Times Of Pride And Peril Is Another Welcome Return For Holy Grail

Courtesy:  Prosthetic Records

Courtesy: Prosthetic Records

Holy Grail. Has. Returned. Three years after it became one of the metal community’s biggest names with its sophomore album Ride The Void, the Los Angeles-based quintet has returned with an album in Times of Pride and Peril that builds even more on the fame and respect earned through its previous recording. The ten-track album does so by taking the old school, metal sound established on Ride The Void and expanded on it, including a more modern hard rock sound to its body. The combination of those two sounds here makes Times of Pride and Peril not just a solid follow-up to Holy Grail’s breakout sophomore album but also an album that is undeniably one of 2016’s top new hard rock and metal albums. Times of Pride and Peril is currently slated to be released in stores and online on Friday, February 12th.

Holy Grail’s latest full-length studio recording is a solid follow-up to its 2013 breakout sophomore album Ride The Void. It is an album that audiences will agree in hearing its ten total tracks that it is unquestionably one of 2016’s top new hard rock and metal albums. That is evident right off the top in the album’s opener ‘Crystal King.’ This song shows the band–James-Paul Luna (vocals), Eli Santana (lead guitar), Alex Lee (lead guitar), Tyler Meahl (drums), and Blake Mount (bass)–picking right back up where it left off with Ride The Void. The band opens the song with a short, building crescendo before launching full force into the song with Santana, Lee, Meahl, and Mount leading the way. The old school speed metal sound established by the band in this song once again harkens back to the heyday of Judas Priest, Iron Maiden and others of that ilk with its dual guitar attack and equally expert time keeping by Meahl. When Luna joins in, his razor-sharp vocal delivery instantly conjures thoughts of legendary Judas Priest front man Rob Halford and Fozzy front man Chris Jericho. In other words Luna’s vocals make him one of metal’s next big true singers if not one of its current biggest. The song’s lyrical content sits against that powerhouse musical content to make clear why ‘Crystal King’ was the perfect choice to open Holy Grail’s new album and why it is also a prime example of just what audiences have to look forward to in this new record. Luna sings here, “It’s just another day out on the battlefield/Proclaiming victory/We conquer all/We’re on the top now/It’s time to strike/We must defend the crown/At any given price/Our dominion never ends/It keeps rolling on and on/And together we’ll ascend/To heights of grandeur/Majesty abound/The taste of glory/Is holier than thou/A heart of valor/Frees a mind of doubt/But if you always win the fight/Do you know wrong from right?” This plays right into the overlaying topic of the band’s new album. The topic in question is that of the rise and fall of an empire. That is not necessarily referencing one empire but different ones. That is especially clear as Luna sings, “The taste of glory/Is holier than thou/A heart of valor/Frees a mind of doubt/But if you always win the fight/Do you know wrong from right?” This comes across as Luna commenting on nations that patrol the world and play world police. Those nations that control everything around the world militarily tend to think that they are in the right. This happens even when there might be some shades of grey in the ethics or moral ground of their actions. This can be argued even more strongly as Luna sings in the song’s second verse, “We got it/We made it/We’ll overthrow/Once we’ve accepted/All the ones that died/We’ll repay the mercy when the enemy’s been crucified.” It is a very telling verse. It comes across as a commentary about brutality begetting brutality–accepting the death of others for the “greater good” and the violence aimed at others in the process. It furthers that discussion on the blind, perhaps clouded mindset of those that have been made to believe their actions are for the good of a whole people. It is a really thought-provoking concept and in turn quite the way to open the band’s new album. Audiences can hear the song for themselves online now via YouTube as the band has just premiered its lyric video online. It can be viewed online via YouTube at https://www.youtube.com/watch?v=dVn4ENCIy1w.

