Eagle Rock Entertainment Announces Release Date For New Sinatra Collections

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment will release two more collection of classic Frank Sinatra performances next month.

The Frank Sinatra Collection: The Timex Shows Volume 1 & 2 will be released Friday, May 19 on DVD and digital platforms.  Volume 1 features Sinatra’s first two Timex-sponsored performances on ABC.  The performances were recorded on Oct. 19, 1959 and Dec. 13, 1959.

Fellow Rat Pack member Dean Martin appeared as a special guest on the first of the specials.  Mitzi Gaynor and Bing Crosby also made special appearances along with Jimmy Durante.

Peter Lawford, Hermione Gingold, The Hi-Los—Red Norvo’s jazz combo, dancer Juliet Prowse and Elle Fitzgerald all made appearances in the second performance.

Volume 2 features two more of Sinatra’s classic television appearances, the first being “To The Ladies,” recorded on February 15, 1960 on ABC.  The performance was the third of Sinatra’s Timex-sponsored ABC specials.  The variety style broadcast included appearances by Lena Horne, Mary Costa, Barbara Heller, Juliet Prowse and special guest Eleanor Roosevelt.

“Welcome Home, Elvis” was the last of Sinatra’s Timex-sponsored ABC broadcast. Originally airing on ABC on May 12, 1960.  The special stood out because it marked the first time Elvis appeared on television since returning from his military service at the time.

Presley joined Sinatra for a stirring performance of ‘Witchcraft’ and ‘Love Me Tender’ in his appearance on the program, and was just one of the celebrities to perform on the program.  Nancy Sinatra and Peter Lawford joined fellow Rat Pack member Sammy Davis, Jr. and one-time Rat Pack member Joey Bishop throughout the show, too.

The full track listing for the performances is noted below.



1) High Hopes (Bing Crosby/Dean Martin/Mitzi Gaynor) 2) Day In, Day Out (Frank Sinatra) 3) Together, Wherever We Go (Frank Sinatra/Bing Crosby/Dean Martin) 4) Hurricane (Mitzi Gaynor) 5) Talk To Me (Frank Sinatra/Mitzi Gaynor) 6) Cheek To Cheek (Bing Crosby/Dean Martin/Mitzi Gaynor) 7) Wrap Your Trouble In Dreams (Dean Martin 8) Medley: Good Old Songs/Down By The Old Mill Stream/The Old Gray Mare/In Shade Of The Old Apple Tree/That Old Feeling/Down The Old Ox Road/Old Rockin’ Chair/Old Devil Moon/You’re An Old Smoothie/My Old Flame/Ol’ Man River (Frank Sinatra/Bing Crosby/Dean Martin) 9) High Hopes (Frank Sinatra) 10) Medley: Just One Of Those Things/Angel Eyes/The Lady Is A Tramp (Frank Sinatra) 11) Medley: Start Each Day With A Song/Inka Dinka Doo/Baby, Won’t You Please Come Home (Frank Sinatra/Bing Crosby/Dean Martin/Mitzi Gaynor/Jimmy Durante)

1) Spend The Afternoon With Me (Frank Sinatra) 2) I’ve Got The World On A String (Frank Sinatra) 3) The Desert Is Calling (The Hi-Lo’s) 4) Comes Love (Hermione Gingold/Peter Lawford) 5) There’s A Lull In My Life (Ella Fitzgerald) 6) It’s All Right With Me (Frank Sinatra) 7) Juliet Prowse Dance Routine 8) Too Marvelous For Words (Frank Sinatra/Red Norvo Quintet) 9) Here Is That Rainy Day (Frank Sinatra/Red Norvo Quintet) 10) Just You, Just Me (Ella Fitzgerald) 11) I’ll Never Smile Again (Frank Sinatra/The Hi-Lo’s) 12) Can’t We Be Friends (Frank Sinatra/Ella Fitzgerald) 13) Puttin’ On The Ritz (Hermione Gingold/Peter Lawford/Juliet Prowse) 14) He Loves And She Loves (Ella Fitzgerald) 15) Love Walked Right In (The Hi-Lo’s) 16) Our Love Is Here To Stay (Frank Sinatra) 17) Love Is Sweeping The Country (Frank Sinatra/Hermione Gingold/Peter Lawford/Juliet Prowse/Ella Fitzgerald)


