New York Sports Anthem Will Get NFL Fans Going At Pro Bowl, Super Bowl

Courtesy: Chris Clemence

Courtesy: Chris Clemence

Bassist Chris Clemence’s New York sports anthem ‘Let’s Go’ is about to become one of the next big national sports anthems thanks to the National Football League.

‘Let’s Go’ will air live during the NFL’s Pro Bowl later this month and early next month during Super Bowl LI. The song will play over the speakers at each game’s stadium.  Clemence originally debuted the song late last year.

The up-tempo, fist-pumping inciting composition features vocals from Cro Mags member Harley Flanagan and additional instrumentation from Madison Square Gardens organist and DJ Ray Castoldi. It went on to become an anthem of the Knicks, Giants and Rangers since its debut.

Photo Credit: Ultra Sound Studios L - R: Chris Clemence, Harley Flanagan, Ray Castoldi writing 'Let's Go' in New York City.

Photo Credit: Ultra Sound Studios
L – R: Chris Clemence, Harley Flanagan, Ray Castoldi writing ‘Let’s Go’ in New York City.

Clemence was humble as he talked about the continuously growing popularity of ‘Let’s Go.’ He said he was moved by the reaction audiences have had to the song and looked forward to see if it would continue to grow in its popularity.

“The song has had a really great response, and it’s exciting to watch it grow even bigger,” Clemence said.  “I can’t wait to see what happens next.”

Audiences can download ‘Let’s Go’ now via iTunes. Audiences can also stream the song online via Clemence’s website.

Clemence said downloading the song will allow audiences to hear it whenever they want, but stressed fans who hear it live during a game will gain even more of an appreciation for the song.

“For the full effect you have to go hear it at a game,” Clemence said.

More information on ‘Let’s Go’ is available online now along with all of Clemence’s latest news and more at: http://www.chrisclemence.com.

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‘The Ultimate Legacy’ Does Little For The Legacy Of ReelWorks’ “Ultimate” Franchise

Courtesy: Cinedigm/ReelWorks Studios

Courtesy: Cinedigm/ReelWorks Studios

Evangelical movie studio ReelWorks Studios will release the latest installment in its ongoing “Ultimate” franchise on Tuesday when it releases The Ultimate Legacy.  The franchise’s third installment, it is enjoyable, but hardly perfect.  That is not to say that it is a total loss, but this critic would be lying to say that it is one of the year’s best new cinematic offerings independent or otherwise.  One of the key elements that keeps this latest installment in the “Ultimate” franchise afloat is the work of the movie’s cast.  This will be discussed shortly.  While the cast’s work is laudable, its story is sadly not so laudable.  That is hugely important to note, and will be discussed later.  Of course whereas the movie takes a big hit due to its story, the movie’s cinematography makes up for that hit if only slightly.  When the cinematography is coupled with the cast’s work on camera, they luckily do just enough to make up for the movie’s story, which is anything but original.  Each element plays its own important part in the movie’s overall presentation.  All things considered, The Ultimate Gift proves to be anything but the ultimate cinematic triumph.

ReelWorks’ latest installment in its “Ultimate” movie franchise is enjoyable, but is hardly an ultimate cinematic offering.  Luckily for its parent studio though, it is not a total loss.  It does have some saving graces, one of which is its cinematography.  The movie, shot at least partially in La Grange, Kentucky, will impress audiences if only for the work of its cast.  Viewers will be surprised to learn that the supporting cast is more deserving of credit than the lead cast in this movie.  The most notable of the support cast are Torry Martin and Doug Jones.  The pair plays two of Anderson House’s staff, and while they are not on camera at all times, their time on camera is successful.

Audiences will love watching Martin (The Matchbreaker, The Errs of Birdie Hollow, Adrift) as the innocent, nerdy housekeeper Oscar.  Martin makes Oscar such a loveable character through his portrayal.  His comic timing is spot on as he stumbles over what to call Joey, and as he runs to save the day after Joey accidentally hits a water line while developing the memorial garden.  Even in a more serious moment such as when Oscar and Hawthorne (Jones) reveal a long-held secret to Joey, Martin impresses.  As enjoyable as he is to watch, one can only hope that he will get more opportunities to shine in bigger movies and sooner rather than later at that.

