‘Live From The Waterfront’ Will Appeal To Brent & Co.’s Fans, Roots Rock Fans Alike

Courtesy: Brent & Co./Library of Congress

Independent roots rock band Brent & Co. is doing its part to help audiences get their live music fix while they wait for live venues to reopen with a new live recording of its own.  The band released its new live recording Live From the Waterfront July 14.  Originally captured Aug. 16, 2019 at The Yards Park in Washington D.C. as part of the free Capitol Riverfront Friday Night Concert Series, the band’s 10-song set is available to stream free here.  It is notable in part because of that noted 44-minute set list.  This will be discussed shortly.  The band’s performance thereof is also of note.  It will be discussed a little later.  The concert’s production and mixing rounds out its most important elements, and will also be discussed later.  Each noted item is important in its own way to the whole of this recording.  All things considered, they make the recording another positive addition to the band’s already growing catalog.

Brent & Co.’s new live recording Live From The Waterfront is a positive new presentation from the independent roots rock band.  It is a presentation that will appeal to the band’s established fan base as well as fans of the roots rock world in general.  Its success comes in part through its 44-minute set list.  The set list in question features songs from each of the band’s records and also features a handful of unique cover songs.  The band’s most recent record, Anacostia Songs Vol. 1 (2018) gets the most nods at three.  The band’s self-titled EP, released in 2015 is represented by two songs.  The band’s 2012 EP Not How We Dream also gets a nod in this set.  Joining these songs are covers of Van Morrison’s beloved song, ‘Wild Night,’ ‘Ray LaMontagne’s ‘You Are The Best Thing’ and Ah Ha’s ‘Take On Me.’ The show’s closer, ‘Use Me’ is a cover of Bill Withers’ hit song ‘Use Me.’ Between these covers and the band’s own original songs, audiences get through this performance a relatively clear picture of the band’s catalog, it influences and interests.  In other words, the recording’s set list makes for a strong starting point for Live From the Waterfront.  It is enough to certainly get even the most casual listeners interested in the rest of the band’s work.  This is just one of the recording’s key aspects.  The band’s performance of said set list adds even more to its appeal.

The band’s performance of its set list is important to note because it is that performance that ensures listeners’ maintained engagement and entertainment.  The band’s performance of ‘Use Me’ is just one example of what makes the band’s performance its own positive mark.  Drummer Dominic Fragman’s solo forms the song’s backbone.  He handles the rhythms here will the fullest confidence, never once losing the beat as he makes his way through his extensive solo.  Saxophonist Derrick Michaels adds his own flare throughout the song, too, with his bluesy, funky arrangement.  Front man Brent Peterson and bassist Joe Martone meanwhile add their own subtle flare to the song to keep the song’s energy high, ensuring that much more, listeners’ engagement.  Peterson’s performance in ‘Dueling Creek’ is another high point in terms of the band’s performance.  The song itself conjures thoughts of Zac Brown Band, even with the sax line added to its presentation.  Peterson’s presence is so laid back as he and his band mates make their way through the semi-beachy composition.  The ease of his performance on the slide guitar, from Michaels on that subtle sax line and from Fragman as he keeps time maintains that gentle, laid back sense.  It likely relaxed audiences who took in the show, and will do much the same for home audiences.  The subtlety in the band’s performance of the show’s opener, ‘Float Away’ is another way in which the band’s performance shines in this recording.  Peterson’s performance and that of Fragman here does so well to help translate the emotion in the song’s music and lyrics, which focus on a gentle journey down the Anacostia River from Dueling Creek down to the National Arboretum.  The duo’s performance makes it so easy for audiences to get lost in the relaxing arrangement and its equally gentle lyrics.  It’s just one more way in which the band’s performance proves the importance of the band’s performance in its new live recording.  When it is considered with the other performance aspects noted here and the rest of the featured performances, the whole makes clear the impact that the band’s performance of its set list has on the recording’s presentation.  Together with the set list itself, the two elements give listeners lots of reason to take in this recording.  They are just a pair of notable elements to examine.  The recording’s production and mixing are important to examine in their own right.

