Hyperspace Metal Festival Delayed To 2021

Courtesy: Asher Media Relations

The Hyperspace Metal Festival III will take place next year.

The festival’s organizers made the announcement Monday.  Journeyman Productions, heads up the annual festival.  It was originally scheduled to take place April 17-19, but was rescheduled for Sept. 4-6 as a result of the global COVID-19 pandemic.  The rescheduled dates are under consideration.

Journeyman Productions head Joey Hockin had the following to say about the festival’s latest development.

“Well, the time has come to make the difficult decision that we all knew was coming. Hyperspace Metal Festival III will be postponed again to 2021. The exact dates and lineup will be announced once we have confirmation from the government that it is safe to proceed with a gathering of this size. Given the uncertain nature of COVID-19, we feel it is best to not reveal anything else until we know that the festival can happen. All ticket sales will be honoured at the new dates and the lineup will be mostly bands that have already been booked for the festival with probably a few new surprises. If you would like a refund, please send an email to info@rickshawtheatre.com. Thank you for your understanding and we hope you are staying safe!”

This year’s festival was scheduled to feature well-known acts, such as Unleash The Archers, which just released its latest album Abyss, Powerglove,  and Immortal Guardian as well as other power and speed metal bands, such as Novareign, Silver Talon and Helion Prime.

A playlist of songs from the festival’s featured bands is available through Spotify.  A trailer that was created for the festival is streaming here.

All of the latest updates on the Hyperspace Metal Festival III are available online at http://www.facebook.com/HyperspaceMetalFestival.

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Galactic Empire Debuts Second Single From Forthcoming Album ‘Episode II’

Courtesy: Rise Records

Galactic Empire is giving audiences another preview of its new album.

The band, today, premiered ‘Rey’s Theme.’  The song is the second single from the band’s sophomore album, aptly-titled Episode II, which is due out May 4 via Rise Records.  It follows the recent release of the album’s lead single ‘Scherzo For X-Wing.’

‘Rey’s Theme’ stylistically is very similar to the songs exhibited in Galactic Empire’s self-titled debut and to ‘Scherzo For X-Wing.’  It is a very progressive metal style arrangement that once again bears quite the similarity to works from Powerglove and other similar acts, yet also stays true to its source material.

Pre-orders for Episode II are open now. The album’s full track listing is noted below.  More information on Episode II is available now along with all of Galactic Empire’s latest news and more at:

 

Website: http://www.galacticempireofficial.com

Facebook: http://www.facebook.com/galacticempireofficial

Twitter: http://twitter.com/galacticempireofficial

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Musical Cosplay Collective’s Debut Record Is A Successful Effort

Courtesy: Rise Records

Courtesy: Rise Records

Star Wars is one of the biggest film franchises in Hollywood’s modern history.  Ever since the franchise’s first movie debuted way back in 1977, it has proven to be anything but a niche property.  It has generated no fewer than eight movies, multiple TV series, video games and more.  Next month, another tribute to the Star Wars will be released in the form of the self-titled debut record from cosplay cover band Galactic Empire.  The 11-song collection will impress Star Wars fans and fans of Powerglove, Trans Siberian Orchestra and other acts of that ilk.  That is due in no small part to the songs chosen for the record.  That will be discussed shortly.  The songs’ arrangements are just as important to note in examining this record as the songs themselves.  That will be discussed later.  The record’s sequencing rounds out its most important elements.  Each element plays its own important part in the record’s presentation.  All things considered, Galactic Empire proves in the end to be an enjoyable covers collection and a fun first effort from the band from a galaxy far, far away.

Galactic Empire’s self-titled debut album is not a collection of original compositions.  That aside, it is still an enjoyable experience that Star Wars fans will appreciate just as much as fans of Powerglove, Trans Siberian Orchestra, and others of that ilk.  That is due in part to the songs chosen for the record.  The 11 songs that make up the body of the record come from not just one of the franchise’s films but a number of them.  ‘Main Theme’ and ‘Imperial March’ come from the franchise’s original trilogy.  ‘The Force Theme’ has been incorporated into most of the franchise’s entries including The Force Awakens. The band even reaches back to the series’ “prequels” with ‘Duel of the Fates’ from Episode I: The Phantom Menace.  Fittingly, the whole thing ends with the famed “Throne Room” theme from the end of Return of the Jedi.  Between that and the rest of the songs featured here, it becomes clear why the songs collected for this record are so important to its presentation.  They show the band wanted to reach as many of the franchise’s fans as possible, not just one specific audience.  To that end, the band is to be commended.  It is just one reason the band (and album) should be commended, too.  The arrangements that are presented within the songs are just as important to note as the songs themselves.

