‘The Beverly Hillbillies: The Official Fifth Season’ Is Another Welcome Addition To Fans’ Collections

Courtesy: Paramount/CBS/CBS Home Entertainment

The 1960s is one of the greatest eras of the television industry.  It was during this great age that American audiences were treated to what has since become some of the most memorable television series of all time over just three networks.  ABC had Bewitched, Voyage to the Bottom of the Sea and Batman.  NBC had Star Trek, Bonanza and Get Smart.  CBS meanwhile was the real powerhouse, turning out The Andy Griffith Show, Gilligan’s Island, The Beverly Hillbillies and so many other major hit series.  Thanks to a partnership between Paramount and CBS Home Video, many of those classic series have recently been released and re-issued on DVD and Blu-ray, either in part or in whole in recent years.  Nearly 40 years after the series was canceled as part of what has since become known as “the rural purge,” fans of The Beverly Hillbillies finally started getting proper, official releases of that award-winning series with the release of the series’ second season.  Almost five months after its release, Season Three got its first-ever official release.  Seasons Four and One would follow in 2014 and 16 respectively, and now on Oct. 2, Season Five finally will make its DVD debut thanks to that partnership between CBS and Paramount.  The fifth season of The Beverly Hillbillies is another enjoyable offering for audiences.  That is due in part to the work of the series’ writers.  This will be discussed shortly.  The work of the series’ cast is just as notable as that of the show’s writers, and will be discussed a little bit later.  The set’s average price rounds out its most important elements.  Each element is important in its own way to the set’s presentation, as will be pointed out here.  All things considered, they make The Beverly Hillbillies: The Official Fifth Season another welcome addition to the home library of any of this classic series’ fans.

The first-ever release of The Beverly Hillbillies: The Official Fifth Season is a welcome addition to the home library of any of the classic series’ fans.  That is even with the release being a bare-bones set lacking any bonus features.  Even with that lack, it still proves a success overall.  That is due in no small part to the work of the series’ writers, as is evidenced throughout the season’s 30-episode run.  Right from the season’s outset, audiences get a nonstop laugh riot as Jethro tries to install a party line for Granny, so that she can be nosy.  It’s obvious in watching this episode, that it played a distinct influence in so many telephone jokes used in another of series creator Paul Henning’s series, Green Acres.  What makes this episode so entertaining is that it is still just as relevant today as it was way back in its debut on Sept. 14, 1966.  Every neighborhood, whether rich or not, has that one person who is a busybody and thinks that he or she just has to be all up in everybody’s business except for their own.  The result offers plenty of laughs.  The season’s Christmas episode, “The Christmas Present” is another wonderful example of why the writers’ work is still deserving of kudos to this day.  The Clampetts turn Christmas on its ear this time as they end up selling Mrs. Drysdale’s clothes; clothes that she was going to donate.  Of course, the Clampetts don’t know that she was going to donate the clothes.  Their whole purpose is to use the money to buy a present for her, so obviously, the comedy of errors (of sorts) that happens as a result offers its own share of laughs.  “Super Hawg,” which comes late in the season’s run, is yet another fun, original offering from the series’ writers this season.  This time out, the Clampetts discover a hippo for the first time and mistake it for a giant pig.  Of course, it just so happens that it’s in the Drysdales’ back yard because they are using it for another of Mr. Drysdale’s many schemes.  On a side note, one can’t help but think many of the same people who wrote for The Beverly Hillbillies must have written for Bewitched considering that Darrin’s boss, Larry Tate always had some scheme up his sleeve, and was very much like Mr. Drysdale in terms of his personality.  Getting back on track, the episodes noted here are just a few examples of what makes this season’s writing so enjoyable.  Even among the seemingly endless stream of stories centered on Granny trying to marry off Ellie May, Jethro trying to get a girl, and Jed having to play peacemaker in it all, there is still some originality this time.  One could cite the laugh riot episodes, “The Flying Saucer,” (which played on the B-movies of the time, and was also very similar to a certain episode of another hit CBS show, Gomer Pyle, U.S.M.C.) “Jed in Politics” and “Granny Retires” as three more examples of that continued originality.  When all of the episodes noted here are coupled with the rest of the season’s episodes, it becomes clear why the writers behind The Beverly Hillbillies deserve their own share of credit in this season.  Of course their work is only some of the work that deserves praise.  The cast’s work on screen deserves its own share of credit, too.

