Eagle Rock’s Mingus Montreux Show Shines In Phil’s Picks’ 2018 Top New Live CDs List

Courtesy: Eagle Rock Entertainment

Going to live shows is neither easy nor inexpensive nowadays.  Between the collective cost of tickets — which is itself oftentimes bank-breaking — transportation, food, potential lodging and souvenirs, and of course planning around work and family schedules, getting out to live shows is not easy for anyone.

Those barriers make the availability of live recordings something critical for audiences everywhere, regardless of genre.  To that end, live CDs deserve their own consideration just as much as studio recordings, each year.  Keeping that in mind, Phil’s Picks has developed once again a list of the year’s Top 10 new live CDs.

This year has been an interesting one for live CDs.  Some notable live CDs were featured as part of bigger bundles (E.G. The Rolling Stones’ San Jose ’99 and Voodoo Lounge ’94 shows) while others, such as Alice Cooper’s A Paranormal Night @ The Olympia Paris and Marty Friedman’s One Bad M.F. Live were standalone offerings.

Some were standout offerings for all of the best reasons.  Others had some problems to note.  Keeping all of this in mind, this year’s crop of live CDs deserves just as much attention as the vast sea of studio recordings released throughout the year.

Topping this year’s list is yet another live CD from the people at Eagle Rock Entertainment in the form of Charles Mingus’ classic 1975 Montreux Jazz Festival show.  This recording presents Mingus at one of his finest moments, and why his live performances were — and still are today — such powerful presentations.

Coming in second in this year’s list is the new Jimi Hendrix live CD, Live at the Hollywood Bowl.  This CD was released as part of the bigger Electric Ladyland box set, and stands out so strongly because of its set list, Hendrix and company’s performance and the production values.

Third place in this year’s list of the year’s best new live CDs goes to veteran viking metal outfit Amon Amarth.  The 30-song set list spans two nights and quite an expansive portion of the band’s catalog.  That set list is directly mirrored on its DVD and BD presentation, and sounds just as good.  Though because of the intensity of the show, it is still better appreciated being seen and heard and not just heard.  That’s not to say the CD presentation is bad, but audiences will agree that hearing it makes for far more appreciation for the concerts’ DVD and BD presentations.

Also featured in this year’s list of top new live CDs are those noted new offerings from Marty Friedman, Alice Cooper and The Rolling Stones alongside new offerings from Opeth, Devin Townsend and John 5 to name just a few more titles.  As always, this critic’s list features 10 of the year’s top new offerings plus five honorable mentions, which follow, for a total count of 15.  Without any further ado, here is Phil’s Picks’ 2018 Top 10 new Live CDs.

PHIL’S PICKS 2018 TOP 10 NEW LIVE CDs

  1. Charles Mingus — Live at Montreux 1975
  2. Jimi Hendrix — Live at the Hollywood BowlAug. 14, 1968
  3. Amon Amarth — The Pursuit of Vikings25 Years in the Eye of the Storm
  4. Devin Townsend Project — Ocean MachineLive at the Ancient Roman Theatre Plovdiv
  5. Opeth — Garden of the TitansLive at Red Rocks Amphitheatre
  6. The Rolling Stones — No SecuritySan Jose ’99
  7. The Rolling Stones — Voodoo Lounge Uncut
  8. John Mclaughlin & The 4th Dimension and Jimmy Herring & The Invisible Whip — Live in San Francisco
  9. Marty Friedman — One Bad M.F. Live
  10. Accept — Symphonic TerrorLive at Wacken 2017
  11. Alice Cooper — A Paranormal Night at The Olympia Paris
  12. Fates Warning — Live Over Europe
  13. Ritchie Blackmore’s Rainbow — Memories in Rock II
  14. John 5 and The Creatures — It’s Alive
  15. Overkill — Live in Overhausen

‘Memories In Rock II’ Is A Welcome “Sequel” To Its 2017 Predecessor

Courtesy: Minstrel Hall Music

Minstrel Hall Music has another archived concert on the way this spring from Ritchie Blackmore’s Rainbow. Memories in Rock II is currently scheduled to be released Friday, April 6 on separate 2CD/DVD combo pack, vinyl and digital platforms. The 18-song set (technically 21 songs) pulls performances from the band’s 2017 UK performances.  As an added bonus, it also includes the band’s first studio recording since 1996.  That extensive collection of songs forms a solid foundation for the recording.  it will be discussed shortly.  Just as important to the recording’s presentation as the extensive set list is the bonus DVD that is included with the audio recording.  It will be discussed a little later, as it strengthens that foundation formed by the set list even more.  The recording’s companion booklet rounds out the most important of its elements.  Each element is important in its own way, as will be pointed out here.  All things considered, they make Memories in Rock II a live recording that will have no problem sticking in listeners’ memories.