The songs that make up the body of Galactic Empire’s debut album are in themselves key to its presentation.  That is because they show the band aimed at as many of the franchise’s fans as possible.  They are, collectively speaking, just one of the record’s key elements.  The songs’ arrangements are just as important to note in examining the record’s presentation as the songs themselves.  Listeners will note that while the arrangements are presented in a rock format, they stay largely true to the original compositions.  Listeners will especially appreciate the way the band handled the beloved ‘Force Theme.’  It maintains that solemn vibe presented in the original composition, even despite being handed on guitar.  On another note (no pun intended) one could argue the band’s take on ‘The Asteroid Field’ (from Star Wars Episode V) is even more exciting than the original symphonic composition with its guitar-driven sound.  That is not to say that the original composition is bad by any means.  In fact it is very enjoyable.  Keeping that in mind and considering the record’s other arrangements, it is clear in listening to each arrangement why the arrangements in whole are so important to this record’s presentation.  They are, again, just as important to note as the songs themselves, and are still not the only important pieces of the record’s whole.  The record’s sequencing is just as important to note as its songs and their arrangements.

The songs presented in this record and their arrangements are both clearly important alone and collectively to the record’s presentation.  As important as they are to the record’s presentation they are not its only key elements.  The record’s sequencing rounds out its most important elements.  It is clear in listening to the record from start to finish that a lot of thought was given to its sequencing.  It begins with a bang with the franchise’s original theme.  It ends with just as much of a bang with the song used at the end of the original trilogy’s final movie.  In between, the energy rises and falls at all of the right points, thus keeping listeners fully engaged throughout.  The record’s first three songs keep the energy high before things pull back a little in track 4, ‘The Force Theme.’  Things pick right back up with the record’s next two songs, ‘The Asteroid Field’ and ‘Battle of the Heroes’ before turning a little more light-hearted with the band’s cover of the famed song from the famed cantina scene in which Luke originally meets Han Solo.  The energy and emotion rises and falls just as much in the record’s final songs.  The end result is an experience that will keep listeners engaged and entertained just as much in that final group of songs just as much as any of the record’s other compositions.  All things considered, the ups and downs are expertly balanced from beginning to end, guaranteeing an experience that listeners will enjoy and appreciate.  Being that they will enjoy and appreciate that well-thought-out sequencing just as much as the record’s featured songs and their arrangements, listeners will agree that when all three elements are joined together, they make the record in whole a collection that Star Wars fans will appreciate just as much as fans of Trans Siberian Orchestra and Powerglove.  They join together to make the record a fun first effort from Galactic Empire.

Galactic Empire’s self-titled debut record is a work that Star Wars fans will appreciate just as much as fans of Powerglove, Trans Siberian Orchestra and others of their ilk.  As has been noted here, that is due in part to the songs that make up the body of the record.  They pull from the franchise’s original trilogy and its prequels.  Being that ‘The Force Theme’ is included in The Force Awakens, one could even argue to a point that even that movie is represented to a point.  That shows that this musical cosplay collective wanted to reach as many Star Wars fans as possible with this collection.  The songs’ arrangements stay largely true to the source material, even having been re-worked in a rock setting.  Truly devoted Star Wars fans will appreciate that aspect of the songs.  The sequencing rounds out the record’s most important elements.  It is clear in listening to this record that a lot of thought was put into its sequencing.  Each element is obviously important in its own right to the record’s presentation.  All things considered, Galactic Empire proves, once more, to be a fun first effort from its namesake; a record that will take listeners easily to that galaxy far, far away with every listen.  It will be available in stores and online on March 10 via Rise Records.  More information on Galactic Empire is available online with all of the band’s latest news and more at:

 

 

 

Facebook: http://www.facebook.com/galacticempireofficial

Instagram: http://www.instagram.com/galacticempireofficial

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Exmortus Is At Its Peak In On Its Latest LP