The cast’s work on camera, even despite some of the recurring story lines, shows why the series continued to be a leader on television even five seasons in.  Case in point here is Buddy Ebsen’s handling of Jed in ‘The Indians Are Coming.’  This episode, which came about halfway through Season Five, is one that clearly was so politically incorrect that there’s no way it would ever be on television today.  The episode sees Granny concerned that Native Americans want to take over the Clampett’s land back in the Ozarks, when in reality the issue is just a minor land dispute.  Jed, always having to play peace keeper, has to try to convince Granny that there is nothing to be concerned about.  His straight-man persona, set against Granny’s manic, close-minded character, makes for one of those classic odd-couple performances that makes classic television in general so beloved.  As the episode progresses, Mr. Drysdale, in his own uneducated mindset, dresses up as a Native American Chief to greet the two Native Americans who have come to Beverly Hills to discuss the land boundary issue.  Raymond Bailey (Vertigo, Tarantula, Picnic) does a spectacular job here displaying how close-minded and uneducated Americans of European descent were about Native Americans and their culture.  Sadly, many Americans are still somewhat uneducated and close-minded about Native Americans to this day.  To that end, Drysdale’s presence in this moment is another of those moments that is just as relevant today as it was in its original presentation.

A little earlier in the season’s run, a marketing scheme from Mr. Drysdale in “The Flying Saucer” leads to another outstanding performance from the series’ cast.  This time, Drysdale has hired a group of height-challenged (is that the correct term to use?) Italians to pose as aliens for yet another of his marketing schemes to promote his band.  Of course, being that the scheme is under wraps, Granny and Jethro (Irene Ryan – The Woman on the Beach, Petticoat Junction, Will You Stop! and Max Baer, Jr. – Macon County Line, The Wild McCullochs, Ode To Billy Joe) believe that the trio really is from another world.  Baer’s reaction, taking his suitcase out to the front of the Clampett mansion, waiting to be “picked up” is another of those classic moments because he really believes that other aliens are on the way to Earth.  Ryan’s take on Daisy/Grandma is equally entertaining as she is rather scared.  Again, there is that contrast of personalities.  The juxtaposition of Jethro and Granny’s reactions ensures audiences’ engagement, and again shows the continued talent of the series’ cast, give seasons into the show’s run.  It’s just one more example of the cast’s talent this season.  “Jed in Politics” is yet another example of that continued talent, as is “The Soup Contest” and “The Dahlia Feud.”  Between all of these noted episodes and those not noted here, it is clear from the season’s premiere to its finale, that the cast offers audiences just as much to appreciate as the show’s writers.  When the two elements are coupled, they form a solid foundation for The Beverly Hillbillies: The Official Fifth Season.  When one takes into consideration this season’s average price point, it proves to be money well-spent.

Using prices from Walmart, Best Buy, Target and Amazon, the set’s average price point comes to $21.48.  The most affordable price seems (at the time of this posting) to be from Amazon, at $20.59.  Considering that the set is a bare-bones presentation that lacks any bonus features, one might think that even $21.48 is a little expensive.  But taking into consideration the enjoyment that all 30 episodes offer audiences, that lack of bonus material can actually be overlooked.  What’s more, the very fact that audiences are presented with 30 episodes (instead of the current standard of 12-13 episodes presented in today’s shows), that leads to nearly 12 hours of enjoyment for audiences of all ages.  That enjoyment will lead audiences to agree that even without any bonus material to compliment the episodes, that noted average price of almost $22 is in fact actually quite affordable and worth paying in the end.  Keeping all of this in mind, that affordable price point, set alongside the entertaining writing and acting, makes The Beverly Hillbillies: The Official Fifth Season another enjoyable addition to the home library of any of this classic series’ fans.  More information on this and other titles from CBS Home Entertainment is available online now at:

 

Website: http://cbshomeentertainment.com

Facebook: http://www.facebook.com/cbshomeentertainment

Twitter: http://twitter.com/CBSHE

 

