Infectious Beats, Hard-Hitting Lyrics Make Free Radicals’ New Album Well Worth Hearing

Courtesy: Free Rads Music

Two years after the release of its then latest album, White Power Outage, music collective Free Radicals has released that record’s companion album, White Power Outage Vol. 2.  Released April 8, the 25-song (yes, 25 songs) record proves itself a successful new offering from the group.  That is due in part to its featured musical arrangements.  They will be discussed shortly.  The lyrical themes that accompany the musical content makes for its own interest and will be discussed a little later.  The record’s production rounds out its most important elements and will also be discussed later.  Each item noted is important in its own way to the whole of this record.  All things considered, they make White Power Outage Vol. 2 another positive new offering from Free Radicals.

White Power Outage Vol. 2, the latest offering from Free Radicals, is another positive offering from the group that will engage and entertain the group’s established audiences, as well as a wide range of rap fans.  That is due in large part to its featured musical arrangements.  From beginning to end, the compositions are mostly rap and hip-hop style compositions whose beats are completely infectious. The use of the horns and occasional R&B style vocals cross with those hip-hop elements to make the whole so enjoyable.  There are some full songs and some that are instrumentals tossed in for good measure, too.  Sometimes modern, other times a throwback and others still, a blend of both, the arrangements are comparable to works from the likes of Jurassic 5, Mos Def, and at times, Public Enemy, the arrangements are so funky and friendly to the ears.

The engagement and entertainment that the album’s musical content is sure to generate means, too, that audiences are certain to pay close attention to the record’s lyrical themes just as much.  Throughout the course of the record’s hour-plus run time (one hour 16 minutes to be exact), the themes are all socially and politically conscious.  The group pulls no punches, going after Democrats and Republicans alike, and pretty much all of the powers that be.  It really is content that will appeal to fans of acts, such as Run The Jewels and Public Enemy.  The album’s very lead single, ‘Bipartisan Baby Jail’ goes after Vice President Kamala Harris, comparing her to Donald Trump for comments she made during a visit to America’s southern border, where children were being detained in facilities there.  So right there, the group goes after both sides.  In another song, ‘If You Don’t Vote For Me, You’re Not White’ the group goes after President Biden for comments he made during the 2020 election about black voters and whether they were voting for him.  ‘America’s Blues,’ which comes a little later in the album, is a direct commentary about the oppression that African-Americans have experienced throughout America’s history.  ‘Other Holocausts’ is a direct discussion on the mistreatment of so many minority groups by Americans of European history throughout history.  It is a discussion that many will find uncomfortable, but to that end, it is also needed and just one more of so many hard-hitting topics that fill out the album.  From the Native Americans wiped out by Americans of European descent, to the centuries of mistreatment of African-Americans by whites throughout history, to the killing of innocent people overseas as a result of wars waged by Americans and even the KKK and Proud Boys and their racist actions, the lyrical themes that make up the body of this new record do just as much to keep this record engaging and entertaining as the album’s musical content.  When the album’s musical and lyrical content is collectively considered, the whole of that material gives audiences all the more reason to take in this record.

Working with the record’s content is the production thereof.  The production brings out the best elements of the arrangements and even the vocals therein.  The beats are just subtle enough at some points, and stronger at others, complimenting the vocals and other instruments in each composition.  Whether it be the horns in some songs, or the steady rapping, or the beats themselves, each part of each song expertly compliments its fellow parts throughout.  The end result is a general effect that makes the album just as engaging and entertaining as the record’s content.  When that content is considered along with the record’s production, the whole makes White Power Outage a record that easily makes itself worth hearing at least once.

White Power Outage Vol. 2, the latest album from Free Radicals, is a hard-hitting presentation that is sure to get plenty of attention among audiences and critics alike.  That is due in part to its featured musical arrangements.  Largely rap style works, the arrangements present beats that are completely engaging and entertaining.  The lyrical themes that accompany those immersive arrangements add their own interest because of their hard-hitting content.  It goes without saying that the content presented in the themes is true, many might find it militant at the level of Public Enemy.  That is sure to cause the overall lyrical content to be very divisive and in turn quite engaging.  That is not necessarily a bad thing.  It just means it will bring that much more attention to the record.  The record’s production rounds out its most important elements, ensuring the most impacting general effect.  Each item noted is important in its own way to the whole of White Power Outage Vol. 2.  All things considered, they make the album one of the best of the year’s new rap albums.