1) Here’s To The Ladies (Frank Sinatra) 2) I’ve Got You Under My Skin (Frank Sinatra) 3) Ouvre Ton Coeur (Mary Costa) 4) By Strauss (Barbara Heller) 5) Ring The Bell (Lena Horne) 6) Come Cha Cha With Me (Juliet Prowse) 7) It’s A Lonesome Old Town (Frank Sinatra) 8) But Beautiful (Lena Horne) 9) From This Moment On (Lena Horne) 10) Harold Arlen Medley: As Long As I Live/It’s Only A Paper Moon/One For My Baby/Accentuate The Positive/Stormy Weather/Get Happy/Between The Devil And The Deep Blue Sea (Frank Sinatra/Lena Horne) 11) My Heart Stood Still (Frank Sinatra) 12) Yours Is My Heart Alone (Mary Costa) 13) Afraid Of Love (Barbara Heller) 14) My Heart Belongs To Daddy (Lena Horne) 15) My Funny Valentine (Juliet Prowse) 16) High Hopes (Eleanor Roosevelt) 17) Here’s To The Ladies (Frank Sinatra)

1) It’s Nice To Go Trav’ling (Frank Sinatra/Joey Bishop/Sammy Davis Jr/Nancy Sinatra) 2) It’s Nice To Go Trav’ling (Frank Sinatra/Joey Bishop/Sammy Davis Jr/Nancy Sinatra/Elvis Presley) 3) Witchcraft (Frank Sinatra) 4) Come On Bess (Sammy Davis Jr) 5) Oriental Dance (Leona Irwin & The Tommy Hansen Dancers) 6) Gone With The Wind (Frank Sinatra) 7) Uh Oh! (Nutty Squirrels) 8) All The Way (Sammy Davis Jr) 9) Shall We Dance (Sammy Davis Jr/Peter Lawford) 10) Fame And Fortune (Elvis Presley) 11) Stuck On You (Elvis Presley) 12) Medley: Witchcraft/Love Me Tender (Frank Sinatra/Elvis Presley) 13) Medley: Witchcraft/Love Me Tender – Reprise (Frank Sinatra/Elvis Presley) 14) You Make Me Feel So Young (Frank Sinatra/Nancy Sinatra) 15) Let’s Dance (Nancy Sinatra)



More information on The Frank Sinatra Collection: The Timex Shows Volumes 1 & 2 is available online now along with all of the latest news on other upcoming Sinatra recordings at:




Website: http://www.sinatra.com

Facebook: http://www.facebook.com/sinatra

Twitter: http://twitter.com/FrankSinatra




More information on this and other titles from Eagle Rock Entertainment is available online now at:




Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews




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The Dean Martin Christmas Show A Standout Classic Holiday Special

Courtesy:  Time Life/NBC Universal

Courtesy: Time Life/NBC Universal

Time Life and NBC Universal have unearthed a nice piece of holiday television history with the release of The Dean Martin Christmas Show.  This holiday special is a relic of a bygone era.  It’s another prime example of everything that was once right with television.  Much like with the recently released Carol Burnett Show sets, this unearthing shows that there is still love and interest for classic television.  As great as all of the annual holiday specials are, this once forgotten special reminds audiences that there is still much more out there that is just as enjoyable as the aforementioned specials.

The Dean Martin Christmas Show runs at less than an hour long.  The majority of the material in this special is musical numbers.  Although there are some skits tossed in for good measure, too.  OF the few skits included in this show, the best of them is the cop skit with acting legend Dom DeLuise.  DeLuise plays a street cop who tries to give Santa a ticket for parking his sled in a no parking zone.  While audiences never see Santa, the ability of DeLuise to interpret what would have been Santa standing there before him shows his talent.  And his reaction after Santa gives him a present, despite the attempt to give him a ticket, brings the whole skit together.  It makes for lots of laughs even years after its original airing.

Dom DeLuise isn’t the only star who gets his chance for laughs in this special.  Fellow veteran actor Bob Newhart also gets his time to shine.  Newhart stars alongside Martin as a customer trying to return a toupee.  Martin plays the part of a clerk in the complaint department in the store where Newhart’s character is returning the toupee.  The chemistry between the pair is obvious as Martin can’t even hold back his laughs throughout the course of the skit.  Yet by contrast, Newhart somehow manages to maintain his character’s deadpan persona, which is probably why Martin was unable to contain his laughs.  It’s just one more moment that viewers yearning for that nostalgia will enjoy and appreciate with every watch.

The skits included in this roughly forty-eight minute holiday special make for their own share of enjoyment.  The musical numbers add even more nostalgia and enjoyment, too.  Martin and company share their own renditions of a number of Christmas carols.  Home viewers won’t be able to resist signing along a little bit, too.  When it’s all said and done, audiences of all ages will realize that what they’ve experienced is something very special.  Add in the original quality of the broadcast and that feeling gets even stronger.  Audiences can experience that feeling for themselves now as The Dean Martin Christmas Show is available now on DVD courtesy of Time Life and NBC Universal.  It can be ordered online direct via Time Life’s store at http://timelife.com/products/the-dean-martin-christmas-show.