Jones’ (Star Trek Discovery, Hellboy, Hellboy II) portrayal as Hawthorne is just as enjoyable Martin’s take on Oscar.  Just like with Martin, Jones’ time on screen is limited.  But he shines just as much.  Those who are familiar with Disney Junior’s animated series Sofia The First will be able to instantly compare Jones’ portrayal to Tim Gunn’s portrayal of Sofia’s butler Baileywick.  The difference is that Hawthorne barely has any speaking lines in this movie.  Even with that being the case, Jones still impresses when he does speak.  He impresses just as much when his acting is done more through emoting than speaking.  Jones gets even those moments right, and whether those moments come when he’s alone or he is alongside Martin, he shows exactly why he is deserving of credit.  When Jones and Martin work alongside, the pair shows fully that they are the real stars of this movie and collectively one of the only shining stars in this otherwise forgettable evangelical flick.

While Jones’ and Martin’s work is a laudable piece of The Ultimate Legacy’s overall presentation, the movie is anything but perfect.  The movie’s story weighs it down and while it has some funny moments, it is otherwise unoriginal and forgettable.  The movie’s story is a blatant rehashing of the “Ultimate” franchise’s first two movies and just as much of a ripoff of Fireproof.  That is right down to the book that holds Sally Mae’s original will and the 12 Gifts that Joey has to work on in order to earn his inheritance.  Just as with the franchise’s first two films and with Fireproof, the story’s main character has to go through a certain process in order to obtain enlightenment (so to speak) and his ultimate reward.  That process includes self sacrifice (again just like with the aforementioned movies) and tithing in a manner of speaking.  What’s more, Joey doesn’t necessarily go through any major transformation in the story.  The fact that he gave charity early on in the movie made him little more than the bad boy with a heart of gold.  That in itself is hardly original in the bigger picture of the entertainment world.  Considering the fact that he never really went through any major transformation, it almost completely negates any reason to watch the movie.  Luckily, these issues with the movie’s story (it’s writing in the bigger picture) aren’t enough to make the movie completely unwatchable.  Its cinematography does its share to make it worth at least one watch, just as with the work of the movie’s cast.

The story at the center of The Ultimate Legacy does more of a disservice to the movie than a service.  Joey doesn’t necessarily go through any earthshaking transformation when one truly examines the story closely.  The process that Joey has to go through is nothing new both to the movie’s franchise, and is also a reworking of the story presented in Fireproof.  For all of the problems that the story poses, those problems are offset by the movie’s cinematography.  Viewers will be especially impressed by the soaring aerial shots of Hamilton House’s vast property and the countryside shots as Joey helps an elderly woman on her way to his grandmother’s funeral.

The movie’s various interior shots offer audiences just as much to applaud as its exterior shots.  One case comes as Sally’s lawyers watch Joey at work on the memorial garden from inside the mansion’s dining room.  The wide shot of the room and the contrast of the grounds from the inside exquisitely captures the details not just of the room but of the setting in whole.  The shots captured in the mansion’s library and barn are just as impressive in their own right, and are hardly the only footage worth noting.  Between the various impressive interior shots and exterior shots presented throughout the movie’s 99-minute run time, its cinematography paints quite a laudable picture; a picture that makes the movie worth at least one watch if only for that one factor. That is made clearer when one takes into consideration the work of supporting cast members Doug Jones and Torry Martin.  When their work is joined with the work of the movie’s camera crew, the end result is a movie that is worth at least one watch even though it is anything but ultimate.

The Ultimate Legacy is a work that is anything but ultimate.  Its story does little more than rehash the story used in the franchise’s previous installments.  It also uses a very similar story presented in Sherwood Films’ movie Fireproof.  That in itself does more harm than good to the movie.  Even as much damage as it does to the movie’s value, the work of the movie’s support cast and its camera crew does just enough to make it worth at least one watch.  Considering all of this, The Ultimate Legacy does little for the legacy of ReelWorks’ “Ultimate” franchise.  It still remains a movie that while anything but ultimate, is worth at least one watch.  It will be available Tuesday in stores and online.  More information on this and other titles from ReelWorks Studios is available online at http://www.reelworks.net.