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PBS’ New Fred Rogers Doc Is A Good Starting Point For Audiences Unfamiliar With Rogers’ Life, Career

Courtesy: PBS/Public Media Distribution

Almost one year from now, iconic television figure Fred Rogers will have his life story told….sort of….in a new biopic from Big Beach Films and Tristar Pictures.  The movie will star legendary screen actor Tom Hanks in Rogers’ signature red cardigan sweater and sneakers.  Of course while this seems all good and fine, everybody knows that far too often, biopics are overly embellished with some falsehoods.  Keeping that in mind, so many more accurate documentations of Rogers’ life and career have already been released that have proven far more worth audiences’ time.  One of the most recent of those more worthwhile presentations is PBS’ latest Fred Rogers doc, It’s You I Like.  Having originally aired on PBS stations nationwide March 8, the hour-long program will be released on DVD Oct. 2.  Not to be confused with Universal Pictures’ equally popular big-screen Fred Rogers doc Won’t You Be My Neighbor, this program is not the first toe be released from PBS, but is still an enjoyable look at Rogers’ life and career.  That is due in no small part to the story at the center of the doc.  This will be discussed shortly.  The program’s transitions, by connection, are just as important to examine as the story.  They will be discussed a little bit later.  The footage, pictures and interviews used to help tell the story round out its most important elements.  Each element is important in its own right to the whole of It’s You I Like.  All things considered, they make It’s You I Like another welcome look at Fred Rogers’ life and career.

PBS’ latest profile of Fred Rogers, It’s You I Like, is another welcome look at the life and career of one of television’s most iconic figures.  The network’s first profile of Rogers since 2011’s Mister Rogers & Me, it is a good companion to that profile.  That is due in part to the program’s central story, which discusses what made – and makes – him so respected and beloved to this very day. It presents – as with so many other previously released docs – a man who was genuine in how he addressed tough topics, such as death, divorce and even where babies come from and who was just as genuine off camera as he was on camera.  Audiences also learn through the program that apparently, Mister Rogers had quite a sense of humor, and not in a bad way, either.  The story is told partially through interviews with celebrities, such as John Lithgow, Judd Apatow and Sarah Silverman, as they discuss Mister Rogers’ influence on them as they watch vintage clips of Mister Rogers’ Neighborhood.  Veteran actor Michael Keaton, who got his start in show business on the long-running series, serves as the program’s host, and adds his own stories of life on set and of Fred Rogers, the man behind the camera.  The whole thing uses music, fittingly, as the foundation for the presentation.  The focus on music here is fitting because, as noted at one point in the program, it is noted that Rogers earned a degree in music composition in college.  Again, this is not the first time that this has been noted in a documentary on Rogers’ life and career, but maybe not everyone knew this.  To that end, it is a good addition to the program, as it explains why there is such a heavy emphasis on music throughout this story.  Considering all of this in mind, many audiences will find the story at the center of It’s You I Like familiar.  For those who might be less familiar with Rogers’ life and career, it is a good brief, but concise introduction.  To that end, this presentation will appeal, at least in terms of its story, more to audiences less familiar with Rogers’ life and career than those who have seen the other Fred Rogers docs that have been released already.  Staying on that note of the story’s familiarity, the story’s transitions are just as important to its presentation as the story itself.

The story’s transitions are of note because they are so smooth.  What is really of note is that Rogers’ beloved “picture-picture” is largely the source of those transitions.  At many points, the story will go from the final scene of one chapter to a slow zoom out of the picture frame and back in at the end of Keaton’s segments.  At other times, the transitions are more basic, going from the final moment of a given chapter to a fade or a smooth cut back to the old set of Mister Rogers’ Neighborhood.  Regardless of the transitions, it can be said that each one keeps the story progressing so smoothly from one segment to the next, ensuring that viewers will never be lost.  Getting back to the doc’s story, this means that, again, audiences less familiar with Mister Rogers’ life and career are that much more apt to remain engaged and entertained throughout the program.  When the two elements are coupled, they show even more why those noted audiences will enjoy this presentation as their first exposure to the man who was more than just a television figure, but one of America’s most important figures on and off camera.  Having noted all of this, the actual material used to tell the documentary’s story rounds out the most important elements of It’s You I Like.