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Hitting the note with Michele Monro on The Singer’s Singer

Happy Memorial Day and happy Monday, everybody.  I hope everybody had a safe and happy weekend.  Mine was pretty relaxed.  Went through some more music that I’ll be reviewing later this week, and another season from another classic Nicktoon.  And also, I finally managed to sit down at watch We Bought a Zoo.  I’ll have a review of that movie alter this morning.  But while you wait for that, I’ve got another treat for you this morning.  As you’ll recall, I recently reviewed the new paperback edition of the bio on singer Matt Monro, “The Singer’s Singer.”  Well, I am happy this morning to share an interview with the legendary singer’s daughter, Michele, who wrote her father’s bio.  Michele shared her thoughts with me on taking on the duties of writing her father’s bio herself, life with her dad and more.  That’s in this special bonus edition of Phil’s Picks.  Read on!

RR — This bio is one of the most extensive that I’ve  read to date.  I’m
curious how long did it take just to gather all of the information for the
bio?  How long did it end up taking to actually write your father’s story?

MM — This book was really a labour of love and was written for my son Max. 
I suffered a near-fatal car crash a few years ago and it struck me 
that if anything happened to me, my son wouldn’t know anything more 
about his grandfather other than he was a great singer. It upset me 
that he wouldn’t know his origin or roots or what Matt Monro had 
contributed to the music business so as soon as I was able I started 
the process. It took three years to do the research and interview more 
than 200 people. A further year was spent actually writing the book 
and a further year with publisher’s re-writes and edits.

RR — What led you to choose Titan Books to  publish your dad’s bio?  Were
there other publishing companies to which  you had sent your manuscript?

MM — The fans had been begging for years for a book of some sort as there 
had never been one written. I sent a synopsis by email to 10 
publishing houses and I had replies from all of them within a week. In 
fact one company actually sent me a contract without talking to me 
first. The contract specified that the manuscript be delivered by a 
certain date and be no more than 80,000 words. I rang them up, thanked 
them for their interest and explained that 80,000 words was the size 
of my index! I had no interest when I first started writing the book 
of having it published so hadn’t bothered to find out any guidelines 
or pointers. It turned out that all publishers aim for books between 
80,000 – 10,000 words so to keep costs down. That was one of the main 
reasons for going to Titan. They really loved Matt Monro’s music and 
were passionate about doing the project correctly rather than worry 
about every penny. My conditions were simple.

The title had to stay intact. My father was the singer’s singer and 
there could be no other title for the book as far as I was concerned.
Secondly it had to come out in time for dad’s 25th anniversary (7 
February 2010)
Lastly the manuscript couldn’t be butchered or hacked to death.

Titan were happy to meet my terms and have been true to their word the 
whole way through. It was definitely the right choice.

RR — Your father’s work has been released many times  over the years.  Now,
with the release of his bio both in hardback and paperback, are you seeing
any type of resurgance in popularity of his  music?  If so, are you seeing
it in a particular audience or is it more spread out?

MM — My father’s popularity has been amazingly steadfast over the years 
since he passed. The website I created – www.mattmonro.com- gains 
about 5,000 hits a month and it has been excellent means of letting 
the fans know what is imminent. It has also allowed them a voice as to 
what they would like to see released. I have been doing radio 
interviews over the years and have programmes running on hospital 
radio so this has been brilliant at promoting whatever needed 
highlighting. The book of course has made the public even more curious 
as to who the man was behind the music and it has allowed Matt Monro 
to gain a newer and younger fan base than before. The book has also 
garnered interest from television programmes and that gets my message 
across to even more people than before. I am passionate about keeping 
my father’s legacy going as long as I can.

RR — In gathering the information for the  book, it all had to have brought
back a flood of memories.  Were there any moments included in the book that
were especially funny or emotional for you, in writing your father’s

MM — I was rather worried about writing the ending of the book thinking 
that all the way through the process I would have it at the back of my 
head that the end was nigh so to speak so I decided to write about his 
passing first, thinking that would get me over the hardest moment but 
it didn’t work out that way. Like any child there are a thousand 
moments that you will always remember, some sweet, some bitter and 
some that you don’t want to remember. The foreward was very hard to 
write, those were the last few days of his life and as anyone who has 
lost a loved one will tell you, it is impossible to put that grief 
into words for there are no sentences that will adequately express the 
pain you go through.

