Lamb Of God’s Self-Titled LP Lives Up To Expectations And Then Some

Courtesy: Epic Records

Lamb of God is one of the leading names in the metal and hard rock communities today.  The band did not earn that title overnight, either.  It took more than 25 years, nine albums and lots of touring around the world.  With the forthcoming release of its 10th overall album – and eighth under the Lamb of God moniker (the band was previously known as Burn the Priest, and has released two records under that name) – the band cements its reputation even more so.  The 10-song record is some of the band’s best work to date.  That is proven in part through the record’s musical content, which will be discussed shortly.  The album’s lyrical content does its own part to show what makes this record so strong.  It will be discussed a little later.  The record’s production and mixing put the final touch to its presentation.  Together with the noted content, all three elements make the album’s overall presentation such that it easily makes a place for itself among this year’s top new hard rock and metal albums.

Lamb of God’s forthcoming self-titled album is one of the most anticipated hard rock and metal albums of this year.  The album lives up to expectations, too, as is evidenced in part through the record’s musical arrangements.  From beginning to end, this album’s musical content throws back to the sounds of the band’s 2003 breakout album As The Palaces Burn.  There is even some growth exhibited in the album in ‘Bloodshot Eyes.’  That song actually presents more of a melodic metal sound than the full-throttle, chainsaw-sharp sounds for which the band has come to be known throughout its albums.  Front man Randy Blythe even goes so far as to provide some actual clean vocals in the song alongside his trademark screams.  Meanwhile, the team of guitarists Willie Adler, Mark Morton and bassist John Campbell create the noted melodic hard rock sound that is a welcome change of pace here.  New drummer Art Cruz (Prong, Winds of Plague) adds his own distinct touch to the song, showing that he can play slow and controlled just as easily as he can while keeping time in the album’s more up-tempo works.  The whole makes this song one of the album’s most engaging songs, but definitely not its only notable addition to Lamb of God.  Campbell’s subtle bass intro in ‘Reality Bath’ does well to help set the searing tone that is revealed in the rest of the song.  It does that because of how contradictory it is to the sound in the rest of the song’s arrangement.  It serves as a sort of precursor or calm before the storm that is unleashed throughout the rest of the song.  That storm is intense, too.  Blythe’s vocal delivery gives audiences something rare as it feels and sounds so more focused than ever.  Speaking of focus, the band’s ability to switch so seamlessly between its trademark thrash/groove sound to the more hardcore sound of Hatebreed when that band’s front man Jamey Jasta joins in on ‘Poison Dream’ serves as another example of how focused the band is on this album. What has led the band to gel so well throughout this record is anyone’s guess.  Maybe it is the fact that Morton has recently been allowed to spread his own creative wings through his own solo recordings – Anasthetic and Ether.  Maybe that allowed him to come into the recording sessions with a clearer and more open mind.  Maybe it is that front man randy Blythe recently got sober, as is discussed in an interview that he recently conducted with Revolver magazine.  Audiences can read that whole interview here.  Maybe it is something else or even a combination of those elements and something else.  Whatever the case may be, the fact remains that the musical content featured throughout Lamb of God’s 45-minute run time builds a solid foundation for the record’s presentation.  It is just one of the elements that makes this record so appealing.  The record’s lyrical themes play into the album’s appeal, too.

The lyrical themes featured throughout Lamb of God largely address issues going on with society the world over.  Blythe addressed this, too in his noted interview with Revolver magazine.  He was cited late in the interview as saying that getting sober played directly into his approach to songwriting this time out.  Audiences will be left to read his comments for themselves, but the short and simple of his statement is that in getting sober, he had a clearer mind and realized the importance in the impact of the band’s music, so he took a more active approach to writing each song.  The result of his focus is clear from beginning to end.  ‘Gears’ is just one example of the positive payoff of Blythe’s sobriety.  He writes in this song’s lead verse and chorus, “You suffer from a manufactured sickness and envy by design/Pre-calculated status and patterns of desire/ Accumulation and adoration/Built to feed your ostentation/Perpetually unsatisfied, but you never question why/So hang it on the wall of your golden cage/Tell yourself that it means something/Empty actions to fill the time/Commercial gods keep you in line/Industry and empire thrive/While you’re dying for always more.”  He continues in the song’s second verse, “Your endless hunger automated/Industry defined/A systematic impulse, parametric lines/Subjugation and degradation the blueprint to your annihilation/You’re assets personified, a product of the times,” before eventually adding in the song’s third and final verse, “So you can’t take it with you but you don’t use it now/A shallow life to crush you, drive you into the ground/So scared to lose the nothings you acquire/Everything must fall, bones on a pyre.”  This takes on the issues of consumerism and social media, and how people allow themselves to be turned into essentially puppets for corporations while also fulfilling their own greedy natures.  Sure, it’s hardly the first time that any act has taken on such matters, but Lamb of God has given the topic a new twist in this case that is certain to resonate and stick with audiences.

