Art Of Anarchy Announces New Live Dates

Courtesy: O’Donnell Media Group

Art of Anarchy has announced new live dates in support of its new album The Madness.

The band announced this week it will embark on a short string of live dates next month beginning April 3 in Amityville, N.Y. The nearly month-long schedule takes the band to the Midwest and into the Southwest and also into Canada, eventually winding down April 29 in Henderson, NV.  The band’s current live schedule is noted below.

Art of Anarchy Tour Dates:

4/3/17 – Amityville, N.Y. – Revolution Bar & Music Hall
4/4/17 – Asbury Park, N.J. – The Stone Pony
4/6/17 – Toronto, Ontario – Velvet Underground
4/7/17 – Sarnia, Ontario – Station Music Hall
4/8/17 – Battle Creek, Mich. – The Music Factory
4/10/17 – Libertyville, Ill. – Austin’s Saloon
4/11/17 – Chesterfield, Mich. – Diesel Concert Lounge
4/13/17 – Fort Wayne, Ind. – The Rusty Spur
4/14/17 – Ringle, Wisc. – Q&Z Expo Center
4/29/17 – Henderson, Nev. – M Resort

Composed of Scott Stapp (ex-Creed) on vocals, Ron “Bumblefoot” Thal (ex Guns ‘N Roses) on guitar, John Moyer (ex-Disturbed) on bass and twin brothers Jon and Vince Votta on guitar and drums respectively, the band originally formed through an 18-year friendship between Thal and the Votta brothers.

Jon Votta first approached Thal with the idea to form the band years ago.  That discussion eventually led to the band’s creation, which originally saw the late Scott Weiland (ex-Stone Temple Pilots) handle vocal duties. The band’s debut self-titled album was released in June 2015.

Stapp said in a recent interview that he was optimistic about working with the members of Art of Anarchy.

“I’m excited to be a part of Art of Anarchy,” Stapp said.  “I appreciate collaborating with other talented artists and I can’t wait to share our new music with the fans very soon.”

Band manager John Gomez shared Stapp’s optimism.

“The other members of AOA and I are equally excited to have Stapp on board,” Gomez said.  “This is the first band that Scott has fronted outside of Creed and his heart’s really in it.  Scott’s vision, his gift for gut-wrenching storytelling and his powerful vocals lend a bold new energy to the group.”

Thal thought bringing Stapp on to take Weiland’s place has been a boon for the band, adding he thought Stapp’s addition to the band helped take the band in a new direction.

“Scott’s style and the personal lyrics he’s been writing are taking the sound in a new direction – one that brings out the best in all of us,” Thal said.  “It’s a new chapter for us all, and I’m looking forward to sharing the new music with the fans and seeing what the future holds.”

Vince Votta agreed.

“It’s been awesome having Stapp on board,” Votta said.  “Everyone is bringing their A-game and can’t wait to bring it live to the stage.”

Audiences that haven’t heard that new sound can hear The Madness’ latest single, its title track online now via the band’s official YouTube channel.  More information on The Madness is available online now along with all of Art of Anarchy’s latest news and more at:

 

 

 

Website: http://www.artofanarchyband.com

Facebook: http://www.facebook.com/ArtOfAnarchyBand

 

 

 

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Wood’s Latest LP Is Caught Between Good And Great

Courtesy: HOLMZ Music/Andy Wood Music LLC

Courtesy: HOLMZ Music/Andy Wood Music LLC

Guitarist Andy Wood is most widely known for his work with Creed front man Scott Stapp when Stapp is not recording with his band mates in Creed.  Wood has displayed his own share of talent in his work with Stapp.  With the release of his latest solo album Caught Between The Truth and a Lie, Wood has displayed even more talent.  Throughout the course of the double-disc record, Wood displays his chops as a rock guitarist once more.  That is not the most interesting aspect of this record.  It is his talent within the worlds of country and bluegrass that will really catch audiences’ ears on this new release.  That span of musical talents is the key to the enjoyment of Caught Between The Truth and a Lie.  Throughout the course of the album, Wood mixes things multiple times, throwing instrumentals alongside full compositions.  That stylistic mix of music makes this record even more enjoyable for audiences whether or not said audiences are familiar with Wood’s solo work.  Last but not least worth noting in the album’s success is its sequencing.  Wood doesn’t just go from one genre to another.  He actually slowly transitions from bluegrass to rock to country and back to rock again.  The end result is a work that proves music truly is the universal language as it will most certainly bring together so many different audiences throughout the course of its twenty-four tracks.  By the end, audiences will agree that Between The Truth and a Lie is somewhere between good and great.