‘Crystal King’ is a powerful first statement from Holy Grail in its return to the top of the mountain. It is not the only powerful, noteworthy statement from the band either. ‘No More Heroes,’ which is another of the album’s singles, is another powerful, hard-hitting addition to Times of Pride and Peril (TOPAP as it will henceforth be known here). Luna noted of this song in a recent interview that it “is about the evils of tyranny and self-will, where only strength in numbers can persevere.” To be more precise he noted that the concept behind that song is that it is a commentary about the events going on around the world today as a result of tyranny. “Conspiracy or not, heavy s*** is going down in the world, he said, “and we can’t survive battling it alone.” That discussion is illustrated through the song’s lyrical content in which Luna sings, “We’ve reached the point where domination is the law/We’re on the brink of global darkness/No life is worthy/But a pawn in our noble cause/Stomp out the feeble/And the worthless.” While these words sound familiar, it should. It was the view of the brainwashed men who fought for the Nazis in WWII and even now today of those that take innocent lives in the name of terrorism. Again, it illustrates exactly what Luna was saying in his discussion. He goes on to sing in the song’s second verse, “A savage feast upon the weak at any cost/No sign of mercy for the masses/How about the dignity you had so long ago/Is blood upon your hands as gracious?” The message about the familiar, distressing state of the world in this song is in itself an important part of the song’s whole. That content, set against the song’s power metal musical content, makes the song in whole yet another impressive addition to the album and equally impressive example of what audiences have to look forward to in Holy Grail’s new album. Audiences can hear this song for themselves online now at http://noisey.vice.com/blog/holy-grail-heroes-premiere.

Both ‘Crystal King’ and ‘No More Heroes’ are both key examples of just how much Holy Grail has to offer audiences in its third full-length studio recording. That is thanks to the mix of the songs’ musical and lyrical content. Both songs continue to exhibit the NWOBHM influence on the band in terms of their musical content. In regards to their lyrical content, both equally powerful yet differing statements about what has and continues to happen to the world militarily and politically. While this all works collectively to make both songs important parts of the album’s whole, both songs are hardly the only examples of what audiences have to look forward to in this record. ‘Those Who Will Remain’ is yet another important example of what makes Holy Grail’s new album a welcome return from the band. What makes this song stand out among the album’s songs is that it boasts more of a modern rock sound than most of its counterparts. If one were listening to this song without knowing it was Holy Grail, one would almost think that one was listening to Fozzy. The similarities are that close between the two bands here. That isn’t necessarily a bad thing, though. It shows that the band has branched out musically in this record. And it isn’t the only song that exhibits that either. That is a story for another time, however. Staying on this song, its musical content is just one part of what makes it stand out so strongly. Its lyrical content is just as important to note as its musical content. Luna seems to sing about self-determination here as he sings, “how do you choose between life and suicide/I’ll try this anyway/And I couldn’t cope…Ready to fight/I will accept my fate/I’ve suffered enough/It’s time to change/Dark in the night/In our eternal flame/The freedom is yours/All the same/To those who will remain.” He goe on to sing in the song’s second verse, “Take it or leave it/The enemy’s nearing/Hungry to feed on the weak and the weary/Marching in stride is the secret to survive/Rise to the top with a fist full of fury…Carry the torch/Just to keep yourself alive.” Everything taken int consideration here, the song in whole could be interpreted as Luna singing about not giving up in life, no matter the difficulties that one faces, be they physical or emotional. Saying that he would rather “walk the maze than die alone” and that “I’ve suffered enough/It’s time to change” support that argument. Of course that is just this critic’s own interpretation. It could, as always, be completely incorrect. So it should not be taken as the only interpretation of the song’s lyrical content. Right or wrong, it plays against the song’s equally powerful musical content and in turn makes the song in whole one more clear example of just what makes TOPAP such a welcome return for Holy Grail and also for the metal and hard rock community in whole. Together with ‘Crystal King,’ ‘No More Heroes’ and the rest of the songs not directly noted here, the whole of TOPAP shows in the end to be a record that is not just a welcome return for the band and its audiences but also a record that is easily one more of this year’s best new hard rock and metal albums.

