Gitkin’s New EP Will Appeal To Music Lovers Of All Types

Courtesy: Wonderwheel Recordings

Music collective Gitkin returned this month with is latest studio recording.  The Brooklyn, NY-based group’s latest recording, its four-track EP de la cancion was released March 13 through Wonderwheel Recordings, and came less than two years after the release of the group’s second overall recording, its 2018 debut album 5 Star Motel.  This latest offering from Gitkin is an interesting presentation in large part because of its featured songs.  That will be addressed shortly.  The arrangements featured within those songs are key in their own way to the whole of the EP and will be addressed a little later.  The record’s sequencing rounds out its most important elements.  Each item noted here is important in its own way to the whole of de la cancion.  All things considered, they make the EP a record that is worth at least one listen while audiences wait for Gitkin’s next album.

Gitkin’s latest studio recording de la cancion (roughly translated, it means “of the song”) is an presentation of songs for audiences to take in while they wait for the group’s next album.  The record features four tracks, but in reality, only features two songs, ‘De La (ft. Carol C)’ and ‘Cancion De Aplauso.’  Those songs are complimented by a remix of each song.  Each remix was handled by hip-hop group Pimps of Joytime, which is worthy of its own share of applause for its own work.  Perhaps this is nitpicking, but in days gone by, when any music act released a recording with so few new tracks, it was considered essentially a single.  As a matter of fact, that is still very much the approach taken by many acts.  This is not the first time that any group has taken this approach.  Veteran performer Carlos Santana released the EP In Search of Mona Lisa last year, and it was presented very much in the same fashion – limited new material despite the number of tracks.  Now the question comes as to why this is so important to address.  The answer is that designations between EP, LP and single can and often do play into pricing for recordings.  LPs are generally more expensive than EPs, and both are more expensive than singles.  Singles, downloaded, generally cost as little as .99 cents.  EPs can range as much as $5, depending on the recording.  Case in point, Amazon lists Gitkin’s new EP at a price of $3.99.  By comparison, the group’s 2018 recording 5 Star Motel is listed at $16.94 on CD and $16.98 on vinyl.  In other words, taking a four-track record with only two true new songs and calling it an EP is a way to make more money.  Keeping that in mind, calling a record that has only two truly new songs and two remixes of said songs an EP is of concern.  It really could have been labeled a single and likely still gotten just as much sales considering the arrangements that are featured in each work.

Speaking of the songs’ featured arrangements, they are the foundation for the record’s presentation.  The arrangement in the remix of ‘Cancion de Aplausio’ is the most notable of the record’s compositions.  The Pimps of Joytime remix of the song takes the original and steps it up, making it a song that sounds like it would be right at home in the club with its hybrid combination of hip-hop beats and Middle Eastern elements.  Everything in the arrangement is so well-balanced, so that no one line overpowers the other elements.  Now that is not to say that the original work is not enjoyable.  Quite the opposite in fact.  The difference is that the original composition is more distinctly World music in its presentation.  At the same time, it still is enjoyable and infectious in its own right.  What sets the two versions apart is what the Pimps of Joytime remix adds to the original.  That hip-hop/funk element added into the remix just gives the song more of a kick for lack of better wording.  What’s more, the group did something to slightly alter the sound of the original song’s elements.  It almost sounds digitized.  Whatever it is, it works so well.  When it is coupled with that remix’s funk/hip-hop elements, the whole clearly becomes the EP’s most notable arrangement.  Pimps of Joytime took a similar approach to its presentation of ‘De La’ that it did with its take on ‘Cancion De Aplausio.’  The original arrangement receives a certain digitized effect, giving that source material a little more of a kick for lack of better wording.  Those hip-hop and funk elements are there, too, in the song’s remix, giving it even more life.  In hindsight, Pimps of Joytime’s remixes of Gitkin’s two originals are, at least in this critic’s ears, better than their source material.  That is not to say that the source material in not enjoyable.  Rather, the remixes are just a step above the source material.  Collectively, the remixes and their source material go a long way toward showing why the EP’s content is so important to the record’s presentation.  They by themselves are reason enough for audiences to take in this EP.

