The World’s End Soundtrack A Fun Musical Trip Back In Time

Courtesy:  ABKCO Records

Courtesy: ABKCO Records

Writer/Director Edgar Wright notes in the liner notes of the soundtrack of his movie, The World’s End that in writing the movie’s script alongside actor Simon Pegg (Star Trek, Star Trek Into Darkness, Room on the Broom), that the pair listened to a playlist consisting of some three hundred songs.  He writes in the very first page of the soundtrack’s liner notes, “When Simon Pegg and myself wrote the screenplay for the film, we listened to a 300 strong playlist of songs, mainly from 1988 to 1993…It powered our writing as much as it power’s Gary’s [King] quest.”  King is the character played by Pegg in the new movie in question.  This single statement from Wright in the very first page of the soundtrack’s liner notes perfectly explain why the songs included in the compilation bear influences from 80’s Brit-pop and synth-pop.  Right off the top, Primal Scream’s ‘Loaded; conjures thoughts of George Michaels’ hit, ‘Freedom’ with its mix of horns and piano.  It’s not a direct lifting of Michaels’ song.  But the similarity is obvious.  It’s just the start of things on this compilation.

The energy established by Primal Scream on the soundtrack’s opener is kicked up another notch as Blur picks up where Primal Scream left off.  Blur’s entry, ‘There’s No Other Way’ is a fitting track for this soundtrack considering the story behind the movie.  Front man Damon Albarn sings in the song’s only verses, “You’re taking the fun out of everything/And making me run when I don’t want to think/You’re taking the fun out of everything/I don’t’ want to think at all…You’re taking the fun out of everything/You’re making it clear when I don’t want to think/You’re taking me up when I don’t’ want to go up anymore/I’m just watching it all.”  This is so fitting in that the plot of the movie centers on Pegg’s character, Gary King.  Gary doesn’t want to have to be an adult and face the adult world, which ends up leading to everything that happens in the story.  Keeping this in mind, it actually becomes quite clear how this song would fit so well into the movie, even with its high energy.  Suffice it to say that it’s just one of so many songs that fans of the old school synth-pop and Brit-pop sounds will appreciate on this compilation.

Just as Blur’s ‘There’s No Other Way’ is a fitting addition to the soundtrack of The World’s End, so is the Soup Dragons’ ‘I’m Free.’  The song, from the Scottish band’s 1990 album, Lovegod, is just as catchy as the compilation’s first two songs.  And in the same fashion, it’s just as fitting lyrically.  The band sings in this song, “I’m free to do what I want/Any old time.”  This would seem to once again mirror Gary’s mindset.   It would be easy to see this song used as part of the pub crawl originally undertaken by Gary’s friends in the movie’s two prequels of sorts, Hot Fuzz and Shaun of the Dead.

If the songs noted here aren’t enough for fans of the old school Brit-pop and synth-pop sounds of the late 80s and early 90s, then there is no reason to worry.  The World’s End soundtrack has more than its share of classics for fans of that genre including the likes of Pulp’s ‘Do You Remember the First Time?’, The Stone Roses’ ‘Fools Gold’, and British rapper Silver Bullet’s ’20 Seconds to Comply (World’s End Bomb Squad Mix Re-edit’, which in its own way shows where The Prodigy might have gotten the influence for its first big hit, ‘Firestarter.’  Whether for these songs, the previously mentioned songs or any of the others included in this compilation, it offers something for any music lover that grew up in the late 80s and early 90s.  It will prove to be a fun musical trip back in time for those listeners when they pick it up now in stores or order it online.

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Room on the Broom An Entertaining, Touching Story For The Whole Family

Courtesy:  NCircle Entertainment

Courtesy: NCircle Entertainment

The new “animated” take on author Julia Donaldson’s children’s book, Room on the Broom is a wonderful piece for families and even churches as the country starts to look towards October and Halloween.  Donaldson, who also wrote The Gruffalo and The Gruffalo’s Child, co-wrote the book on which this feature is based, with Axel Scheffler.  This latest feature is much like its predecessors first and foremost because of its run time. It comes in at just under half an hour, much like those features.  Also like those features, this story features its share of lessons, too.  Speaking of the small screen adaptation of The Gruffalo, audiences will appreciate this new release even more as the animated presentation of said book is included on this disc along with a pair of pleasant bonus features to complete the overall positive viewing experience.