Holy Grail’s latest full-length album is a welcome return both for the band and for its audiences. That is exhibited from the album’s opener ‘Crystal King’ right to its final number ‘Black Lotus.’ From beginning to end the mix of old school heavy metal and modern hard rock couples with lyrics that will get any listener thinking to make a record that will easily become a favorite of any true metal head. It will be available Friday, February 12th in stores and online. It can be pre-ordered online now via iTunes, Amazon, and the band’s official Bandcamp page. It is also available in a series of limited edition vinyl options. Those options include: Black, Limited-Edition Orange, and Limited-Edition Marble variants. Each vinyl copy of Times of Pride and Peril comes in a gatefold package that includes a color poster/lyric insert and download card. The band will hit the road next month in support of TOPAP beginning February 11th in San Antonio, TX. The forty-date-plus tour also includes a performance at The Milestone in Charlotte, North Carolina on Tuesday, February 23rd. The band’s current tour schedule is listed in whole below.

 

2/11 San Antonio, TX – Fitzgerald’s ^
2/12 Houston, TX – Scout Bar ^
2/13 Dallas, TX – Trees ^
2/14 Little Rock, AR – Juanita’s ^
2/16 Atlanta, GA – The Masquerade ^
2/17 Jacksonville, FL – Jack Rabbits ^
2/18 Orlando, FL – Backbooth ^
2/19 St. Petersburg, FL – The State Theatre ^
2/20 Ocala, FL – O’Malley’s Alley
2/22 Greenville, SC – Gottrocks
2/23 Charlotte, NC – Milestone #
2/24 Virginia Beach, VA – Shakas #
2/25 Philadelphia, PA – Kung Fu Necktie #
2/26 Boston, MA – Once Ballroom #
2/27 Brooklyn, NY – Saint Vitus #
2/29 Burlington, VT – Nectars #
3/1 Quebec City, QC – Le Cercle #
3/2 Montreal, QC – Foufounes Electriques #
3/3 Toronto, ON – Hard Luck #
3/4 Detroit, MI – Berserker Fest #
3/5 Chicago, IL – Reggies #
3/6 Madison, WI – High Noon Saloon #
3/7 Minneapolis, MN – Triple Rock #
3/8 Fargo, ND – The Aquarium #
3/9 Winnipeg, MB – The Windsor Hotel #
3/11 Saskatoon, SK – Amigos Cantina #
3/12 Edmonton, AB – Brixx #
3/13 Calgary, AB – Palomino #
3/14 Kamloops, BC – The Office #
3/16 Vancouver, BC – The Biltmore #
3/17 Seattle, WA – El Corazon #
3/18 Spokane, WA – The Pin #
3/19 Portland, OR – Panic Room #
3/20 Bend, OR – Volcanic Theatre Pub #
3/22 Santa Cruz, CA – Catalyst #
3/23 San Francisco, CA – Thee Parkside #
3/24 Los Angeles, CA – Viper Room #
3/25 San Diego, CA – Brick by Brick #
3/26 Phoenix, AZ – Pub Rock #
3/28 Salt Lake City, UT – Metro Bar #
3/29 Denver, CO – Marquis Theater #
3/30 Kansas City, MO – Riot Room #
4/1 Indianapolis, IN – 5th Quarter #
4/2 Newport, KY – Southgate House #

^ with Marty Friedman
# with Black Tusk

More information on Holy Grail’s upcoming album is available online now along with all of the band’s latest news and tour updates at:

Website: http://www.holygrailofficial.com

Facebook: http://www.facebook.com/holygrailofficial

Twitter: http://twitter.com/holygrailband

 

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Judas Priest Announces Fall Tour Schedule

Courtesy:  Epic Records/ Chipster PR

Courtesy: Epic Records/ Chipster PR

Judas Priest will hit the road again this fall.