The musical arrangements featured in Gitkin’s new EP are the very heart of the record, but are not its only important element.  The EP’s sequencing is important in  its own right, despite the record being so short in its run time of just 13 minutes.  As already noted, the Pimps of Joytime remixes of the disc’s two originals are steps up from their source material.  Now keeping that in mind, the record starts off laid back in the bluesy arrangement in ‘De La (ft. Carol C.).’  The record’s energy picks up slightly from there in ‘Cancion De Aplausio.’  The energy actually picks up a little more in Pumps of Joytime’s remix of ‘De La (Ft. Carol C.)’ thanks to the inclusion of the hip-hop and funk elements.  The funky re-mix of ‘Cancion De Aplausio’ keeps the energy stable, but still does even more to keep listeners engaged and entertained than its predecessors.  The balance of the source material and its remix elements is so infectious that, even being a mid-tempo work, it still actually manages to increase the energy because it is so danceable.  Simply put, the songs featured in this record and their remixes are all very mid-tempo works, but the sequencing of the songs manages in its own way to keep the energy at a certain level and keep listeners engaged and entertained.  When that is considered along with the arrangements themselves, the two elements together make the EP well worth hearing.  That is even despite the fact that the record is, in reality, more single than EP.

Gitkin’s new EP de la cancion is a presentation that will appeal to a wide range of listeners, from fans of hip-hop and funk to fans of World music.  From the arrangements themselves, which offer their own share of engagement and entertainment, to the sequencing of the material, the record does plenty to make itself appealing to listeners.  Keeping that in mind, it proves to be a work that truly is about the music, and in turn, a record that any music lover will want to hear, even though it is more single than EP.  It is available now.  More information on de la cancion is available online now along with all of Gitkin’s latest news at:








To keep up with the latest entertainment reviews and news, go online to and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at

Young Fox Takes The “Gold” On Phil’s Picks’ 2017 Top 10 New Independent Albums List

Courtesy: Spartan Records

Independent recordings are the backbone of the music industry.  Regardless of whether the band is a major name releasing an album on its own, through an independent record label or a lesser-known band doing one or the other, those albums tend to have just as much substance as their more well-known counterparts, if not more.  Keeping that in mind, independent albums (whether released independently or through indie labels) are just as important to the industry as major releases.  That being the case, they deserve their own year-ender list annually just as much as their more commercially-known releases, so Phil’s Picks is giving those recordings their due credit and coverage.  Presented here for your consideration is Phil’s Picks’ 2017 Top 10 New Independent Albums.  The list features the year’s 10 best new independent recordings plus five honorable mention titles for a total of 15 titles, as in years past.

Topping this year’s list of best new independent albums is the new release from underground rock band Young Fox.  The band’s new album Sky Beats Gold proved this year to stand out brightly with its equally deep lyrical content and musical arrangements.  The pairing of those two elements made this album from start to finish a surprisingly powerful effort from the Pittsburgh, PA-based band.  Also included in this year’s list are new albums from the likes of Blacktop Mojo, Hell or Highwater, KXM and others.  Again, many of these bands and albums are such that they are not as well-known as perhaps other bands.  But their albums prove to be just as worthwhile as anything released by their more well-known counterparts.  Without any further ado, here for your consideration is Phil’s Picks 2017 Top 10 New Independent Albums.