The recording’s production and mixing prove important in more than one way.  On one hand, audiences have to take into account that the band’s performance at the Yards Park was an outdoor performance.  It was not at a major venue with all kinds of high-tech audio, yet those behind the boards and the post production were able to fully pick up the audio.  There is no loss at any point throughout the course of the broadcast.  What’s more, the audience noise was just subtle enough in its presentation thanks to the production and mixing.  At times, it is difficult to hear, while at others, it is there just enough.  This is key to note in that it serves as a reminder of the “intimacy” of the performance.  So many live recordings out there are held at major venues, but this performance was in a more “natural” setting.  Getting to hear that difference in the crowd noise actually has its own aesthetic impact on the experience.  That those responsible for the production and mixing were able to accent that aspect of the performance adds even more enjoyment to its presentation.  When this aspect is considered with the recording’s set list and the band’s performance thereof, the entirety of the recording proves wholly enjoyable regardless of one’s familiarity with Brent & Co.

Brent & Co.’s new live recording Live From the Waterfront is a work that will help any roots rock fan get over the live music blues.  While presented only through Spotify, it is still an enjoyable presentation in its own right.  That is due in part to the recording’s set list.  The set list presents a relatively healthy cross section of the band’s current catalog — which is composed of two EPs and an LP – as well as showing some of the band’s influences.  The band’s performance of said set list adds its own appeal point for listeners, as does the production and mixing.  All three elements noted are important in their own right to the whole of the recording.  All things considered, they make Live From the Waterfront a live recording that any roots rock fan will enjoy.  It is available now to stream live through Spotify.  More information on the recording is available along with all of Brent & Co.’s latest news at:




Website: http://brentandco.com

Facebook: http://www.facebook.com/brentandco

Twitter: http://twitter.com/brentandco




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Love For Levon Could Be The Year’s Best Live Recording

Courtesy:  Time Life Entertainment/StarVista

Courtesy: Time Life Entertainment/StarVista

Drummer Levon Helm was no ordinary drummer.  He was a musician.  He was a musician among musicians and a musician of the people.  When he finally lost his battle with throat cancer in 2012, the world knew that it had lost not just a man but a legend.  It was Helm that made Midnight Rambles so famous.  And it was those concerts and Helms’ own music that made him the beloved figure that he is today even though he remains only in spirit.  Now thanks to Time Life and StarVista, fans of Helm and his music get to experience one of the greatest tributes to his legacy in the newly released concert, Love For Levon: A Benefit To Save The Barn.

Love For Levon: A Benefit To Save The Barn was released this past March.  It was released in five different formats: Double-Disc CD, Double-Disc CD/Double-Disc DVD, Double-Disc CD/Double-Disc Blu-ray, Double-Disc DVD, and Double Disc Blu-ray.  Regardless of whether audiences pick up the solo DVD or Blu-ray sets or the deluxe sets including both the CD and DVD or CD and Blu-ray, they will be getting in this concert what is among the year’s best live recordings.  It is more than deserving of that honor first and foremost because of the variety of options from which audiences can choose in experiencing this concert.  It is also more than deserving of the honor of being on the list of the year’s top live recordings thanks to its production values.  The all-star line-up and equally extensive set list adds even more reason to praise the performance.  The packaging for the deluxe sets is another interesting addition to the overall presentation that is worthy of note, too.  All assembled together, it makes this recording one that any fan of Americana and music lover in general will find entertaining each time they turn it on.

The very first thing to note about Love for Levon: A Benefit to Save The Barn is the variety of platforms on which it is available.  It is available in two deluxe packages that include both a double-disc CD portion and double-disc video portion.  Those that have HDTVs and Blu-ray players are offered the set with a double-Blu-ray video portion.  Those with DVD players are offered the deluxe package that includes the video recording on DVD along with the double-disc CD accompaniment.  There are also the stand alone DVD and Blu-ray sets as well as a stand-alone double-disc CD set from which audiences can choose.  This vast amount of options may not seem like much to some.  But the reality is that it plays a much bigger role in the overall presentation of this set than some might believe.  Depending on one’s budget or perhaps access to one format or another, Time Life Entertainment has given audiences as many possibilities as possible to be able to enjoy this performance.  Generally when it comes to live recordings, it seems the standard is to present the recording either on one format or another and leave it at that.  Time Life Entertainment has done the exact opposite.  It has offered this iconic performance in every format possible, save for digital.  Though, that will likely come.  For this alone, the people at Time Life Entertainment are to be highly commended.