The material used to tell the story of It’s Your I Like is as familiar as the story itself for most audiences, and just as fresh, again, for those less familiar with his story.  Audiences are presented here with footage and pictures of Mister Rogers on the set of his show, as well as interviews with various celebrities to tell the story.  The footage includes moments, such as Rogers joking with fellow cast mates David Newell (Mr. McFeely), Francois Clemmons (Officer Clemmons) and crew members as well as footage of Rogers interviewing stars, such as Yo-Yo Ma (and his son), Wynton Marsalis and Margaret Hamilton (The Wizard of Oz) at various points throughout.  The pictures featured across the program were taken from the days when the show was still running.  There are candid pictures featuring Rogers and the show’s cast and crew, a picture of Mister Rogers with the one and only Big Bird (from Sesame Street) included in the discussion of Big Bird crossing over into the “Land of Make Believe” and even pictures of Rogers in his youth.  Between those pictures and others, audiences get a wonderfully rich picture of the show from its birth to its end.  Meanwhile the interviews with Rogers’ widow and the previously noted celebrities serve to illustrate even more the legacy and impact of the man who was Mister Rogers.  When those interviews, pictures and footage all come together to tell the story of a man who truly did like everyone, the end result is a documentary that those just starting to learn about Mister Rogers will enjoy.

PBS’ latest Fred Rogers documentary It’s You I Like is a good introduction to the life and legacy of Mister Rogers for those who might not be so familiar with Rogers’ life and career. That is due in part to a story that for other viewers, proves relatively familiar.  It touches briefly on Rogers’ accomplishments and efforts, giving a concise overview why he is still such a revered figure, even in death.  The story’s transitions ensure audiences’ engagement just as much as the story itself, as do the collective interviews, footage and pictures used to help tell the story.  Each element is important in its own right to the whole of the presentation.  All things considered, they make It’s You I Like a doc that fans unfamiliar with Fred Rogers’ life and career will like as much as he liked everyone.  It will be available on DVD Oct. 2, and can be ordered direct via PBS’ online store.  More information on this and other titles from PBS is available online now at:

 

 

 

Website: http://www.pbs.org

Facebook: http://www.facebook.com/pbs

Twitter: http://twitter.com/pbs

 

 

 

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Ace Frehley To Perform Live On ‘Jimmy Kimmel Live’ Monday Night

Courtesy: eOne

Ace Frehley will release his new album next month, and in anticipation of its release, will make an appearance Monday night on ABC.

Frehley, one of the original members of KISS, will appear on Jimmy Kimmel Live! asa special guest member of Kimmel’s house band, Cleto and the Cletones as part of the promotion for his new album Spaceman.  The album is currently scheduled for release Oct. 19 via eOne.

 Spaceman is Frehley’s first album of original material since the release of his 2014 album Space Invaders. It features a cover of Eddie Money’s ‘I Wanna Go Back’ the singles ‘Bronx Boy‘ and ‘Rockin’ With The Boys‘ and six other songs sure to be their own fan favorites.

The album’s full track listing is noted below. Pre-orders are open now.

 

Courtesy: eOne

1. Without You I’m Nothing
2. Rockin’ With the Boys
3. Your Wish Is My Command
4. Bronx Boy
5. Pursuit Of Rock and Roll
6. I Wanna Go Back
7. Mission To Mars
8. Off My Back
9. Quantum Flux

 

 

 

Frehley is scheduled to perform on the KISS Kruise VIII from Oct. 31 to Nov. 5.  The cruise leaves from Miami, Florida before heading to Key West and Nassau before returning to Miami on Nov. 5.

Three more dates in Florida are scheduled following the cruise, from Nov. 9 to 11.  All of Frehley’s current live dates ate noted below.

Oct 31, 2018 – Nov. 5, 2018 – Miami to Key West and Nassau, KISS Kruise VIII
November 9, 2018 – Clearwater, FL, Capitol Theatre
November 10, 2018 – Melbourne, FL, King Center for the Performing Arts
November 11, 2018 – Miramar, FL, Miramar Amphitheatre

More information on Ace Frehley’s new album, live dates and more is available online no along with all of his latest news and more is available online now at:

 

Website: http://www.acefrehley.com

Facebook: http://www.facebook.com/officialacefrehley

Twitter: http://twitter.com/Ace_Frehley

 

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Pre-Orders Open For ‘Symphonic Terror’

Courtesy: Nuclear Blast Records

Nuclear Blast Records has officially opened pre-orders for its new live recording.