  1. Young Fox — Sky Beats Gold
  2. Mike Mangioni & The Kin — But I’ve Seen The Stars
  3. Blacktop Mojo — Burn The Ships
  4. Pimps of Joytime — Third Wall Chronicles
  5. Corroded — Defcon Zero
  6. KXM — Scatterbrain
  7. At The Wayside — The Breakdown & The Fall
  8. Hank, Pattie & the Current — Hold Your Head Up High
  9. Mipso — Coming Down The Mountain
  10. All out Street Jam — Living Free
  11. Hell or Highwater — Vistas
  12. Spiral Crush — Electric Life
  13. Eve To Adam — Odyssey
  14. Galactic Empire — Galactic Empire
  15. Satan Takes A Holiday — Aliens

That’s it for this year’s list of top new independent albums.  It should be re-iterated that this was not an easy list to establish as there were so many quality independent albums this year.  Lyrical content and musical arrangements alike had to be considered.  There was no bad lyrical or musical content from any noted album.  Every act on this list should be proud of its album as there is so much to appreciate in each.  Next up from Phil’s Picks as the days tick to the year’s end is Phil’s Picks’ 2017 Top 10 New Country/Bluegrass/Folk/Americana albums.  Since each genre shares so much similarity with the others, it is easiest to combine them into one category rather than try to spread them out.  Stay tuned, and congratulations again to this year’s Top New Independent Albums winners.

To keep up with the latest sports and entertainment reviews and news, go online to and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at

POJ’s Latest LP Is Another Must Have For Diehard Funk Fans

Courtesy: Sugar Road Records

Late this past March, Brooklyn, NY-based funk outfit Pimps of Joytime released its latest full-length studio recording Third Wall Chronicles to the world.  The group’s fourth full-length studio recording, this 10-song 38-minute record is itself a joy that will break more walls than build them.  In a time when the world is suffering from so much strife and division, that is important to note.  The mix of the album’s musical arrangements and its equally uplifting lyrics can so easily break down those walls and unite people, showing in whole that this is easily one of the year’s top new albums.

Pimps of Joytime’s latest full-length studio recording Third Wall Chronicles is a powerful new effort from the group.  That is proven throughout the album thanks to its music and lyrics that can so easily break down walls and unite listeners.  The album’s upbeat opener ‘This Funk (Give Me A Hand)’ supports that statement right off the top.  The song’s musical arrangement is an infectious, upbeat composition laden with horns, keyboards, drums, bass and vocals that instantly implant themselves in listeners’ minds in the best way possible.  It instantly conjures thoughts of Parliament Funkadelic, Sly & The Family Stone, Kool & The Gang and so many others of that ilk.  It’s just one part of what makes this song so powerful.  Its fun, simple lyrical content does just as much to make it so powerful.  Front man Brian J and company sing in the song’s lead verse, “Somebody give me a hand with this fun/I’ve been holding it all day long/Walking around with it/Trying to find the right party for this song/Just gotta get fired up.”  The positive vibes keep flowing from here on through the rest of the song without letting up.  When those positive vibes are coupled with the song’s equally positive musical vibes, the end result is a song that is not only proof of TWC’s impressive presentation, but a solid start for the record, too.  It is just one of the songs that serves to show what makes TWC so enjoyable overall.  ‘Little Bit of Something,’ which comes midway through the record’s run, serves as another example of what makes this album so enjoyable.

‘Little Bit of Something’ is one of TWC’s most notable songs due both to its musical arrangement and its lyrical content.  Musically speaking, the song is a light, flowing composition that lends itself easily to comparisons to works from Jack Johnson, Bob Marley and other similar acts.  That is evident in the song’s guitar line and horns, which form the song’s musical foundation. Drummer John Staten’s timekeeping strengthens that foundation even more with his work behind the kit.  When all of this is joined with the rest of the song’s musical elements, the whole of those elements makes this work yet another composition that will put a smile on any listeners’ face.  The song’s lyrical content, which is just as laid back as its musical arrangement is just as certain to keep those smiles beaming.