‘New Colossal Hate’ is another example of the importance of this record’s lyrical themes.  The song addresses the mistreatment of people from ethnic minorities.  This matter has become a hot-button topic ever since Donald Trump rose to power.  His divisive comments about ethnic minority populations have fueled so much division and even criminal activity by white nationalist groups.  Now Blythe has taken on the matter, writing in the song’s lead verse, “The mother of exiles stands there weeping/As her children tear themselves apart/Knives are out, her thoughts are bleeding Blood runs down her welcoming arms/Her feral brood has turned neglectful/The chains she broke are rusting closed/Imprisoned lightning burns forgetful/Spoiled blind to the light that she holds/Lash the tired and kill the poor/The huddled masses ram the door.”  He continues in the song’s second verse, “Like brazen giants with conquering limbs/The herd manifesting all that she despised/Childish amnesia born of privilege/Selfish mob commits matricide/Her mild gaze gone stern, fire in her eyes/Watching her dreams turn into dust The beacon dropped, her hand raised up to strike/Cast them homeless into the tempest/Lash the tired and kill the poor/The coddled masses slam the golden door.”  The song’s third verse is the most telling in the noted statement as Blythe writes, closing out the song, “The melting pot is melting down/A pool of slag on poisoned ground/Choking from the venom’s sting/Pull the fangs, let freedom ring.”  That ironic statement at the end, “Let freedom ring” is a powerful final comment.  It heightens the sense of anger expressed throughout the rest of the song as it addresses the vile, hateful behavior of so many who want to keep ethnic minorities from coming to America.  It is yet another way in which the record’s lyrical themes prove the importance of the record’s lyrical content.  ‘On The Hook,’ the record’s finale, is yet another way in which the album’s lyrical themes prove so important to the album’s presentation.

‘On the Hook’ is a direct statement about America’s opioid epidemic.  It is a damning indictment of the legal drug industry, pointing out its role in people becoming addicted to drugs.  Blythe also addresses this in his interview with Revolver magazine, noting the song’s inspiration was something personal.  The revelation that he makes here is an eye-opener to say the very least.  He opens the song by writing, “A dead silver spoon with needles in his skin/Rode a pale horse down from Afghanistan/Tears in the suburbs/Mothers praying for their damned/Death has crept into their zone of the promised land/But just before each plague, the clearest prophecies/Pandora’s box in backwoods pharmacies/A contract to die.”  He continues in the song’s second verse, “Narcotic economics for the miner’s sons/The seams went bust so long ago/With nowhere else to turn/Strip mine the veins, drill the abscess dry/Incentives for the architects of their genocide/We’ve seen this all before in a different shade/The Dark Alliance shifts to the modern age/A contract to die.”  The song’s most damning statement comes again here in its third verse, in which Blythe writes, Hippocratic hypocrites/Breaking oaths and cashing checks/Wrote an oceans worth of ink/Scripting a nation’s disease/A systematic business plan/To broker death increase demand/So flood the ghetto and starve the hills/Kill them all with crack and pills/Kill them all/Vietnam/Iran Contra/Park Avenue/Oxycontin.”  This is a powerful overall statement that audiences will not soon forget.  Along with Psycle’s song ‘Last Chance for the Saints,’ Lamb of God’s work becomes hopefully just the latest in what is hopefully a growing trend of acts addressing the negative impact of the legalized drug industry.  Regardless, it can be said that it is one more hard-hitting example of what makes this record’s lyrical themes so important.  Taking it into consideration along with the other lyrical themes noted here and those in the rest of the album’s songs, the whole of the album’s lyrical content proves itself just as important as the LP’s musical content.  While the record’s musical and lyrical content collectively and completely ensure listeners’ engagement and entertainment, they are only a portion of what makes the record a strong new offering from Lamb of God.  The album’s mixing and production put the final touch to its presentation.