Courtesy:  Prosthetic Records

Courtesy: Prosthetic Records

Exmortus struck quite the blow for the metal community when it released its album Slave To The Sword back in 2014. The band’s third full-length studio record and first for Prosthetic Records, it can be argued that it was the album that really made Exmortus into one of the metal community’s next big names. Earlier last month Exmortus followed up the success of that album with its latest full-length studio recording Ride Forth. The band’s fourth full-length studio offering this record is a solid follow-up to Slave To The Sword. Its nine track, forty-three-minute body presents a band that doesn’t rest easily on its laurels. From beginning to end the album keeps its energy and intensity both musically and lyrically beginning right at the album’s outset. ‘Speed of the Strike’ is a full-throttle metal opus that comes at listeners with the speed and precision of the sharpest blade. This applies both with its musical and lyrical content. ‘For The Horde,’ the album’s lead single, is just as pummeling in its approach. And the band’s cover of Beethoven’s Sonata No. 23 in F Minor Op. 57 ‘Appasionata’ 3rd movement cannot be ignored either. The band has taken the legendary composer’s original work and paid it full tribute in its take in its performance of the song. It is every bit as intense here as the original composition, which is more commonly performed on piano. It serves to once again exhibit the breadth of the band’s talents and musical knowledge. When set against the other songs noted here, and those not directly noted, it serves as one more example of why Ride Forth is without question one of this year’s top new hard rock and metal albums.

Ride Forth, Exmortus’ latest full-length studio recording, is without question one of this year’s top new hard rock and metal albums. That is evident from the album’s full-throttle, take no prisoners opener ‘Speed of The Strike’ right to its finale, ‘Fire And Ice.’ From beginning to end this record’s sound (which conjures thoughts of Arch Enemy, Poweglove, TSO, and other similar acts) alongside its equally powerful lyrical content keeps listeners’ ears with ears. Speaking of the album’s opener it is just one example of what makes this album such an outstanding new effort from Exmortus. In regards to the song’s musical content, the band wastes no time coming at listeners. Guitarist David Rivera and front man/guitarist Jadran “Conan” Gonzalez jump right into the song with their dual guitar attack alongside drummer Mario Moreno and bassist Michael Cosio. The song’s no-nonsense musical approach is in itself just one part of what makes it a solid opener for the band on this album. That is just one part of what makes the song’s musical content notable. Even within the song’s musical content audiences that listen closely will note the band’s classical influences throughout the song. The precision in Rivera and Gonzalez’s performance is incredible. The same can be said of Cosio and Moreno as they establish the song’s foundation. Altogether, the quartet’s abilities create a sound here that in itself is more than enough reason for audiences to hear this song. It’s just one important element of this song. The song’s lyrical content is just as intense as its musical content. Gonzalez sings here, “Riding forth through lands forlorn/Upon our steel the oath is sworn/Dare to make your final stand/Nothing can our steel withstand/Fate is sealed/Death by steel/Slaying man and god alike/All shall feel the speed of the strike.” It comes across like something right from the likes of Amon Amarth and other viking metal acts even though Exmortus is anything but. Interestingly enough Exmortus will hit the road this spring alongside Amon Amarth on its upcoming U.S. tour. Gonzalez continues in similar fashion in the song’s chorus as he sings, “Hark! The sound of steel/The mighty roar of clashing swords/Lo! The metal storm/Forthcoming bane/Those who remain/All shall be torn to shreds/Swords stained red/Raze to the ground/We will strike you down.” This and the song’s opening verse alone build a firm bridge back to Slave To The Sword yet also connects that album expertly to this album. Taking all of this into consideration along with the rest of the song’s equally pummeling lyrical content, the song in whole exhibits clearly in itself what makes Ride Forth a musical ride. it is just one example of what makes Exmortus’ new album such an intense and welcome musical ride. ‘For The Horde,’ the album’s lead single, is another example of what makes this album so intense and so welcome among both the band’s fans and the metal community.