Brian J sings here, “Before I let you slip away/There’s just oen more thing honey/That I’ve gotta say/I got a little bit of something/And a whole lot of nothing/A little of your love/Over whole lot of my suffering/So baby please/Can I get a bit of your tenderness/Baby that’s all I’m asking for.”  He goes on to sing, “It’s all I’m asking for.”  J goes on to sing in the song’s second verse of his feelings for the woman, trying to win her over.  What’s really interesting here is that in listening through the song’s lyrical content, this song is one of those songs that is centered on a broken relationship, yet it isn’t one of those oh-woe-is-me works.  It is a man pleading to that woman for her to come back, yet it is done in such a positive fashion.  It’s something to which so many people can relate; that person trying to win the other person back with sensitivity and romance.  When this is considered along with the song’s musical arrangement, it adds even more to the song’s interest and makes it that much more relatable and enjoyable.  Keeping that in mind, the song in whole is just one more example of what makes TWC another enjoyable offering from Pimps of Joytime.  ‘Mud’ shows just as much as ‘Little Bit of Something’ and ‘This Funk (Give Me A Hand) why TWC is such an enjoyable effort.

‘Mud’ is another example of what makes TWC stand out thanks to its musical and lyrical content, just as with the previously discussed songs.  Musically speaking, this song is just as infectious as those songs (and the album’s other offerings) because of the manner in which it mixes the group’s trademark funk sound with more bluesy and gospel-based sounds.  It stands out completely from the its counterparts, showing once more, the musical variety exhibited throughout the album’s 38-minute run time.  Lyrically speaking, it is yet another simple work, too.  Brian J sings in the song’s lead verse, “I’m doing alright/Despite the dark entities that are seeing me/Don’t need a doctor/Maybe a shaman…doing alright/Despite the static and degradation…I’m traveling through the muddy water/Muddy water.”  What this seems to hint at is the song’s subject saying he is working through so much negativity and not getting up.  The muddy water is a metaphor that is used along with the rest of the lyrics to present that seeming message.  The argument for that seeming message is made even stronger as he sings in the song’s second verse, “I’m doing alright/Despite the pretty deep and shady tactics….I’m still doing my damn thing/Travelling through the muddy water.”  If this is indeed the message that is being sent through the song, then it is a very positive one that, along with the song’s musical arrangement, is made even more positive and enjoyable to take in.  It’s a message that so many people need today and every day reminding listeners that while there’s plenty of muddy water to trudge through, it can be done.  Considering this, that positive musical and lyrical message shows clearly why this song is another important addition to TWC and most certainly not the last.

The keyboard-driven arrangement of ‘Everywhere I Go’ is an easy fit for any Top 40 Pop radio station, and lends itself just as easily to any number of re-mixes while its positive lyrical content adds just as much to its enjoyment.  ‘Jack Stackin’’ presents its own musical and lyrical enjoyment with its hip-hop-infused arrangement and its fun lyrical content.  ‘Play,’ with its pop sensibilities both musically and lyrically, is enjoyable in its own right as it throws back to the golden age of funk, even incorporating some disco influence, too.  Lyrically, it only presents positivity, too.  Keeping all of this in mind, it should be clear by now why Third Wall Chronicles is such an enjoyable new effort from Pimps of Joytime.  The record, from start to finish, tells plenty of fun musical and lyrical stories that easily break down walls and unite listeners in that fun.  Keeping that in mind, the whole of the album proves without a doubt that it is one of this year’s top new albums overall.  It is available now.  More information on third Wall Chronicles is available online now along with all of Pimps of Joytime’s latest news and more at:










To keep up with the latest sports and entertainment reviews and news, go online to and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at