White Power Outage Vol. 2 is available through Free Rads Music. More information on the album is available online now along with all of Free Radicals’ latest news and more at:

Websitehttp://freerads.com

Facebookhttp://www.facebook.com/freerads

To keep up with the latest sports and entertainment reviews and news ,g o online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Familiarity Makes Public Enemy’s Latest LP A Complete Success

Courtesy: Def Jam

Veteran rap group Public Enemy has made a career of crafting socially and politically charged songs.  From one album to the next, the group – Chuck D. Flava Flav, Terminator X, and the S1Ws – has made sure listeners know that it has gotten anything but complacent.  At times controversial and at others uniting, this group’s work has proven time and again why it is one of the rap genre’s most important and respected acts.  Its latest album What You Gonna Do When The Grid Goes Down? Is no exception to that rule.  That is proven in part through the musical content featured in the 17-song record’s presentation.  That content will be discussed shortly.  The lyrical content that accompanies the record’s musical content does just as much as that noted material to make the album so strong.  It will be discussed a little later.  The record’s production rounds out its most important elements and will be discussed later, too.  Each item noted here is important in its own way to the whole of this album.  All things considered, the 43-minute album proves itself to be the absolute best of this year’s new rap and hip-hop albums.

Public Enemy’s latest album What You Gonna Do When The Grid Goes Down? is another powerful offering from the veteran rap group that audiences will enjoy.  That is proven in part through the record’s musical content.  The musical content that is featured throughout the course of the record’s 17 songs largely continue a tradition that the group has held ever since its early days.  Rather than using a bunch of keyboards, auto tuning and everything else that so much rap and hip-hop uses today, the group has opted once more, to go old school and use turntables and specific samples and electronics.  What’s really interesting here is that there are also some guitars incorporated into the songs, to give that vintage approach and sound a slight modern touch without losing any of that old school air.  It is an approach that proves that if something’s not broken, there’s no need to fix it.  Even more appealing is the fact that while the arrangements maintain the group’s familiar old school sound and stylistic approach, they are not just rehashing of the group’s past works.  There is still plenty of originality here even with that familiarity to make the record’s musical content so appealing.  This is just one of the most important aspects of Public Enemy’s new album that audiences will appreciate.  The lyrical content that accompanies the album’s musical content strengthens the record’s appeal even more.

The lyrical content that is featured in Public Enemy’s new album follows a familiar tradition, much as its musical arrangements.  From start to end, the record’s lyrical content hits hard.  There are even some moments in this record that some might find controversial, which again is not a surprise considering that this is Public Enemy.  Right from the album’s outset, Chuck D. and company take on the nation’s addiction to technology, going so far as to say, “Folks might have to pick up a book/Pick up a pen/hey, back to basics again.”  From there, Chuck D notes that ironically, if the grid does go down, the issue of police brutality, but that there will be less way to prove it, showing that balance of the good and bad of technology in a short span.  More than once, the group goes after outgoing President Donald Trump in ‘Toxic’ and the album’s single, ‘State of the Union (STFU).’  ‘Fight The Power: Remix 2020’ takes the group’s classic song and steps it up for the new age, bringing in Nas, ?uestlove, Jahi, Rhapsody, Black Thought and YG for the song.  In the case of this update, reminds audiences of certain history, and pointing out once again, who killed George Floyd and Breonna Taylor.  YG makes the statement while also taking his own verbal swing at Trump in his verse while Chuck D points out the racism spewed by Elvis and John Wayne.  It should be stressed here that Chuck D and company are not saying that all white Americans are to blame.  They are stressing that there are certain elements within America that are causing the problems and that they just want unity.  It is really the strongest of the album’s lyrical statements and will resonate so much with listeners.  Between that content, the other noted here and the rest of the album’s lyrical themes, the content in whole proves to be its own strong point for this album.  It is just one more of the album’s most important elements.  The album’s production rounds out its most important elements.