The band announced this week that it will hit the road once again this fall beginning Friday, October 16th in Paso Robles, California. The band—Rob Halford (vocals), Glen Tipton (guitar), Richie Faulkner (guitar), Ian Hill (bass), and Scott Travis (drums)—noted in its announcement that the newly announced tour is in response to the massive success of its latest release, 2014’s Redeemer of Souls. The album, the band’s seventeenth full-length studio release, is the band’s highest-charting album to date having debuted at #6 on Billboard’s Top 200 Albums chart.

Judas Priest’s upcoming tour is currently scheduled to run through Thursday, November 12th and will include a total of fifteen dates. Mastodon will serve as support for the tour. The current schedule for the band’s tour is noted below.

JUDAS PRIEST TOUR DATES:

October 16th, 2015      Paso Robles, CA    Vina Robles Amp
October 17th, 2015      Las Vegas, NV        The Pearl
October 20th, 2015      San Francisco, CA  The Warfield Theatre
October 21st, 2015      San Jose, CA           City National Civic
October 23rd, 2015      Fresno, CA              William Saroyan Theater
October 24th, 2015      San Bernardino, CA  Knotfest
October 27th, 2015      Vancouver, BC         Hard Rock Casino
October 28th, 2015      Vancouver, BC         Hard Rock Casino
October 31st, 2015       Regina, SK              Brandt Center
November 1st, 2015     Winnipeg, MN          MTS Center
November 3rd, 2015     Peoria, IL                 Civic Center
November 6th, 2015     Huntington, NY      Paramount Theater
November 7th, 2015     Newark, NJ              Prudential Center
November 10th, 2015    Halifax, NS             Scotiabank Center
November 12th, 2015    Toronto, ON           Air Canada Center

More dates will be announced in the weeks to come. Fans can keep up with those updates online now along with all of the latest news from the band online at:

Website: http://www.judaspriest.com

Facebook: http://www.facebook.com/OfficialJudasPriest

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Rob Halford Signs New Deal With SME, Legacy

Courtesy:  Sony Legacy

Courtesy: Sony Legacy

Sony Music Entertainment and Legacy Recordings made a big announcement today that involves Judas Priest front man Rob Halford. And for fans of both Judas Priest and Rob Halford, it is a very exciting announcement.

Officials with SME and Legacy Recordings have announced that they have inked a deal with the Judas Priest front man that will allow much of the material from his side projects to finally see the light of day. The precise terms of the deal were not released. However it is known that the deal guarantees that virtually all of his work with Fight Two, and his own eponymous recordings from 1992 forward will see proper releases. There will also be an “Essentials” compilation along with a “Playlist” compilation and definitive “Complete Albums” box set. The Essential Rob Halford will be released March 31st via Columbia/Legacy as part of the deal. The double-disc compilation will feature thirty tracks. A pair of live recordings in the form of War of Words: The Film and Live in Phoenix are also expected for eventual release as part of the deal.

Rob Halford’s catalogue includes the following releases:

Fight

Albums
War of Words
Mutations
A Small Deadly Space
K5 – The “War of Words” Demos

Audio/Visual
War of Words: The Film
Live in Phoenix

Two

Voyeurs

Halford
Metal God Essentials: Volume 1
Resurrection
Live Insurrection
Crucible
Live at Rock in Rio 3 (album and audio/visual)
Live in Anaheim (album and audio/visual)
Winter Songs
Made of Metal
Live at Saitama Super Arena (album and audio/visual)
Live in London
Live 2010 North & South America Tour (album and audio/visual)
Metal God Essentials: Volume 2

Rob Halford’s fans can keep up with his latest news online via Twitter at http://twitter.com/halfordmetal. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Priest’s DOTF 30th Anniversary Deluxe Edition Is A Must Have For Every Metal Purist And Judas Priest Fan