‘Speed Of The Strike’ was the perfect choice with which Exmortus opted to open its latest full-length studio recording. The combination of its musical and lyrical content together instantly grabs listeners and holds them firm from start to finish. While the musical and lyrical intensity of this song makes it a solid first impression for the band on its latest offering, it is just one example of what makes this album such an impressive new offering from Exmortus. ‘For The Horde,’ the album’s lead single, is yet another example of what makes the album a solid new effort from the Whittier, California-based band. In regards to its musical content it is just as intense with the chainsaw sharpness of its dual guitar attack and machine gun-fast drumming. Its lyrical content is just as intense as that of ‘Speed of the Strike,’ too. As Gonzalez sings here, “Ride on/Raise your strong and fight strong/All shall face the mighty metal horde/Thunder/We go in and plunder/Bow before the heavy hammer lord/Whiplash/Hackslash/All is burned to ash.” Yet again here listeners get much the same lyrical intensity and theme as in ‘Speed Of The Strike.’ The combination of that lyrical and musical intensity from beginning to end shows clearly why this song is another example of what makes ‘For The Horde’ such a welcome return for the band. Audiences can check out the band’s lyric video for the song online now via YouTube at https://www.youtube.com/watch?v=uo35U4PTQ90. It still is not the only remaining example of what makes the album such an impressive return for Exmortus, too. The band’s cover of Beethoven’s Sonata No. 23 in F Minor Op. 57 ‘Appasionata’ 3rd movement cannot be ignored as an example what makes this album so impressive either.

Both ‘Speed Of The Strike’ and ‘For The Horde’ are prime examples of what makes Ride Forth a clearly welcome return for Exmortus. They are both prime examples of why it is such a welcome return for the band because of the intensity of both their musical and lyrical content. They are hardly the only songs that could be cited as examples thanks to that intensity, too. ‘Death To Tyrants’ could just as easily be cited with its impassioned call to arms against those that rule the world unjustly and its equally powerful musical content. Audiences can hear that song online via Prosthetic Records’ official YouTube channel at https://www.youtube.com/watch?v=u40otH-jZZw. ‘Fire and Ice’ and ‘Black Sails’ could also be cited as examples in their own right. Given the amount of material that could be used to exhibit just what makes Ride Forth such an impressive return there is still one more song included in this album that shines bright because of its musical content alone. That song is the band’s cover of Beethoven’s Sonata No. 23 in F Minor Op. 57 ‘Appasionata’ 3rd movement. The song is just one part of a much larger song. The song in whole runs nearly twenty-five minutes in length. So of course the band wasn’t about to try its hand at the entire composition. That would likely wear out even the most experienced musicians. Heck it even wears out professional, classically trained pianists. To that extent the band can be excused. Taking that into consideration the movement that is presented here in this recording is impressive in its own right. Gonzalez and Rivera are spot on handling the song’s main line. And Cosio is just as impressive as he runs the song’s harmony. All three parts together surprisingly mirror the original composition quite well. It would be unfair to ignore drummer Mario Moreno’s work in this presentation. He stays right on time with his band mates as he adds just enough extra flourish to the song. The cymbal crashes are inserted at just the right points. And his rapid fire footwork on the bass drums is right in time with Cosio’s bass line and even the song’s guitar lines. It’s enough to leave one wondering what a full orchestra version of the song would sound like instead of the song’s typical piano presentation. That’s really saying something about the band members’ talent in taking on a piece that is heavy not in the heavy sense but in terms of the intense concentration and talent that it requires to accomplish it successfully. The song is well over two centuries old. But the band gives it a wonderful new twist all while paying tribute to the original composition. That speaks volumes about the band’s take on the song and about the band’s talent in general. It shows once more why this song is yet another prime example of what makes Ride Forth a welcome return for Exmortus and why alongside the rest of the album’s featured works it is in whole one of the best new hard rock and metal offerings of the year even with the year still being so young. Audiences can hear the song for themselves via Prosthetic Records’ official YouTube channel at https://www.youtube.com/watch?v=KDnNIXpu0nQ.