There is a lot going on in each of the songs featured in Public Enemy’s new album lyrically and musically.  From verse changes to all of the old school and modern elements incorporated into the record, there is a lot of content here.  That means a lot of time and effort had to happen in order to balance it all.  Thanks to the work of those behind the glass, it did in fact all balance out.  ‘Public Enemy Number Won’ is proof positive of that.  Between the electronics, the turntables, the lines from Beastie Boys members Adrock and Mike D, and Run DMC, Flava Flav’s verses and those from Chuck D, so much is happening here. Listening to this song, it is clear that a lot is happening, yet it comes across as controlled chaos almost.  It collectively makes for such an appealing song.  ‘Smash The Crowd (ft. Ice-T and PMD)’ has its own share of things happening, between the guitars, beats, rapping and electronics.  It sounds so busy, but yet once more, there is so much control that actually makes it all blend together and balance.  It all comes together to show in its own way, the painstaking efforts that were taken to make all the elements work so well together.  On another note, the production of ‘State of the Union (STFU)’ was clearly easier as that song’s musical content was not as complex as the record’s other songs.  Featured here are Chuck D and Flava Flav rapping over an old school beat and sample.  That’s pretty much it.  It would have been easy for this song’s  production to be phoned in considering its minimalist approach, but that didn’t happen.  Even here, everything is balanced so well together.  When it is considered along with the success in the production of the other songs noted here and the rest of the album’s songs, the result is a record that proves just as enjoyable for the sound of its content as for its content.

Public Enemy’s latest album What You Gonna Do When The Grid Goes Down? is everything that audiences have come to expect from the group over the course of its life.  That is not a bad thing, though.  Its musical arrangements bring audiences a familiar old school hip-hop stylistic approach and sound without just rehashing the sounds of its past albums.  The arrangements are original while stylistically being original.  The lyrical content that accompanies the album’s musical content adds to its appeal because it is just as hard hitting and at times controversial as that of the band’s exiting lyrical content.  The record’s production balances all of the musical content and vocal delivery expertly from start to end.  Each item examined here is important in its own way to the whole of the album.  All things considered, the album proves to be another powerful offering from Public Enemy that is also the best of this year’s best new rap and hip-hop albums.  What You Gonna Do When The Grid Goes Down? is available now.  More information on the album is available along with all of Public Enemy’s latest news at:

Website: http://www.publicenemy.com

Facebook: http://www.facebook.como/publicenemy

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.    

New Rap, Hip-Hop Albums Prove 2020 Was Not All Bad

Courtesy: Def Jam

Rap and hip-hop fans have had quite a bit to be happy about this year.  That is because over the course of the now fading year, a lot of notable entries have made their way to audiences within the genre.  They have come from independent and well-known acts alike, too.  From the familiar socio-politically charged content featured in Public Enemy’s new album What You Gonna Do When The Grid Goes Down, to the lighter yet still engaging content featured in Aesop Rock’s new album Spirit World Field Guide, to the unique hybrid jazz/hip-hop instrumental offering from Analog Players Society, Soundtrack For A Nonexistent Film, and more, this year’s field of new rap and hip-hop records has proven quite diverse and entertaining.  Even Eminem released his own new album (albeit by surprise) in the form of Music to be Murdered By early this year.  Between that record and so many others, this year’s field of new albums was full of interesting, impressive new albums, both mainstream and independent.  Phil’s Picks has kept track of them once again this year and produced a list of the year’s best new product.

As with past years and each list, this collection features the Top 10 new titles in the category, as well as five honorable mentions, for a total of 15 titles.  Here for your consideration is the Phil’s Picks 2020 Top 10 new Rap & Hip-Hop Albums.

PHIL’S PICKS 2020 TOP 10 NEW RAP & HIP-HOP ALBUMS

  1. Public Enemy – What You Gonna Do When The Grid Goes Down?
  2. Run The Jewels – RTJ4
  3. RJD2 – The Fun Ones
  4. Common – A Beautiful Revolution Pt. 1
  5. Jamo Gang – Walking With Lions
  6. Aesop Rock – Spirit World Field Guide
  7. Eminem – Music to be Murdered By
  8. Analog Players Society – Soundtrack for a Nonexistent Film
  9. Atmosphere – The Day Before Halloween
  10. GNL Zamba – The Spear
  11. Denzel Curry – Unlocked
  12. Prof – Powderhorn Suites
  13. Busta Rhymes – Extinction Level Event 2
  14. Aesop Rock – Music From The Game Freedom Finger
  15. Black Eyed Peas – Translation

Next up from Phil’s Picks is a listing of the year’s top new jazz and blues albums.  Stay tuned for that.