The production and mixing that went into Lamb of God’s presentation is noteworthy in that so much is going on in each song.  Between Blythe’s screams, Cruz’s powerhouse drumming, Morton and Adler’s double attack and Campbell’s low-end, each band member has something to bring in each song.  Whether in the more radio-ready aggro-rock styling of ‘Bloodshot Eyes,’ the intense ‘Reality Bath,’ which does an admirable job of expressing America’s frustration over all of the recent mass shootings at schools nationwide, the equally intense ‘Poison Dream’ or the arrangements in any of the album’s other songs, the fact remains that each song is expertly produced and mixed.  The fire burns bright in each arrangement, while also allowing each part to show why each said work has such powerful impact.  Producer Josh Wilbur and others involved in this process are to be commended in their own right for this result.  Keeping in mind the positive result of the record’s production and mixing, that element is what makes the record’s arrangements hit as hard as they do.  It is what leads the lyrics and music to come together and translate as well as they do.  To that end, it puts the finishing touch to this record and makes it a must hear for Lamb of God’s fans and metal/hard rock fans alike.  It all comes together to make Lamb of God one of this year’s top new hard rock and metal albums.

Lamb of God’s forthcoming self-titled album is an impressive new offering from the band.  It is a work whose musical arrangements take audiences back in time and whose lyrical themes do their own part to keep audiences engaged and entertained.  The record’s production and mixing put the final touch to its presentation by balancing everything out and in turn making the album that much more appealing.  Each noted item is important in its own way.  All things considered, they make Lamb of God, without argument, one of this year’s top new hard rock and metal albums.  It is scheduled for release Friday through Epic Records.  Pre-orders are open now for Lamb of God.

More information on Lamb of God’s new album, its new album, single, news and more is available online now at:

 

Websitehttp://www.lamb-of-god.com

Facebookhttp://www.facebook.com/lambofgod

Twitterhttp://twitter.com/lambofgod

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Psycle To Celebrate Its Album’s Release Live Online Friday

Courtesy: O’Donnell Media Group

Psycle will celebrate the release of its new album live online Friday.

Front man Seth Salois’ made the announcement Thursday afternoon.

“We don’t have any venues open to do a true album release show, so we figured we would give people what we could,” he said.

Friday evening’s free hour-long show is scheduled to start at 7 p.m. EDT and will broadcast live through Psycle’s official Facebook page.  The show is to celebrate the official release of the band’s debut full-length studio recording Kill The Machine.

As an added motivation to tune in, Friday evening’s album release show is going to be an unplugged show, said Salois.

More information on Psycle’s new album is available along with all of the band’s latest news at:

 

Websitehttp://www.psyclemusic.com

Facebookhttp://www.facebook.com/psyclemusic

Twitterhttp://twitter.com/psycle22

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

Psycle’s Debut Album Could Be Its Breakout Record

Courtesy: O’Donnell Media Group

Independent hard rock band Psycle is scheduled to release its new album Kill The Machine Friday.  The band’s third studio recording — and debut album — the eight-song record is the band’s best work to date.  It is a presentation that shows the band’s members – Seth Salois (vocals, guitar), Jay Spyne (drums, vocals), Mike Kaz (bass, vocals), and Joe Nicolazzo (guitar) – at the top of their game.  Between the talent exhibited by each musician and the depth in the songs’ lyrical themes, the record is a strong debut for the band.  Given the right support, it actually could be the band’s breakout record.  That is proven in part through the album’s latest single ‘Last Chance for the Saints.’  It will be discussed shortly.  The album’s second single, ‘Changing Tide’ is another way in which the album proves its strength.  It will be discussed a little later.  ‘Dying To Live’ does just as much as ‘Changing Tide’ and ‘Last Chance For The Saints’ to show this record’s strength.  It is definitely not the last of the album’s most notable songs, either.  ‘Vultures at Play,’ ‘White Flag’ and ‘The Outsider’ are all just as notable as the songs addressed here.  When all of these songs are considered alongside the album’s other two songs not noted here, the album in whole proves itself to be one of this year’s top new independent albums and one of the year’s top new rock records.