Ritchie Blackmore’s Rainbow’s new live recording Memories in Rock II, the follow-up to 2016’s Memories in Rockwhich documented a trio of European Rainbow shows from 2016, is a nice follow-up to that recording.  That is despite it missing one item in its presentation.  That item is part of what also makes the recording enjoyable, its set list.  The recording’s 18 (technically 21) song set list will appeal to fans of Blackmore’s work with Rainbow and Deep Purple.  Over the course of its 136-minute (2-hour, 16-minute) run time, the set list features 11 classic Rainbow songs on which Blackmore took part recording as well as eight Deep Purple songs and one more recent work from Blackmore’s Night — ‘Carry On Jon.’  The whole thing opens with the band’s own take on the classic Wizard of Oz tune ‘Over The Rainbow,’ originally composed by Harold Arlen and Yip Harburg.  What’s interesting about the Rainbow song selection is that it is pulled from five of Rainbow’s eight total albums.  Blackmore took part on each of those albums.  Of course, since he wanted to reach fans of his work with Deep Purple, there was no way to feature work from those other three Rainbow records.  Keeping that in mind, being that the set list features only three more Rainbow songs than Deep Purple songs, it is clear a lot of thought was put into reaching as many fans as possible.  The same can be said about the set list’s sequence.  Throughout the course of the concert, Blackmore and company keep things interesting, switching back and forth between Rainbow and Deep Purple throughout rather than staying on one or the other too long.  this insures listeners’ engagement even more.  The one downside to the whole thing is that the concert here is limited entirely to CD.  Memories in Rock, its predecessor, which chronicled Rainbow’s 2016 European shows, was presented on separate CD and CD/DVD/BD platform.  Of course Live in Birmingham, a partner recording to Memories in Rock was presented only on CD.  To that end, while not having a DVD or BD presentation here takes away at least a little from the presentation, it can’t be criticized too badly.  It just would have been nice to have that option.  Keeping that in mind, one might ask what is on the DVD that is included in this presentation.  What is included on the DVD is a series of interviews with Blackmore, his band mates and even some of those behind the scenes.  It’s another of the recording’s strong points.

Blackmore’s interview is the longest of the interviews included in the bonus DVD, clocking in at a little more than half an hour.  Ronnie Romero gets his own roughly 10-minute interview while Blackmore’s wife Candice Night and fellow back-up singer Lady Lynn get their own moment in the limelight.  The topics covered throughout the collective interviews is just as diverse as the recording’s set list.  Blackmore talks about the difference between playing Deep Purple and Rainbow songs and those from Blackmore’s Night.  His mention of having to keep his fingernails trimmed for the latter  and of course his mentality on stage is interesting to say the least.  His very frank response to whether or not he wants to play with his former Deep Purple band mates is just as interesting.  Rather than ramble on aimlessly, he raises the issue of management and money being obstacles, but that he would like to play at least once so that fans would know the past is the past.  It is its own interesting discussion.  His light-hearted discussion on his wife’s role in Ronnie Romero’s inclusion in the band will put a smile on anyone’s face.  Speaking of Romero, audiences will enjoy his discussions, too.  He shares, through his discussions, a brief look at his professional resume while also discussing his love for Deep Purple and Rainbow.  Drummer David Keith’s interview, while not overly long, offers its own interest for his fellow drummers.  He openly admits that coming into Rainbow, his knowledge was more to that of Neil Peart (Rush) and others.  Obviously he settled in nicely to his position with Rainbow.  Between these discussions, the talks by Rainbow’s tour manager (yes, even the tour manager), and everyone else involved, audiences get plenty of extra insight and entertainment through the featured interviews.  When that insight and entertainment is set against the recording’s set list, the two elements together show even more clearly why this recording is another enjoyable offering from Rainbow.  It still is not the last of the elements to prove this, either.  The recording’s companion booklet rounds out the most important of the recording’s elements.