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.  

Public Enemy Continues Its Social, Political Activism With Its Latest Single

Courtesy: SpitDigital

Public Enemy is sounding a call to action with its new single.

The veteran rap group made its new single ‘State of the Union (STFU)’ available for fans to download for free Thursday.  The availability comes less than a week after the group debuted the song’s video, which was directed by David C. Snyder.  The song was produced by DJ Premier.

‘State of the Union (STFU)’ is a work whose musical arrangement will appeal widely to Public Enemy’s longtime fans.  That is due to its old school sound, which throws back to its early days.

The song’s lyrical theme is a direct lyrical 1-2 punch against Donald Trump and a call to action, encouraging everyone to get out in November and to vote him out.  It will appeal to the group’s longtime fans just as much as the song’s musical arrangement, in that it continues the group’s long-running tradition of social and political activism through its music.

Chuck D. talked about the song in a recent interview.

“Our collective voices keep getting louder,” he said.  “The rest of the planet is on our side. But it’s not enough to talk about change. You have to show up and demand change.  Folks gotta vote like their lives depend on it, ‘cause it does.”

Chuck D.’s longtime friend and fellow Public Enemy member Flava Flav added to his comments.

“Public Enemy tells it like it is,” he said.  “It’s time for him [Trump] to GO.”

Courtesy: MVD Entertainment Group

Public Enemy’s new single comes less than less than three months after the group debuted another equally socially conscious song in the form of ‘Food as a Machine Gun.’  The song was debuted in April by Public Enemy’s DJ+MC unit of Chuck D, DJ Lord, Jahi and the S1Ws, Enemy Radio.

Chuck D. talked about that song in an interview promoting the single.

“So it’s April 1, 2020 and as we hoard food and empty store shelves, Chuck D and Flavor Flav hijack it as ‘FlavChuck  Day’   To end the HOAX with Enemy Radio’s new song Food As A Machine Gun,’ he said.  “‘Don’t Believe The Hype’ 2020 style.  That’s right. This is Enemy Radio featuring Public Enemy, with more around the corner.  Enemy Radio’s debut album Loud Is Not Enough is here.  “Food As A Machine Gun’ is the first taste, an attack on the food industrial machine that opens minds to the direct need, dependency and necessity — yet killer — of our current lives, taking inspiration from Kristin Lawless and her book, Formerly Known As Food.”

In referencing Lawless’ book, Chuck D talked about the connection between her work and Enemy Radio’s new song.

“The industrial world food machine rolls like gangbangers in the 21st century of chaos,” he said.  “Who protects us from the weapon formerly known as food?”

Said Lawless of her book’s theme, “The cracks in our food system have busted wide open.  The way we produce our food has helped to create this pandemic, and the poor-quality products we consume leave us vulnerable to infection.  Radical change around food production is required now if we want to prevent future pandemics, protect our planet and save our lives.”

Chuck D expanded on Lawless’ statements.

“Does it take doing crazy s*** or catastrophe to wake people up?,” he asked.  “Obviously so, even when paying attention is the cheapest price to pay.  So if you got that in your wallet, Enemy Radio is serving up ‘Food As A Machine Gun.’

The hoax that Chuck D. referenced was a hoax in which the media was led to believe that he and Flava Flav had parted ways not long before the single’s premiere.  Chuck D. said of the trick, that it was done intentionally.

“I had watched Orson Welles’ ‘War of the Worlds’ from 1938 when he pulled the wool over the public’s eyes as they put 100% belief in the technology of radio,” he said.  ” Most people followed like a Pavlovic dog just like they do now. Flav doesn’t do benefits and stays away from political events – we been cool and always agreed about that.  Enemy Radio was built for that reason, to be a DJ+MC auxiliary unit of Public Enemy, a no-slack homage toss back to DJ+MC roots.  It is DJ Lord, myself an Jahi with the S1Ws.”

“Hearing the confused mush of political talk while under the bowels of Trumpotus made me use a presidential stage as my platform,” he added. “Out of this storm came a plan between Flav and me to remind people what what’s important should have as much, if not more, value than just what’s popular.  Thus came the HOAX, our ‘War of the Worlds.’  Believe half of what you hear and NONE of what you see.”