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‘Killer Elite’ Is A “Killer” Hits Collection From Dragonforce

Courtesy: Spinefarm Records

Courtesy: Spinefarm Records

Late this summer Dragonforce released its first-ever hits compilation for the masses in the form of Killer Elite: The Hits, The Highs, The Vids.  The British power metal outfit’s first-ever attempt at a hits compilation is in fact a “killer” collection. That is due in part to its featured songs.  That will be discussed shortly.  Just as important to note as the songs in this compilation is the way in which the songs are presented.  Those who haven’t yet picked up this record don’t understand right now, so it will be discussed later.  Last and most definitely not least of note in this collection’s presentation is its bonus DVD.  It rounds out the collection’s most important elements. Each element is clearly important in its own right to the collection’s overall presentation.  All things considered, Killer Elite: The Hits, The Highs, The Vids proves to in fact be a killer first effort at a hits collection for Dragonforce.

Dragonforce’s first attempt lives up to its title.  It is in fact a killer collection.  That is due in no small part to the record’s featured songs.  The 2-disc, 22-song collection pulls songs from each of its six current full-length studio recordings.  The most heavily represented of those albums is the band’s 2004 sophomore record Sonic Firestorm.  ‘My Spirit Will Go On’ is pulled from that album as are ‘Fury of the Storm,’ ‘Fields of Despair,’ ‘Dawn Over A New World,’ and ‘Soldiers of the Wasteland.’  Valley of the Damned, the band’s 2003 debut album is the next most heavily represented of the band’s albums here.  It is represented by four songs – ‘Black Fire,’ ‘Valley of the Damned,’ ‘Starfire’ and ‘Heart of a Dragon.’  The Power Within (2012) also sees four of its songs included in this collection while Inhuman Rampage (2006), Ultra Beatdown (2008) and Maximum Overload (2014) are each represented by three songs.  What all of this says to the band’s fans is not only is this a thorough collection of Dragonforce’s songs, but it is also a relatively well-balanced collection of songs, too.  This is just one of the collection’s most important elements.  The presentation of the songs themselves is just as important to note as the songs themselves.

The songs that make up the body of Killer Elite: The Hits, The Highs, The Vids are collectively the foundation for the collection’s presentation.  They are pulled from all six of the band’s current full-length studio recordings. What’s more, when one examines them closely, the full sequencing balances the albums’ representations relatively well.  That is just one of the collection’s most important elements.  The songs’ presentation is another key piece of the record’s presentation.  This might sound confusing to some. To clarify it, not all of the songs that are presented in this album are studio tracks, even though they are songs pulled from the band’s albums.  Some of the songs featured in this record are live performances of said songs instead of being purely studio songs and others are remastered versions of said songs, meaning they sound even better than the songs’ original recordings.  In other words, this hits collection isn’t just a random grouping of singles.  That is a breath of fresh air.  It is a career-spanning collection that also takes audiences into the band’s live shows even if only a little bit through its 2-CD set.  This enhances the overall listening experience for fans even more.  Of course, the band goes above and beyond providing not only a listening experience for fans in its first-ever hits collection.  It also included a DVD featuring a handful of music videos in the record’s extended 2-CD/DVD set.  That DVD rounds out the record’s most important elements.

The songs presented in Dragonforce’s first-ever hits collection and the manner in which they are presented are both key elements to this collection’s presentation.  While both elements are clearly important in their own way to the collection’s presentation, they are not its only key elements.  Included along with the record’s 2-disc, 22-song audio collection – which spans two and a half hours – is a bonus DVD featuring eight music videos from the band. It is especially encouraged for fans who might be unfamiliar with the band’s videos as a way to introduce them to the band’s music without having to go through YouTube or other outlets.  For the band’s more seasoned fans, it proves to be just as enjoyable while they wait for the band to release its next album and accompanying videos.  When this is considered along with the collection’s songs and their presentation, the end result is a collection that is, again, a killer first attempt at a hits collection from Dragonforce.