Exmortus’ fourth full-length studio album is a picture of a band that is currently at the peak of its career and talent. The band mixes precision guitar work and drumming with lyrical content that is just as powerful in its own right. The end result is a nine-song, forty-three minute experience that will impress any purist member of the metal nation worldwide. It is an experience that will leave said metal loyalists agreeing with this and many other critics that this record is one of the best new hard rock and metal offerings of the year even with the year still being so young. Ride Forth is available now in stores and online. Audiences can order it or download it direct via Prosthetic Records’ online store now at http://prostheticrecords.com/?p=8531. Fans can also pick it up now at any of the band’s live dates. Exmortus is currently touring in support of Ride Forth. The band’s current tour schedule is available online now along with all of its latest news and more at:

Website: http://exmortusmusic.com

Facebook: http://www.facebook.com/exmortusofficial

Twitter: http://twitter.com/exmortusband

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Native Construct Makes A Loud Statement With Its Debut LP

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

Every year, any number of albums is released across the music world’s various genres. The number of albums featuring new material typically ranges somewhere in the hundreds. Of those hundreds of new albums released across the musical universe each year, far too few of those albums really stand out as works that will make listeners stop and want to say, “Hey, come listen to this!” However with the release of its debut album Quiet World, progressive metal band Native Construct has brought just such an album to the world. As a matter of fact, the Boston, Massachusetts-based trio’s debut is one of the most unexpected surprises of the year. It is one of the year’s most unexpected surprises not just within the rock and metal community but in the musical universe in whole. That is meant in the most positive manner possible, too. The main reason for its unexpected enjoyment is its wholly original story. Yes, that’s right. It is a concept album. And boy, what a concept. The album’s story follows a man who creates a world for himself in his mind after the woman he has feelings for makes it clear that she doesn’t have those same feelings for him. That’s just the beginning. It’s also just the beginning of what makes this album stand out so strongly. The album’s vast mix of musical styles makes the album stand out even more. It’s not just another prog rock or prog-metal record. Musically speaking, this album is a work that fans of Native Construct’s label mates Between The Buried and Me will appreciate. Last but hardly least of all that makes this record shine so brightly among the hundreds (if not thousands) of other albums out there already this year is its run time. The album’s seven total tracks bring the album’s run time to forty-eight minutes. For a concept album, that really is not that long. And that has to do largely with the run times of each of the songs that make up the album. That will be discussed at more length later. For now, taking into consideration the record’s relatively short run time along with its original story line and equally original compositions, all three elements come together to show exactly why this record should be on any music critic’s year-end list of the year’s best new hard rock and metal albums.

Metal Blade Records just announced this week that after only its first week in stores and online, Native Construct’s Quiet World has been making *ahem* quite a bit of noise in its own right. The band’s debut album roared into the #56 spot on Billboard’s Hard Music Album’s Chart and the #85 spot on Billboard’s New Artist Chart. Considering that this is the band’s debut album it says a lot about the notice that it’s garnering from critics and audiences alike. It would be no surprise if it ends up on at least some critics’ year-end lists of the best new hard rock and metal albums come December, too. The lack of surprise comes mainly through the record’s concept. As the band notes on its Facebook page, the album centers on the story of a man—a mute—that creates his own “perfect” world inside his mind as a result of unrequited love. The band notes that the unnamed figure had feelings for a woman, but the woman in question didn’t share his feelings. This leads to the creation of his “perfect” world. The problem is that soon after its creation, even his own “perfect” world proves to be anything but perfect. It does have a happy ending of sorts, not to give away too much information. But the real payoff here isn’t necessarily the story’s end but the journey to the end. The story crafted by the band—Robert Edens (vocals), Myles Yang (guitar), and Max Harchik (bass)—is a work that no other band or artist within the prog-rock realm has ever tried. And considering that it is the makeup of the band’s debut album makes it even more interesting. It’s just one reason that anyone thirsting for something original should hear at least once. It’s not the only reason that audiences should pick up this record, either. The album’s equally creative sound is just as worth noting in that avenue.

Native Construct took a huge risk releasing a concept record for its debut record. Even within the world of rock, the concept record is very much a niche format. Considering that the album debuted on not one but two of Billboard’s charts in its debut week shows that the risk paid off quite surprisingly. The surprise showing is obviously thanks at least in part to the album’s original and creative story. On another level, the music that serves as the story’s “soundtrack” shows in its own way why the album has made such an impressive surprise debut. Anyone that is a fan of Dream Theater, Spock’s Beard, or even the band’s label mates in Between The Buried and Me will especially enjoy the multitude of styles presented throughout the record. The Spock’s Beard influence is obvious right off the top in the album’s opener ‘Mute’ which introduces the story’s lead character. The song mixes something of a jazzy style and a more prog-rock sound that in a weird way actually works quite well. Even more interesting here is that it suddenly breaks into a symphonic power metal sound akin to that of perhaps Powerglove or Dragonforce with Edens boasting a powerhouse death metal style growl as he screams, “At last they all hear my voice/And this will make them see/That there is no being/In this world that will dare defy me.” Considering such lyrics, it makes sense that he would utilize such a vocal style. It could be argued to be a stylistic foreshadowing of sorts for what is to come later.