Courtesy:  Columbia Legacy

Courtesy: Columbia Legacy

Judas Priest. The very name is synonymous with metal. Regardless of whether or not audiences are familiar with the work of Judas Priest, they know the band’s name and its reputation among rock’s elite acts. The band has been making music together for almost half a century as of this year. To be more specific, the band has been making music for roughly forty-six years. Though its first full length album wasn’t actually released until 1974. Since that time, Judas Priest has churned out a surprising seventeen full-length studio albums. Those albums have sold millions of copies the world over including its most recent release Redeemer of Souls (2014). Considering that, it speaks volumes of the band’s longevity and its popularity. Now as the band comes another year closer to its fiftieth anniversary–this year marks the band’s forty-sixth year–it celebrates yet another important anniversary that just recently passed with the 30th Anniversary Edition of its 1984 album Defenders of the Faith. 2015 actually marks thirty-one years since Judas Priest originally released Defenders of the Faith. So why Columbia and Legacy would wait until this year to release the album’s 30th Anniversary Edition is anyone’s guess. It would have made more sense to have released it last year. That aside, Defenders of the Faith: 30th Anniversary Deluxe Edition is still a must have for metal purists and Priest fans alike. The central reason that it is a must have for audiences is the very fact that it presents Defenders of the Faith in its entirety exactly as it was presented way back in 1984. All ten tracks are here and they sound just as they did in the album’s original release. The addition of a two-disc, twenty-one song performance from the band’s 1984 tour in support of DOTF makes this re-issue all the more valuable for metal purists and Priest fans alike. And while it may seem like a minimal element to some, the album’s packaging is just as important to the presentation as the original album and its newly included concert. By itself, the re-issue’s packaging plays its own important part in the album’s enjoyment and success. Together with the album’s extensive bonus live recording and its full presentation of the original album, all three elements together prove why every metal purist and Priest fan should have Defenders of the Faith: 30th Anniversary Deluxe Edition.

Defenders of the Faith: 30th Anniversary Edition is, as already noted, a must have for any metal purist and Judas Priest fan out there that does not already own his or her own copy of the album whether on CD or vinyl. The presentation of the original album in its entirety is just one reason for this. Thirty-one years have now passed since DOTF was first released to the metal masses around the world. Since that time, it has gone on to earn platinum status, selling over a million copies worldwide. Even selling so many copies, there are still those that do not own the album whether on vinyl or on CD. Now those same audiences and a whole new generation can finally enjoy this album including its hugely controversial track ‘Eat Me Alive.’ For those that don’t know, ‘Eat Me Alive’ became a point of contention for Tipper Gore and the then PMRC because of Mrs. Gore’s interpretation of said song. The band’s musical response to that song was pretty interesting in its own right. That’s a story for another time. But the fact that that song is present along with each of the album’s others, and that they still sound so clear to this day makes for plenty of reason for audiences to add this album to their music libraries.

The presentation of DOTF as it was originally presented thirty-one years ago in its new re-issue is within itself plenty of reason for metal purists and Judas Priest fans alike to add this re-issue to their music libraries. This applies to both the generation that might already own the album whether it be on vinyl or CD and to the current generation of metal legions around the world. The addition of the bonus concert recording to the package makes even more reason for metal legions and Priest fans alike to pick up this re-issue. The concert’s set list totals twenty-one tracks and comes in at just under two hours. More specifically, it clocks in at an hour and forty-three minutes. Thanks to the concert’s set list and the band’s stage presence, that near two-hour run time feels to be far longer. And that is meant in the best possible way. Simply put, the concert’s set list and the band’s stage persona leaves audiences not even realizing that so much time has passed. At the same time, it doesn’t leave audiences feeling short-changed in the end, either. Full discretion, there are some points throughout the concert in which the audio mix is a bit dicey. Simply put, at some points, it seems as if the dual attack of Glenn Tipton and K.K. Downing overpowers front man Rob Halford’s vocals. It’s not terrible. But it is noticeable. And luckily this doesn’t happen throughout the performance. It only happens at points. So considering this, one can forgive whomever was originally at the audio boards. Even more Richard Kayvan and Tom Allom are to be commended for their efforts in remastering both the concert’s audio and the audio from the original album’s songs. The total of that work on both sides still makes Defenders of the Faith: 30th Anniversary Deluxe Edition well worth adding to every metal purist and Judas Priest fan’s music collection.