Killer Elite: The Hits, The Highs, The Vids lives up to its title in a manner of speaking.  It is a killer first try at a hits collection from the band.  That is due in part to the collection’s career-spanning sequencing.  The songs’ presentation includes not just studio songs, but live and remastered tracks, too. That enhances the package’s presentation even more.  The bonus DVD included the collection’s exclusive 2-CD/DVD combo pack rounds out its most important elements.  It serves as a solid introduction to the band’s music for new fans that doesn’t require them to go online and an equally enjoyable collection of performances for more seasoned fans, too.  Each element is important in its own right. That goes without saying.  All things considered, they make Killer Elite: The Hits, The Highs, The Vids a truly killer first hits collection from one of power metal’s most outstanding acts.  It is available now in stores and online.  More information on this collection is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://www.dragonforce.com

Facebook: http://www.facebook.com/dragonforce

Twitter: http://twitter.com/dragonforce

 

 

 

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Franti’s Latest LP “Rocks” Phil’s PIcks 2016 Albums Of The Year List

Michael Franti and Spearhead Soulrocker Cover Art

Courtesy: Fantasy Records

The time has come.  Today is New Year’s Eve eve.  That means 2016 is nearly in the books.  With that year right at it’s end, it’s time for the last two of this year’s Phil’s Picks best of lists.

Rounding out this year’s lists are the year’s top new albums overall and the year’s top new overall movies.  The year’s top new albums list is up first.  It was not an easy list to assemble either as there were so many stand out records released from across the musical universe’s many genres.

This year’s top albums list is represented by music from the jazz community, the world of children’s music, rock, blues, and even reggae in the form of Michael Franti and Spearhead’s new album Soulrocker.

As with every previous Phil’s Picks list, this list features Phil’s Picks’ top 10 new titles plus five honorable mention titles, bringing the total count to 15.  Having noted that here for you is Phil’s Picks 2016 Top 10 new albums.

 

PHIL’S PICKS 2016 TOP 10 NEW ALBUMS

 

  1. Michael Franti & SpearheadSoulrocker

 

  1. Santana IV

 

  1. Joe BonamassaBlues of Desperation

 

  1. YellowjacketsCohearance

 

  1. FoghatUnder The Influence

 

  1. The Okee Dokee BrothersSaddle Up

 

  1. Songs of the Night: Dance Recordings by the Joseph C. Smith Orchestra 1916 – 1925

 

  1. Marian HillAct I

 

  1. Love and a .38Nomad

 

  1. Red Hot Chili PeppersThe Getaway

 

  1. Rich RobinsonFlux

 

  1. Charles Lloyd and the MarvelsI Long To See You

 

  1. Logan Richardson Shift

 

  1. Tedeschi Trucks BandLet Me Get By

 

  1. Mountain HeartBlue Sky

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘Super Hummingbirds’ Is A “Super” New Episode Of PBS’ ‘Nature’

nature-super-hummingbirds-bd-box-art

Courtesy: PBS/PBS Distribution/WNET

Big things can and often do come in small packages.  Who out there hasn’t heard or said this or some variant thereof?  In the animal kingdom, one of the smallest creatures – the hummingbird – is one of the biggest surprises.  The tiny birds’ surprises are many, too.  Those surprises were recently revealed in a new episode of PBS’ hit wildlife-based series Nature in the form of Super Hummingbirds.  This episode isn’t the series’ first to ever focus on the tiny birds, but it is still an interesting program nonetheless.  That is due in part to the program’s central topic.  This will be discussed shortly.  The information that is presented within the program is just as important to its presentation as its central topic.  It will be discussed later.  The program’s transitions round out its most important elements.  Each element is important in its own right to the program’s overall presentation.  All things considered, Super Hummingbirds proves in the end to be its own super episode of Nature.