2015’s Top New Albums Come From Across The Musical Universe

The countdown is near, folks. And with the end of the year nearly here, the end of Phil’s Picks’ year-enders is officially here. We have finally come down to the last of this year’s “Best Of” lists. To close out this year’s group of year-enders we come full circle and finish where we started; back in the music world. To close out 2015, Phil’s Picks offers up its list of the year’s top new albums overall. This list was anything but easy to compile. That is because the top 10 albums and five honorable mention titles really represent so many galaxies within the musical universe. There’s some blues in this list courtesy of The Rev.Shawn Amos in this list. Salvador Santana, Carlos Santana’s son is also on this list, along with Pimps of Joytime and Fort Knox Five representing the rap and hip-hop galaxies. George Strait, The King of Country himself, is also here as are Willie Nelson and Merle Haggard. Even jazz great Terence Blanchard gets a nod as do Joe Satriani and electro-rock duo NYVES. There are others included here. And they are noted in the list below. Being that each album comes from a different part of the musical universe, figuring each album’s place in this list was what really made assembling this list so tough. The ability of listeners to take in the album without skipping tracks was taken into account as was each album’s production values and combined lyrical and musical content. That goes back to the albums’ ability to keep listeners fully engaged from start to finish. So no offense was meant to any act in its placement on this list. EVERY one of the albums included in this list was far more than deserving of being included in this list. That taken into consideration the following is the final list of this year’s top overall albums from Phil’s Picks. And as always, the top 10 albums make up the main body of the list while the bottom five each receive honorable mention. Without any further ado here for your reading pleasure dear readers, is the Phil’s Picks 2015 Top 10 New Albums. Happy New Year!

















To keep up with the latest sports and entertainment news and reviews, go online to and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at

Diverse Field Of Acts Makes Up 2015’s Best New Independent Albums List

Yesterday, Phil’s Picks kicked off the countdown to the year’s end with the first of its year-ender “Best Of” lists. The first of those lists was the list of the year’s best new EPs. Today, we move away from EPs to full-length records. In today’s list, Phil’s Picks presents its list of the year’s Best New Independent Albums. Just for clarification, Independent does not necessarily refer to albums released by unsigned acts. It also includes albums released by acts signed to independent labels as compared to the major labels (Capitol, Warner Brothers, etc.) This was anything but an easy list to compile. That is because there were so many deserving acts this year including the likes of the independent rock act Rubikon, Americana act Sugarcane Jane, and even legendary musician Carlos Santana’s son Salvador Santana just to name a few. Topping the list this year is Washington, D.C.-based electronic/hip-hop act Fort Knox Five with its new album Pressurize The Cabin. As with yesterday’s list, this list also features the top ten new titles as analyzed by Phil’s Picks. That list is followed by five other albums that receive honorable mention. Having said that why don’t we jump right in? In the second day of the Phil’s Picks year-ender countdown we have the year’s best new independent albums.


  1. Fort Knox Five – Pressurize The Cabin
  2. Pimps of Joytime – Jukestone Paradise
  3. Salvador Santana – Fantasy Reality
  4. Brooklyn Funk Essentials – Funk Ain’t Ova
  5. Sugarcane Jane – Dirt Road’s End
  6. NYVES – Anxiety
  7. Holy White Hounds – Sparkle Sparkle
  8. Rubikon — Delta
  9. Buzz Cason – Record Machine
  10. Sea of Storms – Dead Weight
  11. Dubbest – Light Flashes
  12. Radiodrone – The Truth Syndicate Diaries
  13. Better Off – Milk
  14. Killset – Know Your Killer
  15. Twinsmith – Alligator Years

To keep up with the latest sports and entertainment reviews and news, go online to and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at

Pimps of Joytime Debuts ‘The Jump’ Video On Wall Street Journal

Courtesy:   Write Home Records

Courtesy: Write Home Records

Brooklyn, NY-based Pimps of Joytime has debuted the video for its latest single ‘The Jump’ on Wall Street Journal. The song is taken from the group’s latest full-length studio release Jukestone Paradise. The video for the celebratory song is the first in a series of videos planned for release. It was directed by Antonucci for BestCoastPro and was filmed in Telluride and Aspen, Colorado. It sees the group out in the wilds of Telluride and Aspen, singing and dancing along with the song. Audiences can check out the video for themselves online now via YouTube at After checking out the new video, audiences can download Jukestone Paradise online via iTunes at