The presentation of DOTF in its full, original entirety in its new 30th Anniversary Edition makes for reason within itself for metal purists and Judas Priest fans alike to add this re-issue to their music libraries. The addition of a never-before-released two-hour concert to the package makes for even more reason for those same audiences to add this re-issue to their music libraries. While both elements together do plenty to make this re-issue enjoyable, they still are not all worth noting that makes it a success. Believe it or not the re-issue’s packaging actually plays a part. So may record labels, when handling multi-disc sets, tend to use the case for a single album and add a plastic insert on which one or even two discs are placed, depending on the number of discs. This does help save space on CD racks. but it is also very problematic. The problem with this form of packaging is that the plastic insert in question can very easily be broken either at the hinge or on the insert itself when it is flipped out and pressure is placed on the insert to either remove or replace the CD(s). Columbia Legacy didn’t take that path with Defenders of the Faith: 30th Anniversary Deluxe Edition. Instead they presented the album’s re-issue in a gatefold package. This places each of the re-issue’s three discs into their own trays. This practice protects not only the discs but the trays, too. This actually preserves the album and its companion concert discs for far longer than the standard plastic insert formula. While it may be slightly more bulky, it is also much smarter. Not only that but it also creates a certain sense of nostalgia especially among those that might have owned the original album on vinyl thirty-one years ago before the advent of CDs. People generally take for granted the packaging of CDs. But hopefully in reading this, audiences will see that packaging sometimes can indeed help make or break an album. And this is an instance in which the packaging has greatly helped the album in its re-issue. It is one more way that Defenders of the Faith: 30th Anniversary Deluxe Edition proves itself a must have for any metal purist and Judas Priest fan around the world. Together with the bonus full-length concert and the re-mastered original album, all three elements are more than enough reason for every member of the Metal Nation worldwide to add this re-issue to their music libraries regardless of whether or not they already own the original album.

Defenders of the Faith: 30th Anniversary Deluxe Edition boasts plenty of reasons for audiences to add this re-issue to their libraries. The original album is presented in its entirety. And thanks to the work of those charged with re-mastering it, it sounds as good as ever if not better. The addition of a full-length concert that comes in at nearly two hours makes this re-issue eve better even with the occasional audio imbalances between Rob Halford’s vocals and the guitarists K.K. Downing and Glenn Tipton. The packaging is just as important to the whole of the re-issue. Despite being slightly bulky, the packaging protects the discs and their trays and even creates a sense of nostalgia among some audiences. The combination of all three elements together makes clear why every metal purist and Judas Priest fan should add this re-issue to their music libraries. It is available now in stores and online. More information on DOTF: 30th Anniversary Deluxe Edition is available online along with all of the latest news from Judas Priest at:

Website: http://www.JudasPriest.com

Facebook: http:/www.facebook.com/OfficialJudasPriest

Twitter: http://twitter.com/judaspriest

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Judas Priest Back In A Big Way On Redeemer Of Souls

Courtesy:  Epic Records

Courtesy: Epic Records

Judas Priest’s new album Redeemer of Souls is one of the top new hard rock and metal albums of 2014. As a matter of fact, it is, in this critic’s eyes (and ears) a contender for the top spot on said list. The only other album that can even come close right now to vying for that spot is Black Label Society’s Catacombs of the Black Vatican. What makes Redeemer of Souls such a top notch album despite its slightly touchy production is its mix of music and lyrics. Musically, this album has been likened to previous hit Priest albums including: British Steel, Nostradamus, and Painkiller just to name a few. That it could be compared in such positive light to so many other of the band’s releases is a statement in and of itself. Lyrically, it covers some interesting themes throughout the course of its thirteen tracks and sixty-two minutes. One of those themes is of standing up for what one believes. That topic comes in the album’s fourth track ‘Sword of Damocles.’ Another interesting topic is that of the tribute paid to the fans of sorts in the album’s lead single ‘March of the Damned.’ Late in the album, front man Rob Halford and his band mates cover an interesting topic in ‘’Hell & Back.’ The topic in question is one of the band’s survival through the years. Or it would seem so at least. Regardless, its lyrics and music together make for one more prime example of why Redeemer of Souls is one of this year’s top two new hard rock and metal albums. That argument is made even stronger through the two songs noted before it and through those pieces not noted. Altogether, this album is proof that Judas Priest is still one of the most dominant forces in the world of hard rock today.