Super Hummingbirds is not the first episode of its kind to run on PBS’ hit wildlife series Nature.  Even with that in mind, it is still its own “super” episode.  That is due in part to the program’s central topic.  The program’s central topic focuses on the various adaptations hummingbirds have developed throughout their evolution.  One of those adaptations allows one species of hummingbird to survive at altitudes that would otherwise be fatal to humans.  That is because of the low levels of oxygen at those altitudes.  Another key adaptation that is displayed is the hummingbird’s tongue.  Audiences will be surprised to discover here that hummingbirds’ tongues (or at least one species of hummingbird) are actually split in a manner similar to snakes.  What is even more interesting to learn is the revelation that hummingbirds use channels of sorts in their tongues in order to lap up nectar from flowers.  They don’t just stick out their tongues and lap it up.  It is truly an interesting revelation.  It is just one more of so many interesting adaptations that are revealed as part of the program’s central topic.  There are plenty of other adaptations revealed throughout the course of the program that audiences will be just as interested to discover.  Even with that in mind, the program’s central program should not be considered the program’s only important element.  The information that is presented throughout the course of the program’s roughly hour-long program is just as important to note as the program’s central topic.

The central topic presented in Super Hummingbirds is in itself a key element to the program’s overall presentation.  It is a topic that while touched on in previous similar episodes of Nature, is still original in its own right.  That is because it takes such a close look at the adaptations that have allowed the tiny birds to survive in different situations and settings.  As important as the presented topic proves to be, it is just one of the program’s key elements.  The information that makes up the body of the program is just as important to note as the program’s central topic.  One of the more interesting pieces of information revealed in the program is that of the ability of one species of hummingbird to survive at altitudes close to that of Mount Everest.  That information is provided as one scientist conducts experiments to see how low he can make the birds’ oxygen levels before they begin struggling to fly.  For the animal rights activists out there, no birds were harmed in the process.  Another interesting piece of information that is revealed in the program is the fact that allegedly hummingbirds spend the better part of their days competing. What’s more the males are the ones who do the competing, and they do so primarily for the purpose of creating the next generation of hummingbirds.  It’s so interesting to note because of the reputation that hummingbirds have as gentle, tiny creatures.  According to this piece of information, they are not the peaceful little creatures that most people think them to be.  What’s more it makes them seem about as competitive as most teen boys.  Yes, that bad joke was fully intended.  This revelation in particular is just one more of so many interesting pieces of information that will assuredly keep audiences engaged throughout the course of the program.  There are plenty of other intriguing pieces of information that are revealed from beginning to end.  All things considered, the information provided within this episode of Nature give audiences plenty to appreciate.  They prove collectively to be just as important to the program as its central topic.  The program’s overall information, important as it is, is still not the program’s only remaining important element.  The program’s transitions are just as important to note as its collective information and central topic.

The topic at the heart of Super Hummingbirds and the program’s collective information are both key pieces of the program’s overall presentation.  While both elements are clearly important pieces of the program’s whole, they are just two of three key elements that should be noted in examining its overall presentation.  The program’s transitions are just as important to note as its information and central topic.  From hummingbirds’ survival abilities to their competitive nature to their mating the transitions between subjects are clear and concise.  There is no jumping from one subject to the next.  While there are no fade-ins or fade-outs between subjects, the program’s writing makes the transitions stable and thus maintain the program’s pacing.  That being the case, the program’s transitions keep it moving forward and in turn, keep audiences engaged.  It proves the importance of the transitions to the program’s overall presentation.  When it is set alongside the program’s extensive information and its central topic, the whole of those elements makes this episode of Nature another “super” presentation from PBS’ hit wildlife-based series.