Courtesy:  Write Home Records

Courtesy: Write Home Records

Pimps of Joytime is currently on tour in support of Jukestone Paradise, it’s third full-length studio effort. The group will be in Westbury, New York Friday, June 12th and Burlington, Vermont June 13th. From there, POJ’s members will take some time off to recharge before heading north to Quincy, Canada on July 2nd and 3rd for the annual High Sierra Music Festival. It will wrap the North American leg of its tour on July 5th at the Tremblant International Blue Festival in Mont Tremblant, Canada before heading overseas for the European leg of its tour. That leg kicks off July 7th in Seville, Spain and runs through July 12th in Malaga, Spain. After that leg is done, the group will take off some more time to recharge again before hitting the road across America again later this fall. POJ’s latest tour dates are available online now along with its latest news at:



To keep up with the latest sports and entertainment news and reviews, go online to and “Like” It. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at

POJ’s Latest Full-Length Album Is A Joy For Every Listener

Courtesy:   Write Home Records

Courtesy: Write Home Records

Jukestone Paradise, the latest full-length studio effort from Pimps of Joytime, is one of this year’s best new independent albums. In the case of this review, independent refers to the fact that the album, which is available now, has been released via an independent record label, Write Home Records. Having noted this, anyone that is a fan of Robert Randolph, Sly and the Family Stone and others of that ilk will especially enjoy this record. That is thanks in large part to the album’s mix of blues, funk, soul, and pop. Lyrically the album reaches into a number of different topics, which in its own right makes the album just as interesting a new release for the Brooklyn, New York-based act. One example of the its various musical and lyrical reaches comes in the old school funk-influenced ‘Body Party.’ This celebratory piece is laid back, musically speaking. Yet the coupling of its musical and lyrical side gives it a certain energy that is sure to get listeners on their feet, singing and dancing along whether at a party or at home. POJ (as it will henceforth be called) also touches on a more personal matter early on in the form of ‘Heart is Wild.’ Musically, this song also exhibits an obvious old-school influence that is just as certain to catch audiences’ ears. Lyrically, it comes across as a declaration of self-worth despite the view of others on a person. It is a declaration that comes across in a wholly positive fashion not just lyrically but musically, too. Such uplifting lyrics set alongside the song’s equally almost celebratory musical side makes this song one of the highest points of Jukestone Paradise. ‘Freedom Dancer,’ the album’s closer presents its own positive lyrical message and equally positive music that once again is certain to put just as much of a smile on listeners’ faces as they dance and sing along. It’s just one more example of why audiences will enjoy this record. It isn’t the last, either. The album’s obviously Robert Randolph-influenced opener ‘Red Golden,’ is another of the album’s high points as is the laid back groove of ‘Waiting for My Ride.’ Those familiar with their music history may even recognize the keyboard line that serves as the song’s foundation. It’s one more way in which this record proves to be a record that any listener will love and a record that is entirely deserving of a spot on any critic’s list of the year’s best new independent albums.

POJ’s new album Jukestone Paradise boasts a total of ten tracks and tops off at no more than forty-five minutes. That really is not that long of a run time considering the album’s total makeup. Even at such a relatively average run time, it still offers so much enjoyment that at no one point does the album ever feel like it passes by too quickly or slowly. One of its best offerings comes in the form of its celebratory party-perfect song ‘Body Party.’ This piece is one that audiences will love whether at a party or pumping on the radio. Vocalist Mayteana Morales sings over he song’s funk-influenced musical side, “It don’t matter what shoes you wear/Long as you show up and you don’t care/I might have said care/But I meant don’t give a f***/Cause at the end of the night/Got a bunch of lugs who show up.” Lyrically and musically the song continues on in the same positive fashion straight through to the end. Its musical side grooves so solidly that it will instantly have any listener on his or her feet instantly. The song taken wholly into consideration, it shows to be one of the year’s top new party anthems. And given the proper support it will be one of the year’s top new party anthems playing at clubs and parties across the country. It is just one song from this album that proves the support that the album in whole deserves, too. ‘Heart is Wild,’ which comes earlier in the record, is another excellent example of what makes this album so enjoyable.