Judas Priest has proven without a shadow of a doubt on its new album that it is still one of the most dominant forces in the world of hard rock today. It has done so through an album that is easily one of the year’s top new hard rock and metal albums in Redeemer of Souls. One example of why this album deserves such recognition comes early on in the album in the form of ‘Sword of Damocles.’ Musically, it is a full on, rocker that comes across as being about false leaders and standing up for one’s own beliefs. As audiences will hear, front man Rob Halford sings here, “When men lead by words that are false as they preach/Fatality waits in the wings/Surrounded by fools behind walls that are breached/Beware of the jester that sings.” Right there, audiences are led to infer that Halford and company are singing about said false leaders. And those leaders don’t necessarily have to include religious leaders, either. They can include political leaders, too. Halford and company go on to sing, “Stand tall/Rise up/Stay strong/Fighting your enemies/Truth will find its reward/If you live and die by the sword/The whispers can’t hide when the tongues are let loose.” Listeners might get from this verse a message of not giving up against certain insurmountable odds. They come across as telling audiences don’t just give in like sheep to the words of those false leaders and to stand up to said leaders and those that would harass an individual for having views other than their own. This could very well be the wrong interpretation. It is merely the interpretation of one single critic. If it is at least somewhere in the ballpark though, it once again serves as solid proof of why this record is one of the year’s top two new hard rock and metal albums.

‘Sword of Damocles’ is just one many examples of what makes Redeemer of Souls one of the top new hard rock and metal albums of 2014. With its mix of adrenaline-fueled music and thought provoking lyrics, this song is an instant hit. The album’s lead single, ‘March of the Damned,’ is just as solid a choice for a single. As guitarist Glenn Tipton explains, this song is simply about the fans that come to the band’s shows. There’s no deep, hidden message for the religious right wingers to hunt for. It is for all intents and purposes a tribute to those fans. Halford sings against the song’s driving guitars and drums, “Can’t stop us/They don’t know why/They try/Can’t hurt us/We’ll never die/We are on the march of the damned…We know what’s at stake/Won’t take your mistakes/Won’t break us/We’ll never fall/That’s all/It’s over/Just watch us crawl.” Referencing Tipton’s statement about the song again, these lyrics illustrate quite well exactly what he was saying. They come across as a collective statement from the band’s fans saying that they don’t care what anyone says. They are fans for life. It is easy to see why this anthem was chosen as the album’s lead single. It’s a powerful statement from an album that could be the last from one of metal’s most legendary bands.

‘March of the Damned’ is a powerful statement from the members of Judas Priest. It puts expertly into words the devotion of the band’s fans regardless of their fans’ ages. It’s especially fitting that there’s no telling whether or not this will be the band’s last album, especially considering that some years ago, Halford and his band mates said they were through touring. Yet once more the band has in fact hit the road in support of another album. Speaking of being on the road, ‘Hell & Back’ will have audiences wondering if perhaps this tour will be the band’s last. Halford ruminates on the band’s past here, singing, “Still in the land of the living/Rocking the home of the brave/Staying alive and still kicking/Ain’t got no need to be saved/Out of the fire and into the black/We’ve been through it all/We’ve been to hell and back.” The song’s musical side is not the high-powered, straight forward piece that the previously noted songs prove to be. But set against the song’s lyrics, one can clearly see the song’s chorus and verses play out clearly in one’s own mind. That clarity will again lead one to wonder about the band’s future after this album and tour. If it proves to be the last for the band on both counts, then this song will have proven to be one more powerful statement from the band. And along with each of the album’s other songs—both noted and not—it is one part of a whole that is easily one of the top two new hard rock and metal albums of the year.