Super Hummingbirds is hardly the first ever episode of PBS’ Nature to focus on hummingbirds.  Even with that in mind, it is still a “super” new episode of the network’s hit wildlife-based series.  That is proven in part through the program’s central topic.  The program’s central topic focuses on the adaptations that have allowed hummingbirds to survive in so many settings around the world.  The information provided throughout the program to support its topic is just as important to note as the program’s topic itself.  The program’s transitions keep its pacing solid, and in turn keep audiences engaged.  Each topic is important in its own right to the program’s overall presentation.  All things considered, they make Super Hummingbirds, again, a “super” new episode of Nature.  It is available now and can be ordered online direct via PBS’ online store.  More information on this and other episodes of Nature is available online now at:

 

 

 

Website: http://www.pbs.org/wnet/nature

Facebook: http://www.facebook.com/PBSNature

Twitter: http://twitter.com/PBSNature

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

“Facing The Music” Is Easy With Townshend’s ‘Face The Face’ Live

pete-townshends-deep-end-face-the-face-live-cover-art

Courtesy: Eagle Rock Entertainment/Universal Music Group

Guitarist Pete Townshend is best known for his role in the legendary rock band The Who.  The British band is one of its country’s greatest rock acts next to The Beatles, Deep Purple, Judas Priest and a select group of others.  While Townshend is best known for his work as a member of The Who, he also had a relatively successful solo career.  This past September Eagle Rock Entertainment released a rare performance from Townshend’s solo career in the form of Face The Face.  This recording is an important artifact of sorts from Townshend’s career, and thus, a piece that fans of The Who will appreciate just as much as Townshend’s fans.  That is due in part to the recording’s companion booklet.  It will be discussed shortly.  The recording’s set list is just as important to note in examining its presentation as its set list.  It will be discussed later.  The concert’s production values round out its most important elements.  Each element is important in its own right to the recording’s overall presentation.  All things considered, Face the Face proves in the end to be, again, a recording that The Who’s fans will appreciate just as much as Townshend’s fans.

Eagle Rock Entertainment’s recently released performance from classic performance from Pete Townshend and Deep End is a recording that fans of The Who will appreciate just as much as Pete Townshend fans.  It is a very rare live recording from the two acts, as audiences will learn in the recording’s companion booklet.  Speaking of the booklet, it sits at the center of the recording’s presentation.  The booklet presents an in-depth history of how Townshend and Deep End came to work together thanks to writer Matt Kent.  It also notes that the concert presented here almost didn’t happen yet somehow miraculously did happen.  That story in itself makes the recording’s companion booklet well worth the read.  As if that isn’t enough, audiences will also learn that Prince’s beloved album Purple Rain was at least one influence behind Townshend’s solo record White City: A Novel.  Townshend was touring in support of that record when this concert was recorded. That, too is noted in the booklet along with a thorough outlining of the concert’s set list, another of the recording’s key elements. Before touching on that subject, one would be remiss to ignore all of the other key information that Kent includes in the recording’s liner notes.  Between the material noted here and that material not noted here, the information Kent provides audiences in the recording’s companion booklet will engage audiences just as much as the concert’s set list.  Speaking, again, of the show’s set list, it is the next most important piece of the recording’s overall presentation to discuss.

The booklet included in Eagle Rock Entertainment’s Pete Townshend/Deep End live recording Face The Face is a key piece of the recording’s overall presentation.  It isn’t the first time that a live recording’s booklet has proven to be the recording’s most important element.  At the same time, though, it is very rare for any recording’s booklet, live or otherwise, to be so critical to its presentation.  Face The Face’s companion booklet is undeniably important to its presentation, but it is also not the recording’s only key element.  The concert’s set list is just as important to note in examining its overall presentation as its companion booklet.  The show’s set list features classics from The Who, songs from White City and hits from other Townshend solo records and even some covers among other songs.  Kent outlines the concert’s set list in relative depth, again, in the recording’s companion booklet.  This, again, shows the importance of the recording’s companion booklet.  That relatively thorough outline also serves as a solid starting point for a musical history lesson of sorts; not just a history lesson on Townshend’s arrangements but in music history overall.  Getting back on the subject at hand, the set list presented in Face to Face presents a wide swath of material and talent on the part of both Townshend and the members of Deep End, among whom included Pink Floyd guitarist David Gilmour.  Considering the breadth of material and talent presented throughout the concert’s set list, it becomes clear why the set list is just as important to Face The Face’s overall presentation as the recording’s companion booklet.  It still is not the last element to note in examining this recording.  The concert’s production values round out its most important elements.