Psycle’s debut album Killing The Machine is a positive “first impression” from the band.  The term “first impression” is used because the band has already released two EPs – its self-titled record and the EP Surfaces – ahead of this album.  Spanning a total of eight songs, the album proves itself so positive because of its musical and lyrical content.  That is evidenced in part through the album’s latest single ‘Last Chance for the Saints.’  The album’s penultimate song, it presents a blues-based, straight-forward rock arrangement, complete with chant of ‘Hey, Hey’ in its opening bars.  Throughout the course of the nearly four-minute rocker, the composition in whole lends itself to comparisons to works from Theory of a Deadman, Charm City Devils, and Daughtry to a lesser degree.  Front man Seth Salois’ vocal delivery couples with his work on guitar and that of fellow guitarist Joe Nicolazzo to add a certain depth to the song.  Drummer Jay Spyne’s solid time keeping, fills and cymbal crashes add even more impact to the song while bassist Mike Kaz’s low-end puts the finishing touch to the whole.  What is interesting to note here is that the song’s fiery energy actually plays well into translating the emotion in the song’s extremely serious lyrical theme, that of the nation’s opioid epidemic.

The fact that the band took on the topic of the nation’s opioid epidemic is a statement in itself.  Few, if any music acts in any genre can say they have taken on or are taking on the controversial topic.  The way in which the matter is addressed here makes the song stand out even more.  This isn’t just some sad, emotional piece lamenting those who have died as a result of the epidemic.  Rather, it is a striking indictment of the epidemic that forcefully goes after those who have allowed it to continue.  Salois confirmed this in a recent interview, stating of the song’s theme, “This song deals with the damage that has been caused by the opioid epidemic in our country and how others continue to make money off of this damage.  Addiction is something that has touched so many of us in so many ways.  This song hopefully takes a stance against the destruction of so many of those we love.”  That statement is confirmed as Salois sings in the song’s lead verse, “This is the last chance for the saints/Keep making the pills and we’ll medicate/I’ll never refuse while I lie here/The beautiful taste your supply cheers.”  He continues in the song’s second verse, adding to that statement, “Never forget your consumer’s name/It’s written in guilt under stone they lay/It spreads like fire with our hands cold/’Cause killing us young meets the same goal.”  He adds in the song’s third and final verse, “Now it’s fading faster/Leaving you to shake/A beautiful disaster /Chase it down the drain/And we run, down the line but were still here alive/And we run, down the line but we’re still here alive.”  Again, this is a pretty damning indictment of the nation’s drug industry.  This isn’t going necessarily after drug dealers, but rather legal drug dealers; the companies that make these medications to which people are becoming addicted.  Together with the song’s fiery, powerful musical arrangement, the two elements together make the song in whole one of this album’s strongest entries if not its strongest entry overall.  Again, it is at least one of the album’s most notable songs.  The album’s second single, ‘Changing Tide’ is another of the record’s most notable works.

Right from its outset, the arrangement at the center of ‘Changing Tide’ lends itself to comparisons to works from Alter Bridge and its predecessor, Creed.  That is meant in the most complimentary way.  Even Salois’ vocal delivery stands out here along with the work of his band mates, lending itself to comparisons to that of Alter Bridge front man Myles Kennedy.  All of this is important to note because it’s another way in which the record proves musically to be Psycle’s best work to date.  It is another clean, polished work from the band.  In comparison to the work featured on the band’s two previously released EPs, it shows how much the band has grown and evolved personally and collectively throughout the band’s life.  Interestingly, that plays right into the song’s lyrical theme, too.

The song’s lyrical theme is meant to inspire listeners, according to a recently released collective statement from the band.  The statement says of the song’s lyrical theme, “‘Changing Tide’ is about believing in your individuality, accepting the hand that you are dealt and persevering through whatever stands in your way,”  This message is driven home in the song’s lead verse, in which Salois sings, “Hold The Line, and believe in your creation/Make the climb/Never needing their ovation/Face down the storm/That will eat you alive.”  He continues in the song’s second verse, “Kill the lies/As it fuels the same frustration/Live your life/As we breathe the elevation/Break down those walls that you keep to survive.”  This is straight forward to say, meaning that it is just as accessible to audiences as the lyrical content featured in ‘Last Chance for the Saints.’  It means audiences will be able to easily relate to this matter.  The song’s chorus drives home the noted theme as Saolis sings, “I’ll never give in/I’ll never give up this fight/If you do, it never changes/We can face the winding road/And the changing tide.”  Once more, audiences can relate easily to this accessible content.  This line in the song’s chorus is what the band wants its listeners to sing, that they, too, will never give in or up.  In times, such as these, such a positive message overall is something that is wholly welcome and needed.  To that end, this song is another notable addition to Kill The Machine.  It is hardly the last of the album’s most notable songs.  ‘Dying to Live’ is one more way in which Kill The Machine shows why it is such a positive debut from Psycle.

