songs that make up the collection.  Considering that Motorhead, throughout the course of its life, was known for up-tempo blues-based rock that was tinged with some punk elements, the songs featured in this compilation show that the band was just as talented handling other styles of rock as its own brand.  That is proven clearly in the band’s cover of David Bowie’s hit song ‘Heroes,’ which comes early in the record’s run. Bowie’s original work bears more similarity to works from perhaps Paul McCartmey than Motorhead.  Yet, even in its slightly amped up take on the classic tune, Motorhead does Bowie’s classic justice while adding its own rock touch that is certain to get praise even from Bowie’s most devout fans.  The band’s take on The Rolling Stones’ ‘Jumpin’ Jack Flash’ is yet another song featured in this record that shows the real reach of the band’s abilities.  Once again, the band largely stays true to its source material, while also adding its own respectable hard rock elements.  The expert balance of those two elements here will put a smile on any longtime Rolling Stones fan just as much as any Motorhead fan.  Much the same can also be said in examining the band’s take of another Rolling Stones standard, ‘Sympathy For The Devil.’  Those three songs alone show clearly the band’s reach.  Of course that is not to discount the band’s covers of Ted Nugent’s ‘Cat Scratch Fever,’ Rainbow’s ‘Starstruck,’ and The Ramones’ ‘Rockaway Beach’ as well as the album’s other songs.  Those covers show in their own way the band’s reach, though they are much closer to Motorhead’s style than the previously noted works.  Keeping this in mind, the bands whose works are featured here are just as important to note as the songs themselves.

Listeners will note that of the album’s 11 total songs, seven were crafted by British acts—Judas Priest, The Sex Pistols, The Rolling Stones, David Bowie, Rainbow and Ozzy Osbourne.  The other four songs come from American acts—Ted Nugent, Metallica, Twisted Sister and The Ramones.  That in itself is certain to create its own share of discussion.  Obviously Motorhead was itself a British outfit, but it could easily be argued that such an emphasis on its counterparts presents its own history lesson to listeners.  It shows the reach of the British hard rock scene between the 1960s and 1990s versus that of the American hard rock scene.  To that end, the acts featured here in themselves serve as a starting point on rock’s history on both sides of the Atlantic.  That might not have been the manifest intent with such a lineup, but it definitely will create those discussions.  On another level, it shows the band’s interest in so many different parts of the rock community at the time. Judas Priest was hard rock while the Sex Pistols were more punk (again, showing Motorhead’s roots). Rainbow was more of a progressive style hard rock while The Rolling Stones were that blues-based influence that Motorhead always added to its own music, too.  In the same breath, Metallica’s Whiplash shows where Motorhead perhaps got its harder almost thrash elements.  When this is all taken into account along with the influences from the other featured bands, Motorhead’s roots become even more evident.  In other words, the bands and songs featured in this compilation form a solid foundation for the record.  They collectively serve as a starting point for discussions about music history and about Motorhead’s history.  Both by themselves and together, they do plenty to make this record enjoyable and are not the record’s only key elements.  The album’s sequencing adds its own enjoyment to its presentation.

Under Cover’s sequencing is an important to note in examining this record because of its ability to maintain the album’s energy from beginning to end.  The album starts out full throttle with the band’s cover of Judas Priest’s ‘Breakin’ The Law’ and keeps the energy flowing just as highly as it launches into its cover of The Sex Pistols’ ‘God Save The Queen.’  Even as the album progresses into the band’s cover of ‘Heroes,’ the energy still maintains itself even here.  Given, it isn’t as high as in the album’s first two entries, but still keeps moving.  The energy picks right back up as the album takes listeners through the band’s covers of Rainbow’s Starstruck’ and Ted Nugent’s ‘Cat Scratch Fever’ before pulling back again with two straight Rolling Stones covers.  From there on out, the energy picks right back and stays stable right to the album’s end even with the change in the songs’ styles.  Keeping this in mind, it is clear that plenty of time and thought was put into the record’s sequencing.  That time and thought ensures listeners’ engagement from beginning to end here.  That is because the record’s energy never lets up too much at any one point or even gets too high.  When this is taken into account along with the collective value of the record’s songs and their associated bands, it adds that much more depth to the collection.  That being the case, the whole of those elements make Under Cover a collection that will appeal not only to Motorhead’s fans from start to finish but to rock fans in general.