The hybrid jazz/prog-rock sound established in Quiet World’s opener is only the first example of this record’s musical diversity and how that diversity makes the record in whole well worth the listen. ‘The Spark of the Archon’ boasts its own mix of sounds. The prog-rock influences are there. And so is a sound that one can almost compare to easy listening believe it or not. Again, this is something that not even other prog-rock and prog-metal bands right now are trying. While the influences of the noted bands are there, none of the noted bands have tried mixing all of these styles together. The mix of sounds featured in Quiet World’s opening songs is also presented throughout the remainder of the album, with each element (including Eden’s occasional death metal growls) getting equal time in each song. The end result of that mix of sounds from beginning to end is an album that proves to be just as creative musically as lyrically. It makes for double the reason for rock lovers looking for something original to check out this record. Even with all of its musical and lyrical originality and creativity, there is still more to note that makes the album worth the listen whether listeners are fans of concept records or not.

Quiet World’s original lyrical and musical presentations are both plenty of reason for rock lovers to pick up Native Construct’s debut album. They work together to make this record one that stands out not just within the rock world but more specifically the progressive rock realm, too. Believe it or not, the album’s run time actually plays just as much a part in making the album stand out as its music and lyrics. The album’s run time makes it stand out because it actually breaks that mold, too. Its run time comes in at well under an hour. To be more specific, it comes in at roughly forty-eight minutes. That is not very long for a concept album especially with it consisting of only seven tracks. More often than not, the standard run time of a concept album is an hour at the very least. They can even run easily past that mark and then some depending on the band. Again, Quiet World does the exact opposite. The album’s songs hit a wide swath of run times with the shortest barely topping the two-minute mark and the longest clocking in at nearly thirteen minutes. the rest run between five and eight minutes in length. So even those that aren’t the biggest of concept album fans will appreciate that Native Construct didn’t follow the standard concept album formula even in this aspect. It’s yet one more way that Quiet World, in its own way, makes a big sound and why it more than deserves a spot on any critic’s list of the year’s best new hard rock and metal albums.

Native Construct has made quite a loud statement with its debut album Quiet World. The album is a concept album. But in comparison to so many concept albums that have come before, it breaks the formula used for those albums in every way possible. Its story is wholly original and creative. The same can be said of the songs that serve as the story’s “soundtrack.” And even the album’s run time breaks the concept album mold. It does so both on a micro and macro level. The songs themselves are generally not that long save perhaps for the album’s near thirteen-minute closer and its almost nine-minute opus ‘The Spark of the Archon,’ which comes in early in the album. The rest of the albums hit a variety of run times, each of which are sure to keep listeners’ attention with equal ease. Collectively, the songs’ run times bring the album’s overall run time to a total run time of forty-eight minutes. That is anything but the norm for a concept album. Such nonstandard run times partnered with equally original and creative music and writing proves in the end that this record is fully deserving of being placed on any critic’s list of the year’s best new hard rock and metal albums come December. Quiet World is available now in stores and online. It can be ordered online direct from Metal Blade Records’ online store at http://www.indiemerch.com/metalbladerecords/band/native-construct. More information on Quiet World is available online now along with Native Construct’s latest news and tour updates at:

Website: http://www.metalblade.com/nativeconstruct

Facebook: http://www.facebook.com/NativeConstruct

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Dragonforce’s New LP More Than Lives Up To Its Title

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

Euro-metal band Dragonforce released its latest album to American audiences this week.  Maximum Overload, the band’s sixth full length studio effort, is an aptly titled record.  That is because the album pushes the envelope of power metal from start to finish on this album.  From the album’s pummeling opening number ‘The Game’ to the full throttle ‘Defenders’ to the album’s equally nonstop pounding instrumental closer ‘Galactic Astro Domination,’ the members of Dragonforce leave listeners breathless by the album’s end.’  Listeners will agree that by the time the album finally ends—it runs a total of fifteen tracks and just over an hour—they have on their hands some of the best work that the band has crafted to date.