Much as is the case with ‘Last Chance for Saints,’ Kill The Machine’s title track and much of the other material, the musical arrangement at the heart of ‘Dying to Live’ is a southern rock-tinged composition with a touch of a blues influence at its base.  Of course while the stylistic approach is similar to that of the album’s other works, the actual sound stands on its own merits.  In other words, doesn’t just rehash the sound of its counterparts in this record.  Keeping that in mind, the song is its own notable work just for its musical arrangement.  The sound and energy in the song’s arrangement couples well with the song’s lyrical energy, which according to Salois, is its own social commentary.

Salois said of the song’s lyrical content, “’Dying to Live’ is really about how we try so hard to fit into certain societal groups or ideas and how we are manipulated into thinking we need to be a certain way or have certain things by others.”  Once again, here audiences get a lyrical theme to which they can relate with ease.  Whether through the media, through our peers or other sources, we as a species feel that pressure every day from so many sources.  As a result of that pressure, many of us end up putting that pressure – unnecessarily so – onto ourselves.  It is yet another topic that will connect with listeners especially through its accessible lyrics.  Salois sings in the song’s lead verse, “When it’s over, can you please let it go/It’s a feeling, like the calm before the storm/Thrown the stone, feel the waves catching up/They will sell you the same old shelter/They will sell you your soul.”  He continues in the song’s second verse, “Can you feel it/When you finally take control/And the demons show their face the more you know/Thrown the stone/Feel the waves catching up/They will sell you the same old shelter/They will sell you your soul.”  While there is plenty of metaphorical language used here, the message is made clear, considering Salois’ statement.  That mention of the felling of the “calm before the storm” is something of a statement of that pressure that we feel; that uncertainty that goes through our minds.  The mention of the “same old shelter” being sold over and over again, is like saying those extraneous forces (the media, peers, etc.) will push the same belief set time and again, which leads to the feelings being noted here.  It’s a warning that we need to heed.  We need to take pride in ourselves and who we are – which is the message of ‘Changing Tide’ – and not give in to that pressure to be something that we are not.  Considering the energy in the song’s musical arrangement, that message gains even more traction and impact.  Keeping that in mind, the song in whole becomes, again, just one more example of what makes Kill The Machine such a strong offering from Psycle.  When the song is considered along with the other songs addressed here and the rest of the album’s works, the result is a debut that deserves its own share of attention and a work that is a positive debut from this independent rock band.

Psycle’s debut album Kill The Machine is a positive first impression from the independent hard rock band.  That is proven through accessible musical arrangements that are themselves radio ready and through lyrical themes that are just as accessible as the albums’ musical content.  All three of the songs examined here serve to support the noted statements.  The same can be said of any of the album’s other songs, too.  All things considered, the album in whole could be the work that, with the right support, could be a breakout for Psycle.  Regardless of whether the band gets that support,  it can be said of Killing The Machine that all things considered, this record is one of this year’s top new independent album and new rock albums.  Killing The Machine is scheduled for release Friday.

More information on Psycle’s new album is available along with all of the band’s latest news at:

 

Websitehttp://www.psyclemusic.com

Facebookhttp://www.facebook.com/psyclemusic

Twitterhttp://twitter.com/psycle22

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Psycle Debuts ‘Last Chance For Saints’ Lyric Video

Courtesy: O’Donnell Media Group

Independent rock band Psycle debuted the video for its latest single this week.

The band debuted the lyric video for its new single ‘Last Chance for the Saints‘ Friday.  The video features images of money, graveyards, an emergency room setting and various pills.

The imagery is meant to illustrate the message addressing the nation’s opioid epidemic, according to front man Seth Salois during a recent interview.