More information on Public Enemy’s new singles is available along with all of Public Enemy’s latest news at:

 

Websitehttp://www.publicenemy.com

Facebookhttp://www.facebook.com/publicenemy

Twitterhttp://twitter.com/publicenemyftp

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Enemy Radio Releases Debut LP, Single; Chuck D Reveals Split With Flavor Flav Was A Hoax

Courtesy: MVD Entertainment Group

The recent feud between Public Enemy members Chuck D and Flavor Flav was a hoax.

The revelation was made during a recent interview with Chuck D promoting the new single ‘Food As A Machine Gun.’ The song is the new single from Public Enemy’s DJ+MC unit of Chuck D, DJ Lord, Jahi and the S1Ws.  Chuck D and Flavor Flav make a special guest appearance on the song.

According to Chuck D., the hoax involving the split between himself and Flavor Flav was inspired by a famous classic radio play.

“I had watched Orson Welles’ ‘War of the Worlds’ from 1938 when he pulled the wool over the public’s eyes as they put 100% belief in the technology of radio,” he said.  ” Most people followed like a Pavlovic dog just like they do now. Flav doesn’t do benefits and stays away from political events – we been cool and always agreed about that.  Enemy Radio was built for that reason, to be a DJ+MC auxiliary unit of Public Enemy, a no-slack homage toss back to DJ+MC roots.  It is DJ Lord, myself an Jahi with the S1Ws.”

“Hearing the confused mush of political talk while under the bowels of Trumpotus made me use a presidential stage as my platform,” he added. “Out of this storm came a plan between Flav and me to remind people what what’s important should have as much, if not more, value than just what’s popular.  Thus came the HOAX, our ‘War of the Worlds.’  Believe half of what you hear and NONE of what you see.”

Chuck D stressed in a statement released today, that the hoax created by himself and by Flavor Flav as a means to highlight media bias toward showing bad news rather than good, especially in the way of hip-hop and the hip-hop community. He pointed out that despite the multiple accolades earned by Public Enemy over the course of more than 30 years — induction into the Rock and Roll Hall of Fame, Lifetime Achievement Award from the Recording Industry Association of America (RIAA) and performances at some of the world’s most renowned festivals — it took the false split between himself and Flavor Flav for the media to take notice of the group.

“So it’s April 1, 2020 and as we hoard food and empty store shelves, Chuck D and Flavor Flav hijack it as ‘FlavChuck  Day’ to end the HOAX with Enemy Radio’s new song Food As A Machine Gun,’ he said.  “‘Don’t Believe The Hype’ 2020 style.  That’s right. This is Enemy Radio featuring Public Enemy, with more around the corner.  Enemy Radio’s debut album Loud Is Not Enough is here.  “Food As A Machine Gun’ is the first taste, an attack on the food industrial machine that opens minds to the direct need, dependency and necessity — yet killer — of our current lives, taking inspiration from Kristin Lawless and her book, Formerly Known As Food.

In referencing Lawless’ book, Chuck D talked about the connection between her work and Enemy Radio’s new song.

“The industrial world food machine rolls like gangbangers in the 21st century of chaos,” he said.  “Who protects us from the weapon formerly known as food?”

Said Lawless of her book’s theme, “The cracks in our food system have busted wide open.  The way we produce our food has helped to create this pandemic, and the poor-quality products we consume leave us vulnerable to infection.  Radical change around food production is required now if we want to prevent future pandemics, protect our planet and save our lives.”

Chuck D expanded on Lawless’ statements.

“Does it take doing crazy s*** or catastrophe to wake people up?,” he asked.  “Obviously so, even when paying attention is the cheapest price to pay.  So if you got that in your wallet, Enemy Radio is serving up ‘Food As A Machine Gun.’

More information on Enemy Radio is available online now at:

 

Website: http://www.publicenemy.com

Facebook: http://www.facebook.com/publicenemy

Twitter: http://twitter.com/publicenemyftp

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘Prophets Of Rage’ Is A Solid Effort For RATM 2.0

Courtesy: Fantasy Records

Rage Against The Machine is back again…sort of.  Tom Morello, Tim Cummerford and Brad Wilk joined forces with longtime friends B-Real (Cypress Hill) and Chuck D (Public Enemy) some time ago following the dissolution of Audioslave to form the super group Prophets of Rage, which is for all intents and purposes Rage Against The Machine 2.0.  The only real difference between this “new” group and RATM—as is clear in listening to the group’s brand new self-titled debut album, is the fact that Morello, Wilk and Cummerford are joined this time out by the aforementioned superstar hip-hop front men.  Musically and lyrically speaking, the fruits of the group’s efforts make this 12-song album everything that Rage Against The Machine fans have come to expect from that band.  Even with that in mind, that return to musical and lyrical form makes this record a welcome effort from the second coming of Rage Against The Machine.