The companion booklet that comes with Memories in Rock II is its own integral addition to this recording because of the back story that it offers on the band’s 2017 concerts.  That history is presented by Stathis N. Panagiotopoulos, a member of the Deep Purple Appreciation Society, Greece. Panagiotopoulos directly mentions the band’s 2016 European shows in his liner notes while also noting that the lineup presented in this recording is the longest-running Rainbow lineup since the release of the band’s debut album way back in 1975.  He even touches on the set list featured here, noting that this set list came about most likely due to discontent from audiences that the band’s 2016 shows were weighed down by Deep Purple songs.  This is an interesting nugget of information considering that this set list features eight Deep Purple Songs to 11 Rainbow classics.  Basically put, there is still a solid Deep Purple presence here, but there is even more Rainbow presence, and the two are ultimately well-balanced from start to finish.  These notes and others included in the booklet’s liner notes do plenty to add to the recording’s enjoyment.  When they are collectively set alongside the recording’s set list and the bonus interviews, the whole will keep audiences engaged and entertained for hours both literally and figuratively speaking.  That being the case, it proves in whole to be a work that will stay in audiences’ minds for a long time.

Memories in Rock II, the follow-up to Rainbow’s 2017 recording Memories in Rock, is another nice addition to Rainbow’s overall body of work and another enjoyable live recording from the veteran rock band.  It is a work that is certain to stay in audiences’ minds for a long time.  As noted here, that is due in part to the recording’s well-balanced, extensive set list.  The recording’s bonus DVD, loaded with almost two hours of insightful and entertaining interview footage adds to its enjoyment.  The information provided in the liner notes of the companion booklet put the finishing touch to the recording.  Each element is important in its own right.  All things considered, they make Memories in Rock II potentially one of this year’s top new live recordings overall.  It will be available Friday, April 6 via Minstrel Hall Music.  More information on Memories in Rock II is available online now along with all of Ritchie Blackmore’s latest news and more at:

 

Website: http://www.ritchieblackmore.com

Facebook: http://www.facebook.com/ritchieblackmore

 

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Ritchie Blackmore’s Rainbow To Release New Live Recording This Spring

Courtesy: Minstrel Hall Music

Minstrel Hall Music has another archived concert on the way this spring from Ritchie Blackmore’s Rainbow.

Memories in Rock II is currently scheduled to be released Friday, April 6 on separate 2CD/DVD combo pack, vinyl and digital platforms.  The 18-song set pulls performances from the band’s 2017 UK performances.  It features songs that Blackmore recorded with Rainbow and Deep Purple including but not limited to: ‘Spotlight Kid,’ ‘I Surrender,’ ‘Mistreated,’ ‘Man on The Silver Mountain/Women From Tokyo,’ Perfect Stranger,’ ‘Black Night,’ Smoke on the Water’ and much more.

Along with those classics, the brand new Rainbow studio song ‘Waiting For A Sign’ is also included in this recording.  The song, which features Ronnie Romero on vocals, is the band’s first new song since 1996.  It will be released digitally March 16.  The recording’s full track listing is noted below.

TRACK LISTING:

CD1:
Over The Rainbow
Spotlight Kid
I Surrender
Mistreated
Since You’ve Been Gone
Man On The Silver Mountain / Woman From Tokyo
16th Century Greensleeves
Soldier Of Fortune
Perfect Strangers
Difficult To Cure
All Night Long
Child In Time

CD2:
Stargazer
Long Live Rock’n’Roll / Lazy
Catch The Rainbow
Black Night
Carry On Jon
Temple Of The King

Smoke On The Water
Waiting For A Sign (brand new song)

The DVD that accompanies the live material on the two CDs features extensive interviews with Blackmore as well as his new band mates — Jens Johannson (keyboards), Bob Nouveau (bass), Dave Keith (drums), Lady Lynn and Candice Night (backup vocals) and the previously noted Ronnie Romero (vocals).  Night also serves as vocalist for Blackmore’s other band, Blackmore’s Night.