Nuclear Blast Records announced Friday that pre-orders for Symphonic Terror have opened.  The album is currently scheduled to be released Nov. 23 via Nuclear Blast Records on seven separate platforms noted below.

BluRay+2CD-DIGI
DVD+2CD-DIGI
2CD-DIGI
3LP Box (black) incl. booklet, poster
3LP Box (gold) incl. booklet, poster // NB Mailorder exclusive
BluRay+DVD+2CD-Earbook
BluRay+DVD+2CD-Earbook + photo card (signed) // NB Mailorder exclusive

The two-hour, 23-song performance was originally recorded Aug. 3, 2017 at the Wacken Open Air Festival in front of an audience of 80,000 people.  Thousands more streamed the performance online live.

The concert was separated into three separate sections.  The first featured full on performances of classic songs such as ‘Restless and Wild’ and ‘Pandemic’ and then new songs ‘Die By The Sword’ and ‘Koolaid.’

The second section features a rock/symphonic performance of select songs from Wolf Hoffman’s recent solo album Headbanger’s Symphony.  The songs featured in that record are amped up takes on some of the world’s most beloved classical compositions from famed composers Beethoven, Mozart, Vivaldi and others.

The concert’s third segment features the band performing many of its own hits, such as ‘Princess of the Dawn,’ ‘Breaker,’ ‘Fast as a Shark,’ ‘Metal Heart,’ ‘Stalingrad,’ ‘Shadow Soldiers,’ ‘Teutonic Terror’ and ‘Balls to the Wall’ complete with orchestral backing.

The concert’s full track listing is noted below.

The Tracklist:
DVD/Blu-Ray
Part 1: Accept
01. Die By The Sword
02. Restless And Wild
03. Koolaid
04. Pandemic
05. Final Journey
Part 2: Headbanger’s Symphony
06. Night On Bald Mountain
07. Scherzo
08. Romeo And Juliet
09. Pathétique
10. Double Cello Concerto in G Minor
11. Symphony No. 40 in G Minor
Part 3: Accept with Orchestra
12. Princess Of The Dawn
13. Stalingrad
14. Dark Side Of My Heart
15. Breaker
16. Shadow Soldiers
17. Dying Breed
18. Fast As A Shark
19. Metal Heart
20. Teutonic Terror
21. Balls To The Wall
Bonus:
22. Making Of: Wacken
23. Making Of: Headbanger’s Symphony

 

Courtesy: Nuclear Blast Records

In anticipation of Symphonic Terror‘s release, Accept will release a limited edition 10-inch vinyl pressing of ‘Balls to the Wall/Symphony No. 40 in G Minor’ on Oct. 5.  Both performances are taken from Symphonic TerrorDigital and physical Pre-orders for the vinyl are also open now.

Also in anticipation of Symphonic Terror‘s forthcoming release, the band is touring worldwide, including the current U.S. leg of its tour.  The band is scheduled to perform live in St. Charles, IL on Sept. 26.  The U.S. leg of its tour is scheduled to wrap Oct. 4 in Houston, TX.

Once it wraps the U.S. leg of its tour, Accept will move to Central and South America from Oct. 6 to Oct. 25 before back to Europe from Nov. 1 to Nov. 4 for what has been dubbed “The Rise of Chaos Festivals 2018 Tour.”  Orden Ogen, Monuments and Refuge will join Accept for the festival shows.

The band’s current tour schedule is noted below.