Prophets of Rage’s brand new self-titled debut album is a welcome effort from what is for all intents and purposes the second coming of Rage Against The Machine.  That is due in part to the musical arrangements presented throughout the course of the album’s 12-song, 39-minute run time.  From start to finish, listeners get here 12 arrangements that are a full return to form for Morello and his RATM band mates—Brad Wilk (drums) and Brad Cummerford (bass).  Morello’s heavy riffs and guitar-based special sound effects lift from all three of RATM’s full-length studio efforts and even from the trio’s work under the Audioslave moniker.  That balance of sounds throughout this record makes it enjoyable enough even despite the arrangements not exactly being anything groundbreaking.  Keeping this in mind, the album’s collective arrangements are collectively just one of the album’s elements to examine.  Its lyrical content is just as important to note here as those arrangements.

The lyrical content presented throughout Prophets of Rage is important to note here because it is just as familiar to RATM fans as the album’s musical arrangements.  What is important to note here is that while being as socially conscious as the lyrics in RATM’s previous albums, the topics tackled here are timely.  They do not just rehash the topics taken on in those records.  Case in point is the album’s opener ‘Radical Eyes.’  This song clearly takes on the misconception that just because someone might read one religious book or another that said person has become radicalized.  It is a response, basically, to the close mindedness that so many people have primarily against the Muslim community in this nation.  Its follow-up, ‘Unf*** the World’ stays on a similar mindset as it takes on the issue of racism that is still so alive in America.  The group also takes on the issue of poverty in America and the struggle to fight the issue due to politicians who seemingly don’t care to fight that battle in ‘Living on the 110.’  The group even takes on the issue of personal privacy invasion of sorts in ‘Take Me Higher,’ which addresses law enforcement’s use (and possible misuse) of drones in their daily duties.  The group even goes so far as to address the tensions between police and the people that have risen in recent years over allegations of police brutality in ‘Hands Up.’  This is all just a glance at the way in which Prophets of Rage manages lyrically to impress listeners with its timely lyrical content.  The other songs not noted here all present lyrical content that is just as timely as the material noted here.  Keeping all of this in mind, the lyrical content presented throughout this record proves to be POR’s cornerstone.  It is just one more of the album’s most important elements, too.  The album’s sequencing puts the final touch to its overall presentation.

Plenty of time and thought was obviously put into Prophets of Rage’s sequencing.  From start to finish, the album never lets its fire burn out.  Even as the group gets a bit funky in ‘Take Me Higher,’ it still doesn’t let up in its energy.  The up-tempo arrangement is instantly infectious thanks to all involved, ensuring listeners’ engagement just as much as the album’s much heavier arrangements.  Much the same can be said of ‘Counteroffensive,’ the 38-second interlude which lifts more from Public Enemy and Cypress Hill than RATM.  Even as short as it is and stylistically separate from its counterparts, its arrangement still is entertaining.  Its placement almost halfway through the record is just as smart, as it gives listeners a short break and some variance to the record in whole.  Considering this, the energies exhibited in each song and the fact that no one song directly repeats the other (in regards to their arrangements), it becomes even clearer why the album’s sequencing is so important to the album’s whole.  The energies never vary even as the familiar arrangements do vary.  When this is considered along with the arrangements themselves and the album’s timely lyrical content, the end result is an album that proves to be a solid first effort from Prophets of Rage and an equally solid new effort from what is for all intents and purposes Rage Against The Machine 2.0.  More information on Prophets of Rage is available now along with Prophets of Rage’s latest news and more at:

 

 

 

Website: http://prophetsofrage.com

Facebook: http://www.facebook.com/prophetsofrageofficial

Twitter: http://twitter.com/prophetsofrage

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Bernie And Ernie Closes Out ESPN’s Fall “Season” Of 30 For 30

Courtesy:  ESPN

Courtesy: ESPN

ESPN and ESPN Films wind down the Fall 2013 edition of 30 for 30 next Tuesday, November 5th.  The Worldwide leader in sports finishes off this season of its Peabody Award-winning series by taking viewers into the world of college basketball in Bernie and Ernie.