As if the noted interviews are not enough, there are also interviews with the crew as an added bonus. Audiences can check out a preview of the interviews online now here.

More information on Memories in Rock II is available online now along with all of Ritchie Blackmore’s latest news and more at http://www.facebook.com/ritchieblackmore.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

‘Under Cover’ Will Appeal To Motorhead, Rock Fans Alike

Courtesy: Motorhead Music

Almost two years ago, the rock world lost one of its great icons when Motorhead front man Lemmy Kilmister died from cancer.  When he died, that effectively put an end to one of the musical universe’s greatest acts.  That meant no more new Motorhead music.  Earlier this month though, Motorhead Music–the band’s own label–released a new collection of covers from the band to satiate audiences in the form of Under Cover. The 11-song record presents a rarely heard side of Motorhead that itself is certain to entertain listeners.  This is just one of the compilation’s key elements and will be discussed later.  The acts whose songs are featured here are collectively just as important to discuss as the songs themselves and will be discussed later.  The album’s sequencing rounds out its most important elements.  Each element is important in its own right to this compilation’s overall presentation.  All things considered, Under Cover proves to be a record that is an entertaining new offering for Motorhead’s most devout fans.

Motorhead, with the passing of front man Lemmy Kilmister almost two years ago, may not be actively recording new music anymore.  With the release earlier this month of the band’s new covers compilation Under Cover, the band’s most devout fans were given an entertaining new release from Motorhead even if it is not a collection of new Motorhead music.  That statement is supported in part through the songs that make up the collection.  Considering that Motorhead, throughout the course of its life, was known for up-tempo blues-based rock that was tinged with some punk elements, the songs featured in this compilation show that the band was just as talented handling other styles of rock as its own brand.  That is proven clearly in the band’s cover of David Bowie’s hit song ‘Heroes,’ which comes early in the record’s run. Bowie’s original work bears more similarity to works from perhaps Paul McCartmey than Motorhead.  Yet, even in its slightly amped up take on the classic tune, Motorhead does Bowie’s classic justice while adding its own rock touch that is certain to get praise even from Bowie’s most devout fans.  The band’s take on The Rolling Stones’ ‘Jumpin’ Jack Flash’ is yet another song featured in this record that shows the real reach of the band’s abilities.  Once again, the band largely stays true to its source material, while also adding its own respectable hard rock elements.  The expert balance of those two elements here will put a smile on any longtime Rolling Stones fan just as much as any Motorhead fan.  Much the same can also be said in examining the band’s take of another Rolling Stones standard, ‘Sympathy For The Devil.’  Those three songs alone show clearly the band’s reach.  Of course that is not to discount the band’s covers of Ted Nugent’s ‘Cat Scratch Fever,’ Rainbow’s ‘Starstruck,’ and The Ramones’ ‘Rockaway Beach’ as well as the album’s other songs.  Those covers show in their own way the band’s reach, though they are much closer to Motorhead’s style than the previously noted works.  Keeping this in mind, the bands whose works are featured here are just as important to note as the songs themselves.

Listeners will note that of the album’s 11 total songs, seven were crafted by British acts—Judas Priest, The Sex Pistols, The Rolling Stones, David Bowie, Rainbow and Ozzy Osbourne.  The other four songs come from American acts—Ted Nugent, Metallica, Twisted Sister and The Ramones.  That in itself is certain to create its own share of discussion.  Obviously Motorhead was itself a British outfit, but it could easily be argued that such an emphasis on its counterparts presents its own history lesson to listeners.  It shows the reach of the British hard rock scene between the 1960s and 1990s versus that of the American hard rock scene.  To that end, the acts featured here in themselves serve as a starting point on rock’s history on both sides of the Atlantic.  That might not have been the manifest intent with such a lineup, but it definitely will create those discussions.  On another level, it shows the band’s interest in so many different parts of the rock community at the time. Judas Priest was hard rock while the Sex Pistols were more punk (again, showing Motorhead’s roots). Rainbow was more of a progressive style hard rock while The Rolling Stones were that blues-based influence that Motorhead always added to its own music, too.  In the same breath, Metallica’s Whiplash shows where Motorhead perhaps got its harder almost thrash elements.  When this is all taken into account along with the influences from the other featured bands, Motorhead’s roots become even more evident.  In other words, the bands and songs featured in this compilation form a solid foundation for the record.  They collectively serve as a starting point for discussions about music history and about Motorhead’s history.  Both by themselves and together, they do plenty to make this record enjoyable and are not the record’s only key elements.  The album’s sequencing adds its own enjoyment to its presentation.

