‘Rogue One’ Shows Star Wars Fans Should Be Concerned About Franchise’s Direction Under Disney

Courtesy: Disney/Lucasfilm

Disney and Lucasfilm’s latest dive into the Star Wars universe, Rogue One: A Star Wars Story is not the worst of the franchise’s efforts to be released to date.  At the same time, it is hardly the franchise’s best effort, too.  That is because the movie, which had been so highly anticipated by audiences and critics alike, has proven to have more problems than positives.  The problems in question begin with story at the center of the movie.  This will be discussed shortly.  While the movie’s story poses some problems that cannot be ignored, the movie is not a total loss.  The movie’s stylistic approach is deserving of at least some applause.  Next to the movie’s soundtrack, led by legendary composer John Williams, it is the movie’s only other saving grace.  Keeping this in mind, one more key critical point must be addressed here in the form of the movie’s pacing.  This will be discussed later.  Each element is important in its own right to the movie’s overall presentation.  All things considered, they make Rogue One: A Star Wars Story reason for any true Star Wars devotee to be concerned about Disney’s direction with this franchise.

Rogue One: A Star Wars Story was touted by many as the franchise’s best entry to date.  Sadly though, a thorough investigation of the movie’s overall presentation reveals it in fact has just as many problems as positives.  The most obvious of the problems presented within this movie is its story.  More specifically speaking, the story’s setup is its real problem.  The story’s setup focuses on a young female with a checkered past leading a group of rebels to find the plans to the Death Star.  Along the way, an Imperial pilot turned…well…rogue (enhancing the movie’s title even more) helps Jyn and company in their efforts.  If that sounds familiar at all to anyone, it should.  A very similar plot was used for Star Wars: The Force Awakens’ story.  Given the female lead’s circumstances are different in the two stories as are the overall stories.  That does serve to save this movie’s story albeit only slightly.  However, there is no getting around the blatant similarities in the movies’ setups.  Taking that into consideration one can’t help but see there is clearly a lack of effort in regards to the story’s setup; a lack of effort that so many audiences apparently refuse to see.

The setup that is used in Rogue One’s story is an item that cannot be ignored in examining this movie’s overall presentation.  That is especially the case since the movies’ writing teams were separate from one another.  While the story’s setup is clearly a problematic issue, the movie is not a total loss.  The movie’s stylistic approach is deserving of its own share of applause.  That is because it exhibits an obvious (and applause worthy) attempt to throw back to the stylistic approach of the franchise’s original trilogy. From the costumes to the scene transitions, it is clear that those behind the lens wanted to pay tribute to the original trilogy and those who grew up with those movies.  That is just the tip of the proverbial iceberg that makes the movie’s stylistic approach so impressive.  The final climactic battle scenes throw back to the franchise’s originally movies in their own right, too.  That is exhibited as the X-Wings fly around the imperial attach vehicles and take them out and as the rebels on the ground fight imperial troops on foot.  Of course some of the scene’s bigger, over-the-top moments throw back to similar scenes from so many WWII-era flicks.  This takes away from the moment’s seriousness to a certain point.  That, however, is a minor issue at most.  Overall, the stylistic approach taken to this Star Wars story must be applauded. It shows an effort to bring back the look and feel of the franchise’s original installments while also pointing toward the franchise’s future.  Hopefully that balance (which was visibly missing from The Force Awakens) will be more visible in the franchise’s next effort.

The stylistic approach of Rogue One: A Star Wars Story is the movie’s one saving grace.  It shows a valid attempt to pay homage to the Star Wars franchise’s past and fans while also pointing to the franchise’s future.  It does so in a balanced fashion, too.  Sadly though, it is the only element that makes sitting through this 2-hour, 5-minute movie worth the effort.  Speaking of the movie’s run time, that run time feels far longer than it actually is.  That is due to the pacing established in the movie’s story.  As noted, the movie runs just over two hours.  The majority of that time—about 1 hour, 20-minutes—is spent building up to the eventual attack on the imperial facility containing the death star plans.  On the positive side, it doesn’t waste too much of that time setting up Jyn’s story.  It just spends most of that time sending her here, there and everywhere as she tries to find out her father’s message and then convince the rebels to go after the plans.  Things move just as slowly as ever in the story’s final act after Jyn convinces Cassian and company to join the cause.  Jyn and Cassian’s attempt to reach the plans, and the outcome thereof, seems to drag on almost endlessly especially as the battle outside the facility rages.  Even after Jyn and Cassian finally get the plans (the climax), things don’t pick up much, leaving observant audiences scratching their heads, wondering when and if the story will finally end.  It was as if the movie’s writing team couldn’t just leave well-enough alone.  That continued slow boil right up to the movie’s way-over-the-top and overly cheesy final scene makes one wonder how one kept from fast forwarding through the movie well before then. When these pacing issues are taken into consideration with the obviously problematic setup to the movie’s story, they take greatly detract from the movie’s overall presentation.  They take away so much from this movie that the movie’s stylistic approach becomes the only reason to give it a chance.  All things considered, there is so much negative to Rogue One: A Star Wars Story that true Star Wars devotees should be very concerned about the direction that Disney is potentially forcing Lucasfilm to take with their favorite franchise.

True Star Wars devotees should be genuinely concerned about the direction that their favorite franchise could potentially be taking after watching Rogue One: A Star Wars Story.  Though its stylistic approach throws back to the franchise’s original trilogy, its pacing and the undeniably unoriginal setup to the movie’s story do plenty to take away from the movie’s overall viewing experience.  The story’s pacing makes its run time, which barely tops two hours feel far longer.  The story’s setup is a near mirror image to the setup used in The Force Awakens.  Keeping all of this in mind, Rogue One: A Star Wars Story proves to be a story worth one watch, but honestly not much more.  More information on this and other entries in the Star Wars universe is available online now at:

 

 

 

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