Andy Wood’s latest full length solo record Between The Truth and a Lie is, as noted, an album that sits somewhere between good and great. The main reason for this is the range of talent displayed throughout the course of the double album’s twenty-four total tracks.  Wood, who is known largely for his work with rocker Scott Stapp, displays expert bluegrass and country chops right alongside his talents as a rock guitarist throughout the course of the album.  Bluegrass fans will enjoy the old school style of ‘How Mountain Girls Can Love’ and the album’s opener ‘Everybody Loves You.’  Those whose leanings are more in the country realm will enjoy ‘The Ballad of Ricky and Cal’ and the album’s closer ‘the Cowboy Rides Away.’  There was nowhere for this song to go than at the album’s end considering its title.  And Wood’s gentle, bluesy guitar work shows why, too.  Rock fans aren’t left out, either.  Wood offers his rock fans ‘Of Elf and Man’ (perhaps paying homage to Metallica’s ‘Of Wolf and Man?’), ‘Got A Light’ and the toned down cover of Led Zeppelin’s ‘Fool in the Rain.’  There’s even a jazzy piece thrown in for good measure in the form of ‘Dracula and His Cooky, Spooky Band.’  The use of the horns and Latin percussion alongside Wood’s own talents will have audiences up and dancing on this track, especially with Halloween now just around the corner.  The songs noted here are just some examples of Wood’s versatility on this record.  It goes without saying that said versatility is displayed quite well.  The enjoyment doesn’t end there, either.  The sequencing of the songs throughout the record makes the journey from start to finish all the more enjoyable.

The variety of sounds that Wood includes throughout the course of new record is in itself more than enough reason for audiences to give this album at least one listen.  If audiences aren’t convinced by that aspect, then perhaps the stylistic differences in the songs will convince audiences.  Stylistically speaking, the songs that make up Between The Truth and a Lie are both full compositions complete with vocals and instrumental tracks.  Wood balanced that mix quite well, too making sure not to stay on the full compositions or the instrumental pieces for too long.  It shows that he and all involved behind the glass put a lot of thought into the album’s overall presentation.  Speaking of that thought, the mix of musical genres and styles together make for plenty of reason for audiences to check out Andy Wood’s new album.  If there is still anyone not convinced as to why they should check out Between The Truth and a Lie by now, then perhaps an examination of the album’s sequencing will convince said audiences.

The musical mix of genres and styles that make up Between The Truth and a Lie are equally important to the album in terms of its enjoyment.  They would be nothing without the album’s sequencing, though. It would have been so easy for Wood and those behind the glass to randomly toss the album’s songs in throughout the record.  But that didn’t happen.  Rather, the album gradually progress from Wood’s bluegrass sound to a more rock oriented sound and then back to a country sound.  It is done with such precision that the progression is almost unnoticeable to the untrained ear. Those that listen closely though, will hear the slow change.   It’s especially nice to hear that change happen gradually instead of suddenly.  That is because it makes the album in whole all the easier on the ears.  Combined with the songs themselves and their difference in style, it makes the album one that will bring audiences of all ages and interests together, proving true once more the adage that music truly is the universal language.  And that language is sure to bring together every person that gives this record a chance.

Caught Between The Truth and a Lie is available now in stores and online.  More information on the album, Wood’s tour dates and latest updates is available online at:

Website: http://www.andywoodmusic.com

Facebook: http://www.facebook.com/pages/Andy-Wood/123741651016472

Twitter: http://twitter.com/awoodshreds

Myspace: http://www.myspace.com/awoodshreds

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Alter Bridge moves into the mix of the year’s best live shows

Courtesy: Alter Bridge Recordings/EMI Label Services

Good morning, everyone.  I hope your weekend is going well so far.  I promised earlier this morning that I’d have even more new reviews to come.  And I try my hardest to be a man of my word.  So this morning, I’ve got another new review.  Funny thing is that with this review, it’s now official that I’m going to have to shift my list of the year’s top live shows yet again.  That’s because of just how impressed I am by the topic of this review.  This morning, I offer a live set that has really set itself apart from the others that have already been released thus far.  This morning I offer to you, dear readers, the recently released double disc cd/blu-ray release from Alter Bridge, “Live at Wembley.”