ACCEPT live:
26.09.  USA     St. Charles, IL – Arcada Theatre
28.09.  USA     Agoura Hills, CA – The Canyon
29.09.  USA     Pasadena, CA – The Rose
30.09.  USA     Santa Clarita, CA – The Canyon
02.10.  USA     Dallas, TX – Gas Monkey Live!
04.10.  USA     Houston, TX – White Oak Music Hall

06.10.  MEX    Monterrey – Tecate México Metal Fest
10.10.  BR       Belém – Botequim
12.10.  BR       Fortaleza – Complexo Armazém
14.10.  BR       São Paulo – Carioca Club
16.10.  BR       Belo Horizonte – Mister Rock
18.10.  RA       Buenos Aires – Teatro Flores
19.10.  RA       Chubut – Predio Ferial Comodoro
20.10.  RA       Cipolletti – Kimika Night Club
23.10.  RCH     Santiago – Teatro Coliseo
25.10.  RCH     Puerto Montt – Arena

»Rise Of Chaos Festivals 2018«
w/ ORDEN OGAN, REFUGE, MONUMENT
01.11.  D         Cologne – Live Music Hall
02.11.  D         Weissenhäuser Strand / Ostsee – Metal Hammer Paradise* *SOLD OUT*
03.11.  D         Wiesbaden – Schlachthof
04.11.  D         Regensburg-Obertraubling -Airport-Eventhall
*ACCEPT only

More information on Accept’s upcoming live dates, Symphonic Terror and more is available online now at:

 

Website: http://www.acceptworldwide.com

Facebook: http://www.facebook.com/accepttheband

Twitter: http://twitter.com/accepttheband

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

 

New Documentary/Live Collection Coming This Fall From Amon Amarth

Courtesy: Metal Blade Records

Amon Amarth announced this week that it will release a new multi-faceted released this fall.

The Pursuit of Vikings25 Years in the Eye of the Storm is currently scheduled to be released Nov. 26 via Metal Blade Records.  The collection will feature a double-live recording and a full-length documentary.

The documentary takes audiences through the band’s rich history both in studio and on the road, and includes a wealth of interviews with the band through that time.  The double-live recording features two sets from the band, performed at the 2017 Summer Breeze Festival in Dinkelsbuhl, Germany.

Guitarist Olavi Mikkonen said the band was glad to have both performances together in one setting.

“For the first night, we wanted to write a set that the fans would enjoy by wholly diving into our back catalog, but also keeping it interesting,” Mikkonen said.  “Putting the two shows together also made us realize that we had a lot of songs to choose from!”

Pre-orders are open now along with a trailer for the collection here.  the collection will be available on CD/2DVD digipack, Blu-ray, special edition hardcover book with six discs (3DVD/2CD/1 Blu-ray) and vinyl.

The vinyl pressings will be in transparent orange, clear black with splatter and transparent yellow with orange marble vinyl.  The transparent orange pressing will be limited to 500 copies; the clear black with splatter 250 copies and yellow with orange marble 250 copies.

The collection’s full track listing is noted below.

CD track-listing (Main Stage Show: August 17th, 2017):
1. The Pursuit of Vikings
2. As Loke Falls
3. First Kill
4. The Way of Vikings
5. At Dawn’s First Light
6. Cry of the Black Birds
7. Deceiver of the Gods
8. Destroyer of the Universe
9. Death in Fire
10. Father of the Wolf
11. Runes to My Memory
12. War of the Gods
13. Raise Your Horns
14. A Dream That Cannot Be
15. Guardians of Asgaard
16. Twilight of the Thunder God

DVD Digipak and Blu-ray track-listings:
Documentary
T-Stage Show: August 16th, 2017
1. Twilight of the Thunder God
2. Free Will Sacrifice
3. With Oden on Our Side
4. The Last with Pagan Blood
5. For the Stabwounds in Our Backs
6. Thousand Years of Oppression
7. Gods of War Arise
8. Versus the World
9. Asator
10. Under the Northern Star
11. Fate of Norns
12. Varyags of Miklagaard
13. Live for the Kill
14. Victorious March
Main Stage Show: August 17th, 2017
1. The Pursuit of Vikings
2. As Loke Falls
3. First Kill
4. The Way of Vikings
5. At Dawn’s First Light
6. Cry of the Black Birds
7. Deceiver of the Gods
8. Destroyer of the Universe
9. Death in Fire
10. Father of the Wolf
11. Runes to My Memory
12. War of the Gods
13. Raise Your Horns
14. A Dream That Cannot Be
15. Guardians of Asgaard
16. Twilight of the Thunder God