Judas Priest will kick off the U.S. leg of its tour in support of Redeemer of Souls this fall beginning Wednesday, October 1st in Rochester, NY. The band’s current tour schedule is listed online along with all of the latest news from the band at http://www.facebook.com/OfficialJudasPriest, http://twitter.com/judaspriest, and http://www.judaspriest.com. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Judas Priest Announces New Fall Tour Schedule

Courtesy:  Epic Records

Courtesy: Epic Records

The members of Judas Priest made a big announcement over the weekend.

The members of the veteran hard rock band announced Friday that the band will hit the road this fall in support of its upcoming 17th overall album, Redeemer of Souls. The band will tour in support of Redeemer of Souls beginning Wednesday, October 1st in Rochester, New York. The tour will see the band crisscrossing the country throughout fall and winter, eventually winding down Tuesday, November 18th in Salt Lake City Utah. This is a major announcement from the band’s members as it had alleged that the band would not tour anymore after its previous tour and would instead focus primarily on new music.

Information regarding special fan pre-sales, merchandise bundles, and more are expected soon. Fans can keep up with all of the latest news regarding the noted ticket sales and more online now at http://tickets.judaspriest.com. The band’s most current tour schedule is listed below.

“REDEEMER OF SOULS TOUR 2014” DATES:

Oct-01 Rochester, NY Main Street Armory

Oct-03 Hammond, IN The Venue at Horseshoe Casino

Oct-04 Louisville, KY Louder Than Life Fest at Champions

Oct-09 Brooklyn, NY Barclays

Oct-10 Atlantic City, NJ Harrah’s

Oct-11 Mashantucket, CT MGM Grand Theater at Foxwood’s

Oct-14 Lowell, MA Tsongas Center at UMass

Oct-15 Allentown, PA PPL Center

Oct-17 East Rutherford, NJ Izod Center

Oct-19 Detroit, MI Fox Theatre

Oct-24 Baltimore, MD Pier Six Pavilion

Oct-28 Duluth, GA The Arena at Gwinnett Center

Oct-30 Hollywood, FL Hard Rock Live Arena

Nov-06 Allen, TX Allen Event Center

Nov-07 Austin FunFunFun Fest

Nov-10 Los Angeles, CA Nokia

Nov-12 Phoenix, AZ Jobing Arena

Nov-13 Highland, CA San Manuel Casino

Nov-14 Las Vegas, NV The Pearl

Nov-16 San Jose, CA City National Civic

Nov-18 Salt Lake City, UT Maverik Center

Fans can also keep up with all of the latest news from the band online via its official website and Facebook page at http://www.judaspriest.com and http://www.facebook.com/OfficialJudasPriest. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Judas Priest Debuts Lead Single From Upcoming Album

Courtesy:  Epic Records

Courtesy: Epic Records

Legendary rock band Judas Priest has officially released the lead single from its upcoming album Redeemer of Souls.

The band has released ‘March of the Damned’ to radio stations across the country. It is also available for download via all digital sales providers. And along with the download of the single, fans can pre-order Redeemer of Souls now online via iTunes at http://smarturl.it/redeemerofsouls-albm. Fans can check out the new song in its entirety now along with introduction from Glenn Tipton online via YouTube at http://www.youtube.com/watch?v=HJhm2vZFj2k&feature=youtu.be.

Redeemer of Souls will be available Tuesday, July 15th via Epic Records. It will be available both in standard format and as a deluxe expanded edition with five bonus tracks. Tipton explains about expectations for the band’s seventeenth (yes, seventeenth) full length studio release stating, “Sometimes in the past we may have come under fire for being too adventurous musically – so we have listened!! From start to finish ‘Redeemer of Souls’ is 13 songs of pure classic Priest metal!!”

More updates on Redeemer of Souls and news from the band is available online now at http://www.judaspriest.com and http://www.facebook.com/OfficialJudasPriest. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.