“With our 3rd single “Last Chance for the Saints”, we wanted to have a song that showcased our influences and encompassed the sound of the band as a whole,” he said.  “This song deals with the damage that has been caused by the opioid epidemic in our country and how others continue to make money off of this damage. Addiction is something that has touched so many of us in so many ways. This song hopefully takes a stance against the destruction of so many of those we love.”

The song’s musical arrangement is a steady, mid-tempo modern rock arrangement.  It boasts a hint of a southern rock vibe through its guitar line while the time keeping, bass and vocals maintain the song’s mainstream rock sensibility.  The combination of those efforts serves to give the song its own unique identity.

As Salois noted, ‘Last Chance for the Saints’ is the third single from Kill The Machine.  The band debuted the video for the album’s lead single and title track March 24.  The album’s second single ‘Changing Tide‘ saw its video debut May 5.

Kill The Machine is scheduled for release June 12.  Pre-orders and saves are available now here.

More information on Psycle’s new single, video and is available along with all of the band’s latest news at:

 

Websitehttp://www.psyclemusic.com

Facebookhttp://www.facebook.com/psyclemusic

Twitterhttp://twitter.com/psycle22

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

 

Psycle Debuts ‘Changing Tide’ Lyric Video

Courtesy: O’Donnell Media Group

Rock band Psycle debuted the video for its new single this week.

The band debuted the lyric video for its new single ‘Changing Tide‘ Tuesday. the song is the second single from the band’s forthcoming album Kill The Machine, which is scheduled for release June 12.  The band debuted the lyric video for the album’s title track — also the album’s lead single — March 24.

The musical arrangement at the center of ‘Changing Tide’ immediately lends itself to comparisons to works from Creed and Alter Bridge with its guitar work and front man Seth Salois’ vocal delivery.  Salois’ vocal talents are right up there with Alter Bridge front man Myles Kennedy.  His band mates’ — Jay Spyne (drums, vocals), Mike Kaz (bass, vocals) and Joe Nicolazzo (guitar) — talents are equal to those of Kennedy’s band mates here, too.

In discussing the song’s musical arrangement, the band said in a collective statement that the decision to follow up ‘Kill The Machine’ with ‘Changing Tide’ was mad with a specific intent in mind.

“For our second single ‘Changing Tide,’ we wanted to show the diversity within the album and offer a glimpse into the journey we hope the album creates,” the statement reads.  “‘Kill The Machine’ is raw, unforgiving and pointed, where ‘Changing Tide’ is sweeping, emotional and accepting.”

The lyrical them at the heart of the song delivers a theme of optimism, according to the noted statement.

“‘Changing Tide’ is about believing in your individuality, accepting the hand that you are dealt and persevering through whatever stands in your way,” the statement reads.

‘Changing Tide’ is available to stream and download here.

More information on Psycle’s new single and video is available along with all of the band’s latest news at:

 

Websitehttp://www.psyclemusic.com

Facebookhttp://www.facebook.com/psyclemusic

Twitterhttp://twitter.com/psycle22

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

Psycle Debuts ‘Kill The Machine’ Lyric Video

Courtesy: O’Donnell Media Group

Independent rock band Psycle will release its new album this summer, and in anticipation, recently debuted the video for the album’s lead single.

The band debuted the lyric video for its new song ‘Kill The Machine‘ March 24.  The single is the title track from the forthcoming album, which is scheduled for release June 16.

The musical arrangement at the center of ‘Kill The Machine’ is a steady, mid-tempo composition that boasts a distinct southern sludge, guitar-centered sound.  Its lyrical theme is a social commentary about where society stands today, with its fixation on celebrity gossip, letting others do the thinking for them and allowing politics to divide the world so starkly.  The combination of that familiar theme and the song’s musical arrangement makes the song in whole a work that will keep listeners engaged and entertained throughout its four-minute-plus run time.

The debut of ‘Kill The Machine’ and its video comes three years after the release of the band’s most recent studio recording, its 2017 EP Surfaces. The EP is available to stream through Spotify and to download through Psycle’s official website and official Bandcamp page.

‘Kill The Machine’ is available to stream and download through Psycle’s official Bandcamp page official website, Amazon, Spotify, Google Play and iTunes.

More information on Psycle’s new single and video is available along with all of the band’s latest news at:

 

Website: http://www.psyclemusic.com

Facebook: http://www.facebook.com/psyclemusic

Twitter: http://twitter.com/psycle22

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.