Matt Kent’s liner notes included in Face The Face’s companion booklet and the recording’s set list are both key pieces of the recording’s overall presentation.  The booklet expertly sets up the concert experience, preparing audiences for the concert.  The set list is just as important to the recording as its booklet because of the wide array of sources for the featured songs.  Kent outlines the show’s set list in relative depth in his liner notes, adding even more to the concert’s viewing experience.  Keeping all of that in mind, both elements are clearly important pieces to the recording’s whole.  They are only two-thirds of the recording’s whole that should be noted.  Its production values are just as important to note here as its companion booklet and set list. The concert looks and sounds far different than concerts recorded today.  For lack of better wording, the concert’s video and audio are rough.  The thing is that said rough presentation creates a certain appreciation for how far recording technology has come since 1986 (the year when this concert was originally recorded).  Between the sometimes airy sound in the audio mix and the at times equally uneasy cuts between cameras, watching the concert is an interesting experience, especially for those who grew up in the 1980s.  Again, it reminds audiences of how far recording tech has come since the days when this concert was captured. So really, it presents its own history lesson of sorts, too.  Keeping that in mind, the recording’s production values are just as important to its presentation as its companion booklet and set list.  Each element is important in its own way to the recording’s presentation.  All things considered, Face The Face proves in the end to be a recording that, again, Pete Townshend’s fans will appreciate just as much as fans of The Who.  It supports even more this critic’s statement that Eagle Rock Entertainment is the leading name in live recordings.

Eagle Rock Entertainment’s recently released rare performance from Pete Townshend and Deep End is a rare piece that fans of The Who will appreciate just as much as Pete Townshend’s fans.  It proves once again why Eagle Rock Entertainment is the leading name in live recordings.  Those statements are supported in part through the recording’s companion booklet.  The booklet features in-depth liner notes by Matt Kent that will engage readers just as much as the recording’s featured concert if not more so.  Speaking of the concert, its set list is just as important to the recording’s presentation as its booklet.  The concert’s production values play their own key part in its overall presentation, too.  Each element is important in its own right to the concert’s overall presentation.  All things considered, Face The Face proves, once more, to be a recording that The Who fans will appreciate just as much as Pete Townshend’s fans.  Considering the concert’s rarity and everything else noted here, it proves once again why Eagle Rock Entertainment remains to this day the leading name in live recordings.  Face The Face is available now in stores and online.  More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Fall Out Boy Fans Will Enjoy Band’s Latest Live Recording In Every Season

fall-out-boy-the-boys-of-zummer-live-in-chicago-bd-cover-art

Courtesy: Eagle Vision/Eagle Rock Entertainment/Universal Music Group/Crush Music/DCD2/Island Records

Late last summer pop punk outfit Fall Out Boy hit the road in support of its latest album American Beauty/American Psycho.  As part of its tour, the band performed a hometown show that was recorded for release.  That recording was released this past October via Eagle Rock Entertainment, the leading name in live recordings.  For fans of this recording, there is plenty to appreciate beginning with the concert’s set list.  That will be discussed shortly.  The band’s performance of said set list is just as important to note here as the show’s set list.  It will be discussed later.  The concert’s packaging might not seem all that important in the grand scheme of things, but even it plays an important part in its presentation. It is hardly the last element that can be noted, too.  The concert’s cinematography and combined video and sound mixing can also be discussed, too, as could the band’s simplistic stage setup.  Each element is important in its own right to the recording’s overall presentation.  That goes without saying.  All things considered, The Boys of Zummer Tour: Live in Chicago proves to be, again, a recording that will appeal to any of Fall Out Boy’s fans.

Fall Out Boy’s new live recording The Boys of Zummer Tour: Live in Chicago is a work that will appeal to any of the veteran pop punk band’s fans.  It is not the band’s first live recording by any means.  Regardless, it will appeal to said fans.  That is due in part to the concert’s set list.  The 17-song set list pulls from all six of the band’s current albums.  American Beauty/American Psycho receives the most nods with five songs.  The band’s 2013 album Save Rock and Roll comes in second with four of its songs featured in the show’s set list.  Infinity on High (2007) comes in third with three songs featured.  From Under A Cork Tree also sees three of its songs included in the set list while Folie a Deux is represented by two songs and Take This To Your Grave with one song.  Needless to say, the fact that the band pulled from each of its current albums makes this concert a career-spanning show for the band.  That being the case, it becomes clear why the concert’s set list is so important to its overall presentation.