Under Cover’s sequencing is an important to note in examining this record because of its ability to maintain the album’s energy from beginning to end.  The album starts out full throttle with the band’s cover of Judas Priest’s ‘Breakin’ The Law’ and keeps the energy flowing just as highly as it launches into its cover of The Sex Pistols’ ‘God Save The Queen.’  Even as the album progresses into the band’s cover of ‘Heroes,’ the energy still maintains itself even here.  Given, it isn’t as high as in the album’s first two entries, but still keeps moving.  The energy picks right back up as the album takes listeners through the band’s covers of Rainbow’s Starstruck’ and Ted Nugent’s ‘Cat Scratch Fever’ before pulling back again with two straight Rolling Stones covers.  From there on out, the energy picks right back and stays stable right to the album’s end even with the change in the songs’ styles.  Keeping this in mind, it is clear that plenty of time and thought was put into the record’s sequencing.  That time and thought ensures listeners’ engagement from beginning to end here.  That is because the record’s energy never lets up too much at any one point or even gets too high.  When this is taken into account along with the collective value of the record’s songs and their associated bands, it adds that much more depth to the collection.  That being the case, the whole of those elements make Under Cover a collection that will appeal not only to Motorhead’s fans from start to finish but to rock fans in general.

Motrhead’s recently released compilation record Under Cover is a collection of songs that will appeal both to Motorhead’s fans and to rock fans in general.  This is the case even though being a compilation record, it does not necessarily break any new ground in the way of compilation records.  The songs and bands featured on this record serve collectively as a solid starting point for plenty of discussions both on Motorhead’s history and on rock history.  They also do plenty to ensure listeners’ maintained engagement and entertainment.  The record’s sequencing does much the same.  All things considered, these elements make Under Cover a collection that while not exactly new to the compilation realm, is still entertaining in its own right.  It is available now in stores and online.  More information on Under Cover is available online now along with all of the latest Motorhead news at:

 

 

 

Website: http://www.motorhead.com

Facebook: http://www.facebook.com/OfficialMotorhead

Twitter: http://twitter.com/myMotorhead

 

 

 

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Rainbow’s New Live Recording Is A “Shining” New Offering From Eagle Rock

Courtesy: Eagle Rock Entertainment

Veteran rock outfit Rainbow is set to shine again early next month when it releases its latest live recording Live in Birmingham 2016.  Set for release Friday, June 9, the recording is the final piece in a collection of performances from the band held last year during the band’s European tour.  Two of the performances from that brief tour were initially released on DVD.  This recording, while only available on 2CD set and digital platforms – the set’s only negative – rounds out that short stint of live dates.  Even being available only on audio-specific platforms, it still boasts its share of positives, beginning with its set list.  This will be discussed shortly.  The band’s performance of the featured songs is just as important to note as the songs themselves.  It will be discussed later.  The concert’s sound quality rounds out its most important elements.  Each noted element is important in its own right as will be shown. All things considered, they make Live in Birmingham 2016 one more of this year’s top new live CDs.

Eagle Rock Entertainment’s new live Rainbow recording Live in Birmingham 2016 is one of this year’s top new live CDs.  An accompaniment to the label’s previously released live Rainbow recordings from the band’s 2016 European tour, this recording boasts plenty of positives beginning with its extensive 15-song (technically 16-song) set list.  The set list, which is spread across two discs, features an extensive collection of Rainbow’s hits along with a number of Deep Purple’s biggest hits, too.  On the outermost layer of the set list, audiences will appreciate that the set list balances the Deep Purple songs and Rainbow songs quite expertly.  Both bands are represented with eight songs.  Two of the songs, ‘Black Night’ and ‘Woman From Tokyo’ are joined in a mini-medley.  Even with that in mind, they are still two songs, bringing the set list’s total count to 16 songs.  Again, this makes the bands’ song count eight each.