Bernie and Ernie takes viewers into the relationship between former college basketball stars Bernard King and Ernie Grunfield.  The pair rose to fame as the center of the University of Tennessee’s men’s college basketball team in the mid-1970s.  Between them, the pair scored on average fifty points per game.  Their rise to fame eventually led to a cover story for Sports Illustrated.  While things were coming up roses for the pair in the public eye, things were much different for the two men behind closed doors.  There was a distance between the players during their years together on the team.  That was because of their different upbringings.  King lived hard growing up.  Despite being devout Christians, King’s parents offered little to no emotional support to him as he nurtured his talent.  And during his college years, he had to endure acts of racial bigotry.

Ernie Grunfeld had a different upbringing than his team mate.  As a child, the young Romanian immigrant spoke no English at all.  But by his teen years, he was being recruited by some two hundred colleges.  He had no clue about everything that King was enduring while the pair were attending the university of Tennessee.  This is what would eventually lead to a distance between the players.  However, years after they left the Volunteers, the pair would end up reuniting after King was inducted into the Basketball Hall of Fame this year.  Bernie and Ernie examines that friendship from the pair’s years in college up to this year.  It is narrated by Public Enemy front man Chuck D and directed by Jason Hehir (The Fab Five).  Bernie and Ernie premieres Tuesday, November 5th at 8pm ET on ESPN.

Bernie and Ernie will be available for download via iTunes and Amazon Instant Video the day after its broadcast.  A six-disc collectible gift set featuring the first fifteen films from 30 for 30 Volume II on November 26th, 2013.  More information on this and all things 30 for 30 is available online at http://www.facebook.com/espn30for30, http://twitter.com/30for30, and http://espn.go.com/30for30.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Slash, Chuck D. Join Anthrax On Stage At Metal Alliance Show

 

Photo Credit:  Stephanie Cabral

Photo Credit: Stephanie Cabral

 

Metal Alliance Tour headliners Anthrax had a couple very special guests last night at the tour’s sold out stop in Hollywood, CA.  The tour made a stop at the Hollywood, CA House of Blues last night.  Much to the surprise of audiences in attendance, Anthrax was joined on stage during its set by none other than Public Enemy front man Chuck D. and guitarist Slash.  Slash joined the band on-stage for its performance of AC/DC’s hit, ‘T.N.T.’ Slash covered lead guitar duties for this performance.  Later in the night’s performance, Chuck D. surprised everyone when he came on stage and performed ‘Bring The Noise’ with the band.  The band originally recorded this song with Public Enemy in 1991.

Photo Credit:  Stephanie Cabral

Photo Credit: Stephanie Cabral

Slash and Chuck D. were just a couple of the celebrities in house for last night’s stop on the Metal Alliance Tour.  Kerry King (Slayer), John Tempesta (The Cult, Rob Zombie), Justin Chendellor (Tool), Brendon Small (Dethklok) and actor/musician Brian Posehn were also on hand for last night’s show.

The Metal Alliance Tour runs through late April.  It was in San Francisco, CA tonight.  Friday, the tour—also featuring Municipal Waste, Exodus, High on Fire, and Holy Grail—will be at the Roseland Ballroom in Portland, Oregon.  Fans in North Carolina will get the chance to see the band live when it makes a stop at the Tremont Music Hall in Charlotte.  And right now, fans can get the chance to see Anthrax for Free when the tour comes to Charlotte next month.  The Phil’s Picks Facebook page and the Tremont Music Hall together are giving away a pair of tickets to see the band free.  Along with the tickets, one lucky fan will also win a copy of the band’s new EP, Anthems.  Fans need just go to the Phil’s Picks Facebook page at http://www.facebook.com/philspicks and “Like” it.  Once that’s done, fans need only send a message or write on the Phil’s Picks timeline indicating that they want in on the contest.  One lucky person’s name will be drawn Friday morning at 9am.  The tickets to the show will be at Will Call at the Tremont Music Hall.  The winner can either pick up the CD in person or have it mailed to them.

To keep up with the latest sports and entertainment news, reviews and contests, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and giveaways in the Phil’s Picks blog at https://philspicks.wordpress.com.