The set list presented in Fall Out Boy’s latest live recording is in itself a key piece of the recording’s presentation.  The set list features songs from each of the band’s current albums.  That makes it for all intents and purposes a career-spanning performance, even with the band’s career being far from over.  While the show’s set list is clearly an important piece of its presentation, it is just one of the elements that should be noted in examining the concert’s presentation.  The band’s performance of the show’s set list is just as important to note in examining the recording’s overall presentation.  The band’s members—Pete Went (bass, vocals), Patrick Stump (guitar, vocals), Joseph Trohman (guitar, vocals) and Andrew Hurley (drums)—have full run of the massive stage.  While they do make use of its wide open space at times, it seems that they opt to use their energies for their performances rather than running around the stage.  Audiences will appreciate that attention to the performance.  That is because it shows through in each song.  The band gives its all in each song.  The end result is that it will pull in home viewers just as much as it did the concert’s attendees.  It should be noted that even in the concert’s semi-acoustic section the band spends plenty of time interacting with the audience between songs in a sort of Storytellers (for anyone who remembers that VH1 program) setting.  It serves to strengthen the band’s connection with audiences even more.  That includes audiences at home, too.  The solid connection that is made between Fall Out Boy’s band members and the band’s audiences translates very well to audiences.  It makes the viewing experience all the more enjoyable for the band’s fans at home, and is still not the last of the recording’s key elements.  The concert’s packaging is just as important to note as its set list and the band’s performance thereof.

The career-spanning set list presented in Fall Out Boy’s new live recording and the band’s performance thereof are both key the this recording’s overall presentation.  They are not its only important elements.  The recording’s packaging is an important piece of the recording’s overall presentation, too.  Much like so many of Eagle Rock Entertainment’s other live recordings released this year, this recording has been released in a standard package that will allow it to fit on any fan’s CD rack.  That is even with the recording being presented on separate DVD and Blu-ray platform.  This is important to note because of its ergonomic value.  The concert being packaged in a standard CD packaging—despite being presented on DVD and Blu-ray—saves space on fans’ DVD and BD racks.  Being a very thin package, it also saves space on CD racks, too.  So that end, the recording’s packaging may not seem important on the surface, but ultimately proves to be just as important as the recording’s set list and the band’s performance thereof.  It is just important in a different way.  Interestingly enough, it still is not the last of the recording’s key elements.  The concert’s video and sound mix (its production values) and the band’s simple stage setup could also be discussed in examining this recording’s overall presentation.  Each element is clearly important in its own right.  All things considered, they show in whole why The Boys Of Zummer Tour: Live in Chicago is a recording that any of Fall Out Boy’s fans will appreciate.

Fall Out Boy’s latest live recording The Boys of Zummer Tour: Live in Chicago is a recording that any Fall Out Boy fan will appreciate.  Fans will appreciate this recording for a number of reasons beginning with the concert’s set list.  The set list features songs from each of the band’s current albums.  While the band’s career is likely far from over, this approach still technically makes the set list a career-spanning set.  The band’s performance is just as important to note as the concert’s set list.  That is due to the fact that the band’s members don’t run around the stage unnecessarily.  Rather, they use their performances of the show’s set list to entertain audiences.  That attention to its performance of each song improves the band members’ endurance and thus enhances each song’s performance even more.  Those enhanced performances in turn make the band’s performance that much more engaging for fans.  The recording’s packaging, production values and the band’s simple stage setup combine to round out the recording’s most important elements. Each element is obviously important in its own right to the recording’s overall presentation.  All things considered, they show why The Boys of Zummer Tour: Live in Chicago is, once more, a recording that any Fall Out Boy fan will appreciate.  It is available now in stores and online.  More information on this recording is available online now along with all of the band’s latest news and more at:

 

 

 

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