So often, when it comes to choosing which live recordings to buy, audiences are forced to choose between the audio and video portions of the show(s) in question.  In other cases, fans are forced to wait and see if labels will even release given shows in more than one format.  It could be argued the reason this happens is labels’ fears of said releases’ success or lack thereof.  So in releasing “Live at Wembley” in a cd/blu-ray package, Alter Bridge Recordings and EMI Label Services were taking a calculated risk.  That risk has paid off.  What fans get in this dual disc package is a nearly two hour concert that spans its whole curent catalogue.  It doesn’t feel the least bit of its near two hour time, either.  The band keeps the energy moving throughout the concert, even in its slower songs, making that run time pass by with ease.  Add in a bonus tour documentary, and audiences get a great two piece/three-part live release that has officially made its case for being named one of the year’s best live recordings.

“Live at Wembley” is only the second live release from Alter Bridge.  But it’s also the best of the pair.  The recording documents the final show on the band’s 2011 European tour.  The very first thing that fans wil notice in this set is the stunning clarity of the show’s blu-ray presentation.  If ever there was an argument for switching  to blu-ray and HDTV, the clarity of the picture in this show is it.  It’s not all that makes the video portion of the show so impressive, though.  The show itself plays its own role.  Director Daniel E. Catullo III and his crew are to be highly commended for their work on recording the performance.  The work of the camera crew really caught the vibe of both the band and the audience.  Viewers could feel both sides feeding off of one another’s energy.  That served to make the show fly by.  Before audiences know it, the show’s over.  On top of all of that, the shooting took place from both on stage and in the crowd.  It makes audiences feel as if they’re right there with those who were there at the time of the show.  All combined, these are signs of a great live show. 

Speaking of the audience and band feeding off of one another, the way that the camera crew caught the audience clapping and swaying its hands in unison showed how much the audience appreciated the band’s performance.  It was moving to see how the band’s music brought so many people from so many different backgrounds together for one special night.  It just goes to prove music’s ability to unify people.  Those moments are many throughout the show.  But there’s something beautiful and moving about them, every time.

On stage, viewers watching the show at home see the result of the audience feeding off of the band.  Frontman Myles Kennedy takes that energy from the audiences and gives it back tenfold.  He proves to be the perennial frontman, especially during ‘White Knuckles.’  He comes across as a big kid when he gets the lighting crew to bring the lights up on one side of the audience and then the other.  It’s just one of many moments that make one compare his stage presence to that of Nickelback frontman Chad Kroeger.  This is meant in a wholly complimentary manner.

As amazing as the Wembley show’s video portion is, it’s only part of what makes this set a triple threat.  The bonus tour documentary shows fans a side of the band that they might not have otherwise seen before.  As noted already, frontman Myles Kennedy comes across as a big kid at least once during the show.  Listening to him talk about how amazed he is to be where he is now serves to certify that description.  He and the rest of the band–Mark Tremonti (guitars), Scott Phillips (Drums) and Brian Marshall (Bass)–come across as being very humble, hard working musicians who do what they do more for the band’s fans than for themselves.  Hearing Myles and Brian talk about how serious Myles takes the matter of caring for his voice shows how serious he is about performing.  It’s a little bit funny hearing Myles talk about people think he’s being anti-social because he doesn’t talk much before a show.  Though it does make at least a certain amount of sense.  And it makes him that much more respected both as a vocalist and a musician.

Just as impressive as the band’s devotion to performing for its fans is how serious it takes being at the level at which it now sits.  Even as big as the band is, the band’s members talk about the honor of playing Wembley.  It’s compared to playing New York’s Madison Square Garden.  The point here was to highlight that the band realizes how far it’s come to be playing one of Europe’s most legendary venues.  Of course, for all of the seriousness caught in the documentary, there are lighter moments, too.  It’s funny hearing the band talk and laugh about how expensive things are overseas versus how expensive it might be here in the United States.

The bonus documentary has far more enjoyable moments than what is noted here.  Fans who watch it for themselves will see every one of those moments.  They will also get a wonderful high def visual experience in the video portion of the show and an equally enjoyable audio portion with the included cd.  All together, this double disc set is a triple threat in the ranks of the year’s live recordings.  It could be argued that considering both the extrensic and intrinsic value of this set, Alter Bridge has made a fully valid argument for having released one of the elite top live recordings of the year.

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