Motrhead’s recently released compilation record Under Cover is a collection of songs that will appeal both to Motorhead’s fans and to rock fans in general.  This is the case even though being a compilation record, it does not necessarily break any new ground in the way of compilation records.  The songs and bands featured on this record serve collectively as a solid starting point for plenty of discussions both on Motorhead’s history and on rock history.  They also do plenty to ensure listeners’ maintained engagement and entertainment.  The record’s sequencing does much the same.  All things considered, these elements make Under Cover a collection that while not exactly new to the compilation realm, is still entertaining in its own right.  It is available now in stores and online.  More information on Under Cover is available online now along with all of the latest Motorhead news at:

 

 

 

Website: http://www.motorhead.com

Facebook: http://www.facebook.com/OfficialMotorhead

Twitter: http://twitter.com/myMotorhead

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Rock Legends Reunite For New Tour

Photo Credit: Mark Weiss

Ozzy Osbourne and Zakk Wylde have re-united.

More than a decade after the duo went its separate ways, it has reunited for a short string of new live dates.  The musicians are partnering for a short string of live headlining dates this summer and fall beginning July 14.

The performances mark the first time since 2006 that Wylde and Osbourne have performed live together.  The last time the men worked together in the studio was on Osbourne’s 2006 record Black Rain.

The new live dates also mark the first time Osbourne has embarked on a solo U.S. tour since his Ozzy & Friends performance at the 2015 Voodoo Music + Arts Experience in New Orleans, LA.

Also joining Ozzy and Wylde for the upcoming live dates will be longtime collaborators Blasko (bass), Tommy Clufetos (drums) and Adam Wakeman (keyboards). Wylde and Osbourne seemed to both be anticipating the upcoming live dates as they talked about hitting the road in recent interviews.

“I’m so happy to be getting back on the road with Zakk, Blasko, Tommy and Adam,” Osbourne said.  “This is what I do.  This is where I belong, on the road.”

Wylde agreed.

“I’m really looking forward to the hardcore powahlifting training sessions with Ozzy as well as playing music in between sets of heavy squats, benching and deadlifts,” Wylde said.

The current listing for the group’s new headlining dates is noted below.


DATE
                        CITY                 VENUE

 

July

Fri, July 14         Oshkosh, WI       Rock USA Festival

Sun, July 16       Chicago, IL         Chicago Open Air Festival

 

August

Wed, August 9    Sturgis, SD          Buffalo Chip

Mon, August 21   Cartersville, IL    Moonstock Festival

Osbourne was said to be working a new solo record at last report. That album reportedly is scheduled for release sometime in 2018 via Epic Records.

More information on the upcoming dates is available online now along with all of Osbourne’s latest news and more at:

 

 

 

Website: http://www.ozzy.com

Facebook: http://www.facebook.com/ozzyosbourne

Twitter: http://twitter.com/OzzyOsbourne

 

 

 

All of Zakk Wylde’s latest news and more is available online now at:

 

 

 

Website: http://www.zakkwylde.com

Facebook: http://www.facebook.com/zakkwylde

Twitter: http://twitter.com/zakkwyldebls

 

 

 

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Ellefson Partners With Pro Tone Pedals To Release New Pedal

Courtesy: Pro Tone Pedals

Courtesy: Pro Tone Pedals

Megadeth bassist Dave Ellefson does not rest easily on his laurels.