The very first aspect of this latest feature from NCircle Entertainment is its run time.  Much like both the Gruffalo and its sequel, this feature is not that long.  It comes in at just under half an hour in length.  There are those that have criticized this feature for the fact that it is as short as it is.  One can’t help but wonder if these same people watched the adaptations of Donaldson’s other books.  If so, did they feel that those features were too short, too?  That run time only serves to make this feature even more kid friendly, along with the lush, beautiful colors and positive lessons.  That is because most young viewers’ attention span doesn’t exceed half an hour.  So this is right on par with any children’s feature.  So whoever would think the run time is a bad thing should perhaps watch it again with more of an open mind.

The lessons taught throughout the short run time of Room on the Broom are another aspect of the feature that viewers of all ages will appreciate.  Throughout the course of the story, it teaches so many important lessons.  It teaches lessons about friendship, acceptance, sharing, respect, teamwork, loyalty, and tolerance.  And it does it all in less than half an hour without making everything seem jumbled together.  For that alone, this adaptation of the modern classic children’s story deserves very high marks.  The lessons are taught via interactions between the witch’s cat, a dog, a bird, and a slightly neurotic frog with a penchant for cleanliness.  The bird’s story of having been rejected by its fellow birds just because of how it looked teaches an invaluable lesson and starting point for discussions on tolerance and acceptance.  What’s more, it will touch very deeply, any viewer with a heart.  On the other side of things, the frog’s penchant for cleanliness will have adults and parents alike laughing.  And the dog’s simple innocence and loyalty adds one more element of joy to the story.  Together, this motley crew illustrates the intended lessons in a way that is accessible both to children and their parents, making the story all the more entertaining and touching.    

The “animated” adaptation of Room on the Broom is very similar in style to its counterparts in The Gruffalo and the Gruffalos Child.  However, it isn’t pointed out in this feature’s bonuses as to whether or not the same mix of claymation and CG was used in bringing the book to life on the screen.  There were elements of CG shown in the behind-the-scenes bonus.  But there was no mention of any claymation.  So it would have been interesting to find out if this indeed was used once again considering how close it looks to those features, stylistically speaking.  For once, this reviewer finds himself noting that regardless of whether it was primarily CG or a mix of both, the visual presentation of the story was absolutely beautiful.  The colors were so rich and vibrant.  Considering the fact that it’s a story about a witch, the bright colors used throughout each scene help to illustrate that this was no ordinary witch and that she didn’t live in the stereotypical world of a witch.  She was a good witch who appreciated everything and everyone around her.  Again, there is one of a handful of positive lessons that parents, teachers, and pastors will appreciate in the story.  Many audiences don’t take into account a factor as minute as colors used in the success or failure of a movie or feature.  But they really do play an integral role, at last on a psychological level.  And that is proven here, just as with so many children’s features.  Combined with the music, the bright colors maintain the feature’s positive vibe, thus in its own way, helps to make Room on the Broom that much more entertaining and family friendly. 

The aspects noted already noted here do so much to make Room on the Broom such a joy.  But no proper review of this new release would be complete without mention of its bonus features.  There are few bonus features this time around.  Audiences get a slightly different behind-the-scenes featurette in this presentation than in its counterparts in The Gruffalo and The Gruffalo’s Child.  It makes the extra live performance of the book by author Julia Donaldson stand out even more.  Audiences actually get to see Donaldson perform a reading of the book along with some young friends to help her along the way.  Her performance brings the book to life in an entirely different, but just as entertaining fashion.  It’s something that parents and children will love to take in together.  And even younger viewers will appreciate the performance just as much as the children that were in attendance at the taping of her performance of the book.  This standout bonus serves as the icing on the sweet cake that is this feature.  It will be available in stores and online next Tuesday, August 6th on DVD.  It can be ordered direct from the NCircle online store at http://www.ncircleentertainment.com/room-on-the-broom/843501008041.  To find out about even more releases from NCircle Entertainment, parents can go online to http://www.facebook.com/NCircleEntertainment or the company’s official website, http://www.NCircleEntertainment.com

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