The expertly balanced representation of Deep Purple and Rainbow within the set list is just one part of what makes the set list stand out.  The range of albums from which the songs are pulled adds even more to the importance of the set list.  In regards to the Rainbow portion of the set list, which is interspersed with the Deep Purple portion, audiences will be pleased to see that only two of Rainbow’s records – Bent Out Of Shape (1983) and Stranger In Us All (1995) – are not represented in this concert.  The band’s debut 1975 album Ritchie Blackmore’s Rainbow is represented twice in the form of ‘Catch The Rainbow’ and ‘Man on the Silver Mountain’ while Difficult To Cure (1981) also gets a pair of songs in the form of its title track and ‘Spotlight Kid.’  Rising, Down To Earth, Long Live Rock ‘N Roll and Straight Between The Eyes each get a nod, too.

The set list’s Deep Purple nods obviously don’t pull from every one of that band’s albums.  However, It does do a respectable job of representing the band’s early days, reaching all the way back to its seminal 1972 album Machine Head and even to 1995 with the 25th anniversary re-issue of Deep Purple in Rock.  That re-issue is represented through the song ‘Black Night,’ which was originally recorded as a B-Side that never made it onto the original album.  Stormbringer (1974) is also represented here as are the band’s self-titled 1973 album, Burn (1974) and Perfect Strangers (1984).  The latter of the albums, Perfect Strangers marked Blackmore’s return to the band from Rainbow, making it an important record to represent in Blackmore’s return to the stage in this concert.  Keeping in mind the Deep Purple and Rainbow records represented here and their equally balanced representation, it becomes clear why the concert’s set list is so important to its overall presentation.  The whole of the set list paints a rich, vivid picture of Blackmore’s career while also offering plenty of entertaining compositions.  The set list is only one of the elements to be considered in examining the recording’s whole.  The band’s performance of the set list is just as important to discuss in examining the concert’s overall presentation.

The set list featured in this recording is a key piece of the recording’s whole.  That is proven through its balance of Deep Purple and Rainbow songs as well as the representation of each band’s body of work within the recording.  It is not the recording’s only important element.  The band’s performance of that extensive, yet well-balanced, set list is just as important to examine as the set list itself.  Front man Ronnie Romero keeps audiences completely enthralled with his vocals in every song whether powering through ‘Long Live Rock ‘N’ Roll’ and ‘Highway Star,’ soaring through ‘Stargazer’ or driving the band through ‘Burn.’  Blackmore’s work on the guitar is just as powerful in each performance while David Keith (drums) and Bob Nouveau (bass) partner to drive the band’s rhythm section solidly.  The band’s collective fire burns bright through each performance, making the concert engaging from start to finish.  Even in the occasional interludes, Romero keeps listeners engaged showing his prowess as a front man as he interacts with the audience.  The fact that the band doesn’t spend an overt amount of time between songs makes this even more interesting to note.  Simply put, the band makes the most of every moment, whether performing or taking time to talk to the audience.  The whole of that presentation makes this recording even more enjoyable, even though it can only be enjoyed in an audio-only platform.  Despite that, the band’s performance both in-song and between proves to be just as important to this recording as the set list itself.  It is not the last of the recording’s most important elements, either.  Its sound quality rounds out its most important elements.

The set list that makes up the body of Live in Birmingham 2016 and the band’s performance thereof are both key pieces of the recording’s whole.  That has already been pointed out and proven.  While both elements are clearly important pieces of the record’s whole, they are not its only important elements.  The recording’s sound quality (I.E. its sound engineering/mixing) is also important to note.  The concert’s sound starts off a little bit muddled, with Romero’s vocals being somewhat overpowered by the rest of the band’s instrumentation.  By the time the band works its way into ‘Mistreated,’ that issue disappears, making the concert an enjoyable listen right to the end.  Whether the initial audio issue rose at the concert or in post-production is anyone’s guess.  That aside, it thankfully doesn’t last too long before it is finally eliminated.  The end result is a recording that balances relatively well each musician’s part with those of his counterparts, making for a concert that expertly highlights each musician and in turn entertains and engages audiences from start to finish.  When this is considered along with the equally important set list and band’s performance thereof, the whole of those elements reveals the recording to be an experience that audiences, whether fans of Blackmore, Deep Purple, Rainbow or all three, will appreciate.  That is the case even despite the fact that the recording is available only on audio-specific platforms.  They reveal the recording to be one of this year’s top new live CDS.