The multi-format packaging for Love For Levon (as it will be simply known from here on out) is a major positive to the overall positive outlook on this concert.  Moving forward, one must also take into account its production values in determining its success or failure.  Obviously, the good people at Time Life Entertainment maintained the mantra that failure is not an option even with the recording’s production values.  The audio and video were expertly mixed.  Audiences will notice this both on the DVD and Blu-ray presentations as well as on the CD presentation.  This is a factor that is just as important as the number of formats from which audiences to have choose in experiencing the concert.  It is just as important because without proper mixing, there is no reason to buy the recording on any platform.  There are live recordings out there that leave audiences wondering what those behind the boards and cameras were thinking and were they awake at their posts.  Obviously, those behind the board s and cameras were well awake at this concert.  It looks and sounds excellent all the way around.  Even the lighting on stage itself was just right.  When blues great Mavis Staples takes the stage to sing ‘Move Along Train’ every note from Ms. Staples and the backing musicians is crystal clear. This expert mixing is handled throughout the near three-hour long concert.

Having taken into account the production values of Love for Levon, the next logical step is to take a slightly broader examination in looking at the show’s set list and its equally vast array of performers.  These too, are boons to this recording.  Mavis Staples is just one of the many superstars that made appearances for the benefit.  Also on hand were the likes of: Jakob Dylan, John Mayer, Roger Waters, Eric Church, My Morning Jacket, Dierks Bentley, Ray LaMontagne, and a whole who’s who of music past and present.  That so many artists from so many different corners of the music world came together for this performance shows the impact that Levon Helm had in his life and still has even though he remains only in spirit.  While the conglomeration of artists was in itself quite impressive, one must agree that the performance’s set list was just as incredible.  The bluesy feel of ‘Trouble in Mind’ and ‘Move Along Train’ is just a pair of the highlights from the performance.  ‘Little Birds’ and ‘Listening to Levon’ are just impressive in their more subdued, emotional tones.  These are just a handful of the songs that audiences will enjoy throughout the course of what is one of the year’s must have live recordings.  During the concert, the performers and their songs will send audiences on an emotional and musical journey that they will not forget.  It is a journey that after it’s over, audiences know they will want to take again.

So much work went into bringing Love for Levon to the masses.  The performances in this recording are outstanding, as are the performers and the songs.  The show’s production values are well above par.  And that Time Life Entertainment and StarVista have given audiences so many options from which to choose in deciding on how to best take in the concert sweetens the deal even more.  There is one final piece to the puzzle that makes this recording one of the year’s best live recordings, if not the best of the year.  That piece of the puzzle is the packaging.  This critic had the honor of receiving a screener of the deluxe double-disc CD/double-disc DVD set for review.  The packaging for this deluxe is impressive in its own right.  All four discs in the set are placed into their own mini-sleeve so to speak within the larger package that also includes a bonus booklet.  The bonus booklet includes very moving tributes written by Charles McCardell and Keith Wortman.  Wortman writes so eloquently of Helm in his addition to the included booklet, “In this age of artificially constructed music, Levon was the genuine article…in how he played, sang, and carried himself.”  He goes on to include a quote by Bruce Springsteen about Helm that is just as touching.  McCardell adds his own touch, expressing the joyous air that filled the Izod Center in East Rutherford, NJ, where the tribute concert was held.  His writing that, “From the energy generated in the building, it’s hard to tell who was more excited—the audience or the performers.”  Home audiences will see exactly what McCardell means when they watch this concert.  That single note echoes everything that has already been noted here.  And it can all be experienced now.  The concert is available now.  It can be ordered direct online via the Time Life Entertainment website at http://timelife.com/products/love-for-levon or via Amazon.

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