The musician turned entrepreneur announced this week a new partnership with Pro Tone Pedals to create a new guitar pedal.  The pedal, dubbed the “Dawn Patrol Chorus,” came to being after Pro Tone Pedals representatives approached Ellefson and proposed the idea.

Ellefson stressed the new, signature pedal will be a welcome addition to any bassist’s resources, adding he already used the company’s “Chorus” pedals when the organization’s representatives came to him with the idea.

“When Pro Tone approached me with the idea of making some signature pedals,as a bass player, Chorus is one of my go-to effects live, an ace weapon in my arsenal, and in many regards, helped me transition to my signature tone from studio to live on classics like ‘Dawn Patrol,’ Ellefson said.  “So the idea of developing a great chorus pedal was really a no brainer.  Dennis and the Pro Tone team are technical wizards and developed the Dawn Patrol to my exact specifications, and together we’ve developed a high quality, hand-built stompbox pedal that I’m positive will find a special place in any bassist’s rig.”

Ellefson’s new partnership with Pro Tone Pedals makes him just the latest name to make the company live up to its name.  Animals as Leaders bassist Tosin Abasi and Reeves Gabrels use the company’s signature pedals.  Jeff Loomis, Fear Factory, Alice in Chains, Prong, Deftones, Living Colour, Overkill, 30 Seconds to Mars and many others also use the company’s products.

Pro Tone Pedals was founded in 2004.  The company, now based in Charleston, South Carolina, has developed its reputation from making custom designed pedals.  Its employees’ dedication to customer service has garnered it affiliations with the likes of Ozzy Osbourne, Arch Enemy, Whitechapel, the Cure, Fear Factory, Ministry, Prong, Overkill and others.

The Dawn Patrol Chorus will be available at an introductory price of $189.99.  More information on the new pedal is available online now at:

 

 

 

Website: http://www.protonepedals.com/ellefson

Facebook: http://www.facebook.com/protonefans

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Osbourne Responds To Daisley’s Latest Lawsuit

 

Court_Documents_Graphic

The problems don’t seem to end for Ozzy Osbourne.

The veteran rocker is being sued by former bassist Robert “Bob” Daisley, claiming that Osbourne and Blizzard Music owe him more than $2 million in royalties for songs that he helped craft during his time recording and performing with Osburne. It is not the first time that Daisley has sued Osbourne.  He filed suit numerous times in the 1980s over writing credits and associated royalty payments.

Now Ozzy’s camp has responded to Daisley’s latest suit, comparing the suit to harassment.  The full statement from Osbourne and his representatives is note below.

“For the past 36 years Mr. Daisley has been receiving bi-annual royalty statements and checks from Blizzard Music, totaling in the millions of dollars, which have been routinely cashed. Mr. Daisley has audited Blizzard Music accounts over the years using several different auditing firms who found no discrepancies.   He has previously filed lawsuits in the UK and the US and has lost on each occasion.

We understand that Mr. Daisley is now in retirement and that these funds are his main source of income, so it is his right to be diligent with his money, but after 36 years, this is tantamount to harassment.  We would have hoped that after 36 years that Mr. Daisley would have lost his unhealthy personal obsession and resentment towards Mr. Osbourne’s success.  Blizzard Music and Mr. Osbourne plan to vigorously defend these proceedings.”

More information on this case is available online now along with all of Ozzy’s latest news and more at:

 

 

 

Website: http://www.ozzy.com

Facebook: http://www.facebook.com/ozzyosbourne

Twitter: http://twitter.com/OzzyOsbourne

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Cage9 Set To Enlighten Audiences With Its New Album, ‘Illuminator’

Cage9 has officially been released.

One of the latest additions to Dave Ellefson’s EMP Label Group, the band released its new album Illuminator this past Friday, June 3rd.  The album was released via eOne in the United States and Triple Vision Entertainment in Japan.  It is schedule for release later this year in Europe via SPV.  The band unveiled the video for the album’s lead single ‘Everything You Love Will Someday Die’ earlier this spring.  The video is streaming online now via YouTube.  It features footage of the band’s members and fans singing the song.