Rainbow: Live in Birmingham 2016 is one of this year’s top new live CDs.  That is due in part to a set list that lifts equally from Blackmore’s time with Rainbow and Deep Purple.  The band’s performance of the expertly balanced set list adds to the recording’s presentation.  The recording’s sound quality rounds out its most important elements.  Each element is, as already noted, important in its own right to the recording’s whole.  All things considered, they make Live in Birmingham 2016 a presentation that, despite being available exclusively on audio platforms, an enjoyable recording and one that proves to be one of the year’s top new live CDs.  It will be available in stores and online Friday, June 9.  More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

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Eagle Rock To Release Blackmore’s Birmingham 2016 Concert This Summer

Courtesy: Eagle Rock Entertainment

Last fall, Eagle Rock Entertainment presented a pair of performances from Richie Blackmore’s Rainbow from his 2016 European tour in the concert film Memories in Rock.  The concerts were part of a trio of shows performed by the veteran guitarist following his return to the stage last summer.  This summer, Eagle Rock Entertainment will release the third of those shows when it releases Live in Birmingham 2016.

Live in Birmingham 2016 will be released on Friday, June 9 in stores and online.  It will be released exclusively on a 2CD platform for MSRP of $19.98 and via digital platforms.  The recording’s 14-song set includes songs from Blackmore’s days with Deep Purple and Rainbow including ‘Catch The Rainbow,’ ‘Mistreated,’ ‘Since You Been Gone,’ ‘Long Live Rock ‘N Roll,’ ‘Black Night,’ ‘Spotlight Kid,’ ‘Smoke on the Water,’ ‘Stargazer,’ ‘Perfect Strangers,’ and others.  The recording’s full track listing is noted below.

TRACK LISTING

Disc One:

1) Over The Rainbow / Highway Star

2) Spotlight Kid

3) Mistreated

4) Since You Been Gone

5) Man On The Silver Mountain

6) Soldier Of Fortune

7) Medley: Difficult To Cure (Beethoven’s Ninth) / Drum Solo / Bass Solo / Band Jam / Keyboard Solo (inc Toccata & Fugue in Dm) / Difficult To Cure (Beethoven’s Ninth

8) Catch The Rainbow

Disc Two:

1) Perfect Strangers

2) Long Live Rock ‘n’ Roll

3) Child In Time

4) Stargazer

5) Medley: Black Night / Woman From Tokyo / Black Night

6) Burn

7) Smoke On The Water

The lineup for the concert features Blackmore on guitar, Ronnie Romero on vocals, David Keith on drums, Bob Nouveau on bass, Jens Johannsen on keyboards, and Candice Night and Lady Lynn on backing vocals.

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘On A Mission: Live In Madrid’ Does Indeed Rock

Courtesy: Inakustik

Courtesy: Inakustik

The annual summer concert season is officially winding down an all the kids are headed back to school.  But just because the seasons (both literal and figurative) are changing and the year is slowly winding down, the concerts don’t necessarily have to end.  Early this past May, Michael Schenker released his latest live Temple of Rock recording to the masses to enjoy any time in the form of On A Mission: Live in Madrid.  This recording, which came a little less than a year after the release of Schenker’s latest Temple of Rock album Spirit on A Mission, is worth at least one watch for fans of the former Scorpions guitarist.  That is due in part to the concert’s twenty-two song set list.  That will be discussed shortly.  The band’s stage presence throughout the concert is just as notable as the show’s set list.  This will be discussed later.  Last but hardly least of note in the recording’s presentation is the concert’s production values (I.E. its video and audio mix).  Each element is important in its own right to the recording’s overall presentation.  Altogether they make On A Mission: Live in Madrid worth at least one watch by any of Schenker’s fans and by fans of Temple of Rock.