Dragonforce wastes no time getting things moving on its new album.  The band opens the album at breakneck speed in ‘The Game.’  The song initially comes across as being rather nihilistic.  But the reality of the song is that it is in fact a song that presents hope through all of the negativity in the world.  New front man Marc Hudson starts out singing of life’s difficulties, “Messed up once again/Told me it’s okay/But this path that I’m taking/I’m lost in the deep end…I tried/So hard/To reach for the stars/But I failed you all/Tried to keep standing tall/Never had a real chance at all/But I’m still searching.  That final line in which Hudson states “But I’m still searching” is a hint at the ability of the song’s subject to keep pushing on somehow despite so many negative thoughts.  That mix of emotions and strained thoughts continues late in the song as Hudson sings, “Ten thousand ways to say sorry/But life writes its own tragic story/Time marches onwards and nothing can ever be the same/But we’ll pray for a brighter tomorrow/Break free from this lifetime of sorrow/Years pass us by/But we’re all just a part of the game.”  In its own way, the song is presenting an image of someone pushing on through everything despite what seems like a battle with his or her own personal emotional demons.  Said figure won’t let those negative emotions take over no matter how many years pass.  This is just one critic’s own take on this song.  So it could very well be wrong.  If it is in fact incorrect, then apologies go out to the members of Dragonforce for the misinterpretation.  But it certainly seems to present that message of determination through the toughest of emotional odds.  That seeming positive lyrical message set alongside the pummeling dual guitar attack from Herman Li and Sam Totman, and drummer Gee Anzalone’s machine gun-like drumming makes even clearer why this song was chosen to open Maximum Overload.  The band doesn’t stop here, either.  Rather, it keeps the energy flowing well into the red and beyond right into the album’s midpoint, ‘Defenders.’

The seeming positive lyrical message presented by Dragonforce in Maximum Overload’s opener is echoed even more clearly as the album reaches its midpoint, ‘Defenders.’  Hudson sings in this song that there are those in this world that will try to bring others down.  But one can’t let those people win.  He sings of those people, “Life’s uncertain/A rat race of pain/Endlessly searching for more/Hopeless and aimless/Held back by the chains/Until we can’t take anymore.”  For all of the obstacles in life—both physical and emotional—Hudson reminds listeners that they should not give in or give up.  He goes on to sing, “Hold on/Stay strong/Breaking out from a past life fading/No more/What for/All we got is to keep on praying/Wait for their downfall/Their lives in dismay/Witness the final decay/Suffering in silence/For years we were blind/But now we got something to say.”  It’s almost as if Hudson is saying to the band’s audiences to let life’s obstacles destroy themselves whether they be other people or some other obstacle.  As with the album’s opener, the band keeps the energy going full throttle in this song.  That energy serves to make the song even more hard hitting and even more of a valuable addition to the album in whole.

The members of Dragonforce show time and again throughout the course of Maximum Overload their high level of talent. That is clearly evident in the songs already noted here. The album’s closer, ‘Galactic Astro Domination,’ more than exhibits that talent, though. Anyone that is familiar with the work of Dragonforce’s American counterparts in Powerglove will agree that Dragonforce takes the similar sound crafted by that band and ups it by a factor of at least one hundred in this full-on instrumental attack. And considering the nonstop adrenaline rush experienced throughout the songs that precede this one, it makes for a fitting final statement from Dragonforce on its new album. Whether it be for this full throttle finale, the other pieces noted or those equally driving pieces not noted here, fans of Dragonforce will find plenty of positives throughout this latest release from start to finish. Those fans will likely also find this album playing in their CD players and MP3 players quite a bit as a result.

Maximum Overload is available in stores and online now. It can also be purchased at any of the concerts on the band’s upcoming European tour. That tour will kick off Wednesday, September 17th at the Liquid Room in Edinburgh, United Kingdom. It runs through February 1st, 2015 in Brussels, Belgium. The band’s current tour schedule, news, and latest updates are all available online now at http://www.metalblade.com/dragonforce, http://www.facebook.com/dragonforce, and http://twitter.com/dragonforcehq. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.