**Note: special edition hardcover book contains all of the above, plus audio from T-Stage Show: August 16th, 2017**

Vinyl track-listing (Main Stage Show: August 17th, 2017):
SIDE A
1. The Pursuit of Vikings
2. As Loke Falls
3. First Kill
4. The Way of Vikings
SIDE B
5. At Dawn’s First Light
6. Cry of the Black Birds
7. Deceiver of the Gods
8. Destroyer of the Universe
9. Death in Fire
SIDE C
10. Father of the Wolf
11. Runes to My Memory
12. War of the Gods
13. Raise Your Horns
SIDE D
14. A Dream That Cannot Be
15. Guardians of Asgaard
16. Twilight of the Thunder God

More information on The Pursuit of Vikings25 Years in the Eye of the Storm is available online now along with all of Amon Amarth’s latest news and more at:

 

Website: http://www.amonamarth.com

Facebook: http://www.facebook.com/OfficialAmonAmarth

Twitter: http://twitter.com/amonamarthband

 

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Prudential Records To Release Max Ater’s Sophomore EP Next Month

Courtesy: Prudential Records

Singer-songwriter Max Ater will release his new EP next month.

Small Town is scheduled to be released October 12 via Prudential Records.  The five-song EP features, which features his current hit songs ‘Light Up This Town’ and  ‘Easy,’ can be pre-ordered online now via Amazon.

‘Easy’ can be streamed online now via Spotify.  The song’s video is streaming now via YouTube.

Ater talked about the creation of both singles in a recent interview, explaining each song has its own unique lyrical theme.

“I’d consider my crowning achievement as a songwriter so far to be my single, ‘Easy,'” Ater said.  “I wrote it at a really tough time in my life, and it’s a testament to what happens when I let my life flow onto paper, which is surprisingly rare to achieve.  This tune however, just came to me and watching [producer] Karl Anderson lay a unique musical foundation under the lyrics was the perfect way to wrap it all up.  Other tunes were much more time-consuming and downright challenging.  ‘Light Up This Town’ started in the studio with just a kick, snare and a simple piano line.  I knew the song would be a love song, but also an anthem to life in Maine.  Finding the story took months.  There are some tunes where I have had to look outside my life for inspiration and widen my perspective enough to absorb what I might not know.  It takes a surprising amount of brain power to find the perfect lyrics that have the promise of connecting with my fans.”

A native of Maine, the up-and-coming pop/country star claims artists, such as Norah Jones, Jamie Cullum and John Mayer as influences for his own work. He first rose to fame after winning his home state’s “Maine’s Got Talent!” competition.

He released his debut EP Up ‘Till Now in 2013. Three years later, Ater took the top spot in the “Maine’s Soundoff 2016” competition. Now he looks forward to the release of Small Town and the future.

More information on Small Town is available online now along with all of Max Ater’s latest news and more at:

 

Website: http://www.maxater.com

Facebook: http://www.facebook.com/OfficialmaxAter

Twitter: http://twitter.com/max_ater

 

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Archer Nation To Open 2019 With New Album

Courtesy: EMP Label Group

Hard rock band Archer Nation is preparing to release its sophomore album.

The band is currently scheduled to release Beneath The Dream January 25, 2019.  Produced by Mike Clink (Guns N’ Roses, Megadeth, Mo tley Crue), it will be released via EMP Label Group.

Front man Dylan Rose said expectations for the record are high,especially since three years have passed since the release of the band’s debut album.

“After working to create Culling The Weak, everyone was excited to get back in the studio with Mike for the second record,” Rose said.  “We’re very pleased with the result and can’t wait to release Beneath The Dream with the great team at EMP Label Group, so we can get back to non-stop touring in 2019!”

Dave Ellefson, EMP Label Group head, shared Rose’s thoughts.

“When Mike Clink first turned myself and Thom [Hazaert] onto the Archer Nation record, we were blown away,” Ellefson said.  “Clink is a true world-class producer, and we’re honored to work with him and Archer Nation to release their ferocious new album in 2019!”

More information on Archer Nation’s new album is available online now along with all of the band’s latest news and more at:

 

Website: http://archernation.com

Facebook: http://www.facebook.com/archernation

Twitter: http://twitter.com/ArcherNation

 

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