There are a multitude of moments that made me smile or made me laugh 
out loud as certain memories flooded back but overall the journey was 
an emotional one. I didn’t write a fairy tale and there could be no 
happy ever after, you know the ending before you start and that makes 
it hard. I also lost my mother shortly after the book was published. 
It meant so much to her that a story was finally in print and would sit 
in the British Library forever, she felt he deserved that, but in the 
five years it took it never occurred to me that my mum wouldn’t be 
here to share in the accolades that have followed. That was a bitter 
pill to swallow.

RR — So many of the bios that I’ve read over the years have been written by
either friends of the subjects or someone that had no connection to said
individuals.  So what was it that made you  personally want to write your
father’s story, rather than have someone else do it?

MM — Several authors had approached my mum and I since my father passed 
away but it never felt right. They were some that were only really 
interested in dad’s alcoholism and the salacious moments that they 
thought they could write about. Yes my father was an alcoholic but it 
was a segment of his life, it didn’t define him as a person. There is 
a huge difference between a drunk and an alcoholic and I didn’t want 
them getting the two confused. About eight years ago, I was approached 
again by an individual who wanted to write the book. I talked it over 
with Steve Woof, the head of EMI, who I work closely with in bringing 
out the albums and he told me “the only one who should consider 
writing a book is you”. It made me stop and think but before I had 
come to any conclusion I had the car crash. That crisis made my 
decision easy.

RR — Reading through your dad’s bio, he worked with a  who’s who of jazz and
pop of the time.  Were there any that really stood out as favorites with
whom he liked to work?

MM — He adored working with his mentor Winnie Atwell. She had a certain 
funk going on that he loved and of course Tony Bennett and Sammy Davis 
rank highly on his list. He loved them as people and to him that was 
important because they gave their music heart and soul. He would have 
given his right arm to work with Sinatra but something always 
conspired to get in the way. He actually had the opportunity of 
signing with Reprise and he would have jumped at the chance had it not 
been for his advisors. They read more into it that just an innocent 
offer – had my father signed with the company they could in fact have 
prevented him from recording at all. Some thought they wanted this so 
Sinatra had no competition – but like so many rumours – they were 
without substance.

RR — Is there any one song that your father sang that you would say is your
favorite to this day?

MM — There are so many that my dad sing that I love but it really depends 
on my mood. Sometimes when I’m down I want songs that reflect that 
feeling but at other times I want to feel elated by the performance. I 
particularly love the album ‘The Rare Monro’ purely because it is 
songs that had never been released before and there are some stellar 
moments in those 50 tracks. It actually took me five years to convince 
the record company that it would sell even if ‘Born Free’ and ‘From 
Russia With Love’ weren’t on it. Thankfully I was right and that has 
spurned the follow-up “Matt Uncovered – The Rarer Monro’ which is due 
out at the beginning of July. The one song that holds a special place 
in my heart is ‘Michelle’. Dad had arranged for me to go to the 
studios with him. It was my first time and I was hugely excited. I had 
no idea what he was recording but at the given time George Martin 
tapped his baton to gain silence from the orchestra, my dad held my 
hand and started singing to me. It was actually that rendition that 
was cut and pressed. Moments like that stay with you throughout your 

RR — This bio is a great recollection of your dad’s life.  For those who
have either never heard your dad’s music or don’t know about your dad, what
would you want audiences to know more than anything about your dad?

MM — The one word used more than any other to describe Matt Monro’s show 
business image is professionalism. He gave his audience his best, he 
gave his musicians respect, he possessed unmistakeable tone, flawless 
diction, was subtly sparing in the use of grace notes and sang in the 
accent of his speaking voice. He made a huge impact on the business 
when talent and style still had a part to play. That he was surely one 
of Britain’s greatest exports is not in question. His record career 
alone must be a significant milestone in the annuls of the music 
business. But go beyond the tabloid image and you find a staunch and 
supportive friend, a man who cared deeply about other people, a humble 
man with no ego who didn’t believe his own hype. But this is a man of 
so many different parts, a meditative soul who was overwhelmed by his 
own press and seemed genuinely surprised that people would want to 
listen to him. He was the most wonderful husband and father who 
cherished his family deeply. That he was sparing of the time he could 
give them was unfortunate, but he was not sparing of the love he gave. 
He was caught in the headlights of an industry that exuded magic, at 
times torn between the two, but he made the right choices – his family 
wouldn’t have wanted it any other way.

To really understand Matt Monro all you have to do is one simple thing 
– listen – his voice is the clue to his humanity. Through his music 
Matt lives on.
He is irreplaceable.

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