On A Mission: Live in Madrid is not Michael Schenker’s first ever live Temple of Rock recording.  It is, though another recording that Schenker’s fans and Temple of Rock fans alike will find to be worth at least one watch.  That is due at least in part to the concert’s extensive twenty-two song set list.  The set list pulls from every era of Schenker’s career, from his days with UFO to his days as a member of Scorpions all the way up to his work with Temple of Rock.  No fewer than seven of the set’s songs come from both of Schenker’s Temple of Rock albums—Bridge The Gap (2013) and Spirit on a Mission (2015).  The other songs lift from his rich body of work including the fan favorite ‘Rock You Like a Hurricane.’  Whether for his Scorpions classics, those he recorded with UFO, or even his work with Temple of Rock, the set list in whole offers a wide variety of songs for Schenker’s fans to enjoy.  That variety of musical offerings is just one element to note in examining the overall presentation of On A Mission: Live in Madrid.  The band’s stage presence throughout the concert is just as important to note as the show’s set list.

The set list that is featured in Temple of Rock’s new live recording is important in its own right to the recording’s overall presentation.  That is because it presents a good variety of songs from Schenker’s still successful career.  It is just one of the recording’s most notable elements.  The band’s stage presence throughout the concert is just as important to note here as the concert’s set list.  Front man Doogie White (ex-Rainbow) is just as powerful in his presence as ever as he belts out hit after hit.  He impresses just as much as he chats with the audience between songs, too.  It is in those moments that he shows his prowess as a front man.  Meanwhile Schenker is just as impressive even without using any words.  His riffs and energy as he performs said riffs couples with White’s performance to give the band’s stage presence even more impact.  Drummer Herman Rarebell is just as enjoyable to watch whether keeping the time or singing the beloved Scorpions hit ‘Rock You Like A Hurricane.’  Even Francis Bucholz impresses in his own right, too.  When each man’s performance is set against that of his band mates, the end result is a performance that in whole is just as fun to watch as the set list is to take in.  It still is not the last of the recording’s key elements.  The recording’s production values are just as important to note here as the band’s stage presence (its performance) and the show’s set list.

The set list that was chosen for On A Mission: Live in Madrid and the band’s performance of said set list are both pivotal in their own right to the concert’s presentation.  While each element is important in its own right there is still one more element to note in examining the concert’s presentation.  That element is the concert’s collective production values.  Joy Eslava, the venue where the concert was recorded was a rather intimate venue.  It isn’t a club by any means.  But it is still a very intimate setting.  The ceiling is high and the orchestra area is just as close to the stage as are the venue’s multiple balconies.  What this means is that there are not many spots from which to capture the concert on camera.  It also means that the sound is just as much of a challenge to manage.  It doesn’t have much space in which to go out and dissipate.  This is all so important to note because there are those who have spoken out about the work of the concert’s camera crew in capturing the concert.  Given it would have been nice to have had more angles and for longer.  But again, the venue’s relatively intimate setting made capturing the experience slightly difficult.  And the camera crew did its best doing that given the setting.  Those who handled the concert’s audio mix (again considering the venue’s setup) should be applauded for their efforts, too.  The sound simply didn’t have time or space to spread out.  Considering the challenge that this posted the concert’s audio mix still turned out relatively impressive.  When it and the concert’s video mix were finalized and set against the concert’s set list and the band’s performance the end result of these elements’ combination is a concert that Schenker’s fans will enjoy just as much as fans of Scorpions and even UFO fans.

On A Mission: Live in Madrid, the latest live recording from Michael Schenker’s Temple of Rock, is a recording that Schenker’s fans will enjoy just as much as fans of Temple of Rock, Scorpions, and UFO.  That is due in part to the concert’s extensive set list.  The set list pulls from every era of Schenker’s storied career.  The band’s collective performance of those songs makes for even more enjoyment as each man shows his years of experience through his own performance.  Altogether the band’s members make for one whole performance that takes audiences right back to that former era of bombast and more in rock and roll.  The concert’s collective audio and video mix put the finishing touch on the recording.  That is even considering the concert’s venue.  It posed its own challenges because of its setup.  But the camera crew and sound engineers met the challenge, turning out a concert that looks and sounds as best as it can in the end.  When this is set against the concert’s set list and the band’s performance thereof, the end result is yet another Temple of Rock live recording that is worth at least one watch.  It is available now in stores and online.  More information on On A Mission: Live in Madrid is available online now along with all of the latest Temple of Rock news at:

 

 

Website: http://www.michaelschenkerhimself.com

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