 

Courtesy:  EMP Label Group

Courtesy: EMP Label Group

 

Front man Evan Rodaniche discussed the video in a recent interview.  He noted the song’s family roots in the interview and the video’s recording process.  “This song is dedicated to my father, who passed away about a month ago after a two year battle with cancer,” he said.  “But even when I first wrote these lyrics at the onset of his terminal diagnosis as a sort of comforting mantra, in the back of my mind I believed my dad was indestructible.  I never thought I’d be adding an “in loving memory” dedication at the end of this video.  But then he was gone.  And that’s what this is all about.  We spend our modern lives wrapped up in our first world problems, completely disconnected with the natural cycles of the planet around us.”

In discussing the video’s production, Rodaniche noted the cameras that were used and the band’s general approach to making the clip.  We shot the video DIY with a couple Canon DSLR cameras, a black sheet in our rehearsal room and about forty non-actor friends, fans, and family who showed up one sunny Los Angeles afternoon in 2015 to mouth the lyrics to a song they’d never heard.  We aimed to bring home the message that no matter who you are we’re all in this together.”  He went on to not the song’s roots and sound in his discussion, too noting, “As for the song itself, it’s a little bit of old school thrash mixed with something more melodic and a little piano and acoustic guitar wankery to push it over the 6 minute epic-metal-song mark. (Yes, there’s a radio edit.)  He linked this in to a discussion on [Dave] Ellefson discovering Cage 9 through ‘Everything You Love Will Someday Die.’  I was the 14 year old kid running around with a worn out cassette of Peace Sells in his Walkman, he said.  “So having the dude that brought us pretty much THE most recognizable bass riff of my (and half the planet over 30’s) youth dig our band is a huge honor.”  He went on further noting, “Cage 9 originated in Panama where I grew up playing in a band yet having pretty much never experienced famous bands performing live to learn from, not to mention any of our idols like Megadeth or Metallica.  This definitely makes this chance to work with Dave in a mentor/label situation that much more amazing.  Very excited to be releasing our new album Illuminator with EMP this summer.”

Ellefson shared his thoughts on the band and its song in a discussion of his own even echoing the Megadeth/Metallica influence in the band’s new single noted by Rodaniche.  “Cage9 is definitely the real deal,” he said.  When I first heard ‘Everything You Love Will One Day Die,’ it instantly struck me as the closest I’ve heard to a song with a true Metallica/Megadeth core, with the radio accessibility to really connect with a modern rock audience.  And with the band’s history, and everything they’ve accomplished, they were a perfect fit for what we were doing at EMP.”

Since moving to Los Angeles the band has released a total of six albums and more than one hundred songs.  One of those albums was completely in Spanish.  The band has sold 25,000 copies of its albums worldwide in that time and played over 50 dates across America just last year.  It has also toured Japan and Central America as direct opener for Ozzy Osbourne, Bad Religion, Seether, and In This Moment.  The band has also shared stage time with the likes of Sevendust, Hellyeah, Karnivool, and others.  Even Rodaniche himself spent some time in the past as a member of Powerman 5000.  He also helped to co-write, record, and mix some of PM5K’s most recent albums.  That isn’t Rodaniche’s only production credit.  He also worked on ex-Flyleaf singer Lacey Sturm’s new album and work from Boy Hits Car, and others.  As if all of this isn’t enough credit to Cage9, the band has also received glowing reviews from its much more well-known counterparts including: Pop Evil, Korn, Saving Abel, Asking Alexandria, Devil You Know, and 9Electric just to name a handful of acts.

More information on Cage9’s new album is available online now along with all of the band’s latest news and more at:

 

 

Website: http://www.cage9.com

Facebook: http://www.facebook.com/Cage9

Twitter: http://twitter.com/cage9

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.