‘Heart Is Wild’ is another interesting part of the whole of Jukestone Paradise that makes this album such an enjoyable work. The song is a piece that comes across as a statement of self-worth so to speak. That interpretation comes across as lead vocalist Brian J sings over the song’s funky guitar line and equally grooving bongo line, “People say/That I need/To get my s*** together/They don’t know/They don’t understand/You can’t feel/What I do/Or who I am/My heart is wild/Well I don’t forget/I won’t forfeit/Got a fire burning inside/Haters hate and I keep creatin’/Don’t have to question why/I’m a laid back jack…Paid the cost to be my own boss/Ain’t nothin’ wrong with that y’all.” That’s a pretty clear statement. It leaves very little to the imagination in terms of interpretation. And that’s not a bad thing, either. Lyrically and musically, Brian J and company keep the positive vibes coming right to the end. Those positive vibes will inspire any listener and move them to dance and sing along again and again. Considering the general makeup of so many funk and R&B songs out there, it’s a fully welcome change of pace. And such a change of pace makes it all the more reason for audiences to hear not just this song but Jukestone Paradise in whole.

Both ‘Heart is Wild’ and ‘Body Party’ are excellent examples of the joy that POJ offers listeners with its latest full-length studio effort. They are both but a tiny glimpse into what the group has to offer listeners on this its latest album. The album’s closer ‘Freedom Dancer’ is one more clear look at what makes Jukestone Paradise such a joy. At well over eight minutes in length, it is the longest of the album’s compositions. That doesn’t take anything away from the song, though. It will make listeners feel just as good as either of the album’s previously noted songs. That’s thanks to its musical mix of modern and old school influences and equally inspiring lyrics. The group sings together over the song’s old school funk sound, “Stepped outside/Of the way that I used to be/Stepped outside/Of the way that I used to see/Can’t stop the clock/When your heart is blocked/You gotta push on through/You know you gotta bring it on up on this/It’s the only thing left to do/Some people/Always trying to be putting you down/They ain’t gonna feel it/I ain’t gonna feel it/When the spirit gone’ come around/I’m a freedom dancer/I’m gonna dance awhile.” This lead verse along speaks volumes. The group is saying clearly to audiences that if you feel moved to dance, then dance. Don’t let anyone stop you whether they be dance critics, hipsters who think they’re too good for anyone, or any other type. When the spirit moves a person to dance, it does just that. No one can predict when it’s going to happen. The spirit obviously moved the band in the second half of this song (and will move listeners just as much). That’s because the entire second half of the eight-minute plus song is a full on instrumental jam that will move listeners to dance till they sweat. It’s just one more way that POJ proves how much the group has to offer audiences on this record. It most certainly isn’t the last, either. The album’s obviously Robert Randolph-influenced opener ‘Red Golden’ and the laid back groove of ‘Waiting For My Ride’ are two more examples of what makes this album so enjoyable. Whether for those two tracks, the other compositions noted here or those not noted Jukestone Paradise in whole proves itself to be an album that everybody will enjoy. It is an album that is more than deserving of a spot on any critic’s list of the year’s best new independent releases at the very least.

Jukestone Paradise proves over the course of ten tracks and roughly forty-five minutes that it is deserving of being added to any critic’s list of 2015’s top new independent releases at the very least. It is possible that it could even be added to any critic’s list with its old school musical vibe and its equally inspiring and enlightening lyrics. This applies both to the songs noted here and those not noted. POJ is scheduled to hit the road again beginning May 14th in Atlanta, Georgia in support of Jukestone Paradise. Fans can pick up Jukestone Paradise at any of the group’s upcoming shows, in stores and online, too. Fans can get a full list of the group’s upcoming tour dates online now along with the group’s latest news at:



To keep up with the latest sports and entertainment reviews and news, go online to and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at